www.tism.wanker.com

~ Release by TISM (see all versions of this release, 7 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1(There’s Gonna Be) Sex Tonite
recording engineer and mixer:
Magoo (Australian producer Lachlan Goold)
assistant engineer:
Andy Baldwin (Australian producer, currently at Rola Pola Studio) (task: Kiss), David Davis (Australian engineer) (task: Sing Sing), Gordo (Australian engineer and technician) (task: Seed), Jack Holt (task: The Reverend Ian Paisley Park), James Paull (task: The Reverend Ian Paisley Park) and Adam Rhodes (producer, engineer) (task: The Reverend Ian Paisley Park)
co-producer:
Magoo (Australian producer Lachlan Goold)
producer:
TISM
additionally recorded at and additionally mixed at:
Kiss Studios in Melbourne, Victoria, Australia and Seed Recording Studios in Melbourne, Victoria, Australia
recorded at:
The Reverend Ian Paisley Park (from 1997-05 until 1997-12)
mixed at:
Sing Sing (closed in 2017) in Cremorne, Melbourne, Victoria, Australia (in 1998-01)
samples:
Jump in My Car by Ted Mulry Gang
recording of:
There’s Gonna Be Sex Tonite
writer:
Eugene Paul Mark Cester, Damian Cowell, John Angus Holt, Peter Minack, Ted Mulry and James Desmond Paull
publisher:
J. Albert & Son Pty. Ltd. and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
3:39
2Whatareya?
recording engineer and mixer:
Magoo (Australian producer Lachlan Goold)
assistant engineer:
Andy Baldwin (Australian producer, currently at Rola Pola Studio) (task: Kiss), David Davis (Australian engineer) (task: Sing Sing), Gordo (Australian engineer and technician) (task: Seed), Jack Holt (task: The Reverend Ian Paisley Park), James Paull (task: The Reverend Ian Paisley Park) and Adam Rhodes (producer, engineer) (task: The Reverend Ian Paisley Park)
co-producer:
Magoo (Australian producer Lachlan Goold)
producer:
TISM
additionally recorded at and additionally mixed at:
Kiss Studios in Melbourne, Victoria, Australia and Seed Recording Studios in Melbourne, Victoria, Australia
recorded at:
The Reverend Ian Paisley Park (from 1997-05 until 1997-12)
mixed at:
Sing Sing (closed in 2017) in Cremorne, Melbourne, Victoria, Australia (in 1998-01)
recording of:
Whatareya?
writer:
Eugene Paul Mark Cester, Damian Cowell, John Angus Holt, Peter Minack and James Desmond Paull
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
3:34
3Dumb ‘n’ Base
recording engineer and mixer:
Magoo (Australian producer Lachlan Goold)
assistant engineer:
Andy Baldwin (Australian producer, currently at Rola Pola Studio) (task: Kiss), David Davis (Australian engineer) (task: Sing Sing), Gordo (Australian engineer and technician) (task: Seed), Jack Holt (task: The Reverend Ian Paisley Park), James Paull (task: The Reverend Ian Paisley Park) and Adam Rhodes (producer, engineer) (task: The Reverend Ian Paisley Park)
co-producer:
Magoo (Australian producer Lachlan Goold)
producer:
Sean Condon (task: pre-production), Andrew Roberts (producer) (task: pre-production) and TISM
additionally recorded at and additionally mixed at:
Kiss Studios in Melbourne, Victoria, Australia and Seed Recording Studios in Melbourne, Victoria, Australia
recorded at:
The Reverend Ian Paisley Park (from 1997-05 until 1997-12)
mixed at:
Sing Sing (closed in 2017) in Cremorne, Melbourne, Victoria, Australia (in 1998-01)
recording of:
Dumb n Base
writer:
Eugene Paul Mark Cester, Damian Cowell, John Angus Holt, Peter Minack and James Desmond Paull
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
4:53
4Thunderbirds Are Coming Out
recording engineer and mixer:
Magoo (Australian producer Lachlan Goold)
assistant engineer:
Andy Baldwin (Australian producer, currently at Rola Pola Studio) (task: Kiss), David Davis (Australian engineer) (task: Sing Sing), Gordo (Australian engineer and technician) (task: Seed), Jack Holt (task: The Reverend Ian Paisley Park), James Paull (task: The Reverend Ian Paisley Park) and Adam Rhodes (producer, engineer) (task: The Reverend Ian Paisley Park)
co-producer:
Magoo (Australian producer Lachlan Goold)
producer:
TISM
additionally recorded at and additionally mixed at:
Kiss Studios in Melbourne, Victoria, Australia and Seed Recording Studios in Melbourne, Victoria, Australia
recorded at:
The Reverend Ian Paisley Park (from 1997-05 until 1997-12)
mixed at:
Sing Sing (closed in 2017) in Cremorne, Melbourne, Victoria, Australia (in 1998-01)
samples:
Power Drive Complete by Johnny Pearson
recording of:
Thunderbirds Are Coming Out
writer:
Eugene Paul Mark Cester, Damian Cowell, John Angus Holt, Peter Minack, James Desmond Paull and Johnny Pearson
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
3:25
5Been Caught Wankin’
recording engineer and mixer:
Magoo (Australian producer Lachlan Goold)
assistant engineer:
Andy Baldwin (Australian producer, currently at Rola Pola Studio) (task: Kiss), David Davis (Australian engineer) (task: Sing Sing), Gordo (Australian engineer and technician) (task: Seed), Jack Holt (task: The Reverend Ian Paisley Park), James Paull (task: The Reverend Ian Paisley Park) and Adam Rhodes (producer, engineer) (task: The Reverend Ian Paisley Park)
co-producer:
Magoo (Australian producer Lachlan Goold)
producer:
TISM
additionally recorded at and additionally mixed at:
Kiss Studios in Melbourne, Victoria, Australia and Seed Recording Studios in Melbourne, Victoria, Australia
recorded at:
The Reverend Ian Paisley Park (from 1997-05 until 1997-12)
mixed at:
Sing Sing (closed in 2017) in Cremorne, Melbourne, Victoria, Australia (in 1998-01)
recording of:
Been Caught Wankin’
writer:
Eugene Paul Mark Cester, Damian Cowell, John Angus Holt, Peter Minack and James Desmond Paull
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
4:07
6Denial Works for Me
recording engineer and mixer:
Laurence Maddy
assistant engineer:
Andy Baldwin (Australian producer, currently at Rola Pola Studio) (task: Kiss), David Davis (Australian engineer) (task: Sing Sing), Gordo (Australian engineer and technician) (task: Seed), Jack Holt (task: The Reverend Ian Paisley Park), James Paull (task: The Reverend Ian Paisley Park) and Adam Rhodes (producer, engineer) (task: The Reverend Ian Paisley Park)
co-producer:
Laurence Maddy
producer:
TISM
additionally recorded at and additionally mixed at:
Kiss Studios in Melbourne, Victoria, Australia and Seed Recording Studios in Melbourne, Victoria, Australia
recorded at:
The Reverend Ian Paisley Park (from 1997-05 until 1997-12)
mixed at:
Sing Sing (closed in 2017) in Cremorne, Melbourne, Victoria, Australia (in 1998-01)
samples:
Ezra Pound-Axe King by TISM
recording of:
Denial Works for Me
writer:
Eugene Paul Mark Cester, Damian Cowell, John Angus Holt, Peter Minack and James Desmond Paull
5:01
7The Parable of Glen McGrath’s Haircut
recording engineer and mixer:
Laurence Maddy
assistant engineer:
Andy Baldwin (Australian producer, currently at Rola Pola Studio) (task: Kiss), David Davis (Australian engineer) (task: Sing Sing), Gordo (Australian engineer and technician) (task: Seed), Jack Holt (task: The Reverend Ian Paisley Park), James Paull (task: The Reverend Ian Paisley Park) and Adam Rhodes (producer, engineer) (task: The Reverend Ian Paisley Park)
co-producer:
Laurence Maddy
producer:
TISM
additionally recorded at and additionally mixed at:
Kiss Studios in Melbourne, Victoria, Australia and Seed Recording Studios in Melbourne, Victoria, Australia
recorded at:
The Reverend Ian Paisley Park (from 1997-05 until 1997-12)
mixed at:
Sing Sing (closed in 2017) in Cremorne, Melbourne, Victoria, Australia (in 1998-01)
recording of:
The Parable of Glenn McGrath’s Haircut
writer:
Eugene Paul Mark Cester, Damian Cowell, John Angus Holt, Peter Minack and James Desmond Paull
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
4:13
8I Might Be a Cunt, but I’m Not a Fucking Cunt
recording engineer and mixer:
Magoo (Australian producer Lachlan Goold)
assistant engineer:
Andy Baldwin (Australian producer, currently at Rola Pola Studio) (task: Kiss), David Davis (Australian engineer) (task: Sing Sing), Gordo (Australian engineer and technician) (task: Seed), Jack Holt (task: The Reverend Ian Paisley Park), James Paull (task: The Reverend Ian Paisley Park) and Adam Rhodes (producer, engineer) (task: The Reverend Ian Paisley Park)
co-producer:
Magoo (Australian producer Lachlan Goold)
producer:
TISM
assistant mixer:
David Davis (Australian engineer)
additionally recorded at and additionally mixed at:
Kiss Studios in Melbourne, Victoria, Australia and Seed Recording Studios in Melbourne, Victoria, Australia
recorded at:
The Reverend Ian Paisley Park (from 1997-05 until 1997-12)
mixed at:
Sing Sing (closed in 2017) in Cremorne, Melbourne, Victoria, Australia (in 1998-01)
samples:
Dominique by The Singing Nun (Belgian singing nun Jeanine Deckers)
recording of:
I Might Be a Cunt but I’m Not a Fucking Cunt
writer:
Eugene Paul Mark Cester, Damian Cowell, John Angus Holt, Peter Minack and James Desmond Paull
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
2:47
9Yob
recording engineer:
Laurence Maddy
