Heartbeat: Moments

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Days
registrazione di:
Days
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) e Unichappell Music, Inc.
The Kinks2:53
2Born to Be Wild
produttore:
Gabriel Mekler
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 53) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 129)
registrazione di:
Born to Be Wild
paroliere e compositore:
Mars Bonfire
editore:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:26
3Here Comes My Baby
The Tremeloes2:41
4A Little Bit Me, a Little Bit You
registrazione di:
A Little Bit Me, a Little Bit You
paroliere e compositore:
Neil Diamond
The Monkees2:46
5The Tears of a Clown
chitarra :
Marvin Tarplin (il 1966-09-26)
strumenti:
The Funk Brothers (il 1966-09-26)
voce di accompagnamento:
Warren “Pete” Moore (il 1966-09-26), Claudette Robinson (il 1966-09-26), Bobby Rogers (il 1966-09-26) e Ronald White (soul singer, founding member of The Miracles) (il 1966-09-26)
voce principale:
Smokey Robinson (il 1966-09-26)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1967) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1970)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1966-09-26)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 190) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 313)
registrazione di:
The Tears of a Clown (il 1966-09-26)
paroliere:
Smokey Robinson
compositore:
Henry Cosby, Smokey Robinson e Stevie Wonder
editore:
Black Bull Music, Inc., Jobete Music Ltd e Jobette Music (UK) Ltd.
Smokey Robinson3.92:58
6How Can I Be Sure
David Cassidy3:04
7Rock On
tecnico di registrazione:
Gary Martin (sound engineer)
produttore:
Jeff Wayne (musician)
voce:
David Essex
direttore d'orchestra:
Jeff Wayne (musician)
arrangiatore:
Jeff Wayne (musician)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1973)
registrazione di:
Rock On
paroliere e compositore:
David Essex
editore:
BMG Gold Songs, Fujipacific Music, Inc., Jeff Wayne Music Ltd., Joseph Webster Ltd, Mushroom Music (Mushroom label’s publishing company), Rock On Music, Stage Three Music (Catalogues) Ltd., Stage Three Music Ltd. e Stage Three Songs
David Essex4.353:20
8Spirit in the Sky
produttore:
Erik Jacobsen
diritti fonografici (℗) detenuti da:
Reprise Records (nel 1969), Seven Arts Records, Inc. (not a label) (nel 1969), Transtone Productions (nel 1970) e Craft Recordings (US jazz label; reissue division of Concord) (nel 2023)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 5), Billboard Year-End Hot 100 singles of 1970 (numero: 22) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 333)
registrazione di:
Spirit in the Sky (nel 1969)
paroliere e compositore:
Norman Greenbaum
editore:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) e Westminster Music Ltd.
Norman Greenbaum4.053:56
9Nights in White Satin
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1967)
registrazione di:
Nights in White Satin (nel 1967)
paroliere e compositore:
Justin Hayward (of the Moody Blues)
editore:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. e Tyler Music Ltd.
The Moody Blues4:26
10Albatross
produttore:
Mike Vernon
basso elettrico :
John McVie (il 1968-10-06)
batteria :
Mick Fleetwood (il 1968-10-06)
chitarra :
Peter Green (former member of Fleetwood Mac) (il 1968-10-06) e Danny Kirwan (Fleetwood Mac) (il 1968-10-06)
diritti fonografici (℗) detenuti da:
Blue Horizon Records (nel 1968) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1968)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 52)
registrazione di:
Albatross (il 1968-10-06)
compositore:
Peter Green (former member of Fleetwood Mac)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Crosstown Songs UK Ltd., Kingstreet Media Publishing Limited e Palan Music Publishing Ltd.
Fleetwood Mac43:05
11Blackberry Way
registrazione di:
Blackberry Way
paroliere e compositore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
editore:
Westminster Music Ltd. e Essex Music International, Inc. (nel 1968)
The Move3:33
12I Feel Free
registrazione di:
I Feel Free
paroliere:
Pete Brown (UK poet & producer, with Cream and Jack Bruce)
compositore:
Jack Bruce
editore:
Casserole Music Corp., Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) e Unichappell-Stigwood Music (nel 1967)
Cream2:54
13All or Nothing
registrazione di:
All or Nothing
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
Aquarius Music Ltd. (UK publisher)
Small Faces3:02
14Mony Mony
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1968)
registrazione di:
Mony Mony
autore:
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry e Tommy James (American musician, singer, songwriter and record producer)
editore:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB e Planetary Nom (London) Ltd.
