| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Boogie Wonderland | Earth, Wind & Fire with The Emotions | 4.2 | 4:48 |
| 2 | Shake Your Body (Down to the Ground) (7″ version) | The Jacksons | 4.25 | 3:45 |
| 3 | Boogie Nights | Heatwave | 4.65 | 3:37 |
| 4 | Yes Sir, I Can Boogie | Baccara | 4.75 | 4:32 |
| 5 | Relight My Fire (single version) | Dan Hartman | 4.65 | 3:44 |
| 6 | Copacabana (At the Copa) (long version) | Barry Manilow | | 5:46 |
| 7 | I Love to Love | Tina Charles | 4.65 | 3:04 |
| 8 | The Love I Lost | Harold Melvin & The Blue Notes & Teddy Pendergrass | | 3:35 |
| 9 | More, More, More (single version) | The Andrea True Connection | 4.75 | 3:03 |
| 10 | Work to Do | The Main Ingredient | | 3:14 |
| 11 | (Ooh‐Wee) He’s Killing Me | Patti Austin | | 3:27 |
| 12 | Say You Love Me Girl | Breakwater | | 4:46 |
| 13 | Back Stabbers | The O’Jays | 4.7 | 3:05 |
| 14 | Till You Take My Love | Harvey Mason | | 3:43 |
| 15 | What a Diff’rence a Day Makes | Esther Phillips | | 4:31 |
| 16 | You | Samuel Jonathan Johnson | | 5:51 |
| 17 | That Lady, Pt. 1 & 2 | The Isley Brothers | 4 | 5:34 |
| 18 | Rock the Boat | The Hues Corporation | 4.4 | 3:02 |
| 19 | Use It Up and Wear It Out (12″ single edit) | Odyssey | | 4:57 |
| 20 | Rivers of Babylon | Boney M. | | 4:20 |
| 21 | Love Really Hurts Without You | Billy Ocean | | 3:05 |
| 22 | Kissin’ in the Back Row of the Movies | The Drifters | | 3:32 |
| 23 | Lowdown | Boz Scaggs | | 3:40 |
| 24 | Last Train to London | Electric Light Orchestra | 4.4 | 4:33 |
| 25 | TSOP (The Sound of Philadelphia) | MFSB feat. The Three Degrees | 1 | 3:44 |
| 26 | Shame (single version) | Evelyn “Champagne” King | | 2:57 |
| 27 | Pipeline | Bruce Johnston | | 3:57 |
| 28 | I’ll Always Love My Mama | The Intruders | | 6:37 |
| 29 | Disco Lady (single version) | Johnnie Taylor | | 4:27 |
| 30 | When Will I See You Again | The Three Degrees | | 2:37 |
| 31 | I’m Always Dancin’ to the Music | Benny Golson | | 6:18 |
| 32 | Holdin’ Out for Love | Angela Bofill | | 3:24 |
| 33 | Jump (for My Love) (single remix) | The Pointer Sisters | | 3:59 |
| 34 | Blame It on the Boogie- Techniker(in):
- Don Murray
- leitende(r) Produzent(in):
- Mike Atkinson und Bobby Colomby
- Mix:
- John Luongo
- Bass:
- Gary King (in 1978) und Nathan Watts (in 1978)
- Conga:
- Laudir de Oliveira (in 1978) und Claudio Slon (in 1978)
- flute, Saxophon und Trompete:
- Seawind Horns
- Gitarre:
- Roland Bautista (in 1978), Tito Jackson (in 1978) und Mike Sembello (in 1978)
- Keyboard:
- Greg Phillinganes (in 1978)
- Perkussion und Schlagzeug:
- Rick Morotta (in 1978)
- Hintergrundgesang:
- Jackie Jackson , Marlon Jackson und Randy Jackson
- Sologesang:
- Michael Jackson (in 1978)
- Horn arranger:
- Jerry Hey
- arranger:
- Michael Jackson
- phonographisches Urheberrecht (℗) von:
- Sony Music Entertainment Inc. (in 1978)
- aufgenommen bei:
- Cherokee Studios in Hollywood, Los Angeles, California , Vereinigte Staaten, Dawnbreakers Studios in Los Angeles, California , Vereinigte Staaten, Filmways/Heider Recording in Hollywood, Los Angeles, California , Vereinigte Staaten, The Record Plant in Hollywood, Los Angeles, California , Vereinigte Staaten und Total Experience Recording Studios in Hollywood, Los Angeles, California , Vereinigte Staaten
- mixed at:
- Producer’s Workshop in Hollywood, Los Angeles, California , Vereinigte Staaten und Westlake Audio in Los Angeles, California , Vereinigte Staaten
- cover recording of:
- Blame It on the Boogie (in 1978)
- Verfasser(in):
- Dave Jackson , Mick Jackson und Elmar Krohn
- publisher:
- Almo Music Corp. , Carlin Music Ltd. und Peterman & Co. Ltd.
