Now! That’s What I Call a Singer

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Rehab
Assistent recording engineer:
Jesse Gladstone und Mike Makowski
recording engineer:
Vaughan Merrick und Mark Ronson (British DJ and producer)
sonstige Unterstützung:
Isobel Griffiths (Aufgabe: contractor / orchestra)
Techniker(in):
Dom Morley
Produzent(in):
Mark Ronson (British DJ and producer)
assistierende(r) Mix:
Matt Paul
Mix:
Tom Elmhirst (mixing engineer)
alto saxophone:
Chris Davies und Andy Mackintosh (British-born saxophonist)
baritone saxophone:
Dave Bishop (saxophonist) und Ian Hendrickson-Smith
Bassgitarre:
Nick Movshon
Bratsche / Viola:
Rachel Bolt (violist), Jonathan Thorne (viola player), Bruce White (violist) und Katie Wilkinson (violist)
Cello:
John Heley (cellist), Joely Koos (cellist) und Anthony Pleeth (cellist)
Geige / Violine:
Mark Berrow (violinist), Elizabeth Edwards (violinist), Peter Hanson (violinist), Boguslaw Kostecki (violinist), Perry Montague‐Mason (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Jonathan Rees, Chris Tombling (violinist) und Warren Zielinski (violinist)
Gitarre:
Thomas Brenneck und Binky Griptite
Händeklatschen:
Vaughan Merrick und Mark Ronson (British DJ and producer)
Harfe:
Helen Tunstall
Hybrid-Piano, Händeklatschen und Klavier und Klavier:
Victor Axelrod
Perkussion:
Frank Ricotti (percussionist)
Posaune:
Richard Edwards (trombonist)
Schlagzeug:
Homer Steinweiss
Tenorsaxophon:
Mike Smith (British saxophonist/keyboardist/composer/arranger/conductor), Neal Sugarman und Jamie Talbot (English jazz alto saxophonist)
Trompete:
Dave Guy und Steve Sidwell (English composer & wind instrumentalist)
conductor:
Chris Elliott (composer and arranger)
Blasinstrumente arranger:
Gabriel Roth und Mark Ronson (British DJ and producer)
Saiteninstrumente arranger:
Chris Elliott (composer and arranger)
arranger:
Gabriel Roth (Gabriel Alexander Roth)
aufgenommen bei:
Chung King Studios in New York, New York, Vereinigte Staaten, Daptone’s House of Soul in Bushwick, New York, New York, Vereinigte Staaten und Metropolis (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
Amazon – Best Songs of 2007: Editor Picks (Nummer: 57), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 73) und Indie 88: Top 500 Indie Rock Songs (Nummer: 419)
recording of:
Rehab
Texter und Komponist(in):
Amy Winehouse
publisher:
EMI Music Publishing (do not use as a release label!)
Amy Winehouse4.13:33
2I’m Not the Only One
Produzent(in):
Steve Fitzmaurice (Irish mixer, songwriter and producer) und Jimmy Napes
E-Bass:
Jodi Milliner
Gitarre:
Ben Thomas (UK guitar player)
Klavier:
Reuben James
conductor:
Simon Hale
Saiteninstrumente arranger:
Simon Hale
aufgenommen bei:
RAK Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
I’m Not the Only One
Verfasser(in):
James Napier und Sam Smith (English singer‐songwriter)
Sam Smith3.13:25
3Rocket Man
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
Gus Dudgeon
Bassgitarre:
Dee Murray
Gitarre:
Davey Johnstone
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Nigel Olsson
Synthesizer:
David Hentschel
Hintergrundgesang:
Davey Johnstone, Dee Murray und Nigel Olsson
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder) (in 1972)
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 92), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 149) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 242)
recording of:
Rocket Man (I Think It’s Going to Be a Long, Long Time)
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal–Songs of PolyGram International, Inc.
