While My Guitar Gently Weeps

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1While My Guitar Gently Weeps
Techniker(in):
Paul Hamingson
Produzent(in) und Mix:
Ed Stasium (US record producer & audio engineer)
Akustikgitarre und Hintergrundgesang:
George Harrison (The Beatles) (von 1990-01 bis 1990-02) und Jeff Lynne (von 1990-01 bis 1990-02)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1990)
aufgenommen bei und mixed at:
Le Studio in Morin‐Heights, Québec (Quebec), Kanada (von 1990-01 bis 1990-02)
cover recording of:
While My Guitar Gently Weeps (von 1990-01 bis 1990-02)
Texter und Komponist(in):
George Harrison (The Beatles)
publisher:
Harrisongs Ltd., Wixen Music Publishing (American music publishing company, affiliated to BMI) und Zero Productions, Inc.
The Jeff Healey Band55:09
2Still Got the Blues
assistierende(r) Techniker(in) und assistierende(r) Mix:
Haydn Bendall (producer and engineer), Stuart Day, Markus Dravs, Steve Fitzmaurice (Irish mixer, songwriter and producer), Noel Harris und Greg Muden
Techniker(in) und Mix:
Ian Taylor (rock producer/engineer)
Produzent(in):
Gary Moore (Thin Lizzy, blues guitar) und Ian Taylor (rock producer/engineer)
Bassgitarre:
Andy Pyle
Gast-Saiteninstrumente:
Gavyn Wright (UK violinist, conductor)
Gitarre und Sologesang:
Gary Moore (Thin Lizzy, blues guitar)
Keyboard:
Don Airey
Klavier:
Nicky Hopkins (pianist and organist)
Schlagzeug:
Graham Walker (UK drummer)
conductor:
Don Airey
Saiteninstrumente arranger:
Don Airey und Gary Moore (Thin Lizzy, blues guitar)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1990)
recording of:
Still Got the Blues (for You)
Texter und Komponist(in):
Gary Moore (Thin Lizzy, blues guitar)
publisher:
BMG 10 Music Ltd., BMG Platinum Songs, BMG VM Music France, Bonuswise Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Music Publishing Scandinavia AB, Gary Moore Songs und Mushroom Music Pty. Ltd.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Gary Moore44:12
3Big Love
drum machine-Programmierung und Perkussion-Programmierung:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Produzent(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer) und Richard Dashut
E-Bass:
John McVie
Gitarre, Sampler [Fairlight CMI] und Synthesizer:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard:
Christine McVie
Schlagzeug:
Mick Fleetwood
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987)
recording of:
Big Love
Texter und Komponist(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Sony/ATV Music Publishing LLC (1995–2020)
Fleetwood Mac3.753:39
4On the Beach
recording of:
On the Beach (Chris Rea)
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea5:05
5Samba pa ti
Techniker(in):
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) und John Fiore (engineer)
Produzent(in):
Fred Catero, Bob Irwin, Santana (US Latin, blues, & rock band) und Carlos Santana
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1970-07-19)
Conga und Perkussion:
Michael Carabello (percussionist) (am 1970-07-19)
Conga, Perkussion und Timbales:
José “Chepito” Áreas (am 1970-07-19)
Gitarre:
Carlos Santana (am 1970-07-19)
Keyboard:
Gregg Rolie (keyboardist and vocalist) (am 1970-07-19)
Perkussion:
Rico Reyes (am 1970-07-19)
Schlagzeug:
Michael Shrieve (drummer) (am 1970-07-19)
tabla:
Steven Saphore (am 1970-07-19)
arranger:
Gregg Rolie (keyboardist and vocalist) und Carlos Santana
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1970-07-19)
recording of:
Samba pa ti (am 1970-07-19)
Komponist(in):