- Teil von:
- MJ: The Musical
- recording of:
- Blame It on the Boogie
- Verfasser(in):
- Dave Jackson , Mick Jackson und Elmar Krohn
- publisher:
- Almo Music Corp. , Carlin Music Ltd. und Peterman & Co. Ltd.
- Teil von:
- MJ: The Musical
| The Jacksons | 4.3 | 3:33 |
| 35 | Lady Marmalade- Produzent(in):
- Allen R. Toussaint
- arranger:
- Allen R. Toussaint
- phonographisches Urheberrecht (℗) von:
- Sony BMG Music Entertainment (in 1974) und Sony Music Entertainment Inc. (in 1974)
- Teil von:
- Billboard: The 500 Best Pop Songs (Nummer: 411) und Rolling Stone: 500 Greatest Songs of All Time (Nummer: 479)
- cover recording of:
- Lady Marmalade (in 1974)
- Verfasser(in):
- Bob Crewe und Kenny Nolan
- publisher:
- Ardmore and Beechwood Ltd., EMI , EMI April Music Inc., EMI Blackwood Music Inc., EMI Music , EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation und TannyBoy Music
| LaBelle feat. Patti LaBelle | 3.3 | 3:54 |
| 36 | Love Train | The O’Jays | 4.15 | 2:58 |
| 37 | September- Produzent(in):
- Maurice White
- phonographisches Urheberrecht (℗) von:
- Sony Music Entertainment Inc. (in 1975, in 1978), Columbia Records (in 1978) und Sony Music Entertainment (in 1978)
- Teil von:
- Billboard: The 500 Best Pop Songs (Nummer: 16) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 65)
- recording of:
- September
- Verfasser(in):
- Al McKay, Maurice White und Allee Willis
- publisher:
- Copyright Control , EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music , Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 , ヤマハミュージックEH(CM) und ユニバーサル・ミュージック・パブリッシング Synch事業部
| Earth, Wind & Fire | 4.6 | 3:33 |
| 38 | This Is It | Melba Moore | 4.35 | 3:29 |
| 39 | Best of My Love | The Emotions | 4.15 | 3:40 |
| 40 | Family Affair | Sly & the Family Stone | | 3:03 |
| 41 | Lovely Day- Produzent(in):
- Clarence McDonald und Bill Withers
- Bassgitarre:
- Jerry Knight (in 1977)
- Gitarre:
- Ray Parker (in 1977)
- Keyboard:
- Clarence McDonald (in 1977)
- Perkussion:
- Ralph MacDonald (in 1977)
- Schlagzeug und shakers:
- Russell Kunkel (in 1977)
- Sologesang:
- Bill Withers (in 1977)
- arranger:
- Clarence McDonald
- concertmaster:
- Charles Veal (in 1977)
- phonographisches Urheberrecht (℗) von:
- CBS Records Ltd. (in 1977), CBS, Inc. (in 1977) und Columbia Records (in 1977)
- Teil von:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 402)
- recording of:
- Lovely Day (in 1977)
- Verfasser(in):
- Skip Scarborough und Bill Withers
- publisher:
- Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. , フジパシフィックミュージック , ヤマハミュージックエンタテインメントホールディングス und ワーナー・チャペル音楽出版 Synch事業部
| Bill Withers | 4.45 | 4:10 |
| 42 | Sun Goddess | Earth, Wind & Fire feat. Ramsey Lewis | | 8:29 |
| 43 | It’s Party Time | Bobby Womack | | 4:10 |
