Ladies and Gentlemen… Mr. B.B. King

~ Release by B.B. King (see all versions of this release, 2 available)

Tracklist

1▶CD: Three O’Clock Blues (1919–1956)
2▶CD: Rock Me Baby (1957–1962)
3▶CD: How Blue Can You Get (1962–1996)
4▶CD: Why I Sing the Blues (1967–1969)
5▶CD: The Thrill Is Gone (1969–1971)
6▶CD: Lucille Talks Back (1971–1977)
7▼CD: When It All Comes Down (I’ll Still Be Around) (1978–1983)
#TitleRatingLength
1When It All Comes Down (I’ll Still Be Around)
producer:
Wilton Felder, Stix Hooper, Stewart Levine (record producer and saxophonist) and Joe Sample
bass:
Robert "Pops" Popwell (in 1977)
drums (drum set):
James Gadson (American drummer) (in 1977) and Stix Hooper (in 1977)
guitar:
Roland Bautista (in 1977), B.B. King (in 1977) and Dean Parks (American session guitarist) (in 1977)
keyboard:
Joe Sample (in 1977)
saxophone:
Dennis Quitman (in 1977), Gary Herbig (in 1977) and Kurt McGettrick (in 1977)
trombone:
George Bohanon (in 1977) and Charles B. Findley (trumpet, trombone, horn player) (in 1977)
trumpet:
Steve Madaio (in 1977)
background vocals:
Julia Waters Tillman (in 1977), Maxine Waters Willard (in 1977), Luther Waters (in 1977) and Oren Waters (in 1977)
vocals:
B.B. King (in 1977)
phonographic copyright (℗) by:
Geffen Records (in 1978)
recorded at:
Hollywood Sound Recorders in Los Angeles, California, United States (in 1977)
recording of:
When It All Comes Down (I’ll Still Be Around) (in 1977)
writer:
Will Jennings and Joe Sample
publisher:
Four Knights Music and Irving Music, Inc.
4:12
2Hold On (I Feel Our Love Is Changing)
producer:
Wilton Felder, Stix Hooper, Stewart Levine (record producer and saxophonist) and Joe Sample
bass:
Robert "Pops" Popwell (in 1977)
drums (drum set):
James Gadson (American drummer) (in 1977) and Stix Hooper (in 1977)
guitar:
Roland Bautista (in 1977), B.B. King (in 1977) and Dean Parks (American session guitarist) (in 1977)
keyboard:
Joe Sample (in 1977)
saxophone:
Dennis Quitman (in 1977), Gary Herbig (in 1977) and Kurt McGettrick (in 1977)
trombone:
George Bohanon (in 1977) and Charles B. Findley (trumpet, trombone, horn player) (in 1977)
trumpet:
Steve Madaio (in 1977)
background vocals:
Julia Waters Tillman (in 1977), Maxine Waters Willard (in 1977), Luther Waters (in 1977) and Oren Waters (in 1977)
vocals:
B.B. King (in 1977)
phonographic copyright (℗) by:
Geffen Records (in 1978)
recorded at:
Hollywood Sound Recorders in Los Angeles, California, United States (in 1977)
recording of:
Hold On (I Feel Our Love Is Changing) (in 1977)
writer:
Will Jennings and Joe Sample
publisher:
Four Knights Music, Four Knights Music Co. and Irving Music, Inc.
4:10
3Never Make Your Move Too Soon
producer:
Wilton Felder, Stix Hooper, Stewart Levine (record producer and saxophonist) and Joe Sample
bass:
Robert "Pops" Popwell (in 1977)
drums (drum set):
James Gadson (American drummer) (in 1977) and Stix Hooper (in 1977)
guitar:
Roland Bautista (in 1977), B.B. King (in 1977) and Dean Parks (American session guitarist) (in 1977)
keyboard:
Joe Sample (in 1977)
saxophone:
Dennis Quitman (in 1977), Wilton Felder (in 1977), Gary Herbig (in 1977) and Kurt McGettrick (in 1977)
trombone:
George Bohanon (in 1977) and Charles B. Findley (trumpet, trombone, horn player) (in 1977)
trumpet:
Steve Madaio (in 1977)
background vocals:
Julia Waters Tillman (in 1977), Maxine Waters Willard (in 1977), Luther Waters (in 1977) and Oren Waters (in 1977)
vocals:
B.B. King (in 1977)
phonographic copyright (℗) by:
Geffen Records (in 1978)
recorded at:
Hollywood Sound Recorders in Los Angeles, California, United States (in 1977)
recording of:
Never Make a Move Too Soon (in 1977)
writer:
Will Jennings and Nesbert Hooper, Jr.
