After Midnight: The Complete Session (MONO)

~ Release by Nat King Cole (see all versions of this release, 17 available)

Tracklist

1▶12" Vinyl
2▼12" Vinyl
#TitleRatingLength
C1When I Grow Too Old to Dream
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
violin:
Stuff Smith (jazz violinist)
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
When I Grow Too Old to Dream
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1934)
composer:
Sigmund Romberg (in 1934)
publisher:
EMI United Partnership Ltd. and Robbins Music
translated version of:
Altijd zal het zomer zijn
3:34
C2Route 66
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
trumpet:
Harry “Sweets” Edison
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
(Get Your Kicks on) Route 66
lyricist and composer:
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Burke-Van Heusen, Inc. (on 1946-04-22)
3:43
C3I Was a Little Too Lonely (And You Were A Little Too Late)
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967)
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
I Was a Little Too Lonely and You Were a Little Too Late
writer:
Ray Evans (American songwriter) and Jay Livingston
3:02
C4You Can Depend on Me
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
trumpet:
Harry “Sweets” Edison
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
You Can Depend on Me
composer:
Charles Carpenter, Louis Dunlap and Earl Hines (jazz pianist and bandleader)
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
3:55
D1What Is There to Say?
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
valve trombone:
Juan Tizol
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
What Is There to Say?
lyricist:
Yip Harburg
composer:
Vernon Duke
publisher:
BMG Songs, Next Decade Entertainment and T.B. Harms Co.
3:37
D2Two Loves Have I
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
violin:
Stuff Smith (jazz violinist)
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
Two Loves Have I
lyricist:
Jack Murray (US songwriter) and Barry Trivers
composer:
Vincent Scotto
translated version of:
J’ai deux amours
2:47
D3Candy
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
trumpet:
Harry “Sweets” Edison
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
Candy
lyricist:
Mack David (American lyricist and songwriter) (in 1944) and Joan Whitney (in 1944)
composer:
Alex Kramer (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), EMI Feist Catalog Inc., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3:55
D4You're Looking at Me (alternate take)
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967)
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
You’re Looking at Me
lyricist and composer:
Bobby Troup
4:12