Ladies Sing Baroque

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▶Digital Media
2▼Digital Media
#TitleArtistRatingLength
1Giulio Cesare in Egitto: « Se pieta »
sound engineer:
Pierre-Antoine Signoret
producer:
Jean-Pierre Loisil
editor:
Laure Casenave-Péré (ingénieure du son)
soprano vocals:
Sandrine Piau (soprano) (in 2004-02)
orchestra:
Les Talens Lyriques (French classical musical ensemble) (in 2004-02)
conductor:
Christophe Rousset (French harpsichordist & conductor) (in 2004-02)
recorded at:
Théâtre de Poissy in Poissy, Yvelines, Île-de-France, France (in 2004-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VIII, 29. Aria “Se pietà di me non senti” (Cleopatra) (in 2004-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel7:43
2Orlando furioso: « Nel Profondo »
sound engineer:
Pierre-Antoine Signoret
assistant engineer:
Laure Casenave-Péré (ingénieure du son) and Hannelore Guittet (French sound engineer, recording supervisor and producer)
producer:
Jean-Pierre Loisil
editor:
Laure Casenave-Péré (ingénieure du son)
contralto vocals [Orlando]:
Marie‐Nicole Lemieux (operatic contralto) (in 2004-06)
orchestra:
Ensemble Matheus (in 2004-06)
conductor:
Jean‐Christophe Spinosi (in 2004-06)
recorded at:
Église abbatiale Notre-Dame de Daoulas in Daoulas, Finistère, Bretagne (Brittany), France (in 2004-06)
recording of:
Orlando Furioso, RV 728: "Nel profondo cieco mondo" (Orlando) (in 2004-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
librettist:
Grazio Braccioli
part of:
Orlando furioso, RV 728: Act I
partial recording of:
Orlando furioso, RV 728: Act I (in 2004-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
librettist:
Grazio Braccioli
part of:
Orlando furioso, RV 728
Antonio Vivaldi4:03
3Stabat Mater Dolorosa: Largo
assistant sound engineer:
Étienne Grossein
sound engineer:
Thomas Dappelo
producer and editor:
Laure Casenave-Péré (ingénieure du son)
contralto vocals:
Marie‐Nicole Lemieux (operatic contralto) (in 2007-07)
orchestra:
Ensemble Matheus (in 2007-07)
conductor:
Jean‐Christophe Spinosi (in 2007-07)
recorded at:
Salle Surcouf - Foyer du Marin in Brest, Finistère, Bretagne (Brittany), France (in 2007-07)
recording of:
Stabat Mater, RV 621: I. Largo "Stabat mater dolorosa" (in 2007-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Stabat Mater, RV 621
Antonio Vivaldi3:08
4Polifemo: « Alto giove »
instruments:
Ensemble Matheus
contralto vocals:
Marie‐Nicole Lemieux (operatic contralto)
conductor:
Jean‐Christophe Spinosi
recording of:
Polifemo, Act III Scene 5: Aria. Alto Giove (Aci)
composer:
Nicola Antonio Porpora (Italian composer)
part of:
Polifemo
part of:
Polifemo: Act III
Nicola Porpora8:27
5L’Olimpiade: « Gerno in punto e fremo»
engineer, producer and editor:
Laurence Heym
contralto vocals [Licida]:
Sara Mingardo (contralto) (in 2002-07)
orchestra:
Concerto Italiano (in 2002-07)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor) (in 2002-07)
recorded at:
Pontificio Istituto di Musica Sacra: Sala Accademica in Roma (Rome), Roma, Lazio, Italy (in 2002-07)
partial recording of:
L'Olimpiade, RV 725: Act II (in 2002-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
librettist:
Pietro Metastasio
part of:
L'Olimpiade, RV 725
Antonio Vivaldi3:21
6Orlando finto pazzo: « Anderò, volerò, griderò »
sound engineer:
Pierre-Antoine Signoret
assistant engineer:
Laure Casenave-Péré (ingénieure du son)
producer:
Jean-Pierre Loisil
editor:
Laure Casenave-Péré (ingénieure du son)
contralto vocals and contralto vocals [Origille]:
Sonia Prina (alto) (in 2003-12)
orchestra:
Academia Montis Regalis (in 2003-12)
conductor:
Alessandro De Marchi (Italian conductor, harpsichord and organ player) (in 2003-12)
recorded at:
Istituto di musica antica Academia Montis Regalis in Mondovì, Cuneo, Piemonte, Italy (in 2003-12)
recording of:
Orlando finto pazzo, RV 727: "Anderò, volerò, griderò" (Orgille) (in 2003-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Orlando finto pazzo, RV 727: Act 3
Antonio Vivaldi1:47
7Lamento: Lagrime mie, a che vi trattenete
assistant sound engineer:
Laure Casenave-Péré (ingénieure du son)
sound engineer:
Pierre-Antoine Signoret
producer:
Jean-Pierre Loisil
editor:
Laure Casenave-Péré (ingénieure du son)
soprano vocals:
Anna Caterina Antonacci (soprano) (in 2005-10)
orchestra:
Modo Antiquo (in 2005-10)
conductor:
Federico Maria Sardelli (in 2005-10)
recorded at:
Église luthérienne Saint-Pierre in Paris, Île-de-France, France (in 2005-10)
recording of:
Lamento, op. 7 no. 4 "Lagrime mie, a che vi trattenete" (in 2005-10)
lyricist:
Pietro Dolfino
composer:
Barbara Strozzi (composer and soprano)
part of:
Diporti di Euterpe, op. 7
Barbara Strozzi7:25
8Ariette a voce sola: « Miei pensieri »
engineer and editor:
Roberto Chinellato
producer:
Giovanni Antonini (conductor and flautist)
instruments:
Bizzarrie Armoniche (from 2001-01 until 2001-02)
soprano vocals:
Roberta Invernizzi (soprano) (from 2001-01 until 2001-02)
recorded at:
Santa Maria dell' Incoronata in Martinengo, Bergamo (Province of Bergamo), Lombardia, Italy (from 2001-01 until 2001-02)
recording of:
Parla alli suoi pensieri, op. 6 no. 5 "Miei pensieri, e che bramate?" (from 2001-01 until 2001-02)
composer:
Barbara Strozzi (composer and soprano)
part of:
Ariette a voce sola, op. 6
Barbara Strozzi4:11
9« Bid the Virtues »
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
instruments:
Amarillis (ensemble baroque) (from 1998-10-04 until 1998-10-09)
oboe:
Héloïse Gaillard (from 1998-10-04 until 1998-10-09)
soprano vocals:
Patricia Petibon (soprano) (from 1998-10-04 until 1998-10-09)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: VII. Bid the Virtues (from 1998-10-04 until 1998-10-09)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell3:37
10Theodora: « To Thee, Thou Glorious Son of Worth »
producer:
Laure Casenave-Péré (ingénieure du son)
mixer and balance engineer:
Thomas Dappelo
editor:
Laure Casenave-Péré (ingénieure du son) and Aude-Marie Piloz
contralto vocals:
Marie‐Nicole Lemieux (operatic contralto) (in 2011-01)
soprano vocals:
Karina Gauvin (soprano) (in 2011-01)
orchestra:
Il Complesso Barocco (in 2011-01)
conductor:
Alan Curtis (harpsichordist, musicologist, and conductor) (in 2011-01)
recorded at:
Villa San Fermo in Lonigo, Vicenza, Veneto, Italy (in 2011-01)
recording of:
Theodora, HWV 68: Act II, Scene 5, no. 51. Duet “To thee, thou glorious son of worth” (Theodora, Didymus) (in 2011-01)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Theodora, HWV 68: Act II
George Frideric Handel4:48
11Ottone in Villa: « Gelosia »
sound engineer:
Aurélie Messonnier (engineer)
assistant engineer:
Jean-Nicolas Valdenaire (engineer)
producer:
Laure Casenave-Péré (ingénieure du son)
soprano vocals [Caio Silio]:
Юлия Лежнева (Julia Lezhneva, soprano) (in 2010-05)
orchestra:
Il Giardino Armonico (Italian baroque ensemble) (in 2010-05)
conductor:
Giovanni Antonini (conductor and flautist) (in 2010-05)
recorded at:
Centro Cultural Miguel Delibes in Valladolid, Valladolid (Province of Valladolid), Castilla y León (Castile and León), Spain (in 2010-05)
partial recording of:
Ottone in villa, RV 729: Act 1 (in 2010-05)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
librettist:
Domenico Lalli (18th century librettist)
part of:
Ottone in villa, RV 729
Antonio Vivaldi3:20
12Messe in B minor: « Agnus Dei »
recording engineer:
Thomas Dappelo
assistant engineer:
Raphaël Allain
producer:
Jean-Pierre Loisil
alto vocals:
Nathalie Stutzmann (contralto and conductor) (in 2008-07)
orchestra:
Les Musiciens du Louvre (in 2008-07)
conductor:
Marc Minkowski (bassoonist and conductor) (in 2008-07)
recorded at:
Church of San Domingos de Bonaval in Santiago de Compostela, A Coruña (Province of A Coruña), Galicia, Spain (in 2008-07)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 2008-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:34