DISCO – 100 Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Boogie Wonderland
Produzent(in):
Al McKay und Maurice White (Earth, Wind & Fire)
vocals:
The Emotions (Chicago soul, disco and R&B female vocal group) (in 1979)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1979) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
Samples von:
I Am von Earth, Wind & Fire (in 1979)
recording of:
Boogie Wonderland (in 1979)
Texter:
Allee Willis
Komponist(in):
Jon Lind
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd., International Music Network, Irving Music (BMI) und Rondor Music (London) Ltd.
Earth, Wind & Fire with The Emotions4.24:48
2Shake Your Body (Down to the Ground) (7″ version)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978-08)
Gitarre:
Tito Jackson (in 1978-08)
Keyboard und Synthesizer:
Mike Boddicker (in 1978-08) und Greg Phillinganes (in 1978-08)
Perkussion:
Paulinho da Costa (Brazilian percussionist) (in 1978-08)
Schlagzeug:
Ed Green (US violinist/percussionist) (in 1978-08)
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5) (in 1978-08), Marlon Jackson (in 1978-08), Randy Jackson (brother of Michael and Janet) (in 1978-08) und Tito Jackson (in 1978-08)
Sologesang:
Michael Jackson (“King of Pop”) (in 1978-08)
recording of:
Shake Your Body (Down to the Ground) (in 1978-08)
Texter und Komponist(in):
Michael Jackson (“King of Pop”) und Randy Jackson (brother of Michael and Janet)
publisher:
Mijac Music, Peacock Music Publishing Company, Ranjack Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Jacksons4.253:45
3Boogie Nights
Produzent(in):
Barry Blue (singer, producer, and songwriter)
phonographisches Urheberrecht (℗) von:
GTO Records (in 1976) und Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1976)
Bearbeitung von:
Boogie Nights von Heatwave (70s/80s R&B/funk band)
recording of:
Boogie Nights (in 1976)
Texter und Komponist(in):
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music, Tincabell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave4.653:37
4Yes Sir, I Can Boogie
Produzent(in):
Rolf Soja
phonographisches Urheberrecht (℗) von:
BMG Ariola Hamburg GmbH (in 1977) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1977)
recording of:
Yes Sir, I Can Boogie (original English version)
Texter:
Frank Dostal
Komponist(in):
Rolf Soja
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music und Peermusic (UK) Ltd.
Baccara4.754:32
5Relight My Fire (single version)
recording of:
Relight My Fire (in 1979)
Texter und Komponist(in):
Dan Hartman
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Dan Hartman4.653:44
6Copacabana (At the Copa) (long version)
Barry Manilow5:46
7I Love to Love
Techniker(in):
Richard Dodd (mastering engineer, producer and engineer)
Produzent(in):
Biddu (composer, songwriter, producer and musician)
arranger:
Biddu (composer, songwriter, producer and musician)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1976) und Arista Records Ltd. (not for release label use!) (in 1986)
cover recording of:
I Love to Love
Texter:
Philo Jack Robinson (disco songwriter, producer, composer)
Komponist(in):
James Bolden (French singer and songwriter)
publisher:
Mautoglade Music, Robin Song Music (affiliated to SACEM) und Rolf Baierle Music
Tina Charles4.653:04
8The Love I Lost
Harold Melvin & The Blue Notes & Teddy Pendergrass3:35
9More, More, More (single version)
Produzent(in):
Gregg Diamond
Mix:
Tom Moulton
arranger:
Gregg Diamond
phonographisches Urheberrecht (℗) von:
Buddah Records, Inc. (in 1976)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten
recording of:
More, More, More
Texter und Komponist(in):
Gregg Diamond
publisher:
Buddah Music, MRI Music, Buddah (ffor company credits related to the US label Buddah Records) (in 1976) und Gee Diamond Music (in 1976)
The Andrea True Connection4.753:03
10Work to Do
The Main Ingredient3:14
11(Ooh‐Wee) He’s Killing Me
Patti Austin3:27
12Say You Love Me Girl
Breakwater4:46
13Back Stabbers
recording engineer:
Joe Tarsia (engineer) (in 1972)
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
Interpret(in):
MFSB (Mother Father Sister Brother) (in 1972)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
Back Stabbers (in 1972)
Verfasser(in):
Leon Huff (Philly soul producer, of Gamble & Huff), Gene McFadden und John Whitehead
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.73:05
14Till You Take My Love
Harvey Mason3:43
15What a Diff’rence a Day Makes
Esther Phillips4:31
16You
Samuel Jonathan Johnson5:51
17That Lady, Pt. 1 & 2
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 17), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 30), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 346) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 349)
recording of:
That Lady
Verfasser(in):
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley und Chris Jasper
publisher:
Bovina Music Inc., EMI April Music Inc. und EMI Songs Ltd.