Tommy James & the Shondells2:52
15The Good, the Bad & The Ugly
Hugo Montenegro52:45
16It Doesn’t Matter Anymore
registrazione di:
It Doesn’t Matter Anymore
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) e Robert Mellin Ltd.
Buddy Holly2:02
17Save the Last Dance for Me
registrazione di:
Save the Last Dance for Me
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (nel 1974) e Trio Music (publisher) (nel 1974)
The Drifters2:32
18Bye Bye LoveThe Everly Brothers2:20
19Why
registrazione cover di:
Why (1959 song)
paroliere:
Robert P. Marcucci
compositore:
Peter de Angelis
editore:
Debmar Publishing Co., Inc.
Anthony Newley2:26
20Je t’aime… moi non plus
produttore:
Jean-Claude Desmarty
voce:
Jane Birkin (nel 1968-11) e Serge Gainsbourg (nel 1968-11)
orchestra:
Arthur Greenslade & His Orchestra (nel 1968-11)
direttore d'orchestra:
Arthur Greenslade (nel 1968-11)
arrangiatore:
Arthur Greenslade
registrazione di:
Je t’aime… Moi non plus (nel 1968-11)
paroliere e compositore:
Serge Gainsbourg
editore:
Heath Levy Music Co. Ltd. e Shapiro Bernstein & Co. Ltd.
Jane Birkin & Serge Gainsbourg44:22
21A Man Without Love
tecnico e tecnico di missaggio:
Luis Rodriguez (Spanish producer and engineer)
arrangiatore:
Werner Becker, Dieter Bohlen e Ralf Stemmen
mixata presso e lavorazione tecnica effettuata presso:
Studio 33 (Germany) in Hamburg, Germania
registrazione di:
A Man Without Love (Quando m'innamoro)
paroliere:
Mario Panzeri (Italian lyricist and composer)
compositore:
Roberto Livraghi e Daniele Pace (Italian lyricist & songwriter)
traduttore:
Barry Mason (English songwriter)
editore:
Sugar Music (German publisher)
versione tradotta di:
Quando m’innamoro
Engelbert Humperdinck43:18
22Chances Are
produttore:
Al Ham e Mitch Miller
produttore esecutivo:
Michael Berniker e Jerry Shulman
voce:
Johnny Mathis (US pop/soul singer) (nel 1957)
orchestra:
Ray Conniff and His Orchestra
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1957)
parte di:
Grammy Hall of Fame (numero: 1998)
registrazione di:
Chances Are (nel 1957)
paroliere:
Al Stillman
compositore:
Robert Allen (US songwriter/arranger/pianist)
editore:
Kitty Anne Music Co., Inc. (conclusa), Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd., EMI Music Publishing (do not use as a release label!), Music Sales Corporation (American copyright holder in both popular and classical music) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Johnny Mathis3:01
23Stranger in Paradise
registrata a:
New York, Stati Uniti (il 1953-10-13)
voce:
Tony Bennett (US jazz/standards vocalist), Tony Bennett (US jazz/standards vocalist) e The Ray Charles Singers
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti
registrazione cover di:
Stranger in Paradise (popular song from the 1953 musical “Kismet”) (il 1953-10-13)
paroliere:
George Forrest (American composer and lyricist) e Robert Wright (US stage & screen composer & lyricist)
compositore:
Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) e Robert Wright (US stage & screen composer & lyricist)
editore:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Frank Music Co. Ltd. (dal 1953 a oggi)
si basa su:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
parte di:
Kismet (full musical)
Tony Bennett3:03
24King of the Road
registrata a:
Tennessee, Stati Uniti (il 1964-11-03)
produttore:
Jerry Kennedy (il 1964-11-03)
voce:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (il 1964-11-03)
diritti fonografici (℗) detenuti da:
Smash (nel 1965)
registrazione di:
King of the Road (il 1964-11-03)
paroliere:
Roger Miller (US singer/songwriter/actor, “King of the Road”)
compositore:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (nel 1964)
editore:
Burlington Music Co., Ltd.
Roger Miller4.52:25
25Heartbeat
Hank Marvin2:46

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