publisher:
Four Knights Music, Four Knights Music Co., Irving Music, Inc. and Status Cymbal Music (BMI-affiliated)
5:42
4Better Not Look Down
recorded in:
Hollywood, Los Angeles, California, United States (from 1978-12 until 1979-01)
engineer and mixer:
Rik Pekkonen
producer:
Wilton Felder, Stix Hooper, Stewart Levine (record producer and saxophonist), Johnny Pate and Joe Sample
baritone saxophone:
Kim Hutchcroft (from 1978-12 until 1979-01)
bass and tenor saxophone:
Wilton Felder (from 1978-12 until 1979-01)
drums (drum set):
James Gadson (American drummer) (from 1978-12 until 1979-01) and Stix Hooper (from 1978-12 until 1979-01)
guitar:
Paul Jackson (guitar) (from 1978-12 until 1979-01), B.B. King (from 1978-12 until 1979-01) and Dean Parks (American session guitarist) (from 1978-12 until 1979-01)
keyboard:
Joe Sample (from 1978-12 until 1979-01)
percussion:
Paulinho da Costa (Brazilian percussionist) (from 1978-12 until 1979-01) and Stix Hooper (from 1978-12 until 1979-01)
saxophone:
Dennis Quitman (from 1978-12 until 1979-01) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (from 1978-12 until 1979-01)
trombone:
Charles Fendley (from 1978-12 until 1979-01), Chuck Findley (trumpet, trombone, horn player) (from 1978-12 until 1979-01) and Jack Redmond (from 1978-12 until 1979-01)
trumpet:
Gary Grant (brass) (from 1978-12 until 1979-01) and Steve Madaio (from 1978-12 until 1979-01)
background vocals:
Luther Waters (from 1978-12 until 1979-01), Maxine Waters (from 1978-12 until 1979-01) and Oren Waters (from 1978-12 until 1979-01)
vocals:
Julia Tillman (from 1978-12 until 1979-01) and B.B. King (from 1978-12 until 1979-01)
performer:
The Crusaders (US jazz group)
phonographic copyright (℗) by:
Geffen Records (in 1979) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979)
recorded at:
Hollywood Sound Recorders in Los Angeles, California, United States (from 1978-12 until 1979-01)
recording of:
Better Not Look Down (from 1978-12 until 1979-01)
writer:
Will Jennings and Joe Sample
publisher:
Four Knights Music, Four Knights Music Co., Irving Music, Inc., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
33:21
5Happy Birthday Blues
producer:
Wilton Felder, Stix Hooper, Stewart Levine (record producer and saxophonist) and Joe Sample
baritone saxophone:
Kim Hutchcroft (from 1978-12 until 1979-01)
bass and tenor saxophone:
Wilton Felder (from 1978-12 until 1979-01)
drums (drum set):
James Gadson (American drummer) (from 1978-12 until 1979-01) and Stix Hooper (from 1978-12 until 1979-01)
guitar:
Paul Jackson (guitar) (from 1978-12 until 1979-01), B.B. King (from 1978-12 until 1979-01) and Dean Parks (American session guitarist) (from 1978-12 until 1979-01)
keyboard:
Joe Sample (from 1978-12 until 1979-01)
saxophone:
Dennis Quitman (from 1978-12 until 1979-01) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (from 1978-12 until 1979-01)
trombone:
Chuck Findley (trumpet, trombone, horn player) (from 1978-12 until 1979-01) and Jack Redmond (from 1978-12 until 1979-01)
trumpet:
Gary Grant (brass) (from 1978-12 until 1979-01) and Steve Madaio (from 1978-12 until 1979-01)
vocals:
B.B. King (from 1978-12 until 1979-01)
phonographic copyright (℗) by:
Geffen Records (in 1979)
recorded at:
Hollywood Sound Recorders in Los Angeles, California, United States (from 1978-12 until 1979-01)
recording of:
Happy Birthday Blues (from 1978-12 until 1979-01)
lyricist and composer:
Will Jennings and Joe Sample
3:16
6I’ve Always Been Lonely
producer:
Wilton Felder, Stix Hooper, Stewart Levine (record producer and saxophonist) and Joe Sample
baritone saxophone:
Kim Hutchcroft (from 1978-12 until 1979-01)
bass and tenor saxophone:
Wilton Felder (from 1978-12 until 1979-01)
drums (drum set):
James Gadson (American drummer) (from 1978-12 until 1979-01) and Stix Hooper (from 1978-12 until 1979-01)
guitar:
Paul Jackson (guitar) (from 1978-12 until 1979-01), B.B. King (from 1978-12 until 1979-01) and Dean Parks (American session guitarist) (from 1978-12 until 1979-01)
keyboard:
Joe Sample (from 1978-12 until 1979-01)
saxophone:
Dennis Quitman (from 1978-12 until 1979-01) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (from 1978-12 until 1979-01)
trombone:
Chuck Findley (trumpet, trombone, horn player) (from 1978-12 until 1979-01) and Jack Redmond (from 1978-12 until 1979-01)
trumpet:
Gary Grant (brass) (from 1978-12 until 1979-01) and Steve Madaio (from 1978-12 until 1979-01)
vocals:
B.B. King (from 1978-12 until 1979-01)
phonographic copyright (℗) by:
Geffen Records (in 1979)
recorded at:
Hollywood Sound Recorders in Los Angeles, California, United States (from 1978-12 until 1979-01)
recording of:
I’ve Always Been Lonely (from 1978-12 until 1979-01)
writer:
Will Jennings and Joe Sample
5:27
7Caldonia (live)
co-producer:
Howie Leder
executive producer:
Sidney A. Seidenberg
baritone saxophone:
Edgar Synigal (on 1979-11-30)
bass:
Russell Jackson (Blues guitarist/bassist) (on 1979-11-30)
drums (drum set):
Calep Emphrey (on 1979-11-30)
guitar:
Leonard Gill (on 1979-11-30), Jon Jones (guitarist) (on 1979-11-30) and B.B. King (on 1979-11-30)
keyboard:
Phil Blackman (on 1979-11-30)
percussion:
Nana Vasconselos (on 1979-11-30)
tenor saxophone:
Hilton Joseph (on 1979-11-30)
trombone:
Steve Sherard (on 1979-11-30)
trumpet:
John Willie Cook (US jazz trumpeter) (on 1979-11-30), Lonny LaLanne (on 1979-11-30) and Calvin Owens (on 1979-11-30)
vocals:
B.B. King (on 1979-11-30)
brass arranger:
Calvin Owens
phonographic copyright (℗) by:
Geffen Records (in 1980)
recorded at:
University of Mississippi in Oxford, Mississippi, United States (on 1979-11-30)
live cover recording of:
Caldonia (What Makes Your Big Head Hard?) (on 1979-11-30)
lyricist and composer:
Louis Jordan (US jazz, blues and r&b musician and songwriter) and Fleecie Moore
publisher:
Chappell Morris Ltd., Cherio Corp. and Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (on 1945-04-16)
2:49
8I Got Some Help I Don’t Need (live)
co-producer:
Howie Leder
executive producer:
Sidney A. Seidenberg
baritone saxophone:
Edgar Synigal (on 1979-11-30)
bass:
Russell Jackson (Blues guitarist/bassist) (on 1979-11-30)
drums (drum set):
Calep Emphrey (on 1979-11-30)
guitar:
Leonard Gill (on 1979-11-30), Jon Jones (guitarist) (on 1979-11-30) and B.B. King (on 1979-11-30)
keyboard:
Phil Blackman (on 1979-11-30)
percussion:
Nana Vasconselos (on 1979-11-30)
tenor saxophone:
Hilton Joseph (on 1979-11-30)
trombone:
Steve Sherard (on 1979-11-30)
trumpet:
John Willie Cook (US jazz trumpeter) (on 1979-11-30), Lonny LaLanne (on 1979-11-30) and Calvin Owens (on 1979-11-30)
vocals:
B.B. King (on 1979-11-30)
brass arranger:
Calvin Owens
phonographic copyright (℗) by:
Geffen Records (in 1980)
recorded at:
University of Mississippi in Oxford, Mississippi, United States (on 1979-11-30)
live recording of:
I Got Some Help I Don’t Need (on 1979-11-30)
writer:
Dave Clark (record promoter and musical consultant who worked with B.B. King) and B.B. King
publisher:
Pamco Music Inc.