| 44 | Cherchez la femme | Dr. Buzzard’s Original Savannah Band | | 5:44 |
| 45 | Love Is the Message | MFSB & The Three Degrees | | 2:36 |
| 46 | Disco Nights (Rock Freak) (single remix) | GQ | | 3:57 |
| 47 | Give Me Your Love | Barbara Mason | | 2:58 |
| 48 | Action Speaks Louder Than Words | Chocolate Milk | | 3:29 |
| 49 | I Love You More | George Duke | | 3:06 |
| 50 | Follow Me (single version) | Amanda Lear | | 3:50 |
| 51 | Play That Funky Music | Wild Cherry | 4 | 4:59 |
| 52 | Daddy Cool | Boney M. | 4.1 | 3:27 |
| 53 | I’m in the Mood for Dancing | The Nolans | 4.5 | 3:19 |
| 54 | I Lost My Heart to a Starship Trooper | Sarah Brightman & Hot Gossip | 3 | 4:19 |
| 55 | Never Too Much | Luther Vandross | | 3:50 |
| 56 | Got to Be Real | Cheryl Lynn | | 3:45 |
| 57 | Givin’ Up Givin’ In | The Three Degrees | 3 | 3:54 |
| 58 | Nights (Feel Like Gettin’ Down) | Billy Ocean | | 4:41 |
| 59 | Turn the Beat Around (7″ single edit) | Vicki Sue Robinson | | 3:24 |
| 60 | Instant Replay (7″ version) | Dan Hartman | | 3:26 |
| 61 | I Can’t Stand the Rain | Eruption | | 3:05 |
| 62 | How’d I Know That Love Would Slip Away | Deniece Williams | | 3:48 |
| 63 | You Little Trustmaker | The Tymes | | 2:49 |
| 64 | Jack and Jill | Raydio | | 4:35 |
| 65 | We Gettin’ Down | Weldon Irvine | | 5:47 |
| 66 | The Groove Line | Heatwave | 4.65 | 4:23 |
| 67 | Let’s Groove | Earth, Wind & Fire | | 5:35 |
| 68 | Dance Little Lady Dance | Tina Charles | | 3:06 |
| 69 | Satisfaction Guaranteed (or Take Your Love Back) | Harold Melvin & The Blue Notes | 5 | 3:29 |
| 70 | Thanks for Saving My Life | Billy Paul | | 2:57 |
| 71 | Can You Feel It- Produzent(in):
- The Jacksons
- Bass:
- Nathan Watts
- Gitarre:
- Tito Jackson und David Williams
- Keyboard:
- Ronnie Foster, Greg Phillinganes und Bill Wolfer
- Schlagzeug:
- Ollie E. Brown
- Vibraphon [vibes]:
- Gary L. Coleman
- Chorgesang:
- Lita Aubrey, Paulette Brown, Brigette Bush, Soloman Daniels, Rock Deadrick, Carolyn Dennis , Venetta Fields, Roy Galloway , Gerry Garrett, Rhonda Gentry, Jim Gilstrap, Gerry Gruberth, Bunny Hull, Roger Kenerly II, Josie James, Roger Kenerly-Saint, Yolanda Kenerly, Bob Mack, Arnold McCuller, Paulette McWilliams, Louis Price, Lisa Roberts, Stephanie Spruill , Phyllis St. James, Brian Stilwell, Audra Tillman, Carmen Twillie, Ronald Vann, Peter Wade und Gregory Wright
- Sologesang:
- Michael Jackson und Randy Jackson
- Saiteninstrumente arranger:
- Tom Tom 84
- arranger:
- Jackie Jackson und Michael Jackson
- phonographisches Urheberrecht (℗) von:
- Sony Music Entertainment Inc. (in 1980)
- recording of:
- Can You Feel It
- Verfasser(in):
- Jackie Jackson und Michael Jackson
- publisher:
- Copyright Control , Warner Chappell Music und Warner Chappell Music Ltd.