Elton John3.84:40
4Suspicious Minds
cover recording of:
Suspicious Minds
Texter und Komponist(in):
Mark James (Francis Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Songs LLC
Elvis Presley4:20
5My Cherie Amour
Produzent(in):
Henry Cosby
Sologesang:
Stevie Wonder (von 1967 bis 1968)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1967 bis 1968)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 399)
recording of:
My Cherie Amour (von 1967 bis 1968)
Verfasser(in):
Henry Cosby, Sylvia Moy und Stevie Wonder
publisher:
Black Bull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music und 大洋音楽 (Taiyō Music)
Stevie Wonder4.32:51
6I Heard It Through the Grapevine
Produzent(in):
Norman Whitfield
Bass [1962 Fender Precision Bass]:
James Jamerson (von 1967-02-03 bis 1967-04-10)
Conga und Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (von 1967-02-03 bis 1967-04-10)
Gitarre [1964 Gibson Firebird III]:
Eddie Willis (von 1967-02-03 bis 1967-04-10)
Gitarre [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (von 1967-02-03 bis 1967-04-10)
Hammond-Orgel [B-3]:
Earl Van Dyke (von 1967-02-03 bis 1967-04-10)
Instrumente:
The Funk Brothers (von 1967-02-03 bis 1967-04-10)
Schlagzeug:
Uriel Jones (von 1967-02-03 bis 1967-04-10)
Tom Tom:
Richard "Pistol" Allen (von 1967-02-03 bis 1967-04-10)
Waldhorn:
Don Ozga (von 1967-02-03 bis 1967-04-10) und Edwin Jones (von 1967-02-03 bis 1967-04-10)
Wurlitzer Electric Piano:
Johnny Griffith (von 1967-02-03 bis 1967-04-10)
Hintergrundgesang:
The Andantes (von 1967-02-03 bis 1967-04-10), Marlene Barrow (von 1967-02-03 bis 1967-04-10), Louvain Demps (von 1967-02-03 bis 1967-04-10) und Jackie Hicks (von 1967-02-03 bis 1967-04-10)
Sologesang:
Marvin Gaye (von 1967-02-03 bis 1967-04-10)
Orchester:
Detroit Symphony Orchestra (von 1967-02-03 bis 1967-04-10)
Saiteninstrumente arranger:
Paul Riser (von 1967-02-03 bis 1967-04-10)
Orchestrator(in):
Paul Riser (von 1967-02-03 bis 1967-04-10)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1968)
aufgenommen bei und mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1967-02-03 bis 1967-04-10)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 80), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 119) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 307)
cover recording of:
I Heard It Through the Grapevine (von 1967-02-03 bis 1967-04-10)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye3.73:13
7All of Me (radio edit)
assistierende(r) Techniker(in):
Phil Joly, Dave Rowland (engineer) und Kenta Yonesaka
Techniker(in):
Jason Agel und Dave Tozer
assistierende(r) Produzent(in):
Phil Joly
Produzent(in):
Phil Joly, John Legend und Dave Tozer
Mix:
Dave Tozer
Keyboard:
Dave Tozer und Mark Williams (Producer and songwriter, member of Ojivolta)
Klavier:
John Legend
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2013) und Getting Out Our Dreams (not for release label use! please use “G.O.O.D. Music”) (in 2013)
Musikvideos:
All of Me von John Legend
recording of:
All of Me
Verfasser(in):
Toby Gad (German songwriter, producer, pianist) und John Legend
gewidmet:
Chrissy Teigen
John Legend32:59
8Without You
Programmierung:
Walter Afanasieff, Gary Cirimelli und Ren Klyce
Techniker(in):
Jim Caruana, Dana Jon Chappelle und Kent Matcke
zusätzliche(r) Techniker(in):
Manny LaCarrubba
Produzent(in):
Walter Afanasieff und Mariah Carey
Mix:
Mick Guzauski
Akustikgitarre, Bass-Synthesizer, Keyboard und Synthesizer:
Walter Afanasieff
Hintergrundgesang:
Mariah Carey, Melonie Daniels, Kelly Price und Shanrae Price
arranger:
Walter Afanasieff und Mariah Carey
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1993)
aufgenommen bei:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, Vereinigte Staaten
cover recording of:
Without You
Verfasser(in):
Tom Evans (UK guitarist for Badfinger) und W. Peter Ham
publisher:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, vom 1970 bis heute), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Mariah Carey4.33:34
9Next to Me (radio mix)
Programmierung und Produzent(in):
Craze & Hoax, James Murray (British electronic music composer & producer) und Mustafa Omer (UK producer, formerly MC Strider of Blazin' Squad)
assistierende(r) Mix:
Ben Baptie
Mix:
Tom Elmhirst (mixing engineer)
E-Bass:
Anup Paul (British singer-songwriter, musician, producer and engineer)
Instrumente:
Craze & Hoax, James Murray (British electronic music composer & producer) und Mustafa Omer (UK producer, formerly MC Strider of Blazin' Squad)
Klavier:
Neil Cowley
Chorgesang:
Lorraine Barnes, Awsa Bergstrom, Crystal Jones, John Gibbons (UK backing singer), Charlene Jones, Jenny La Touche, Patsy McKay, Rebecca Jones (US singer), Roxy Harris (Roxy Harris) und Jack Vasiliou
