The Complete After Midnight Sessions

~ Release by Nat “King” Cole Trio (see all versions of this release, 17 available)

Tracklist

1▼CD
#TitleRatingLength
1You Can Depend on Me
recording of:
You Can Depend on Me
composer:
Charles Carpenter, Louis Dunlap and Earl Hines (jazz pianist and bandleader)
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
3:53
2Candy
recording of:
Candy
lyricist:
Mack David (American lyricist and songwriter) (in 1944) and Joan Whitney (in 1944)
composer:
Alex Kramer (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), EMI Feist Catalog Inc., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3:53
3Sweet Lorraine
double bass:
Charlie Harris (jazz bassist) (on 1956-08-15)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1956-08-15)
guest trumpet:
Harry Edison (on 1956-08-15)
guitar:
John Collins (US jazz guitarist) (on 1956-08-15)
piano:
Nat King Cole (on 1956-08-15)
vocals:
Nat King Cole (on 1956-08-15)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-15) and Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
cover recording of:
Sweet Lorraine (on 1956-08-15)
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
4:35
4It’s Only a Paper Moon
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guest trumpet:
Harry Edison
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
vocals:
Nat King Cole
cover recording of:
It’s Only a Paper Moon
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
3:06
5(Get Your Kicks on) Route 66
double bass:
Charlie Harris (jazz bassist) (on 1956-08-15)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1956-08-15)
guest trumpet:
Harry Edison (on 1956-08-15)
guitar:
John Collins (US jazz guitarist) (on 1956-08-15)
piano:
Nat King Cole (on 1956-08-15)
vocals:
Nat King Cole (on 1956-08-15)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-15)
cover recording of:
(Get Your Kicks on) Route 66 (on 1956-08-15)
lyricist and composer:
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Burke-Van Heusen, Inc. (on 1946-04-22)
3:41
6Don’t Let It Go to Your Head
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guest alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
vocals:
Nat King Cole
3:11
7You’re Looking at Me
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guest alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
vocals:
Nat King Cole
cover recording of:
You’re Looking at Me
lyricist and composer:
Bobby Troup
4:15
8Just You, Just Me
double bass:
Charlie Harris (jazz bassist) (on 1956-09-14)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1956-09-14)
guest alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1956-09-14)
guitar:
John Collins (US jazz guitarist) (on 1956-09-14)
piano:
Nat King Cole (on 1956-09-14)
vocals:
Nat King Cole (on 1956-09-14)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09) and Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-09-14)
cover recording of:
Just You, Just Me (on 1956-09-14)
lyricist:
Raymond Klages (in 1929)
composer:
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
3:02
9I Was a Little Too Lonely (and You Were a Little Too Late)
recording of:
I Was a Little Too Lonely and You Were a Little Too Late
writer:
Ray Evans (American songwriter) and Jay Livingston
43:00
10Caravan
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guest bongos:
Jack Constanzo
guest valve trombone:
Juan Tizol
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
vocals:
Nat King Cole
cover recording of:
Caravan
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
2:46
11Lonely One
guest bongos:
Jack Constanzo
guest valve trombone:
Juan Tizol
guitar:
Charlie Harris (jazz bassist)
piano:
Nat King Cole
vocals:
Nat King Cole
cover recording of:
The Lonely One
lyricist:
Lenny Hambro
composer:
Roberta Heller
3:47
12Blame It on My Youth
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guest valve trombone:
Juan Tizol
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
vocals:
Nat King Cole
cover recording of:
Blame It on My Youth
lyricist:
Edward Heyman
composer:
Oscar Levant
publisher:
Oscar Levant Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:11
13What Is There to Say?
recording of:
What Is There to Say?
lyricist:
Yip Harburg
composer:
Vernon Duke
publisher:
BMG Songs, Next Decade Entertainment and T.B. Harms Co.
3:35
14Sometimes I’m Happy
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guest violin:
Stuff Smith (jazz violinist)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
vocals:
Nat King Cole
cover recording of:
Sometimes I’m Happy
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
4:09
15I Know That You Know
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guest violin:
Stuff Smith (jazz violinist)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
vocals:
Nat King Cole
cover recording of:
I Know That You Know (Caldwell & Youmans)
lyricist:
Anne Caldwell
composer:
Vincent Youmans
part of:
Hit the Deck (1955 movie)
2:29
16When I Grow Too Old to Dream
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guest violin:
Stuff Smith (jazz violinist)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
vocals:
Nat King Cole
cover recording of:
When I Grow Too Old to Dream
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1934)
composer:
Sigmund Romberg (in 1934)
publisher:
EMI United Partnership Ltd. and Robbins Music
translated version of:
Altijd zal het zomer zijn
3:34
17Two Loves Have I
recording of:
Two Loves Have I
lyricist:
Jack Murray (US songwriter) and Barry Trivers
composer:
Vincent Scotto
translated version of:
J’ai deux amours
2:49
18Don’t Blame Me
recording of:
Don’t Blame Me
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Ireneadele Publishing
3:03
19It Could Happen to You
recording of:
It Could Happen to You
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
2:46
20I Surrender Dear
double bass:
Charlie Harris (jazz bassist) (on 1955-07-14)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-07-14)
guitar:
John Collins (US jazz guitarist) (on 1955-07-14)
piano:
Nat King Cole (on 1955-07-14)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-07-14)
instrumental cover recording of:
I Surrender Dear (on 1955-07-14)
lyricist:
Gordon Clifford (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
2:58
21Little Girl
double bass:
Charlie Harris (jazz bassist) (on 1955-07-14)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-07-14)
guitar:
John Collins (US jazz guitarist) (on 1955-07-14)
piano:
Nat King Cole (on 1955-07-14)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-07-14)
instrumental cover recording of:
Little Girl (1931 song) (on 1955-07-14)
writer:
Francis Henry (in 1931) and Madeline Hyde (in 1931)
1:51