Carlos Santana
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) und Universal Music Careers
Santana3.754:32
6I Won’t Hold You Back
recording engineer:
David Leonard (US producer and engineer), Greg Ladanyi, Jamie Ledner, John Kurlander (engineer), John Kurlander (engineer) (Saiteninstrumente), Lon LeMaster, Niko Bolas, Peggy McCreary, Al Schmitt, Terry Christian (US recording and mixing engineer) und Tom Knox
Techniker(in):
Al Schmitt, Bruce Heigh, David Paich, Dick Gall (engineer/guitar technician), Greg Ladanyi, Steve Porcaro und Tom Knox
zusätzliche(r) Techniker(in):
Bruce Heigh (Aufgabe: additional recording), David Paich (Aufgabe: additional recording), Dick Gall (engineer/guitar technician) (Aufgabe: additional recording) und Steve Porcaro (Aufgabe: additional recording)
Produzent(in):
Toto (US rock group)
Mix:
Elliot Scheiner (Aufgabe: for 5.1 surround sound) und Greg Ladanyi
Bass:
David Hungate und Michael Porcaro
Bassgitarre:
David Hungate
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Instrument:
The Martyn Ford Orchestra
Keyboard:
David Paich und Steve Porcaro
Klavier:
David Paich
Perkussion und Schlagzeug:
Jeff Porcaro
Saiteninstrumente:
The Martyn Ford Orchestra
Saxophon:
Jon Smith (saxophonist)
Synthesizer:
Steve Porcaro
Hintergrundgesang:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Timothy B. Schmit
Sologesang:
Bobby Kimball, Jean-Michel Byron und Steve Lukather (guitarist, vocalist, composer, producer and arranger)
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Steve Porcaro
Orchester:
The Martyn Ford Orchestra
conductor:
James Newton Howard (American score composer)
arranger:
David Paich, James Newton Howard (American score composer) und Marty Paich
Orchestrator(in):
James Newton Howard (American score composer), David Paich und Marty Paich
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
zusätzlich aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
I Won’t Hold You Back
Texter und Komponist(in):
S. Lukather (guitarist, vocalist, composer, producer and arranger)
publisher:
Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Rehtakul Veets Music (in 1982)
Toto3.654:57
7Big Log
Produzent(in):
Benji Lefevre, Pat Moran (UK male singer, keyboardist sound engineer and producer) und Robert Plant (of Led Zeppelin)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
recording of:
Big Log
Komponist(in):
Robbie Blunt, Robert Plant (of Led Zeppelin) und Gerald Woodruffe
publisher:
Bay Music Co., Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) und Talk Time Music, Inc.
Robert Plant4.25:01
8Cocaine
Produzent(in):
Audie Ashworth
phonographisches Urheberrecht (℗) von:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1976)
recording of:
Cocaine (in 1976)
Texter und Komponist(in):
J.J. Cale
publisher:
Audigram Music, Audigram Songs, Inc., Blue Mountain Music Ltd., BMG Platinum Songs, Kobalt Music Publishing Ltd. (UK), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
J.J. Cale3.352:51
9More Than a Feeling
recording of:
More Than a Feeling
Texter und Komponist(in):
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) und Pure Songs (in 1976)
Boston4:36
10Right Next Door
recording of:
Right Next Door (Because of Me)
Texter und Komponist(in):
Dennis Walker
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Robert Cray4:17
11Shine Silently
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1979)
recording of:
Shine Silently
Verfasser(in):
Nils Lofgren und Dick Wagner
publisher:
Candlewood Mountain Music Publishing Inc.