assistant engineer:
Andy Baldwin (Australian producer, currently at Rola Pola Studio) (task: Kiss), David Davis (Australian engineer) (task: Sing Sing), Gordo (Australian engineer and technician) (task: Seed), Jack Holt (task: The Reverend Ian Paisley Park), James Paull (task: The Reverend Ian Paisley Park) and Adam Rhodes (producer, engineer) (task: The Reverend Ian Paisley Park)
co-producer:
Laurence Maddy
producer:
TISM
mixer:
Andy Baldwin (Australian producer, currently at Rola Pola Studio) and Laurence Maddy
additionally recorded at and additionally mixed at:
Kiss Studios in Melbourne, Victoria, Australia and Seed Recording Studios in Melbourne, Victoria, Australia
recorded at:
The Reverend Ian Paisley Park (from 1997-05 until 1997-12)
mixed at:
Sing Sing (closed in 2017) in Cremorne, Melbourne, Victoria, Australia (in 1998-01)
samples:
Hawaiian Cowboy by Andy Bright
recording of:
Yob
writer:
Eugene Paul Mark Cester, Damian Cowell, John Angus Holt, Peter Minack and James Desmond Paull
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
3:22
10Great Expectorations
recording engineer:
Laurence Maddy and Magoo (Australian producer Lachlan Goold)
assistant engineer:
Andy Baldwin (Australian producer, currently at Rola Pola Studio) (task: Kiss), David Davis (Australian engineer) (task: Sing Sing), Gordo (Australian engineer and technician) (task: Seed), Jack Holt (task: The Reverend Ian Paisley Park), James Paull (task: The Reverend Ian Paisley Park) and Adam Rhodes (producer, engineer) (task: The Reverend Ian Paisley Park)
co-producer:
Laurence Maddy and Magoo (Australian producer Lachlan Goold)
producer:
TISM
mixer:
Magoo (Australian producer Lachlan Goold)
additionally recorded at and additionally mixed at:
Kiss Studios in Melbourne, Victoria, Australia and Seed Recording Studios in Melbourne, Victoria, Australia
recorded at:
The Reverend Ian Paisley Park (from 1997-05 until 1997-12)
mixed at:
Sing Sing (closed in 2017) in Cremorne, Melbourne, Victoria, Australia (in 1998-01)
recording of:
Great Expectorations
writer:
Eugene Paul Mark Cester, Damian Cowell, John Angus Holt, Peter Minack and James Desmond Paull
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
3:28
11A Hardearned Thirst Needs a Big Cold Beer, but I Drink to Get Pissed
recording engineer and mixer:
Magoo (Australian producer Lachlan Goold)
assistant engineer:
Andy Baldwin (Australian producer, currently at Rola Pola Studio) (task: Kiss), David Davis (Australian engineer) (task: Sing Sing), Gordo (Australian engineer and technician) (task: Seed), Jack Holt (task: The Reverend Ian Paisley Park), James Paull (task: The Reverend Ian Paisley Park) and Adam Rhodes (producer, engineer) (task: The Reverend Ian Paisley Park)
co-producer:
Magoo (Australian producer Lachlan Goold)
producer:
TISM
additionally recorded at and additionally mixed at:
Kiss Studios in Melbourne, Victoria, Australia and Seed Recording Studios in Melbourne, Victoria, Australia
recorded at:
The Reverend Ian Paisley Park (from 1997-05 until 1997-12)
mixed at:
Sing Sing (closed in 2017) in Cremorne, Melbourne, Victoria, Australia (in 1998-01)
recording of:
Long Hard Thirst Needs a Big Cold Beer
writer:
Eugene Paul Mark Cester, Damian Cowell, John Angus Holt, Peter Minack and James Desmond Paull
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
3:30
12The Men’s Room
recording engineer:
Laurence Maddy and Magoo (Australian producer Lachlan Goold)
assistant engineer:
Andy Baldwin (Australian producer, currently at Rola Pola Studio) (task: Kiss), David Davis (Australian engineer) (task: Sing Sing), Gordo (Australian engineer and technician) (task: Seed), Jack Holt (task: The Reverend Ian Paisley Park), James Paull (task: The Reverend Ian Paisley Park) and Adam Rhodes (producer, engineer) (task: The Reverend Ian Paisley Park)
co-producer:
Laurence Maddy and Magoo (Australian producer Lachlan Goold)
producer:
TISM
mixer:
Magoo (Australian producer Lachlan Goold)
additionally recorded at and additionally mixed at:
Kiss Studios in Melbourne, Victoria, Australia and Seed Recording Studios in Melbourne, Victoria, Australia
recorded at:
The Reverend Ian Paisley Park (from 1997-05 until 1997-12)
mixed at:
Sing Sing (closed in 2017) in Cremorne, Melbourne, Victoria, Australia (in 1998-01)
recording of:
The Men’s Room
writer:
Eugene Paul Mark Cester, Damian Cowell, John Angus Holt, Peter Minack and James Desmond Paull
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
3:47
13Describe the Worst Headjob I’ve Ever Had- Fantastic!