Version von:
Who’s That Lady
The Isley Brothers45:34
18Rock the Boat
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974)
recording of:
Rock the Boat
Texter und Komponist(in):
Wally Holmes (songwriter)
publisher:
Origin Network Pty Ltd und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Hues Corporation4.43:02
19Use It Up and Wear It Out (12″ single edit)
Odyssey4:57
20Rivers of Babylon
Boney M.4:20
21Love Really Hurts Without You
recording of:
Love Really Hurts Without You
Texter und Komponist(in):
Ben Findon (songwriter and producer) und Leslie Sebastian Charles
publisher:
Black Sheep Music Ltd. (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Music Publishing Ltd. (PRS‐affiliated)
Billy Ocean3:05
22Kissin’ in the Back Row of the MoviesThe Drifters3:32
23Lowdown
recording of:
Lowdown
Texter:
Boz Scaggs
Komponist(in):
David Paich und Boz Scaggs
publisher:
BMG Songs, Inc., Hudmar Publishing Co. Inc. und Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs3:40
24Last Train to London
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Jeff Lynne
Bassgitarre:
Kelly Groucutt (von 1979-03 bis 1979-04)
E-Gitarre und Sologesang:
Jeff Lynne (von 1979-03 bis 1979-04)
Hybrid-Piano und Klarinette:
Richard Tandy (keyboardist for Electric Light Orchestra) (von 1979-03 bis 1979-04)
Klavier und Synthesizer:
Jeff Lynne (von 1979-03 bis 1979-04) und Richard Tandy (keyboardist for Electric Light Orchestra) (von 1979-03 bis 1979-04)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (von 1979-03 bis 1979-04)
Chorgesang:
Kelly Groucutt (von 1979-03 bis 1979-04) und Jeff Lynne (von 1979-03 bis 1979-04)
conductor:
Louis Clark (von 1979-03 bis 1979-04)
Saiteninstrumente arranger und Chorgesang arranger:
Louis Clark, Jeff Lynne und Richard Tandy (keyboardist for Electric Light Orchestra)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1979), Jet Records (in 1979), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1979) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1979-03 bis 1979-04)
recording of:
Last Train to London (von 1979-03 bis 1979-04)
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Electric Light Orchestra4.44:33
25TSOP (The Sound of Philadelphia)
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Sheila Ferguson, Valerie Holiday, Fayette Pinkney und The Three Degrees
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recording of:
TSOP (The Sound of Philadelphia) (in 1973)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mighty Three Music, Sony/ATV Songs LLC und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
MFSB feat. The Three Degrees13:44
26Shame (single version)
Evelyn “Champagne” King2:57
27Pipeline
Bruce Johnston3:57
28I’ll Always Love My Mama
Produzent(in):
Gamble-Huff
Interpret(in):
MFSB (Mother Father Sister Brother) (in 1973)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
recording of:
I’ll Always Love My Mama (in 1973)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Leon Huff (Philly soul producer, of Gamble & Huff), Gene McFadden und John Whitehead
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Intruders6:37
29Disco Lady (single version)
Johnnie Taylor4:27
30When Will I See You Again
The Three Degrees2:37
31I’m Always Dancin’ to the Music
Benny Golson6:18
32Holdin’ Out for Love
Angela Bofill3:24
33Jump (for My Love) (single remix)
The Pointer Sisters3:59
34Blame It on the Boogie
Techniker(in):
Don Murray (producer / engineer)
leitende(r) Produzent(in):
Mike Atkinson und Bobby Colomby
Mix:
John Luongo
Bass:
Gary King (jazz bassist, arranger and songwriter) (in 1978) und Nathan Watts (in 1978)
Conga:
Laudir de Oliveira (in 1978) und Claudio Slon (in 1978)
flute, Saxophon und Trompete:
Seawind Horns
Gitarre:
Roland Bautista (in 1978), Tito Jackson (in 1978) und Mike Sembello (in 1978)
Keyboard:
Greg Phillinganes (in 1978)
Perkussion und Schlagzeug:
Rick Morotta (US drummer/percussionist) (in 1978)
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5), Marlon Jackson und Randy Jackson (brother of Michael and Janet)
Sologesang:
Michael Jackson (“King of Pop”) (in 1978)
Horn arranger:
Jerry Hey
arranger:
Michael Jackson (“King of Pop”)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Dawnbreakers Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten, Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Total Experience Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Blame It on the Boogie (in 1978)
Verfasser(in):
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) und Elmar Krohn
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. und Peterman & Co. Ltd.
