Symphony No. 8

~ Release by Gustav Mahler; Philadelphia Orchestra, Yannick Nézet‐Séguin (see all versions of this release, 3 available)

Tracklist

1▼Digital Media
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1Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 1: "Veni creator spiritus" (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:26
2Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 1: "Imple superna gratia" (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
solo baritone vocals:
Markus Werba (in 2016-03)
solo bass vocals:
John Relyea (in 2016-03)
solo contralto vocals [Contralto I]:
Elizabeth Bishop (mezzo-soprano) (in 2016-03)
solo contralto vocals [Contralto II]:
Mihoko Fujimura (mezzo-soprano) (in 2016-03)
solo soprano vocals [Soprano I]:
Angela Meade (soprano) (in 2016-03)
solo soprano vocals [Soprano II]:
Erin Wall (Canadian-American soprano) (in 2016-03)
solo tenor vocals:
Anthony Dean Griffey (tenor) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler4:26
3Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 1: "Infirma nostri corporis" (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
solo baritone vocals:
Markus Werba (in 2016-03)
solo bass vocals:
John Relyea (in 2016-03)
solo contralto vocals [Contralto I]:
Elizabeth Bishop (mezzo-soprano) (in 2016-03)
solo contralto vocals [Contralto II]:
Mihoko Fujimura (mezzo-soprano) (in 2016-03)
solo soprano vocals [Soprano I]:
Angela Meade (soprano) (in 2016-03)
solo soprano vocals [Soprano II]:
Erin Wall (Canadian-American soprano) (in 2016-03)
solo tenor vocals:
Anthony Dean Griffey (tenor) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:47
4Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 1: Tempo I (Allegro, etwas hastig)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: d. Tempo I (Allegro, etwas hastig) (in 2016-03)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:25
5Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 1: "Infirma nostri corporis virtute firmans perpeti" (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
solo baritone vocals:
Markus Werba (in 2016-03)
solo bass vocals:
John Relyea (in 2016-03)
solo contralto vocals [Contralto I]:
Elizabeth Bishop (mezzo-soprano) (in 2016-03)
solo contralto vocals [Contralto II]:
Mihoko Fujimura (mezzo-soprano) (in 2016-03)
solo soprano vocals [Soprano I]:
Angela Meade (soprano) (in 2016-03)
solo soprano vocals [Soprano II]:
Erin Wall (Canadian-American soprano) (in 2016-03)
solo tenor vocals:
Anthony Dean Griffey (tenor) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: e. Infirma nostri corporis (7 Soli) (in 2016-03)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler2:48
6Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 1: "Accende lumen sensibus" (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
choir vocals [boys' choir]:
American Boychoir (in 2016-03)
solo baritone vocals:
Markus Werba (in 2016-03)
solo bass vocals:
John Relyea (in 2016-03)
solo contralto vocals [Contralto I]:
Elizabeth Bishop (mezzo-soprano) (in 2016-03)
solo contralto vocals [Contralto II]:
Mihoko Fujimura (mezzo-soprano) (in 2016-03)
solo soprano vocals [Soprano I]:
Angela Meade (soprano) (in 2016-03)
solo soprano vocals [Soprano II]:
Erin Wall (Canadian-American soprano) (in 2016-03)
solo tenor vocals:
Anthony Dean Griffey (tenor) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler5:22
7Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 1: "Qui Paraclitus diceris" (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
solo baritone vocals:
Markus Werba (in 2016-03)
solo bass vocals:
John Relyea (in 2016-03)
solo contralto vocals [Contralto I]:
Elizabeth Bishop (mezzo-soprano) (in 2016-03)
solo contralto vocals [Contralto II]:
Mihoko Fujimura (mezzo-soprano) (in 2016-03)
solo soprano vocals [Soprano I]:
Angela Meade (soprano) (in 2016-03)
solo soprano vocals [Soprano II]:
Erin Wall (Canadian-American soprano) (in 2016-03)
solo tenor vocals:
Anthony Dean Griffey (tenor) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler4:18
8Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 1: "Gloria sit Patri Domino" (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
choir vocals [boys' choir]:
American Boychoir (in 2016-03)
solo baritone vocals:
Markus Werba (in 2016-03)
solo bass vocals:
John Relyea (in 2016-03)
solo contralto vocals [Contralto I]:
Elizabeth Bishop (mezzo-soprano) (in 2016-03)
solo contralto vocals [Contralto II]:
Mihoko Fujimura (mezzo-soprano) (in 2016-03)
solo soprano vocals [Soprano I]:
Angela Meade (soprano) (in 2016-03)
solo soprano vocals [Soprano II]:
Erin Wall (Canadian-American soprano) (in 2016-03)
solo tenor vocals:
Anthony Dean Griffey (tenor) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:53
9Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 2: Poco adagio (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:24
10Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 2: Più mosso (Allegro moderato)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:48
11Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 2: "Waldung, sie schwankt heran" (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:32
12Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 2: "Ewiger Wonnebrand" (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
solo baritone vocals [Pater Ecstaticus]:
Markus Werba (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:39
13Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 2: "Wie Felsenabgrund mir zu Füßen" (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
solo bass vocals [Pater Profundus]:
John Relyea (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:37
14Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 2: "Gerettet ist das edle Glied" (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
choir vocals [boys' choir]:
American Boychoir (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:04
15Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 2: "Jene Rosen, aus den Händen" (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor) (in 2016-03)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler2:10
16Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 2: "Uns bleibt ein Erdenrest" (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:47
17Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 2: "Ich spür' soeben" (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (in 2016-03)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler0:35
18Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 2: "Hier ist die Aussicht frei" - "Freudig empfangen wir" (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
choir vocals [boys' choir]:
American Boychoir (in 2016-03)
solo tenor vocals [Doctor Marianus]:
Anthony Dean Griffey (tenor) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor) (in 2016-03)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler0:39
19Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 2: "Höchste Herrscherin der Welt" (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
solo tenor vocals [Doctor Marianus]:
Anthony Dean Griffey (tenor) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live partial recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler2:42
20Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 2: "Jungfrau, rein im schönsten Sinne" (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
solo tenor vocals [Doctor Marianus]:
Anthony Dean Griffey (tenor) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live partial recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:45
21Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 2: Äußerst langsam. Adagissimo (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live partial recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:39
22Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 2: "Dir, der Unberührbaren" - "Du schwebst zu Höhen" (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
solo soprano vocals [Una Poenitentium]:
Erin Wall (Canadian-American soprano) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler2:42
23Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 2: "Bei der Liebe, die den Füßen" (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
solo soprano vocals [Magna Peccatrix]:
Angela Meade (soprano) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k1. Bei der Liebe, die den Füssen (Magna Peccatrix) (Magna Peccatrix only) (in 2016-03)
lyricist:
Johann Wolfgang von Goethe
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
Gustav Mahler1:00
24Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 2: ''Bei dem Bronn, zu dem schon weiland" (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
solo contralto vocals [Mulier Samaritana]:
Elizabeth Bishop (mezzo-soprano) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k2. Bei dem Bronn, zu dem schon weiland (Mulier Samaritana) (Mulier Samaritana only) (in 2016-03)
lyricist:
Johann Wolfgang von Goethe
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
Gustav Mahler1:27
25Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 2: "Bei dem hochgeweihten Orte" (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
solo contralto vocals [Maria Aegyptiaca]:
Mihoko Fujimura (mezzo-soprano) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k3. Bei dem hochgeweihten Orte (Maria Aegyptiaca) (Maria Aegyptiaca only) (in 2016-03)
lyricist:
Johann Wolfgang von Goethe
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
Gustav Mahler1:05
26Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 2: "Die du großen Sünderinnen" (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
solo contralto vocals [Maria Aegyptiaca]:
Mihoko Fujimura (mezzo-soprano) (in 2016-03)
solo contralto vocals [Mulier Samaritana]:
Elizabeth Bishop (mezzo-soprano) (in 2016-03)
solo soprano vocals [Magna Peccatrix]:
Angela Meade (soprano) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k4. Die du großen Sünderinnen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (in 2016-03)
lyricist:
Johann Wolfgang von Goethe
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
Gustav Mahler1:38
27Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 2: "Neige, neige, du Ohnegleiche" (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
solo soprano vocals [Una Poenitentium]:
Erin Wall (Canadian-American soprano) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler0:48
28Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 2: "Er überwächst uns schon" (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
choir vocals [boys' choir]:
American Boychoir (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live partial recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (in 2016-03)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:20
29Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 2: "Vom edlen Geisterchor umgeben" (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
solo soprano vocals [Una Poenitentium]:
Erin Wall (Canadian-American soprano) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live partial recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (in 2016-03)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler2:15
30Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 2: "Komm! hebe dich zu höhern Sphären" (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
solo soprano vocals [Mater Gloriosa]:
Lisette Oropesa (soprano opera singer) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (in 2016-03)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:18
31Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 2: "Blicket auf zum Retterblick" (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
choir vocals [boys' choir]:
American Boychoir (in 2016-03)
solo tenor vocals [Doctor Marianus]:
Anthony Dean Griffey (tenor) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:20
32Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 2: "Alles Vergängliche" (Live)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor (engineer)
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
choir vocals [boys' choir]:
American Boychoir (in 2016-03)
solo baritone vocals:
Markus Werba (in 2016-03)
solo bass vocals:
John Relyea (in 2016-03)
solo contralto vocals:
Elizabeth Bishop (mezzo-soprano) (in 2016-03) and Mihoko Fujimura (mezzo-soprano) (in 2016-03)
solo soprano vocals:
Angela Meade (soprano) (in 2016-03) and Erin Wall (Canadian-American soprano) (in 2016-03)
solo tenor vocals:
Anthony Dean Griffey (tenor) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2016-03)
balance engineer:
Andrew Mellor (engineer)
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:41