Classic Commercials

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna
sound engineer:
Stanley Goodall (engineer) (in 1983-06) and Colin Moorfoot (engineer) (in 1983-06)
producer:
James Mallinson (producer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (in 1983-06)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
chorus master:
Ernst Senff (in 1983-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1983-06)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (in 1983-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:38
2Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo (extract)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic)
conductor:
Kirill Kondrashin (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
partial recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák4:26
3Simple Symphony, op. 4: II. Playful Pizzicato
engineer:
Gordon Parry (engineer) (in 1968) and Kenneth Wilkinson (engineer) (in 1968)
producer:
David Harvey (producer) (in 1968)
orchestra:
English Chamber Orchestra (in 1968-05)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-05)
recording of:
Simple Symphony, op. 4: II. Playful Pizzicato (in 1968-05)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1933-12 until 1934-02)
part of:
Simple Symphony, op. 4
Benjamin Britten3:09
4Lakmé: Act I: Flower Duet “Dôme épais le jasmin”
mezzo-soprano vocals [Mallika]:
Jane Berbié (mezzo-soprano) (on 1967-10-12)
soprano vocals [Lakmé]:
Joan Sutherland (soprano) (on 1967-10-12)
orchestra:
Orchestre national de l'Opéra de Monte-Carlo (Monte-Carlo Philharmonic Orchestra) (on 1967-10-12)
conductor:
Richard Bonynge (conductor and pianist) (on 1967-10-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (on 1967-10-12)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes5:09
5Romeo and Juliet, op. 64: Act I. Scene II. no. 13. Dance of the Knights
engineer:
Jack Law (engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
Michael Woolcock (producer)
orchestra:
Cleveland Orchestra (in 1973-06)
conductor:
Lorin Maazel (conductor) (in 1973-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1973-06)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights (in 1973-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev5:16
6Orchestral Suite no. 3 in D, BWV 1068: II. Air on a G String
engineer:
Stanley Goodall (engineer) (in 1982-02)
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1984-02, in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1984-02, in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1984-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:53
7Requiem: IIa. Dies irae: Dies irae (extract)
producer:
John Culshaw and Christopher Raeburn (producer)
bass vocals:
Martti Talvela (operatic bass) (from 1967-10-18 until 1967-10-28)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1967-10-18 until 1967-10-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1967-10-18 until 1967-10-28)
conductor:
Sir Georg Solti (conductor) (from 1967-10-18 until 1967-10-28)
balance engineer:
Gordon Parry (engineer) (from 1967-10-18 until 1967-10-28)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-10-18 until 1967-10-28)
recording of:
Messa da requiem: IIa. Dies irae: Dies irae (coro) (from 1967-10-18 until 1967-10-28)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi2:27
8Sleepers Awake, BWV 140
orchestra:
New Symphony of London (often referred to as just The New Symphony Orchestra) (in 1958-05)
conductor:
Raymond Agoult (Hungarian, London-based conductor and composer) (in 1958-05)
arranger:
Sir Granville Bantock (British composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-05)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme" (catch-all for arrangements) (in 1958-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme”
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach2:32
9La Gioconda: Act III. Dance of the Hours (extract)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Bruno Bartoletti (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recording of:
La Gioconda: Atto III, scena 2. Danza delle ore
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli3:34
10Cello Concerto in E minor, op. 85: I. Adagio (extract)
cello:
Lynn Harrell (cellist)
orchestra:
The Cleveland Orchestra
conductor:
Lorin Maazel (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
partial recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar3:42
11Il trovatore: Act II, Scene I. Anvil Chorus. “Vedi! Le fosche” (zingari)
choir vocals:
London Opera Chorus
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
Terry Edwards (British choir director)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:55
12Má vlast: II. Vltava, JB 1:112/2 Die Moldau
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra)
conductor:
Walter Weller (violinist and conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana3:38
13Swan Lake, op. 20: Act II, no. 13: Dance of the Little Swans: VI. Tempo di valse
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (in 1988-10)
conductor:
Sir Georg Solti (conductor) (in 1988-10)
balance engineer:
Stanley Goodall (engineer) (in 1988-10) and James Lock (James Locke, engineer) (in 1988-10)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1989) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1989)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1988-10)
recording of:
The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes (in 1988-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Pyotr Ilyich Tchaikovsky1:37
14Madame Butterfly: Act II. “Un bel dì” (One Fine Day)
recording engineer:
Jack Law (engineer) (on 1974-01-31), James Lock (James Locke, engineer) (on 1974-01-31) and Gordon Parry (engineer) (on 1974-01-31)
assistant producer:
Michael Woolcock (producer)
producer:
Christopher Raeburn (producer)
soprano vocals [Butterfly]:
Mirella Freni (soprano) (on 1974-01-31)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (on 1974-01-31)
conductor:
Herbert von Karajan (conductor) (on 1974-01-31)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (on 1974-01-31)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (on 1974-01-31)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:38
15Coppélia: Tableau I, no. 3. Mazurka
orchestra:
L’Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
recording of:
Coppélia : Tableau I, no. 3. Mazurka
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
Léo Delibes2:45
16Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio (extract)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic)
conductor:
Kirill Kondrashin (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
partial recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: I. Adagio — Allegro molto (Symphony No. 9 in E minor, Op. 95 “From the New World”: I. Adagio – Allegro molto)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák4:33
17The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum”
baritone vocals:
Sherill Milnes
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (on 1972-02-03)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1972-02-03)
conductor:
Varviso (conductor) (on 1972-02-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1972-02-03)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (on 1972-02-03)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
recording of:
The Barber of Seville (english lyrics)
composer:
Gioachino Rossini (composer)
translated version of:
Il barbiere di Siviglia
Gioachino Rossini4:57
18Symphony no. 7 in E minor: IV. Nachtmusik II. Andante amoroso (extract)
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
partial recording of:
Symphony no. 7 in E minor “Lied der Nacht”: IV. Nachtmusik II. Andante amoroso
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler3:52
19Tosca: Act I, Scene IV–V. “Mario! Mario! Mario!”… “Qual’ occhio al mondo” (extract)
soprano vocals:
Leontyne Price (soprano)
tenor vocals:
Giuseppe Di Stefano (tenor)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
partial recording of:
Tosca: Atto I. “Mario! Mario! Mario!... Son qui!” (Tosca, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini5:14
20The Planets Suite for Orchestra, op. 32: IV. Jupiter, the Bringer of Jollity
engineer:
Andrew Pinder and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-02-14 until 1978-02-15)
conductor:
Sir Georg Solti (conductor) (from 1978-02-14 until 1978-02-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-02-14 until 1978-02-15)
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (from 1978-02-14 until 1978-02-15)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:16

Credits

Release

manufactured in:England, United Kingdom
manufactured by:PDO (Philips DuPont Optical, Blackburn, UK)
copyrighted (©) by:The Decca Record Company Limited (not a release label; for copyrights use only) (in 1993)
phonographic copyright (℗) by:The Decca Record Company Limited (not a release label; for copyrights use only) (in 1993)
Discogs:https://www.discogs.com/release/9618566 [info]
ASIN:UK: B000026EP7 [info]