Mass in B Minor

~ Veröffentlichung von J S Bach; Collegium Vocale, Ghent, Philippe Herreweghe (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

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1Mass in B minor: Credo in unum Deum
Produzent(in):
Pere Casulleras (Catalan sound engineer, photographer and producer)
Chorgesang:
Collegium Vocale Gent (in 1988-04)
Orchester:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
Tonmeister(in):
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
aufgenommen bei:
Minderbroederskerk in Ghent (Gent), Oost-Vlaanderen (Provinz Ostflandern), Flanders (Flämische Region), Belgien (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1988-04)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach1:56
2Mass in B minor: Patrem omnipotentem
Produzent(in):
Pere Casulleras (Catalan sound engineer, photographer and producer)
Chorgesang:
Collegium Vocale Gent (in 1988-04)
Orchester:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
Tonmeister(in):
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
aufgenommen bei:
Minderbroederskerk in Ghent (Gent), Oost-Vlaanderen (Provinz Ostflandern), Flanders (Flämische Region), Belgien (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 1988-04)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach1:51
3Mass in B minor: Et in unum Dominum
Produzent(in):
Pere Casulleras (Catalan sound engineer, photographer and producer)
Hochgesang:
Charles Brett (English counter-tenor active in late 20th century) (in 1988-04)
Soprangesang:
Barbara Schlick (soprano) (in 1988-04)
Orchester:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
Tonmeister(in):
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
aufgenommen bei:
Minderbroederskerk in Ghent (Gent), Oost-Vlaanderen (Provinz Ostflandern), Flanders (Flämische Region), Belgien (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1988-04)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach4:57
4Mass in B minor: Et incarnatus est
Produzent(in):
Pere Casulleras (Catalan sound engineer, photographer and producer)
Chorgesang:
Collegium Vocale Gent (in 1988-04)
Orchester:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
Tonmeister(in):
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
aufgenommen bei:
Minderbroederskerk in Ghent (Gent), Oost-Vlaanderen (Provinz Ostflandern), Flanders (Flämische Region), Belgien (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1988-04)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach3:05
5Mass in B minor: Crucifixus
Produzent(in):
Pere Casulleras (Catalan sound engineer, photographer and producer)
Chorgesang:
Collegium Vocale Gent (in 1988-04)
Orchester:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
Tonmeister(in):
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
aufgenommen bei:
Minderbroederskerk in Ghent (Gent), Oost-Vlaanderen (Provinz Ostflandern), Flanders (Flämische Region), Belgien (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1988-04)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach3:12
6Mass in B minor: Et resurrexit
Produzent(in):
Pere Casulleras (Catalan sound engineer, photographer and producer)
Chorgesang:
Collegium Vocale Gent (in 1988-04)
Orchester:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
Tonmeister(in):
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
aufgenommen bei:
Minderbroederskerk in Ghent (Gent), Oost-Vlaanderen (Provinz Ostflandern), Flanders (Flämische Region), Belgien (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 1988-04)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach3:53
7Mass in B minor: Et in Spiritum Sanctum
Produzent(in):
Pere Casulleras (Catalan sound engineer, photographer and producer)
Bass-Gesang:
Peter Kooij (Peter Kooy, baritone) (in 1988-04)
Orchester:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
Tonmeister(in):
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
aufgenommen bei:
Minderbroederskerk in Ghent (Gent), Oost-Vlaanderen (Provinz Ostflandern), Flanders (Flämische Region), Belgien (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 1988-04)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach5:07
8Mass in B minor: Confiteor
Produzent(in):
Pere Casulleras (Catalan sound engineer, photographer and producer)
Chorgesang:
Collegium Vocale Gent (in 1988-04)
Orchester:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
Tonmeister(in):
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
aufgenommen bei:
Minderbroederskerk in Ghent (Gent), Oost-Vlaanderen (Provinz Ostflandern), Flanders (Flämische Region), Belgien (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 1988-04)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 1988-04)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach6:07
9Mass in B minor: Sanctus
Produzent(in):
Pere Casulleras (Catalan sound engineer, photographer and producer)
Chorgesang:
Collegium Vocale Gent (in 1988-04)
Orchester:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
Tonmeister(in):
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
aufgenommen bei:
Minderbroederskerk in Ghent (Gent), Oost-Vlaanderen (Provinz Ostflandern), Flanders (Flämische Region), Belgien (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1988-04)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach4:53
10Mass in B minor: Osanna in excelsis
Produzent(in):
Pere Casulleras (Catalan sound engineer, photographer and producer)
Chorgesang:
Collegium Vocale Gent (in 1988-04)
Orchester:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
Tonmeister(in):
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
aufgenommen bei:
Minderbroederskerk in Ghent (Gent), Oost-Vlaanderen (Provinz Ostflandern), Flanders (Flämische Region), Belgien (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1988-04)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach2:33
11Mass in B minor: Benedictus
Produzent(in):
Pere Casulleras (Catalan sound engineer, photographer and producer)
Tenor-Gesang:
Howard Crook (tenor) (in 1988-04)
Orchester:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
Tonmeister(in):
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
aufgenommen bei:
Minderbroederskerk in Ghent (Gent), Oost-Vlaanderen (Provinz Ostflandern), Flanders (Flämische Region), Belgien (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1988-04)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach3:58
12Mass in B minor: Osanna in excelsis
Produzent(in):
Pere Casulleras (Catalan sound engineer, photographer and producer)
Chorgesang:
Collegium Vocale Gent (in 1988-04)
Orchester:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
Tonmeister(in):
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
aufgenommen bei:
Minderbroederskerk in Ghent (Gent), Oost-Vlaanderen (Provinz Ostflandern), Flanders (Flämische Region), Belgien (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1988-04)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach2:35
13Mass in B minor: Agnus Dei
Produzent(in):
Pere Casulleras (Catalan sound engineer, photographer and producer)
Hochgesang:
Charles Brett (English counter-tenor active in late 20th century) (in 1988-04)
Orchester:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
Tonmeister(in):
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
aufgenommen bei:
Minderbroederskerk in Ghent (Gent), Oost-Vlaanderen (Provinz Ostflandern), Flanders (Flämische Region), Belgien (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1988-04)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach5:27
14Mass in B minor: Dona nobis pacem
Produzent(in):
Pere Casulleras (Catalan sound engineer, photographer and producer)
Chorgesang:
Collegium Vocale Gent (in 1988-04)
Orchester:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
Tonmeister(in):
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
aufgenommen bei:
Minderbroederskerk in Ghent (Gent), Oost-Vlaanderen (Provinz Ostflandern), Flanders (Flämische Region), Belgien (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1988-04)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Dona nobis pacem
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach2:34

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