| # | Title | Artist | Rating | Length |
|---|
| 1 | Bad Day | Daniel Powter | 3.1 | 3:54 |
| 2 | Desperado | Linda Ronstadt | | 3:31 |
| 3 | Your Song- engineer:
- Robin Geoffrey Cable
- producer:
- Gus Dudgeon
- 12 string guitar:
- Clive Hicks
- acoustic guitar:
- Frank Clark
- bass guitar:
- Dave Richmond
- drums (drum set):
- Barry Morgan
- guitar:
- Colin Green
- piano and lead vocals:
- Elton John
- conductor:
- Paul Buckmaster
- arranger:
- Paul Buckmaster
- phonographic copyright (℗) by:
- This Record Co. Ltd.
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom
- part of:
- Billboard: The 500 Best Pop Songs (number: 54), Rolling Stone: 500 Greatest Songs of All Time (number: 136) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 202)
- recording of:
- Your Song
- lyricist:
- Bernie Taupin
- composer:
- Elton John
- publisher:
- Dick James Music Ltd. (ended), Universal Music Publishing , Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. , シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Elton John | 3.75 | 4:01 |
| 4 | A Thousand Miles | Vanessa Carlton | 3.45 | 3:57 |
| 5 | Saturday in the Park | Chicago | 4 | 3:54 |
| 6 | Open Arms | Journey | 3.8 | 3:19 |
| 7 | The Rose | Bette Midler | 4.2 | 3:33 |
| 8 | Daydream Believer | The Monkees | 4.65 | 2:55 |
| 9 | Shout to the Top | The Style Council | 3 | 4:14 |
| 10 | Against All Odds (Take a Look at Me Now)- engineer:
- Jeremy Smith and Lewis Hahn
- producer:
- Arif Mardin
- drums (drum set) and lead vocals:
- Phil Collins
- keyboard:
- Rob Mounsey
- conductor:
- Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1999)
- recording of:
- Against All Odds (Take a Look at Me Now)
- lyricist and composer:
- Phil Collins
- publisher:
- Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing , EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (in 1984), EMI Music Publishing Ltd. (in 1984), Golden Torch Music Corp. (in 1984) and Hit & Run Music (Publishing) Ltd (in 1984)
- sub-publisher:
- EMI Music Publishing Germany GmbH , Imagem Music GmbH , Sony Music Publishing (Japan) Inc. , ヤマハミュージックエンタテインメントホールディングス , コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
- part of:
- The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
| Phil Collins | 3.8 | 3:24 |
| 11 | Without You- engineer:
- Robin Geoffrey Cable
- producer:
- Richard Perry
- acoustic guitar:
- John Uribe (in 1971-06)
- bass guitar:
- Klaus Voormann (in 1971-06)
- drums (drum set):
- Jim Keltner (in 1971-06)
- piano:
- Gary Wright (in 1971-06)
- vocals:
- Harry Nilsson (in 1971-06)
- conductor:
- Paul Buckmaster (in 1971-06)
- brass and strings arranger:
- Paul Buckmaster
- phonographic copyright (℗) by:
- BMG Music (in 1971, in 1991), RCA Records (in 1971), Sony Music Entertainment (in 1971), RCA Corporation (in 1972) and RCA Records, Inc. (in 1989)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 496)
- cover recording of:
- Without You (in 1971-06)
- writer:
- Tom Evans and W. Peter Ham
- publisher:
- 100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, from 1970 to present), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music and WB Music Corp. (until 2019-05-28)
- sub-publisher:
- ティー・アール・オー・エセックス・ジャパン A事業部
| Nilsson | 4.3 | 3:21 |
| 12 | Arthur’s Theme (Best That You Can Do)- additional engineer:
- John Guess, Lee Herschberg, Mark Linett and Richard Mullen
- assistant engineer:
- Stuart Gitlin and Margaret Gwynne
- producer:
- Michael Omartian
- mixer:
- Chet Himes
- lead vocals:
- Christopher Cross
- conductor:
- Michael Omartian
- strings arranger:
- Michael Omartian
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- concertmaster:
- Assa Drori
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1981, in 1983)
- recorded at and mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
- recording of:
- Arthur’s Theme (Best That You Can Do)
- writer:
- Peter Allen , Burt Bacharach, Carole Bayer Sager and Christopher Cross
- publisher:
- Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing , Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America and Woolnough Music
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
| Christopher Cross | 5 | 3:53 |
| 13 | Up Where We Belong | Joe Cocker & Jennifer Warnes | 3.5 | 3:52 |
| 14 | Right Here Waiting | Richard Marx | 3.8 | 4:23 |
| 15 | I Don’t Want to Wait | Paula Cole | 3.2 | 5:19 |
| 16 | Because I Love You (The Postman Song) | Stevie B | 5 | 5:01 |
| 17 | I Can See Clearly Now | Hothouse Flowers | | 4:53 |
| 18 | The Stranger | Billy Joel | 3.65 | 5:09 |