Hintergrundgesang:
Abeeku "Beyku" Ribeiro (MC Abeeku Ribeiro)
Sologesang:
Emeli Sandé
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 88)
recording of:
Next to Me
Verfasser(in):
A. K. Paul (British singer-songwriter, musician, producer and engineer), Hugo Chegwin, Harry Craze und Emeli Sandé
zusätzliche(r) Verfasser(in):
Kendrick Lamar
publisher:
Stellar Songs Limited (BMI-affiliated)
Emeli Sandé2.853:15
10Love Me Like You Do
recording of:
Love Me Like You Do
Verfasser(in):
Ilya Salmanzadeh (Swedish/Iranian songwriter, producer, and singer), Savan Kotecha, Max Martin (Swedish record producer), Ali Payami und Tove Lo
publisher:
BMG Ruby Songs, MXM Music AB, Universal Pictures Music, Warner/Chappell Music Scandinavia AB und Wolf Cousins
Ellie Goulding43:58
11The A Team
recording engineer, Programmierung, Produzent(in) und Mix:
Jake Gosling (UK producer/songwriter)
Koproduzent(in):
Ed Sheeran (UK singer‐songwriter)
Akustikgitarre und E-Gitarre:
Ed Sheeran (UK singer‐songwriter)
Klavier und Saiteninstrumente:
Jake Gosling (UK producer/songwriter)
vocals und Interpret(in):
Ed Sheeran (UK singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Warner Music UK Limited (not for release label use!) (in 2024)
aufgenommen bei und mixed at:
Sticky Studios in Windlesham, Surrey, England, Vereinigtes Königreich
produced at:
Sticky Studios in Windlesham, Surrey, England, Vereinigtes Königreich
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 75)
recording of:
The A Team
Texter und Komponist(in):
Ed Sheeran (UK singer‐songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ed Sheeran Limited, Sheeran Lock Ltd, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV und Sony/ATV Music Publishing LLC (1995–2020)
Ed Sheeran3.454:19
12Blame It on Me
Programmierung und Produzent(in):
Cam Blackwood
Techniker(in):
Cam Blackwood und Liam Thorne
assistierende(r) Produzent(in):
Liam Thorne
assistierende(r) Mix:
Sean Julliard
Mix:
Cenzo Townshend (engineer)
Bass-Synthesizer [bass synth] und Keyboard [keyboard]:
Cam Blackwood
Cello:
D/C
Gitarre:
Cam Blackwood und George Ezra
Keyboard [keyboards]:
George Ezra
Schlagzeug und zusätzlich Perkussion:
Matthew Racher (drummer)
vocals:
George Ezra
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2014)
produced for:
Big Life Management
aufgenommen bei:
Voltaire Road Recording Studios in Clapham, Lambeth, London (Greater London), England, Vereinigtes Königreich
mixed at:
Decoy Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Blame It on Me
Verfasser(in):
George Ezra Barnett und Joel Pott
publisher:
BMG Chrysalis (may be used as an imprint, trade name of BMG Rights Management in the US/UK/SE), BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation) und Chrysalis Music Ltd. (music publisher, affiliated with PRS)
George Ezra3.53:16
13She’s the One
cover recording of:
She’s the One
Texter und Komponist(in):
Karl Wallinger
publisher:
Universal/Polygram Music Publishing
Robbie Williams4:18
14Here With Me
recording engineer und Mix:
Ash Howes (British mixer, writer and musician)
Programmierung:
James Sanger
zusätzliche Programmierung:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Produzent(in):
Dido (English singer‐songwriter) und Rick Nowels
Akustikgitarre und Keyboard:
Rick Nowels
E-Gitarre und Perkussion:
John Themis
Keyboard:
Paul Statham
zusätzlich Keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Sologesang:
Dido (English singer‐songwriter)
Saiteninstrumente arranger:
Wil Malone
Orchestrator(in):
Gavyn Wright (UK violinist, conductor)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1999) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1999)
recording of:
Here With Me
Verfasser(in):
Dido Armstrong (English singer‐songwriter), Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) und Paul Statham
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Dido3.84:16
15No More I Love You’s
Techniker(in):
Marius de Vries und Heff Moraes
Produzent(in):
Stephen Lipson
Mix:
Heff Moraes
aufgenommen bei und mixed at:
The Aquarium (Studio) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
No More “I Love You’s”
Verfasser(in):
David Freeman und Joseph Hughes
publisher:
Universal–Songs of PolyGram International, Inc. und Universal/Anxious Music Ltd
Annie Lennox4.54:50
16Son of a Preacher Man
Techniker(in):
Ed Kollis
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bassgitarre:
Tommy Cogbill (in 1968-09)
Gitarre und Sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
Hybrid-Piano und Orgel:
Bobby Emmons (in 1968-09)
Schlagzeug:
Gene Chrisman (in 1968-09)
Hintergrundgesang:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
Blechblasinstrumente arranger:
Tom Dowd