5:22
9Life Ain’t Nothing but a Party
producer:
Stewart Levine (record producer and saxophonist)
alto saxophone:
Hank Crawford (on 1980-10-29)
baritone saxophone:
Ronnie Cuber (on 1980-10-29)
bass:
Wilbur Bascomb (Jr., jazz‐funk bassist/songwriter) (on 1980-10-29)
drums (drum set):
Bernard “Pretty” Purdie (on 1980-10-29)
guitar:
B.B. King (on 1980-10-29) and Hugh McCracken (on 1980-10-29)
keyboard:
Mac "Dr. John" Rebennack (New Orleans blues pianist, singer and songwriter) (on 1980-10-29)
tenor saxophone:
David “Fathead” Newman (American jazz saxophonist) (on 1980-10-29)
trombone:
Tom Malone (US trombonist) (on 1980-10-29)
trumpet:
Charlie Miller (trumpet) (on 1980-10-29) and Waymon Reed (on 1980-10-29)
background vocals:
Donny Gerrard (on 1980-10-29), Vennette Gloud (on 1980-10-29) and Carmen Twillie (on 1980-10-29)
vocals:
B.B. King (on 1980-10-29)
horn arranger:
Hank Crawford
phonographic copyright (℗) by:
Geffen Records (in 1981)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1980-10-29)
recording of:
Life Ain’t Nothing but a Party (on 1980-10-29)
writer:
Dr. John (New Orleans blues pianist, singer and songwriter) and Doc Pomus
6:15
10The Victim
producer:
Stewart Levine (record producer and saxophonist)
alto saxophone:
Hank Crawford (on 1980-10-29)
baritone saxophone:
Ronnie Cuber (on 1980-10-29)
bass:
Wilbur Bascomb (Jr., jazz‐funk bassist/songwriter) (on 1980-10-29)
drums (drum set):
Bernard “Pretty” Purdie (on 1980-10-29)
guitar:
B.B. King (on 1980-10-29) and Hugh McCracken (on 1980-10-29)
keyboard:
Mac "Dr. John" Rebennack (New Orleans blues pianist, singer and songwriter) (on 1980-10-29)
tenor saxophone:
David “Fathead” Newman (American jazz saxophonist) (on 1980-10-29)
trombone:
Tom Malone (US trombonist) (on 1980-10-29)
trumpet:
Charlie Miller (trumpet) (on 1980-10-29) and Waymon Reed (on 1980-10-29)
background vocals:
Donny Gerrard (on 1980-10-29), Vennette Gloud (on 1980-10-29) and Carmen Twillie (on 1980-10-29)
vocals:
B.B. King (on 1980-10-29)
horn arranger:
Hank Crawford
phonographic copyright (℗) by:
Geffen Records (in 1981)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1980-10-29)
recording of:
The Victim (on 1980-10-29)
writer:
Dr. John (New Orleans blues pianist, singer and songwriter) and Doc Pomus
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
6:17
11There Must Be a Better World Somewhere
producer:
Stewart Levine (record producer and saxophonist)
alto saxophone:
Hank Crawford (on 1980-10-29)
baritone saxophone:
Ronnie Cuber (on 1980-10-29)
bass:
Wilbur Bascomb (Jr., jazz‐funk bassist/songwriter) (on 1980-10-29)
drums (drum set):
Bernard “Pretty” Purdie (on 1980-10-29)
guitar:
B.B. King (on 1980-10-29) and Hugh McCracken (on 1980-10-29)
keyboard:
Mac "Dr. John" Rebennack (New Orleans blues pianist, singer and songwriter) (on 1980-10-29)
tenor saxophone:
David “Fathead” Newman (American jazz saxophonist) (on 1980-10-29)
trombone:
Tom Malone (US trombonist) (on 1980-10-29)
trumpet:
Charlie Miller (trumpet) (on 1980-10-29) and Waymon Reed (on 1980-10-29)
background vocals:
Donny Gerrard (on 1980-10-29), Vennette Gloud (on 1980-10-29) and Carmen Twillie (on 1980-10-29)
vocals:
B.B. King (on 1980-10-29)
horn arranger:
Hank Crawford
phonographic copyright (℗) by:
Geffen Records (in 1981)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1980-10-29)
recording of:
There Must Be a Better World Somewhere (on 1980-10-29)
writer:
Malcolm J Rebennack (New Orleans blues pianist, singer and songwriter) and Doc Pomus
publisher:
Daremoly Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
5:38
12Nightlife / Please Send Me Someone to Love
producer:
Stewart Levine (record producer and saxophonist)
alto saxophone:
Walter King (horn) (in 1982)
baritone saxophone:
Ronald Eades (American saxophonist) (in 1982)
bass:
Bob Wray (American Bassist) (in 1982)
drums (drum set):
Larrie Londin (in 1982)
guitar:
Sonny Garrish (in 1982), B.B. King (in 1982), Dale Sellers (Nashville session guitarist) (in 1982) and Reggie Young (guitarist and songwriter) (in 1982)
keyboard:
David Briggs (English organist and composer) (in 1982)
tenor saxophone:
David “Fathead” Newman (American jazz saxophonist) (in 1982) and Harvey Thompson (saxophonist) (in 1982)
trombone:
Charles Lowe (in 1982)
trumpet:
Harrison Calloway (American trumpeter, songwriter, producer and arranger.) (in 1982) and Ben Cauley (in 1982)
background vocals:
Patti Austin (in 1982), Vivian Cherry (in 1982) and Kasey Cisyk (in 1982)
vocals:
B.B. King (in 1982)
horn arranger:
Harrison Callaway
phonographic copyright (℗) by:
Geffen Records (in 1982)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (in 1982: horn), Music City Music Hall in Nashville, Tennessee, United States (in 1982) and The Hit Factory in Manhattan, New York, New York, United States (in 1982: strings)
medley including a cover recording of:
Night Life (Willie Nelson) (in 1982)
writer:
Walt Breeland (American songwriter), Paul Buskirk and Willie Nelson
publisher:
Glad Music Co., Pappy Daily Music, Sony/ATV Songs (SOCAN), Sony/ATV Tree Publishing and Glad Music Publishing (in 1962)
medley including a cover recording of:
Please Send Me Someone to Love (in 1982)
lyricist and composer:
Percy Mayfield (until 1950)
publisher:
ATV Music
4:35
13Inflation Blues
producer:
Sidney A. Seidenberg
baritone saxophone:
Edgar Synigal (in 1982-09)
bass:
Major Holley (in 1982-09)
drums (drum set):
Oliver Jackson (American jazz drummer) (in 1982-09)
guitar:
Billy Butler (jazz guitarist) (in 1982-09) and B.B. King (in 1982-09)
piano:
Lloyd Glenn (in 1982-09)
saxophone:
Harold Austin (jazz drummer) (in 1982-09) and Donald A. Wilkerson (US jazz/R&B saxophonist) (in 1982-09)
tenor saxophone:
Arnett Cobb (in 1982-09) and Fred Ford (baritone saxophonist) (in 1982-09)
trumpet:
James Bolden (American trumpeter) (in 1982-09), John J. Longo (in 1982-09), Calvin Owens (in 1982-09) and Woody Shaw (in 1982-09)
vibraphone [vibes]:
Warren Chiasson (in 1982-09)
vocals:
B.B. King (in 1982-09)
horn arranger:
Calvin Owens
phonographic copyright (℗) by:
Geffen Records (in 1983)
recorded at:
M&I Recording in New York, New York, United States (in 1982-09) and Rivendale Recorders in Pasadena, Texas, United States (in 1982-09)
cover recording of:
Inflation Blues (in 1982-09)
writer:
Charlie Alexander (US jazz pianist), Louis Jordan (US jazz, blues and r&b musician and songwriter) and Tommy Southern
publisher:
PIC Corp.
4:15
14Sell My Monkey
producer:
Sidney A. Seidenberg
baritone saxophone:
Edgar Synigal (in 1982-09)
bass:
Major Holley (in 1982-09)
drums (drum set):
Oliver Jackson (American jazz drummer) (in 1982-09)
guitar:
Billy Butler (jazz guitarist) (in 1982-09) and B.B. King (in 1982-09)
piano:
Lloyd Glenn (in 1982-09)
saxophone:
Harold Austin (jazz drummer) (in 1982-09) and Donald A. Wilkerson (US jazz/R&B saxophonist) (in 1982-09)
tenor saxophone:
Arnett Cobb (in 1982-09) and Fred Ford (baritone saxophonist) (in 1982-09)
trumpet:
James Bolden (American trumpeter) (in 1982-09), John J. Longo (in 1982-09), Calvin Owens (in 1982-09) and Woody Shaw (in 1982-09)
vibraphone [vibes]:
Warren Chiasson (in 1982-09)
vocals:
B.B. King (in 1982-09)
horn arranger:
Calvin Owens
phonographic copyright (℗) by:
Geffen Records (in 1983)
recorded at:
M&I Recording in New York, New York, United States (in 1982-09) and Rivendale Recorders in Pasadena, Texas, United States (in 1982-09)
recording of:
Sell My Monkey (in 1982-09)
writer:
B.B. King
publisher:
Sidney A. Seidenberg Music Ltd. and Sounds Of Lucille, Inc.
