Songbooks

~ Veröffentlichung von Oscar Peterson (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD: Porter Songbook
Nr.TitelBewertungLänge
1What Is This Thing Called Love?
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Bass:
Ray Brown (jazz bassist) (in 1952-12)
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
3:11
2Begin the Beguine
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Bass:
Ray Brown (jazz bassist) (in 1952-12)
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
instrumental recording of:
Begin the Beguine (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
3:12
3I've Got You Under My Skin
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1952-11 bis 1952-12, in 1952-12)
Bass:
Ray Brown (jazz bassist) (in 1952-12)
Gitarre:
Barney Kessel (in 1952, in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952, in 1952-12)
Kontrabass [bass]:
Ray Brown (jazz bassist) (in 1952)
instrumental recording of:
I’ve Got You Under My Skin (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
instrumental recording of:
I’ve Got You Under My Skin (in 1952)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
2:30
4Love for Sale
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-11-25)
Bass:
Ray Brown (jazz bassist) (am 1951-11-25)
Gitarre:
Barney Kessel (am 1951-11-25)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1951-11-25)
instrumental recording of:
Love for Sale (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
3:12
5Let's Do It
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Bass:
Ray Brown (jazz bassist) (in 1952-12)
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
instrumental recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1928)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Paris (1928 musical)
2:55
6I Love You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1952-11 bis 1952-12, in 1952-12)
Bass:
Ray Brown (jazz bassist) (in 1952-12)
Gitarre:
Barney Kessel (in 1952, in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952, in 1952-12)
Kontrabass [bass]:
Ray Brown (jazz bassist) (in 1952)
instrumental recording of:
I Love You (Mexican Hayride musical) (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
instrumental recording of:
I Love You (Mexican Hayride musical) (in 1952)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
recording of:
I Love You (Mexican Hayride musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
3:06
7So Near and Yet So Far
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Bass:
Ray Brown (jazz bassist) (in 1952-12)
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
instrumental recording of:
So Near and Yet So Far (from “You’ll Never Get Rich”) (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1941)
3:21
8Just One of Those Things
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-02-26)
Gitarre:
Barney Kessel (am 1952-02-26)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-02-26)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1952-02-26)
Schlagzeug:
Alvin Stoller (am 1952-02-26)
instrumental recording of:
Just One of Those Things (am 1952-02-26)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
3:02
9In the Still of the Night
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Bass:
Ray Brown (jazz bassist) (in 1952-12)
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
instrumental recording of:
In the Still of the Night (Cole Porter song) (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (library/production music) und Chappell & Co., Inc. (USA)
3:01
10Night and Day
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Bass:
Ray Brown (jazz bassist) (in 1952-12)
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
3:42
11Every Time We Say Goodbye
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Bass:
Ray Brown (jazz bassist) (in 1952-12)
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
instrumental recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:26
12Anything Goes
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Bass:
Ray Brown (jazz bassist) (in 1952-12)
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
instrumental recording of:
Anything Goes (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. und Warner Bros., Inc. (not for release label use!)
2:58
13In the Still of the Night
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
In the Still of the Night (Cole Porter song) (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (library/production music) und Chappell & Co., Inc. (USA)
2:52
14It's All Right With Me
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
It’s All Right with Me (Can‐Can musical) (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
2:53
15Love for Sale
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
Love for Sale (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
3:29
16Just One of Those Things
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1959, von 1959-07-21 bis 1959-08-01)
Kontrabass:
Ray Brown (jazz bassist) (in 1959)
Schlagzeug:
Ed Thigpen (in 1959, von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
Just One of Those Things (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
instrumental recording of:
Just One of Those Things (in 1959)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
recording of:
Just One of Those Things
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
2:24
17I've Got You Under My Skin
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
I’ve Got You Under My Skin (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
2:50
18Every Time We Say Goodbye
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:20
19Night and Day
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
2:33
20You'd Be So Easy to Love
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
Easy to Love (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
2:37
21Why Can't You Behave
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
Why Can’t You Behave? (from Kiss Me, Kate) (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Kiss Me, Kate (musical)
3:01
22I Love Paris
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
I Love Paris (Can-Can [Pistache, Company]) (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
Can‐Can
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
recording of:
I Love Paris (Can-Can [Pistache, Company])
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
Can‐Can
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
2:12
23I Concentrate on You
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
I Concentrate on You (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
3:11
24It's De-Lovely
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
It’s De‐Lovely (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
Teil von:
Anything Goes
Teil von:
Red, Hot and Blue (1936 Cole Porter musical)
52:31
2▶CD: Ellington Songbook
3▶CD: Gershwin Songbook

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