Teil von:
MJ: The Musical
recording of:
Blame It on the Boogie
Verfasser(in):
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) und Elmar Krohn
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. und Peterman & Co. Ltd.
Teil von:
MJ: The Musical
The Jacksons4.33:33
35Lady Marmalade
Produzent(in):
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 411) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 479)
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (in 1974)
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation und TannyBoy Music
LaBelle feat. Patti LaBelle3.33:54
36Love Train
recording engineer:
Joe Tarsia (engineer)
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
Love Train (in 1972)
Texter und Komponist(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mijac Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.152:58
37September
Produzent(in):
Maurice White (Earth, Wind & Fire)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975, in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 16) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 65)
recording of:
September
Verfasser(in):
Al McKay, Maurice White (Earth, Wind & Fire) und Allee Willis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Earth, Wind & Fire4.63:33
38This Is It
remixer:
Tom Moulton
recording of:
This Is It
Texter und Komponist(in):
Van McCoy
Melba Moore4.353:29
39Best of My Love
Produzent(in):
Al McKay
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 334)
recording of:
Best of My Love
Verfasser(in):
Al McKay und Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
The Emotions4.153:40
40Family Affair
recording of:
Family Affair
Texter und Komponist(in):
Sylvester Stewart
publisher:
Mijac Music
Sly & the Family Stone3:03
41Lovely Day
Produzent(in):
Clarence McDonald und Bill Withers
Bassgitarre:
Jerry Knight (in 1977)
Gitarre:
Ray Parker (in 1977)
Keyboard:
Clarence McDonald (in 1977)
Perkussion:
Ralph MacDonald (in 1977)
Schlagzeug und shakers:
Russell Kunkel (session drummer) (in 1977)
Sologesang:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographisches Urheberrecht (℗) von:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 402)
recording of:
Lovely Day (in 1977)
Verfasser(in):
Skip Scarborough und Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.454:10
42Sun Goddess
Earth, Wind & Fire feat. Ramsey Lewis8:29
43It’s Party Time
Bobby Womack4:10
44Cherchez la femme
recording of:
Cherchez la femme
Verfasser(in):
Stony Browder Jr. und August Darnell (singer, songwriter)
Dr. Buzzard’s Original Savannah Band5:44
45Love Is the Message
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Sheila Ferguson, Valerie Holiday und Fayette Pinkney
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recording of:
Love Is the Message (in 1973)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mighty Three Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
MFSB & The Three Degrees2:36
46Disco Nights (Rock Freak) (single remix)
GQ3:57
47Give Me Your Love
Barbara Mason2:58
48Action Speaks Louder Than Words
Chocolate Milk3:29
49I Love You More
George Duke3:06
50Follow Me (single version)
Amanda Lear3:50
51Play That Funky Music
Mix:
Ken Hamann (engineer), Carl Maduri und Robert Parissi (Rob Parissi)
E-Bass und Synthesizer:
Allen Wentz (Bass player for wild cherry)
E-Gitarre:
Bryan Bassett (guitarist for Wild Cherry, Molly Hatchet and Foghat) und Robert W. Parissi (Rob Parissi)
membranophone:
Ronald Beitle (drummer for Wild Cherry)
Sologesang:
Robert W. Parissi (Rob Parissi)
zusätzlich vocals:
Bryan Bassett (guitarist for Wild Cherry, Molly Hatchet and Foghat), Ronald Beitle (drummer for Wild Cherry) und Allen Wentz (Bass player for wild cherry)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976, in 2002)
recording of:
Play That Funky Music (in 1976)
Texter und Komponist(in):
Robert W. Parissi (Rob Parissi)
publisher:
Bema Music (publisher), RWP Music, Sweet City Records Inc. und Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry44:59
52Daddy Cool
Produzent(in):
Frank Farian
Hintergrundgesang und Sologesang:
Marcia Barrett (in 1976), Frank Farian (in 1976) und Liz Mitchell (in 1976)
arranger:
Steven Hammer
phonographisches Urheberrecht (℗) von:
Far Music Productions GmbH (in 1976) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1976)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 153)
recording of:
Daddy Cool (in 1976)
Texter:
George Reyam
Komponist(in):
Frank Farian
publisher:
BMG Music, Far Musikverlag GmbH und Intro (German publisher) (in 1976)
Boney M.4.13:27
53I’m in the Mood for Dancing
recording of:
I’m in the Mood for Dancing
Verfasser(in):
Ben Findon (songwriter and producer), Mike Myers (UK producer/songwriter) und Bob Puzey
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Songs of Windswept Pacific
The Nolans4.53:19
54I Lost My Heart to a Starship Trooper
Sologesang:
Sarah Brightman
recording of:
I Lost My Heart to a Starship Trooper
Verfasser(in):
Jeffrey Calvert und Geraint Hughes (production music composer)
publisher:
Coconut Airways Productions
Sarah Brightman & Hot Gossip34:19
55Never Too Much
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recording of:
Never Too Much
Texter und Komponist(in):
Luther Vandross
publisher:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. und Uncle Ronnie’s Music Company Inc.
