The Best Of... 1957-1962

~ Release by John Coltrane (see all versions of this release, 1 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleRatingLength
1Everytime We Say Goodbye
recording engineer:
Tom Dowd (on 1960-10-26) and Phil Iehle (on 1960-10-26)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-26)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-26)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-26)
soprano saxophone:
John Coltrane (on 1960-10-26)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-26)
instrumental cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (on 1960-10-26)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
35:39
2Summertime
recording engineer:
Tom Dowd (on 1960-10-24) and Phil Iehle (on 1960-10-24)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-24)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-24)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-24)
tenor saxophone:
John Coltrane (on 1960-10-24)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1960-10-24)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
311:30
3But Not for Me
recording engineer:
Tom Dowd (on 1960-10-26) and Phil Iehle (on 1960-10-26)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-26)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-26)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-26)
tenor saxophone:
John Coltrane (on 1960-10-26)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-26)
instrumental cover recording of:
But Not for Me (on 1960-10-26)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
9:34
4Like Someone in Love
recording engineer:
Rudy van Gelder (on 1957-08-16)
double bass:
Earl May (on 1957-08-16)
drums (drum set):
Art Taylor (on 1957-08-16)
tenor saxophone:
John Coltrane (on 1957-08-16)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-08-16)
instrumental cover recording of:
Like Someone in Love (on 1957-08-16)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:56
5Lush Life
recording engineer:
Rudy van Gelder (on 1958-01-10)
double bass:
Paul Chambers (US jazz bassist) (on 1958-01-10)
drums (drum set):
Louis Hayes (on 1958-01-10)
piano:
Red Garland (on 1958-01-10)
tenor saxophone:
John Coltrane (on 1958-01-10)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1958-01-10)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-01-10)
instrumental cover recording of:
Lush Life (on 1958-01-10)
lyricist and composer:
Billy Strayhorn (from 1933 until 1938)
publisher:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Chrysalis One Music, Reservoir Media Music, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and Tempo Music, Inc. (Duke Ellington’s music publishing company) (from 1949 to present)
part of:
The Real Book (compilation of jazz standards, volume I)
13:52
6I Hear a Rhapsody
recording engineer:
Rudy van Gelder (on 1957-05-31)
double bass:
Paul Chambers (US jazz bassist) (on 1957-05-31)
drums (drum set):
Albert “Tootie” Heath (on 1957-05-31)
piano:
Red Garland (on 1957-05-31)
tenor saxophone:
John Coltrane (on 1957-05-31)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-31)
instrumental cover recording of:
I Hear a Rhapsody (on 1957-05-31)
lyricist and composer:
Jack Baker (US songwriter "I Hear a Rhapsody"), George Fragos and Dick Gasparre
publisher:
Broadcast Music Inc.
5:57
7I See Your Face Before Me
recording engineer:
Rudy van Gelder (on 1958-03-26)
double bass:
Paul Chambers (US jazz bassist) (on 1958-03-26)
drums (drum set):
Arthur Taylor (on 1958-03-26)
piano:
Red Garland (on 1958-03-26)
tenor saxophone:
John Coltrane (on 1958-03-26)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-03-26)
instrumental cover recording of:
I See Your Face Before Me (on 1958-03-26)
lyricist and composer:
Howard Dietz (librettist) and Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd. and Chappell & Co.
9:58
8Little Melonae
recording engineer:
Rudy van Gelder (on 1958-03-26)
double bass:
Paul Chambers (US jazz bassist) (on 1958-03-26)
drums (drum set):
Arthur Taylor (on 1958-03-26)
piano:
Red Garland (on 1958-03-26)
tenor saxophone:
John Coltrane (on 1958-03-26)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-03-26)
cover recording of:
Little Melonae (on 1958-03-26)
composer:
Jackie McLean (jazz saxophonist)
14:06
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