| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Cars | Gary Numan | | 3:41 |
| 2 | Sometimes | Erasure | 2.7 | 3:30 |
| 3 | Relax | Frankie Goes to Hollywood | 4.05 | 3:55 |
| 4 | Who’s That Girl | Eurythmics | 4.2 | 3:46 |
| 5 | Hold Me Now- recording engineer, Techniker(in) und Mix:
- Phil Thornalley
- Schlagzeug-Programmierung:
- Tom Bailey
- Produzent(in):
- Tom Bailey und Alex Sadkin
- Conga und Synthesizer [Prophet V]:
- Joe Leeway
- Gitarre, Klavier, Kontrabass [contrabass], Mundharmonika und Synthesizer:
- Tom Bailey
- Marimba, Perkussion, Schlagzeug und xylophone:
- Alannah Currie
- Hintergrundgesang:
- Alannah Currie und Joe Leeway
- vocals:
- Tom Bailey
- phonographisches Urheberrecht (℗) von:
- Arista Records Ltd. (in 1983), BMG Arista Records Ltd. (in 1983), BMG Eurodisc Ltd. (in 1983), Sony Music Entertainment (UK) Ltd. (in 1983), Arista Records Ltd. (in 1984) und Arista Records, Inc. (in 1984)
- Musikvideos:
- Hold Me Now von Thompson Twins
- recording of:
- Hold Me Now
- Verfasser(in):
- Alannah Joy Currie, Joseph Martin Leeway und Thomas Alexander Bailey
- vocals arranger:
- Tom Bailey , Alannah Currie und Joe Leeway
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Point Music und Point Music Ltd.
| Thompson Twins | 4.5 | 4:44 |
| 6 | Fade to Grey- Techniker(in):
- John Hudson
- Produzent(in):
- Midge Ure und Visage
- Interpret(in):
- Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange und Midge Ure
- arranger:
- Visage
- phonographisches Urheberrecht (℗) von:
- PolyGram Records, Inc. (in 1980) und Universal Records (in 1980)
- aufgenommen bei:
- Genetic Studios in West Berkshire, England, Vereinigtes Königreich
- mixed at:
- Mayfair Sound in London , England, Vereinigtes Königreich
- recording of:
- Fade to Grey
- Verfasser(in):
- Billy Currie, Chris Payne und Midge Ure
- publisher:
- Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. und Performance Music Ltd
| Visage | 4.1 | 3:50 |
| 7 | Imagination | Belouis Some | 3 | 3:35 |
| 8 | Smalltown Boy- recording engineer:
- Pete Griffiths
- Produzent(in):
- Mike Thorne
- Mix:
- Harvey Goldberg
- recording of:
- Smalltown Boy
- Verfasser(in):
- Steve Bronski, Jimmy Somerville und Larry Steinbachek
- publisher:
- BMG Music Publishing Ltd., BMG Rights Management (UK) Ltd. , Bronski Music Ltd., Bucks Music Ltd, EMI Virgin Music Ltd. , Fujipacific Music, Inc., The Copyright Collective, Warner/Chappell Music Japan, Synch division und Yamaha Music Entertainment Holdings, Inc.
- Teil von:
- Gotcha!
| Bronski Beat | 3.65 | 5:00 |
| 9 | The Look of Love- Techniker(in):
- Gary Langan
- Produzent(in):
- Trevor Horn
- Bassgitarre:
- Mark Lickley
- Keyboard:
- Mark White
- Sologesang:
- Martin Fry
- Saiteninstrumente arranger:
- Anne Dudley
- phonographisches Urheberrecht (℗) von:
- Mercury Records Ltd. (in 1982), Mercury Records Ltd. (London) (in 1982), Phonogram Ltd. (in 1982) und Phonogram Ltd. (London) (in 1982)
- mixed at:
- Sarm Studios in Aldgate, Tower Hamlets, London , England, Vereinigtes Königreich (in 1982)
- Teil von:
- TV Cream: Real 100 Best Singles Ever (Nummer: 4), The Downloader’s Music Source Book (Nummer: 73) und VH1: 100 Greatest Songs of the 80’s (Nummer: 43)
- teilweise recording of:
- The Look of Love
- Verfasser(in):
- Martin Fry, David Palmer , Stephen Singleton und Mark White
- publisher:
- 10 Music Ltd., Copyright Control , Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. und Virgin Music, Inc.
- Teil von:
- Mantrap
| ABC | 3.9 | 3:29 |
| 10 | Take On Me | a‐ha | 4.25 | 3:47 |
| 11 | I Second That Emotion | Japan | 3.65 | 3:57 |
| 12 | What Is Love? | Howard Jones | 4.5 | 3:39 |
| 13 | Under Your Thumb | Godley & Creme | 5 | 3:48 |
| 14 | Reward | The Teardrop Explodes | 4.5 | 2:44 |
| 15 | You Take Me Up | Thompson Twins | 3.5 | 4:27 |
| 16 | Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha | Trio | 3.35 | 3:21 |
| 17 | Close (to the Edit) | Art of Noise | | 5:26 |