Luther Vandross3:50
56Got to Be Real
recording of:
Got to Be Real
Verfasser(in):
Cheryl Lynn (1970s disco singer), David Foster (Canadian music producer, arranger and composer) und David Paich
publisher:
Butterfly Gong Music, Hudmar Publishing Co. Inc. und On Board Music (publisher)
Cheryl Lynn3:45
57Givin’ Up Givin’ In
Produzent(in):
Giorgio Moroder
vocals:
Sheila Ferguson, Valerie Holiday und Helen Scott
phonographisches Urheberrecht (℗) von:
Ariola America, Inc. (in 1978)
Bearbeitung von:
Giving Up, Giving In von The Three Degrees
recording of:
Givin’ Up Givin’ In
Texter:
Pete Bellotte (English lyricist and producer)
Verfasser(in):
Pete Bellotte (English lyricist and producer) und Giorgio Moroder
Komponist(in):
Giorgio Moroder
publisher:
April Music und Heath Levy Music
The Three Degrees33:54
58Nights (Feel Like Gettin’ Down)
Billy Ocean4:41
59Turn the Beat Around (7″ single edit)
Vicki Sue Robinson3:24
60Instant Replay (7″ version)
Dan Hartman3:26
61I Can’t Stand the Rain
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1981)
cover recording of:
I Can’t Stand the Rain
Verfasser(in):
Don Bryant (R&B singer/songwriter), Bernard Miller (US 1970s songwriter) und Ann Peebles
publisher:
Irving Music, Inc. und JEC Publishing (in 1977)
Eruption3:05
62How’d I Know That Love Would Slip Away
Produzent(in):
Charles Stepney (musician, producer, arranger and songwriter) und Maurice White (Earth, Wind & Fire)
Deniece Williams3:48
63You Little Trustmaker
recording of:
You Little Trustmaker
Texter und Komponist(in):
Christopher Mark Jackson (funk/soul songwriter, active in the ’60s and ’70s)
The Tymes2:49
64Jack and Jill
recording of:
Jack & Jill
Texter und Komponist(in):
Ray Parker Jr.
publisher:
EMI Music Publishing (do not use as a release label!) und Raydiola Music
Raydio4:35
65We Gettin’ Down
Weldon Irvine5:47
66The Groove Line
assistierende(r) Techniker(in):
Mike Hedges (UK producer/recording engineer) und Andy Jackson (UK recording engineer/prog musician)
Techniker(in) und Mix:
James Guthrie
Produzent(in):
Barry Blue (singer, producer, and songwriter)
assistierende(r) Mix:
Andy Jackson (UK recording engineer/prog musician)
conductor:
John Cameron (British composer, arranger and conductor)
Orchestrator(in):
John Cameron (British composer, arranger and conductor)
concertmaster:
Pat Halling
phonographisches Urheberrecht (℗) von:
GTO Records Ltd. (holding company - file no releases here!) (in 1978) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recording of:
The Groove Line
Texter und Komponist(in):
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave4.654:23
67Let’s Groove
Earth, Wind & Fire5:35
68Dance Little Lady Dance
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1976)
recording of:
Dance Little Lady Dance
Verfasser(in):
Biddu (composer, songwriter, producer and musician), Ron Roker und Gerry Shury
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Global Music Ltd., Rondor Music Ltd. (publisher), Subiddu Music (publisher) und Warner/Chappell Music Ltd. (1996–2019)
Tina Charles3:06
69Satisfaction Guaranteed (or Take Your Love Back)
Produzent(in):
Gamble & Huff
arranger:
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1974)
recording of:
Satisfaction Guaranteed (Or Take Your Love Back)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Mighty Three Music (in 1974)
Harold Melvin & The Blue Notes53:29
70Thanks for Saving My Life
Billy Paul2:57
71Can You Feel It
