The Sound of the Trio / The Trio / Night Train

~ Release by The Oscar Peterson Trio (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1The Night We Called It A Day
recording engineer:
Val Valentin (from 1961-09 until 1961-10)
producer:
Jim Davis (jazz producer)
double bass [bass]:
Ray Brown (jazz bassist) (from 1961-09 until 1961-10)
drums (drum set):
Ed Thigpen (from 1961-09 until 1961-10)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1961-09 until 1961-10)
recorded at:
London House, Chicago in Chicago, Illinois, United States (from 1961-09 until 1961-10)
live instrumental recording of:
The Night We Called It a Day (from 1961-09 until 1961-10)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
BMI/Embassy Music Corp. and Dorsey Brothers Music
recording of:
The Night We Called It a Day
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
BMI/Embassy Music Corp. and Dorsey Brothers Music
4:46
2Sometimes I'm Happy
recording engineer:
Val Valentin (from 1961-09 until 1961-10)
producer:
Jim Davis (jazz producer)
double bass [bass]:
Ray Brown (jazz bassist) (from 1961-09 until 1961-10)
drums (drum set):
Ed Thigpen (from 1961-09 until 1961-10)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1961-09 until 1961-10)
recorded at:
London House, Chicago in Chicago, Illinois, United States (from 1961-09 until 1961-10)
live instrumental recording of:
Sometimes I’m Happy (from 1961-09 until 1961-10)
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
recording of:
Sometimes I’m Happy
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
11:42
3Whisper Not
recording engineer:
Val Valentin (from 1961-09 until 1961-10)
producer:
Jim Davis (jazz producer)
double bass [bass]:
Ray Brown (jazz bassist) (from 1961-09 until 1961-10)
drums (drum set):
Ed Thigpen (from 1961-09 until 1961-10)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1961-09 until 1961-10)
recorded at:
London House, Chicago in Chicago, Illinois, United States (from 1961-09 until 1961-10)
live instrumental recording of:
Whisper Not (original instrumental composition) (from 1961-09 until 1961-10)
composer:
Benny Golson (American jazz saxophonist and composer) (in 1956)
recording of:
Whisper Not (original instrumental composition)
composer:
Benny Golson (American jazz saxophonist and composer) (in 1956)
5:50
4Billy Boy
recording engineer:
Val Valentin (from 1961-09 until 1961-10)
producer:
Jim Davis (jazz producer)
double bass [bass]:
Ray Brown (jazz bassist) (from 1961-09 until 1961-10)
drums (drum set):
Ed Thigpen (from 1961-09 until 1961-10)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1961-09 until 1961-10)
recorded at:
London House, Chicago in Chicago, Illinois, United States (from 1961-09 until 1961-10)
live recording of:
Billy Boy (from 1961-09 until 1961-10)
writer:
[traditional] (special purpose artist)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
part of:
Roud Folk Song Index (number: 326)
1:48
5Happy-Go-Lucky Local (Night Train)
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1962-12-15 until 1962-12-16)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1963)
recording of:
Night Train (Jimmy Forrest’s original instrumental version) (from 1962-12-15 until 1962-12-16)
composer:
Jimmy Forrest
is based on:
Happy Go Lucky Local
4:53
6C-Jam Blues
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1962-12-15 until 1962-12-16)
recording of:
“C” Jam Blues (from 1962-12-15 until 1962-12-16)
composer:
Barney Bigard and Duke Ellington (US composer, pianist & jazz bandleader) (in 1942)
3:26
7Georgia On My Mind
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1962-12-15 until 1962-12-16)
instrumental recording of:
Georgia on My Mind (from 1962-12-15 until 1962-12-16)
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
3:47
8Bag's Groove
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1962-12-15 until 1962-12-16)
recording of:
Bags’ Groove (from 1962-12-15 until 1962-12-16)
composer:
Milt Jackson
5:43
9Moten Swing
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1962-12-15 until 1962-12-16)
recording of:
Moten Swing (from 1962-12-15 until 1962-12-16)
writer:
Bennie Moten (jazz pianist)
composer:
Bennie Moten (jazz pianist), Ira E. "Buster" Moten, Count Basie (pianist) (in 1930) and Eddie Durham (American guitarist, trombonist, composer and arranger.) (in 1930)
2:55
10Easy Does It
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1962-12-15 until 1962-12-16)
recording of:
Easy Does It (from 1962-12-15 until 1962-12-16)
writer:
James Oliver Young and Sy Oliver
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Warock Corp.
2:46
11The Honeydripper
recorded in:
Los Angeles, California, United States (on 1962-12-15, from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1962-12-15, from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (on 1962-12-15, from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1962-12-15, from 1962-12-15 until 1962-12-16)
instrumental recording of:
The Honeydripper (on 1962-12-15)
lyricist and composer:
Joe Liggins
recording of:
The Honeydripper (from 1962-12-15 until 1962-12-16)
lyricist and composer:
Joe Liggins
2:25
12Things Ain't What They Used To Be
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1962-12-15 until 1962-12-16)
instrumental recording of:
Things Ain’t What They Used to Be (from 1962-12-15 until 1962-12-16)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
4:39
13I Got It Bad (And That Ain't Good)
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1962-12-15 until 1962-12-16)
instrumental recording of:
I Got It Bad (and That Ain’t Good) (from 1962-12-15 until 1962-12-16)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, volume I)
5:09
14Band Call
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1962-12-15 until 1962-12-16)
recording of:
Band Call (from 1962-12-15 until 1962-12-16)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:55
15Hymn To Freedom
producer:
Norman Granz
recording of:
Hymn to Freedom
composer:
Oscar Peterson (Canadian jazz pianist and composer)
5:38

Credits

Release group

includes:Night Train
The Sound of the Trio
The Trio by Oscar Peterson (Canadian jazz pianist and composer), Joe Pass (jazz guitarist) & Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist)