Taking a Chance on Love (DADC pressing)

~ Release by Jane Monheit (see all versions of this release, 8 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Honeysuckle Rose
recording engineer and mixer:
Al Schmitt
producer:
Peter Asher and Al Schmitt
double bass [bass]:
Christian McBride (American jazz bassist)
drums (drum set):
Lewis Nash (American jazz drummer)
piano:
Geoffrey Keezer
vocals:
Jane Monheit
cover recording of:
Honeysuckle Rose
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
Jane Monheit3:39
2In the Still of the Night
recording engineer and mixer:
Al Schmitt
producer:
Peter Asher and Al Schmitt
vocals:
Jane Monheit
conductor:
Jorge Calandrelli
arranger:
Jorge Calandrelli
cover recording of:
In the Still of the Night (Cole Porter song)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (library/production music) and Chappell & Co., Inc. (USA)
Jane Monheit45:07
3Taking a Chance on Love
recording engineer and mixer:
Al Schmitt
producer:
Peter Asher and Al Schmitt
alto saxophone:
Donald Harrison
double bass [bass]:
Orlando Le Fleming (British jazz bassist)
drums (drum set):
Rick Montalbano
guitar [rhythm guitar]:
Miles Okazaki (American Guitarist and composer)
piano:
Michael Kanan
vocals:
Jane Monheit
arranger:
Michael Kanan
cover recording of:
Taking a Chance on Love
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
Jane Monheit3:20
4Bill
recording engineer and mixer:
Al Schmitt
producer:
Peter Asher and Al Schmitt
piano:
Michael Kanan
vocals:
Jane Monheit
cover recording of:
Bill (Show Boat)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) and P. G. Wodehouse
composer:
Jerome Kern
publisher:
T.B. Harms Co. (in 1927)
part of:
Show Boat (1951 film)
part of:
Show Boat: Act II
Jane Monheit5:17
5I Won’t Dance
recording engineer and mixer:
Al Schmitt
producer:
Peter Asher and Al Schmitt
double bass [bass]:
Ron Carter (US jazz double-bassist)
drums (drum set):
Lewis Nash (American jazz drummer)
horn:
Michael Davis (US jazz trombonist), Lawrence Feldman (flutist and saxophonist), Jim Hynes (trumpet/flugelhorn session muscian), Bob Malach (US jazz saxophonist), Roger Rosenberg, Andy Snitzer, Lew Soloff and Dave Taylor (US jazz bass trombonist)
piano:
Rob Mounsey
vocals:
Michael Bublé and Jane Monheit
arranger:
Rob Mounsey
cover recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (American librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
Jane Monheit duet with Michael Bublé3:36
6Too Late Now
recording engineer and mixer:
Al Schmitt
producer:
Peter Asher and Al Schmitt
double bass [bass]:
Orlando Le Fleming (British jazz bassist)
drums (drum set):
Rick Montalbano
piano:
Michael Kanan
soprano saxophone:
Joel Frahm (US jazz saxophonist)
vocals:
Jane Monheit
arranger:
Michael Kanan
cover recording of:
Too Late Now (Royal Wedding / On a Clear Day)
lyricist:
Alan Jay Lerner
composer:
Burton Lane
publisher:
Chappell & Co.
part of:
The 24th Academy Award for Best Original Song (number: 2)
Jane Monheit5:22
7Why Can’t You Behave?
recording engineer and mixer:
Al Schmitt
producer:
Peter Asher and Al Schmitt
double bass [bass]:
Orlando Le Fleming (British jazz bassist)
drums (drum set):
Rick Montalbano
guitar:
Miles Okazaki (American Guitarist and composer)
piano:
Michael Kanan
vocals:
Jane Monheit
arranger:
Michael Kanan
cover recording of:
Why Can’t You Behave? (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
Jane Monheit4:09
8Do I Love You?
recording engineer and mixer:
Al Schmitt
producer:
Peter Asher and Al Schmitt
vocals:
Jane Monheit
conductor:
Alan Broadbent
arranger:
Alan Broadbent
cover recording of:
Do I Love You?
lyricist and composer:
Cole Porter (composer) (in 1939)
part of:
DuBarry Was a Lady (1939 stage musical)
Jane Monheit4:53
9Love Me or Leave Me
recording engineer and mixer:
Al Schmitt
producer:
Peter Asher and Al Schmitt
alto saxophone:
Donald Harrison
double bass [bass]:
Christian McBride (American jazz bassist)
drums (drum set):
Lewis Nash (American jazz drummer)
piano:
Geoffrey Keezer
tenor saxophone:
Joel Frahm (US jazz saxophonist)
vocals:
Jane Monheit
arranger:
Christian McBride (American jazz bassist)
cover recording of:
Love Me or Leave Me
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
Jane Monheit3:35
10Embraceable You
recording engineer and mixer:
Al Schmitt
producer:
Peter Asher and Al Schmitt
guitar:
Romero Lubambo
vocals:
Jane Monheit
cover recording of:
Embraceable You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Jane Monheit3:48
11Dancing in the Dark
recording engineer and mixer:
Al Schmitt
producer:
Peter Asher and Al Schmitt
vocals:
Jane Monheit
conductor:
Vince Mendoza
arranger:
Vince Mendoza
cover recording of:
Dancing in the Dark
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Band Wagon (1953 film)
Jane Monheit5:07
12Over the Rainbow
recording engineer and mixer:
Al Schmitt
producer:
Peter Asher and Al Schmitt
vocals and performer:
Jane Monheit
conductor:
Ed Shearmur (English score composer)
arranger:
Ed Shearmur (English score composer)
cover recording of:
Over the Rainbow (The Wizard of Oz)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Jane Monheit3:54

Credits

Release

art direction and design:Roxanne Slimak (credited for art direction and design)
photography:Chris Ottaunick (task: recording session photography)
James White (photographer)
miscellaneous support:Tammy Van Aken (task: packaging manager)
Michelle Errante (task: product manager)
Joe Soldo (task: orchestra contracted by)
Camille Tominaro (task: session coordinator)
executive producer:Laraine Perri
assistant recording engineer:Brian Montgomery (in 2004-03)
Steve Genewick (in 2004-05)
manufactured by:Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
distributed by:Sony Music (global brand, excluding JP, owned by Sony Music Entertainment)
copyrighted (©) by and phonographic copyright (℗) by:Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2004)
recorded at:Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 2004-03)
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 2004-05)
Discogs:https://www.discogs.com/release/28163731 [info]
ASIN:US: B0002JP4K0 [info]

Release group

artist & repertoire support:Mia Bongiovanni (supervising producer at The Metropolitan Opera) (task: a&r manager)
Discogs:https://www.discogs.com/master/436473 [info]
Wikidata:Q7678369 [info]