Produzent(in):
The Jacksons (formerly “The Jackson 5”)
Bass:
Nathan Watts
Gitarre:
Tito Jackson und David Williams (session guitarist and songwriter)
Keyboard:
Ronnie Foster, Greg Phillinganes und Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
Schlagzeug:
Ollie E. Brown (US drummer, session musician & record producer)
Vibraphon [vibes]:
Gary L. Coleman (US percussionist)
Chorgesang:
Lita Aubrey, Paulette Brown, Brigette Bush, Soloman Daniels, Rock Deadrick, Carolyn Dennis (American singer), Venetta Fields, Roy Galloway (soul singer), Gerry Garrett, Rhonda Gentry, Jim Gilstrap, Gerry Gruberth, Bunny Hull, Roger Kenerly II, Josie James, Roger Kenerly-Saint, Yolanda Kenerly, Bob Mack, Arnold McCuller, Paulette McWilliams, Louis Price, Lisa Roberts, Stephanie Spruill (American soul/disco singer, songwriter, and percussionist), Phyllis St. James, Brian Stilwell, Audra Tillman, Carmen Twillie, Ronald Vann, Peter Wade und Gregory Wright
Sologesang:
Michael Jackson (“King of Pop”) und Randy Jackson (brother of Michael and Janet)
Saiteninstrumente arranger:
Tom Tom 84
arranger:
Jackie Jackson (member of the Jackson 5) und Michael Jackson (“King of Pop”)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980)
recording of:
Can You Feel It
Verfasser(in):
Jackie Jackson (member of the Jackson 5) und Michael Jackson (“King of Pop”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
MJ: The Musical
The Jacksons4.253:48
72Sorry, I’m a Lady
recording of:
Sorry, I’m a Lady (in 1977)
Texter:
Frank Dostal und Rolf Soja
Komponist(in):
Rolf Soja
Baccara33:39
73Are You Ready for This
The Brothers3:23
74I Thought It Was You
Herbie Hancock3:38
75Dazz (Dazz Disco mix)
assistierende(r) Techniker(in):
Phil Benton
Techniker(in):
Johnny Duncan (producer)
Produzent(in):
Brick (US soul funk disco quintet), Johnny Duncan (producer), Jim Healy und Robert E. Lee
Saiteninstrumente:
David Arenz, Larry LeMaster (cellist), Heidi Nitchie (violist), Benjamin Picone, Patricio Salvatierra (Strings) und Willard Shull
Orchester:
Atlanta Symphony Players
Saiteninstrumente arranger:
Skip Lane
produced for:
Brickhouse Productions (music production company in the mid 1970s)
aufgenommen bei:
The Sound Pit in Atlanta, Georgia, Vereinigte Staaten, Trolley Tracks in College Park, Georgia, Vereinigte Staaten und Webb IV Recording Studio in Atlanta, Georgia, Vereinigte Staaten
recording of:
Dazz
Verfasser(in):
Reginald J. Hargis (funk guitarist, bass player and singer), Eddie Irons und Ray Ransom
publisher:
BMG Gold Songs, H&R Lastrada Music und Silver Cloud Music LLC
Teil von:
10 Things I Hate About You
Brick45:37
76It’s a Disco Night (Rock Don’t Stop) (single version)
The Isley Brothers4:14
77Gone Gone Gone
recording of:
Gone, Gone, Gone
Verfasser(in):
Lawrence Russell Brown (lyricist) und Lisa Hayward
publisher:
PEERMUSIC (UK) LTD (A) 301
Johnny Mathis3:35
78Baby Don’t Change Your Mind
cover recording of:
Baby Don’t Change Your Mind
Texter und Komponist(in):
Van McCoy
Gladys Knight & the Pips3.653:06
79How ’Bout Us (single version)
Produzent(in):
Leo Graham (producer / composer / lyricist)
Solo-alto saxophone:
Ken Soderbloom
arranger:
James Mack (Composer, arranger, conductor)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
Bearbeitung von:
How ’Bout Us von Champaign
cover recording of:
How ’bout Us
Texter und Komponist(in):
Dana Walden
publisher:
April Music, Irving Music (BMI) und Irving Music, Inc.