- Teil von:
- MJ: The Musical
| The Jacksons | 4.25 | 3:48 |
| 72 | Sorry, I’m a Lady | Baccara | 3 | 3:39 |
| 73 | Are You Ready for This | The Brothers | | 3:23 |
| 74 | I Thought It Was You | Herbie Hancock | | 3:38 |
| 75 | Dazz (Dazz Disco mix)- assistierende(r) Techniker(in):
- Phil Benton
- Techniker(in):
- Johnny Duncan
- Produzent(in):
- Brick , Johnny Duncan , Jim Healy und Robert E. Lee
- Saiteninstrumente:
- David Arenz, Larry LeMaster , Heidi Nitchie , Benjamin Picone, Patricio Salvatierra und Willard Shull
- Orchester:
- Atlanta Symphony Players
- Saiteninstrumente arranger:
- Skip Lane
- produced for:
- Brickhouse Productions
- aufgenommen bei:
- The Sound Pit in Atlanta, Georgia, Vereinigte Staaten, Trolley Tracks in College Park, Georgia, Vereinigte Staaten und Webb IV Recording Studio in Atlanta, Georgia, Vereinigte Staaten
- recording of:
- Dazz
- Verfasser(in):
- Reginald J. Hargis , Eddie Irons und Ray Ransom
- publisher:
- BMG Gold Songs, H&R Lastrada Music und Silver Cloud Music LLC
- Teil von:
- 10 Things I Hate About You
| Brick | 4 | 5:37 |
| 76 | It’s a Disco Night (Rock Don’t Stop) (single version) | The Isley Brothers | | 4:14 |
| 77 | Gone Gone Gone | Johnny Mathis | | 3:35 |
| 78 | Baby Don’t Change Your Mind | Gladys Knight & the Pips | 3.65 | 3:06 |
| 79 | How ’Bout Us (single version) | Champaign | 4 | 3:20 |
| 80 | It’s in His Kiss | Linda Lewis | | 3:19 |
| 81 | Dance to the Music | Sly & the Family Stone | 4 | 2:59 |
| 82 | Sneakin’ Up Behind You | The Brecker Brothers | | 4:52 |
| 83 | Turn Off the Lights | Larry Young | | 7:02 |
| 84 | Give It Up | KC and the Sunshine Band | 4.25 | 4:10 |
| 85 | Loco in Acapulco | Four Tops | | 4:34 |
| 86 | I’m So Excited (single remix) | The Pointer Sisters | | 3:53 |
| 87 | It’s Raining Men | The Weather Girls | | 5:27 |
| 88 | Going Back to My Roots (12″ version) | Odyssey | | 5:26 |
| 89 | Love Come Down (single version) | Evelyn “Champagne” King | | 3:36 |
| 90 | Best Love | Rose Royce | | 3:51 |
| 91 | Future Feature | Grant Green | | 7:44 |
| 92 | The Rhythm of the Jungle | The Quick | 5 | 3:58 |
| 93 | Party All the Time | Eddie Murphy | | 4:14 |
| 94 | Funkin’ for Jamaica | Tom Browne | | 3:19 |
| 95 | Wild Dog | Stanley Clarke | | 3:30 |
| 96 | Sexual Healing- assistierende(r) Techniker(in):
- Henri Van Durme und Didier Leonard
- Techniker(in):
- Dan Bates (Blasinstrumente [horns]), Mike Butcher und John Kovorak
- leitende(r) Produzent(in):
- Larkin Arnold
- Produzent(in):
- Marvin Gaye
- Mix und Editing:
- Harvey Fuqua
- Blasinstrumente [horns]:
- The L.A. Horn Section und David Stout
- Bongos, Conga, Glocken [bells], Glocken [orchestra bells], Glockenspiel, Hybrid-Piano [Fender Rhodes], Orgel, Schlagzeug, Synthesizer und Zimbel:
- Marvin Gaye
- Gitarre:
- Gordon Banks
- Hintergrundgesang:
- Gordon Banks, Harvey Fuqua und Marvin Gaye
- vocals:
- Marvin Gaye
- conductor:
- McKinley T. Jackson (Blasinstrumente [horns])
- Blasinstrumente [horns] arranger:
- McKinley T. Jackson
- phonographisches Urheberrecht (℗) von:
- CBS, Inc. (in 1982), Columbia Records (in 1982), Sony BMG Music Entertainment Inc. (in 1982) und Sony Music Entertainment Inc. (in 1982)
- aufgenommen bei:
- Arco Studios in München, Bayern, Deutschland (Sologesang, Hintergrundgesang), Kendun Recorders in Burbank, California , Vereinigte Staaten (Blasinstrumente [horns]), Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgien und Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgien (Sologesang, Hintergrundgesang)
- mixed at:
- Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgien
- edited at und remixed at:
- Devonshire Studios in North Hollywood, Los Angeles, California , Vereinigte Staaten
- Teil von:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 198) und Rolling Stone: 500 Greatest Songs of All Time (Nummer: 231)
- recording of:
- Sexual Healing
- Verfasser(in):
- Odell Brown, Marvin Gaye und David Ritz
- publisher:
- April Music Publishing Inc., Blackwood Music Inc. , Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. und April Music Inc. (in 1982)
| Marvin Gaye | 3.65 | 3:59 |
| 97 | Shake You Down | Gregory Abbott | 3.3 | 4:06 |
| 98 | Juicy Fruit | Mtume | | 4:31 |
| 99 | Centipede | Rebbie Jackson | | 4:25 |
| 100 | You Spin Me Round (Like a Record) (Rip It Up version) | Dead or Alive | | 4:27 |