3:06
15Darlin’ You Know I Love You
producer:
Sidney A. Seidenberg
baritone saxophone:
Edgar Synigal (in 1982-09)
bass:
Major Holley (in 1982-09)
drums (drum set):
Oliver Jackson (American jazz drummer) (in 1982-09)
guitar:
Billy Butler (jazz guitarist) (in 1982-09) and B.B. King (in 1982-09)
piano:
Lloyd Glenn (in 1982-09)
saxophone:
Harold Austin (jazz drummer) (in 1982-09) and Donald A. Wilkerson (US jazz/R&B saxophonist) (in 1982-09)
tenor saxophone:
Arnett Cobb (in 1982-09) and Fred Ford (baritone saxophonist) (in 1982-09)
trumpet:
James Bolden (American trumpeter) (in 1982-09), John J. Longo (in 1982-09), Calvin Owens (in 1982-09) and Woody Shaw (in 1982-09)
vibraphone [vibes]:
Warren Chiasson (in 1982-09)
vocals:
B.B. King (in 1982-09)
horn arranger:
Calvin Owens
phonographic copyright (℗) by:
Geffen Records (in 1983)
recorded at:
M&I Recording in New York, New York, United States (in 1982-09) and Rivendale Recorders in Pasadena, Texas, United States (in 1982-09)
recording of:
Darlin’ You Know I Love You (in 1982-09)
writer:
B.B. King and Jules Taub
publisher:
BMG Music Publishing Ltd., Modern Music Publishing Co., Inc. and Sounds Of Lucille, Inc.
4:49
16Make Love to Me
assistant engineer:
Doug Grama
engineer:
Peter Darmi
producer:
Sidney A. Seidenberg
baritone saxophone:
Edgar Synigal (in 1982-09)
bass:
Major Holley (in 1982-09)
drums (drum set):
Oliver Jackson (American jazz drummer) (in 1982-09)
guitar:
Billy Butler (jazz guitarist) (in 1982-09) and B.B. King (in 1982-09)
piano:
Lloyd Glenn (in 1982-09)
saxophone:
Harold Austin (jazz drummer) (in 1982-09) and Donald A. Wilkerson (US jazz/R&B saxophonist) (in 1982-09)
tenor saxophone:
Arnett Cobb (in 1982-09) and Fred Ford (baritone saxophonist) (in 1982-09)
trumpet:
James Bolden (American trumpeter) (in 1982-09), John J. Longo (in 1982-09), Calvin Owens (in 1982-09) and Woody Shaw (in 1982-09)
vibraphone [vibes]:
Warren Chiasson (in 1982-09)
vocals:
B.B. King (in 1982-09)
horn arranger:
Calvin Owens
arranger:
Calvin Owens
phonographic copyright (℗) by:
Geffen Records (in 1983)
recorded at:
M&I Recording in New York, New York, United States (in 1982-09) and Rivendale Recorders in Pasadena, Texas, United States (in 1982-09)
cover recording of:
Make Love to Me (in 1982-09)
lyricist:
Allan Copeland, George Brunies, Paul Mares, Walter Melrose, Ben Pollack, Leon Roppolo and Mel Stitzel
composer:
William H. Norvas
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
4:18
8▶CD: When Love Comes to Town (1983–1993)
9▶CD: Blues Man (1993–1999)
10▶CD: Key to the Highway (2000–2008)

Credits

Release

manufactured in:Europe
copyrighted (©) by and phonographic copyright (℗) by:Universal Music B.V. (not for release label use! NL subsidiary of UMG) (in 2012)
Discogs:https://www.discogs.com/release/6633853 [info]
ASIN:US: B008M4HJSW [info]