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
How ’bout Us
Texter und Komponist(in):
Dana Walden
publisher:
April Music, Irving Music (BMI) und Irving Music, Inc.
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Champaign43:20
80It’s in His Kiss
Linda Lewis3:19
81Dance to the Music
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 223)
recording of:
Dance to the Music
Texter, Verfasser(in) und Komponist(in):
Sylvester Stewart
publisher:
Mijac Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
enthalten in:
Dance for Me
Sly & the Family Stone42:59
82Sneakin’ Up Behind You
The Brecker Brothers4:52
83Turn Off the Lights
Larry Young7:02
84Give It Up
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
recording of:
Give It Up
Verfasser(in):
Deborah Carter (writer, backing vocalist) und Harry Wayne Casey
publisher:
EMI Songs Australia Pty. Ltd., EMI Songs Ltd. und Harrick Music, Inc. (BMI)
KC and the Sunshine Band4.254:10
85Loco in Acapulco
recording of:
Loco in Acapulco
Verfasser(in):
Phil Collins (of Genesis) und Lamont Dozier
publisher:
Hit & Run Music (Publ) Ltd, Philip Collins Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Four Tops4:34
86I’m So Excited (single remix)
The Pointer Sisters3:53
87It’s Raining Men
The Weather Girls5:27
88Going Back to My Roots (12″ version)
Odyssey5:26
89Love Come Down (single version)
recording of:
Love Come Down
Texter und Komponist(in):
Kashif (Michael Jones, B.T. Express)
publisher:
MCA Music Ltd.
Evelyn “Champagne” King3:36
90Best Love
Rose Royce3:51
91Future Feature
Grant Green7:44
92The Rhythm of the JungleThe Quick53:58
93Party All the Time
Eddie Murphy4:14
94Funkin’ for Jamaica
recording of:
Funkin’ for Jamaica (N.Y.)
Texter:
Toni Smith
Komponist(in):
Tom Browne (US jazz trumpeter)
publisher:
Roaring Fork Music, Sony/ATV Melody, Thomas Browne Publishing, Inc. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Tom Browne3:19
95Wild Dog
Stanley Clarke3:30
96Sexual Healing
assistierende(r) Techniker(in):
Henri Van Durme und Didier Leonard
Techniker(in):
Dan Bates (Blasinstrumente [horns]), Mike Butcher (recording engineer and guitarist) und John Kovorak
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Marvin Gaye
Mix und Editing:
Harvey Fuqua
Blasinstrumente [horns]:
The L.A. Horn Section und David Stout (American trombonist)
Bongos, Conga, Glocken [bells], Glocken [orchestra bells], Glockenspiel, Hybrid-Piano [Fender Rhodes], Orgel, Schlagzeug, Synthesizer und Zimbel:
Marvin Gaye
Gitarre:
Gordon Banks
Hintergrundgesang:
Gordon Banks, Harvey Fuqua und Marvin Gaye
vocals:
Marvin Gaye
conductor:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (Blasinstrumente [horns])
Blasinstrumente [horns] arranger:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment Inc. (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
aufgenommen bei:
Arco Studios in München, Bayern, Deutschland (Sologesang, Hintergrundgesang), Kendun Recorders in Burbank, California (Kalifornien), Vereinigte Staaten (Blasinstrumente [horns]), Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien und Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien (Sologesang, Hintergrundgesang)
mixed at:
Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien
edited at und remixed at:
Devonshire Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 198) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 231)
recording of:
Sexual Healing
Verfasser(in):
Odell Brown, Marvin Gaye und David Ritz (American author)
publisher:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. und April Music Inc. (in 1982)
Marvin Gaye3.653:59
97Shake You Down
Produzent(in):
Gregory Abbott
Bass:
T.M. Stevens (US bass player Thomas Michael Stevens)
membranophone:
David Beal
Hintergrundgesang:
Gregory Abbott, Robert Deadmon und Aida Foreman
Sologesang:
Gregory Abbott
arranger:
Gregory Abbott
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
Teil von:
The Downloader’s Music Source Book (Nummer: 69)
recording of:
Shake You Down
Texter und Komponist(in):
Gregory Abbott
publisher:
EMI Songs Ltd. und Grabbitt Music (publisher)
Gregory Abbott3.34:06
98Juicy Fruit
Mtume4:31
99Centipede
Rebbie Jackson4:25
100You Spin Me Round (Like a Record) (Rip It Up version)
Dead or Alive4:27

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