Nils Lofgren3:39
12Keep On Loving You
assistierende(r) Techniker(in):
Tom Cummings (engineer) und Jeff Eccles
Techniker(in):
Kevin Beamish
Koproduzent(in):
Alan Gratzer (drummer)
Produzent(in):
Kevin Beamish, Kevin Cronin (guitarist, singer and songwriter) und Gary Richrath (guitarist and songwriter)
Akustikgitarre:
Kevin Cronin (guitarist, singer and songwriter)
Bass:
Bruce Hall (US bassist for REO Speedwagon)
Gitarre:
Gary Richrath (guitarist and songwriter)
Hammond-Orgel:
Neal Doughty (keyboards)
Schlagzeug:
Alan Gratzer (drummer)
Hintergrundgesang:
Kevin Cronin (guitarist, singer and songwriter), Tom Kelly (songwriter) und Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
arranger:
Kevin Cronin (guitarist, singer and songwriter)
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980, in 1981) und CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 67)
recording of:
Keep On Loving You (am 1980-09-03)
Texter und Komponist(in):
Kevin Cronin (guitarist, singer and songwriter)
publisher:
Bucks Music Group Ltd. (Bucks Music Group), Bug Music Ltd., Fate Music, HoriPro Entertainment Group, Hornall Brothers Music Ltd. (limited company), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., The International Music Network und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Taiyō Music
REO Speedwagon3.553:23
13Cause We’ve Ended Up as Lovers
Techniker(in):
Denim Bridges
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Gitarre:
Jeff Beck (English rock guitarist)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1975)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
instrumental cover recording of:
’Cause We’ve Ended as Lovers
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, EMI April Music Inc., Jobete Music Co., Inc. und Stein & Van Stock, Inc.
Jeff Beck0.65:44
14Missing You
assistierende(r) Techniker(in):
Ken Stiger (engineer)
Techniker(in):
Gary Hellman
Produzent(in):
Gary Gersh, David Thoener und John Waite
Mix und Editing:
John Luongo
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1984), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1984), EMI America Records (holding – file NO releases here!) (in 1984) und EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1984)
recording of:
Missing You
Texter:
John Waite
Komponist(in):
Mark Leonard, Chas Sandford und John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) und WC Music Corp. (vom 2019-05-28 bis heute)
John Waite54:02
15Show Me the Way
Produzent(in):
Peter Frampton
Bassgitarre:
Stanley Sheldon (bass player)
Flügel, Orgel und Rhodes Piano:
Bob Mayo (US session keyboardist & guitarist)
Gitarre:
Peter Frampton und Bob Mayo (US session keyboardist & guitarist)
Schlagzeug [drums]:
John Siomos
Talkbox:
Peter Frampton
vocals:
Peter Frampton, Bob Mayo (US session keyboardist & guitarist) und Stanley Sheldon (bass player)
arranger:
Peter Frampton
phonographisches Urheberrecht (℗) von:
A&M Records (in 1976)
live recording of:
Show Me the Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und United Artists Music Co., Inc.
Peter Frampton3.74:34
16Time for Movin’ On
recording of:
Time for Movin’ On
Verfasser(in):
Walter Trout
Walter Trout & The Free Radicals4:14
17Right Down the Line
recording engineer:
Barry Hammond
Produzent(in):
Hugh Murphy (UK producer, engineer) und Gerry Rafferty
Mix:
Declan O’Doherty
Bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel)
guitar family:
Hugh Burns
Orgel und Klavier:
Tommy Eyre
Perkussion:
Glen LeFleur
Schlagzeug:
Henry Spinetti
Steel-Gitarre:
Brian Cole
Sologesang:
Gerry Rafferty
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) und United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 1)
recording of:
Right Down the Line
Texter und Komponist(in):
Gerry Rafferty
publisher:
Stage Three Music Publishing Limited, Universal–Songs of PolyGram International, Inc. und Music of Stage Three (in 1978)
Gerry Rafferty3.54:28
18Crossroads
cover recording of:
Cross Road Blues (a/k/a “Crossroads”)
Texter und Komponist(in):
Robert Johnson (1930s blues legend)
publisher:
EMI Music Publishing Australia Pty. Limited (not for release label use!), Encore Music (US label), King of Spades Music, Lehsem II, LLC, MPCA King of Spades, Noma Music Inc., Paul Rodriguez Music Ltd., Unichappell Music, Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ry Cooder4:23

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Veröffentlichung

ASIN:DE: B00005YVYL [Info]