producer:
TISM
recording of:
Describe the Worst Head Job I’ve Had? Fantastic!
writer:
Eugene Paul Mark Cester, Damian Cowell, John Angus Holt, Peter Minack and James Desmond Paull
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
8:46
14The Last Australian Guitar Hero
recording engineer and mixer:
Laurence Maddy
co-producer:
Laurence Maddy
producer:
TISM
recorded at:
The Reverend Ian Paisley Park (in 1997-05) and Seed Studios in Melbourne, Victoria, Australia (in 1997-09: lead vocals, background vocals)
mixed at:
Kiss Studios in Melbourne, Victoria, Australia (in 1997-10)
recording of:
The Last Australian Guitar Hero
writer:
Eugene Paul Mark Cester, Damian Cowell, John Angus Holt, Peter Minack and James Desmond Paull
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
6:53
15Kate Fischer of Men
assistant recording engineer and assistant mixer:
Gordon Wood (Australian engineer and technician)
recording engineer and mixer:
Laurence Maddy
co-producer:
Laurence Maddy
producer:
TISM
recording of:
Kate Fisher of Men (Kate Fischer of Men)
writer:
Eugene Paul Mark Cester, Damian Cowell, John Angus Holt, Peter Minack and James Desmond Paull
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
2:11
16My Brilliant Huntington’s Chorea
producer:
TISM
recording of:
My Brilliant Huntington’s Chorea
writer:
Eugene Paul Mark Cester, Damian Cowell, John Angus Holt, Peter Minack and James Desmond Paull
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
3:36
17The Apology of the Thai Drug Runner
producer:
TISM
recording of:
The Apology of the Thai Drug Runner
writer:
Eugene Paul Mark Cester, Damian Cowell, John Angus Holt, Peter Minack and James Desmond Paull
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
5:43
18Julius Seizure - Act III, Scene II, Verse 73-118
producer:
TISM
recording of:
Julius Seizure (Act III Scene II Verse 73-118)
writer:
Eugene Paul Mark Cester, Damian Cowell, John Angus Holt, Peter Minack and James Desmond Paull
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
4:50
19Neighbours - Everybody Loves Good Neighbours
producer:
TISM
recording of:
Neighbours Everybody Loves Good Neighbours
writer:
Eugene Paul Mark Cester, Damian Cowell, John Angus Holt, Peter Minack and James Desmond Paull
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
5:17
20Opposite Day
producer:
TISM
recording of:
Opposite Day
writer:
Eugene Paul Mark Cester, Damian Cowell, John Angus Holt, Peter Minack and James Desmond Paull
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
5:25
21Rebel Without a Paunch
producer:
TISM
recording of:
Rebel Without a Paunch
writer:
Eugene Paul Mark Cester, Damian Cowell, John Angus Holt, Peter Minack and James Desmond Paull
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
3:14
22I’d Be Happier If I Was More Depressed
producer:
TISM
recording of:
I’d Be Happier If I Was More Depressed
writer:
Eugene Paul Mark Cester, Damian Cowell, John Angus Holt, Peter Minack and James Desmond Paull
3:46
23Professor Derrida Deconstructs
producer:
TISM
recording of:
Professor Derrida Deconstructs
writer:
Eugene Paul Mark Cester, Damian Cowell, John Angus Holt, Peter Minack and James Desmond Paull
publisher:
PolyGram Music Publishing Australia Pty. Ltd.
3:22
24You Gotta Love That
producer:
TISM
recording of:
Ya Gotta Love That
writer:
Eugene Paul Mark Cester, Damian Cowell, John Angus Holt, Peter Minack and James Desmond Paull
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
4:05