Ses plus grands chefs-d'oeuvre

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 3 available)

Annotation

Virgin Classics
Stereo DDD
LC 7873

Annotation last modified on 2025-01-02 22:33 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Symphony #40 in G minor, K. 550: 1. Molto allegro
orchestra:
Sinfonia Varsovia
conductor:
Yehudi Menuhin (violinist)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
7:16
2Mass in C minor, K. 427 "Great": Credo: Et incarnatus
soprano vocals:
Barbara Schlick (soprano)
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Collegium Cartusianum
conductor:
Peter Neumann (conductor)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IIIb. Credo: “Et incarnatus est”
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1782 until 1783)
part of:
Missa in c-Moll, K.427/417a ('Große Messe'): III. Credo
8:46
3Piano Concerto #21 in C, K. 467: 2. Andante
piano:
Jean‐Bernard Pommier (pianist and conductor) (from 1988-05-08 until 1988-05-10)
orchestra:
Sinfonia Varsovia (from 1988-05-08 until 1988-05-10)
conductor:
Jean‐Bernard Pommier (pianist and conductor) (from 1988-05-08 until 1988-05-10)
recorded at:
Bydgoszcz State Philharmony Concert Hall in Bydgoszcz, Kujawsko-pomorskie (Kuyavian-Pomeranian Voivodeship), Poland (from 1988-05-08 until 1988-05-10)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (from 1988-05-08 until 1988-05-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
7:52
4Don Giovanni, K. 527: Overture
orchestra:
London Classical Players
conductor:
Sir Roger Norrington (conductor)
recording of:
Don Giovanni: Ouvertura
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527 (Don Giovanni)
5:11
5Don Giovanni, K. 527: Fin ch'han dal vino
bass vocals:
Andreas Schmidt (bass-baritone & teacher)
orchestra:
London Classical Players
conductor:
Sir Roger Norrington (conductor)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
1:40
6Don Giovanni, K. 527: Là ci darem la mano
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
baritone vocals [Don Giovanni]:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
soprano vocals [Zerlina]:
Nancy Argenta (soprano) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1992-08)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
2:40
7Violin Concerto #5 in A, K. 219 "Turkish": 3. Rondeau
producer:
Andrew Keener (engineer/editor/producer)
violin:
Christian Tetzlaff (violinist) (from 1995-05-29 until 1995-05-31)
orchestra:
Deutsche Kammerphilharmonie Bremen (from 1995-05-29 until 1995-05-31)
conductor:
Christian Tetzlaff (violinist) (from 1995-05-29 until 1995-05-31)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Galeriegebäude Hannover-Herrenhausen in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1995-05-29 until 1995-05-31)
recording of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: III. Rondeau. Tempo di menuetto – Allegro (from 1995-05-29 until 1995-05-31)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”
8:34
8Le nozze di Figaro, K. 492: Overture
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1986-09)
conductor:
Riccardo Muti (conductor) (in 1986-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1986-09)
recording of:
Le nozze di Figaro: Sinfonia (in 1986-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
3:56
9Le nozze di Figaro, K. 492: Voi che sapete
mezzo-soprano vocals [Cherubino]:
Ann Murray (Irish mezzo-soprano) (in 1986-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1986-09)
conductor:
Riccardo Muti (conductor) (in 1986-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1986-09)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1986-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
2:55
10Le nozze di Figaro, K. 492: Non più andrai
baritone vocals [Figaro]:
Claudio Desderi (baritone and conductor)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Bernard Haitink (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
3:40
11Le nozze di Figaro, K. 492: Porgi, amor
soprano vocals:
Véronique Gens (soprano)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Ivor Bolton (conductor and harpsichordist)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
3:20
12Requiem in D minor, K. 626: Introitus: Requiem aeternam
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
choir vocals:
Ensemble Vocal de Lausanne
soprano vocals:
Efrat Ben-Nun (Israeli soprano)
orchestra:
Orchestre de chambre de Genève (Geneva Chamber Orchestra)
conductor:
Michel Corboz (conductor and composer)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Festival de Fribourg
live recording of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
version of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (original version)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
recording of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
version of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (original version)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
4:11
13Requiem in D minor, K. 626: Kyrie eleison
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
choir vocals:
Ensemble Vocal de Lausanne
orchestra:
Orchestre de chambre de Genève (Geneva Chamber Orchestra)
conductor:
Michel Corboz (conductor and composer)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Festival de Fribourg
live recording of:
Requiem in D minor, K. 626: II. Kyrie eleison (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
recording of:
Requiem in D minor, K. 626: II. Kyrie eleison (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
2:22
14Requiem in D minor, K. 626: Sequentia: Lacrimosa dies illa
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
choir vocals:
Ensemble Vocal de Lausanne
orchestra:
Ensemble Instrumental de Lausanne and Orchestre de chambre de Genève (Geneva Chamber Orchestra)
conductor:
Michel Corboz (conductor and composer)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Festival de Fribourg
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
live recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
3:16
15Symphony #41 in C, K. 551 "Jupiter": 4. Molto allegro
orchestra:
Sinfonia Varsovia
conductor:
Yehudi Menuhin (violinist)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
8:23
2▶CD