Blechblasinstrumente und Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1968)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 168) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 240)
recording of:
Son of a Preacher Man (in 1968-09)
Verfasser(in):
John Hurley und Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Dusty Springfield4.452:26
17Maggie May
Bearbeitung von:
Maggie May (without “Henry” prelude) von Rod Stewart
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
Verfasser(in):
Mike Peters, Martin Quittenton (guitarist for Steamhammer) und Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart33:41
18It’s Not Unusual
recording engineer:
Bill Price (UK producer/engineer)
Produzent(in):
Peter Sullivan (UK producer)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) und The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 393)
recording of:
It’s Not Unusual
Verfasser(in):
Gordon Mills (60s/70s UK producer and songwriter) und Les Reed
publisher:
Leeds Music (beendet), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) und Universal Duchess Music Corp. (in 1964)
Tom Jones4.52:00
19The Shoop Shoop Song (It’s in His Kiss)
Produzent(in):
Peter Asher
Sologesang:
Cher
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1990)
Musikvideos:
The Shoop Shoop Song (It’s in His Kiss) von Cher
cover recording of:
It’s in His Kiss (The Shoop Shoop Song)
Texter und Komponist(in):
Rudy Clark (US songwriter)
publisher:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. und Trio Music Company
Cher3.352:49
20I Wanna Dance With Somebody
recording engineer und Mix:
David Frazer (engineer)
Perkussion-Programmierung:
Preston Glass
assistierende(r) Techniker(in):
Dana Jon Chappelle
zusätzliche(r) assistierende(r) Techniker(in):
Noah Baron, Rob Beaton, Paul Hamingson, Stuart Hirotsu, Gordon Lyon, Billy Miranda (engineer) und Ross Williams (engineer)
zusätzliche(r) Techniker(in):
Lincoln Clapp (engineer), Maureen Droney, Ken Kessie, Gordon Lyon und Jay Rifkin
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive)
Produzent(in):
Narada Michael Walden
alto saxophone:
Marc Russo
Bass-Synthesizer [bass synth]:
Randy Jackson (former bassist with Journey and American Idol judge)
elektronisches Schlagzeug / E-Drums [Simmons]:
Greg “Gigi” Gonaway
Gitarrensynthesizer [Charvel GTM6 midi guitar synth]:
Corrado Rustici
Schlagzeug:
Narada Michael Walden
Synthesizer [synth horns]:
Sterling Smith
Synthesizer [synths]:
Walter Afanasieff
Hintergrundgesang:
Kitty Beethoven, Kevin Dorsey, Jim Gilstrap, Jennifer Hall (backing vocalist) und Myrna Matthews
Hintergrundgesang und Sologesang:
Whitney Houston
arranger:
Narada Michael Walden
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1987)
produced for:
Perfection Light Productions
aufgenommen bei:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, Vereinigte Staaten, Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten, Tarpan Studios in San Rafael, California (Kalifornien), Vereinigte Staaten und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 1) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 231)
recording of:
I Wanna Dance With Somebody (Who Loves Me)
Verfasser(in):
George Merrill und Shannon Rubicam
publisher:
Boy Meets Girl Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc. und Rondor Music (London) Ltd.
Whitney Houston4.254:51
21Happy (from “Despicable Me 2”)
Assistent recording engineer:
Matthew Desrameaux
recording engineer:
Mike Larson (recording engineer)
Produzent(in):
Pharrell Williams
Mix:
Leslie Brathwaite
Editing:
Andrew Coleman (recording/mix engineer, Neptunes-associated) und Mike Larson (recording engineer)
Hintergrundgesang:
Rhea Dummett, Trevon Henderson, Shamika Hightower, Ashley L. Lee, Jasmine Murray und Terrence Rolle
arranger:
Andrew Coleman (recording/mix engineer, Neptunes-associated) und Mike Larson (recording engineer)
aufgenommen bei:
Circle House Studios in North Miami, Florida, Vereinigte Staaten
mixed at:
Music Box Studios (Atlanta) in Atlanta, Georgia, Vereinigte Staaten
Musikvideos:
Happy von Pharrell Williams und Happy (from Despicable Me 2) (ballroom version) von Pharrell Williams
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 1), Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 20) und Billboard: Greatest of All Time Hot 100 Songs (Nummer: 88)
recording of:
Happy
Texter und Komponist(in):
Pharrell Williams
publisher:
EMI April Music Inc., More Water From Nazareth Publishing, Inc. und Universal Pictures Music
Teil von:
The 86th Academy Award for Best Original Song (Nummer: 2)
Pharrell Williams4.33:54
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Veröffentlichungsgruppe

Teil von:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (Reihenfolge: 56)