Bitter Sweet Lovesongs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Woman
engineer:
Lee DeCarlo
producer:
Jack Douglas, John Lennon (The Beatles) and Yoko Ono (Japanese‐American musician and artist)
lead vocals:
John Lennon (The Beatles)
phonographic copyright (℗) by:
The David Geffen Company (legal rights relating to Geffen Records) (in 1980) and Calderstone Productions Limited (in 2016)
music videos:
Woman by John Lennon (The Beatles)
recording of:
Woman
lyricist and composer:
John Lennon (The Beatles)
publisher:
Geffen/Kaye Music, Lenono Music and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
John Lennon43:30
2Nothing Compares 2 U
cover recording of:
Nothing Compares 2 U
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing and Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4:57
3Jealous Guy
producer:
Rhett Davies, Bryan Ferry and Roxy Music
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1981), Virgin EG Records Ltd. (in 1981) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1981, in 2000)
cover recording of:
Jealous Guy
lyricist and composer:
John Lennon (The Beatles)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., Chappell Music Ltd., EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Lenono Music, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
sub-publisher:
Fujipacific Music, Inc. Division 2
revision of:
Child of Nature
Roxy Music4.54:53
4Do You Really Want to Hurt Me
assistant engineer:
Gordon Milne (engineer)
engineer and producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
drums (drum set) and vibraphone:
Jon Moss
electric piano, guitar and synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
synclavier:
Keith Miller (Synthesiser Pioneer)
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom (in 1982)
music videos:
Do You Really Want to Hurt Me by Culture Club (English pop group)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 58)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. and Virgin Music (Publishers) Ltd.
Culture Club3.954:23
5Wild Is the Wind
producer:
David Bowie (English singer‐songwriter) and Harry Maslin
bass:
George Murray (American bass guitarist)
drums (drum set):
Dennis Davis (drummer)
guitar:
Carlos Alomar, David Bowie (English singer‐songwriter) and Earl Slick
piano:
Roy Bittan
vocals:
David Bowie (English singer‐songwriter)
arranger:
David Bowie (English singer‐songwriter)
cover recording of:
Wild Is the Wind (theme song from the Paramount movie “Wild Is the Wind”)
lyricist:
Ned Washington
composer:
Dimitri Tiomkin
publisher:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (USA) (in 1957), Largo Music Inc. (in 1957, in 1985) and Patti Washington Music (in 1957, in 1985)
part of:
The 30th Academy Award for Best Original Song (number: 2)
David Bowie3.456:00
6Slave to Love
additional engineer:
Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita and Bryan McGee (sound engineer)
assistant engineer:
Benji Armbrister, Steve Churchyard, Randy Ezratty (engineer), Dave Greenberg (US engineer Sonopod/Boomtown), Julian Wheatley (Engineer), Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs and Nigel Walker (UK producer/engineer/guitarist)
engineer:
Rhett Davies
producer:
Rhett Davies and Bryan Ferry
mixer:
Bob Clearmountain
lead vocals:
Bryan Ferry
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985, in 1999, in 2004)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, United States, RPM Studios in New York, New York, United States, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The White House in Nashville, Tennessee, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
music videos:
Slave to Love by Bryan Ferry
recording of:
Slave to Love
lyricist and composer:
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin EG Records Ltd. (in 1985)
Bryan Ferry3.654:11
7The One I Love
additional recording engineer:
Gary Laney
engineer:
Scott Litt (producer and engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
additional mixer:
Steve Catania
bass guitar:
Mike Mills (R.E.M. bass player)
drums (drum set):
Bill Berry (R.E.M. drummer)
guitar:
Peter Buck (R.E.M. guitarist)
lead vocals:
Michael Stipe
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
recorded at:
Sound Emporium Studios in Nashville, Tennessee, United States
mixed at:
Master Control in Burbank, California, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 149)
recording of:
The One I Love
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music, Universal Music Publishing International Ltd., Universal Tunes and Universal/MCA Music Ltd. (not for release label use!)
R.E.M.4.23:16
8Pain Killer
producer and mixer:
Tony Hoffer
recording of:
Pain Killer ("Summer Rain")
writer:
Olly Knights (British musician from Turin Brakes) and Gale Paridjanian
Turin Brakes23:42
9Stuck
producer:
Dallas Austin and Matt Serletic
recording of:
Stuck
writer:
Kevin Kadish and Stacie Orrico
Stacie Orrico3.253:43
10It Must Have Been Love
programming:
Clarence Öfwerman (from 1987 until 1990)
engineer:
Anders Herrlin and Alar Suurna
producer:
Clarence Öfwerman
mixer:
Humberto Gatica
drums (drum set):
Pelle Alsing (from 1987 until 1990)
electric guitar [electric guitars]:
Jonas Isacsson (from 1987 until 1990)
keyboard [keyboards] and synclavier:
Clarence Öfwerman (from 1987 until 1990)
vocals:
Marie Fredriksson (from 1987 until 1990) and Per Gessle (Swedish singer and guitarist) (from 1987 until 1990)
phonographic copyright (℗) by:
EMI Svenska AB (not for release label use!) (in 1990) and Parlophone Music Sweden AB (not for release label use, for copyrights use only) (in 1990)
recorded at:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Sweden (from 1987 until 1990) and EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden (from 1987 until 1990)
mixed at:
Ground Control Studios in Santa Monica, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 466)
recording of:
It Must Have Been Love (from 1987 until 1990)
lyricist and composer:
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jimmy Fun Music
Roxette3.154:17
11China in Your Hand
engineer:
Norman Goodman
producer:
Tim Burgess (T'Pau drummer) and Ron Rogers (Ronald Phillip Rogers, T'Pau)
phonographic copyright (℗) by:
Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1987), Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
edit of:
China in Your Hand by T’Pau
recording of:
China in Your Hand
writer:
Carol Decker and Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), M15 Publishing Ltd, Virgin Music (Publishing) Ltd. and Virgin Music (Publ.) Ltd. (publisher) (in 1987)
T’Pau44:02
12I’d Do Anything for Love
recording of:
I’d Do Anything for Love (but I Won’t Do That)
lyricist and composer:
Jim Steinman
publisher:
Carlin Music Corporation and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1993)
Meat Loaf5:23
13What If
vocals:
Kate Winslet
music videos:
What If by Kate Winslet
recording of:
What If
lyricist and composer:
Wayne Hector and Steve Mac (British pop producer/songwriter Steve McCutcheon)
publisher:
Rokstone Music Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Kate Winslet2.54:03
14How Can You Mend a Broken Heart
producer:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
drums (drum set):
Howard Grimes and Al Jackson, Jr. (Booker T & The MGs drummer)
electric bass guitar:
Leroy Hodges
guitar family:
Mabon Hodges (“Teenie”, soul guitarist)
organ and piano:
Charles Hodges (soul organist)
saxophone:
James Mitchell (US saxophonist/arranger)
tenor saxophone:
Ed Logan
trombone:
Jack Hale (trombone)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
background vocals:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes and Sandra Rhodes
recorded at:
Royal Studios in Memphis, Tennessee, United States
cover recording of:
How Can You Mend a Broken Heart
written in:
Kensington, Kensington and Chelsea, London (Greater London), England, United Kingdom
writer:
Barry Gibb and Robin Gibb
publisher:
Abigail Music (London) Ltd. (publisher), BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Robin Gibb Publishing Ltd., Songs of Universal, Inc. (BMI), Universal Music Careers and Universal Music Publishing International MGB Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Al Green3.76:19
15Wichita Lineman
producer:
Al De Lory
lead vocals:
Glen Campbell (US country singer, guitarist & actor)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968) and Capitol Records Nashville (in 2016)
additionally recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1968-08-14)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1968-05-27)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 12), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 192) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 206)
recording of:
Wichita Lineman (on 1968-05-27)
lyricist:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer) (in 1968)
Glen Campbell3.653:03
16Don’t It Make My Brown Eyes Blue
phonographic copyright (℗) by:
Capitol Records Nashville (in 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1976) and Capitol Nashville (in 1977, in 1979)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 71)
cover recording of:
Don’t It Make My Brown Eyes Blue
lyricist and composer:
Richard Leigh (American country music songwriter and singer)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) and EMI United Partnership Ltd.
Crystal Gayle4.42:33
17Fields of Gold
acoustic guitar:
Eva Cassidy
electric guitar:
Keith Grimes
vocals:
Eva Cassidy
remaster of:
Fields of Gold by Eva Cassidy
cover recording of:
Fields of Gold
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
EMI Music Publishing Germany (GmbH & Co. KG), EMI Music Publishing Ltd. (PRS‐affiliated) and Steerpike Ltd. (PRS-affiliated)
Eva Cassidy4.154:41
18Protection
recording of:
Protection
writer:
Robert Del Naja, Grant Marshall, Tracey Thorn (of Everything but the Girl) and Andrew Vowles
Massive Attack6:38

Credits

Release

ASIN:UK: B0000C667W [info]