Goldfinger

~ Pubblicazione di John Barry (visualizza tutte le versioni di questa pubblicazione: 10 disponibili)

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1Main Title: Goldfinger
tecnico:
John Richards (engineer)
produttore:
John Barry (English score composer) e George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
voce:
Shirley Bassey (Welsh singer) (nel 1964-07)
direttore d'orchestra:
John Barry (English score composer) (nel 1964-07)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1964), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione di:
Goldfinger (nel 1964-07)
paroliere:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
compositore:
John Barry (English score composer)
editore:
EMI United Partnership Ltd. e Sony/ATV Songs LLC
parte di:
James Bond themes
parte di:
Goldfinger
Shirley Bassey4.252:48
2Into Miami
tecnico:
John Richards (engineer)
direttore d'orchestra:
John Barry (English score composer) (nel 1964-07)
diritti fonografici (℗) detenuti da:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione di:
Into Miami (nel 1964-07)
compositore:
John Barry (English score composer)
parte di:
Goldfinger
parte di:
Goldfinger
John Barry30:57
3Alpine Drive / Auric’s Factory
tecnico:
John Richards (engineer)
direttore d'orchestra:
John Barry (English score composer) (nel 1964-07)
diritti fonografici (℗) detenuti da:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione di:
Alpine Drive / Auric’s Factory (nel 1964-07)
compositore:
John Barry (English score composer)
parte di:
Goldfinger
John Barry4:28
4Oddjob’s Pressing Engagement
tecnico:
John Richards (engineer)
direttore d'orchestra:
John Barry (English score composer) (nel 1964-07)
diritti fonografici (℗) detenuti da:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione di:
Oddjob’s Pressing Engagement (nel 1964-07)
compositore:
John Barry (English score composer)
parte di:
Goldfinger
John Barry3:08
5Bond Back in Action Again
tecnico:
John Richards (engineer)
direttore d'orchestra:
John Barry (English score composer) (nel 1964-07)
diritti fonografici (℗) detenuti da:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione di:
Bond Back in Action Again (nel 1964-07)
compositore:
John Barry (English score composer)
parte di:
Goldfinger
John Barry2:31
6Teasing the Korean
tecnico:
John Richards (engineer)
direttore d'orchestra:
John Barry (English score composer) (nel 1964-07)
diritti fonografici (℗) detenuti da:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione di:
Teasing the Korean (nel 1964-07)
compositore:
John Barry (English score composer)
parte di:
Goldfinger
John Barry2:17
7Gassing the Gangsters
tecnico:
John Richards (engineer)
direttore d'orchestra:
John Barry (English score composer) (nel 1964-07)
diritti fonografici (℗) detenuti da:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione di:
Gassing the Gangsters (nel 1964-07)
compositore:
John Barry (English score composer)
parte di:
Goldfinger
John Barry1:05
8Goldfinger (instrumental)
tecnico:
John Richards (engineer)
direttore d'orchestra:
John Barry (English score composer) (nel 1964-07)
diritti fonografici (℗) detenuti da:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione strumentale di:
Goldfinger (nel 1964-07)
paroliere:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
compositore:
John Barry (English score composer)
editore:
EMI United Partnership Ltd. e Sony/ATV Songs LLC
parte di:
James Bond themes
parte di:
Goldfinger
John Barry2:10
9Dawn Raid on Fort Knox
tecnico:
John Richards (engineer)
direttore d'orchestra:
John Barry (English score composer) (nel 1964-07)
diritti fonografici (℗) detenuti da:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione di:
Dawn Raid on Fort Knox (nel 1964-07)
compositore:
John Barry (English score composer)
parte di:
Goldfinger
John Barry5:48
10The Arrival of the Bomb and Count Down
tecnico:
John Richards (engineer)
direttore d'orchestra:
John Barry (English score composer) (nel 1964-07)
diritti fonografici (℗) detenuti da:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione di:
The Arrival of the Bomb and Count Down (nel 1964-07)
compositore:
John Barry (English score composer)
parte di:
Goldfinger
John Barry3:29
11The Death of Goldfinger / End Titles
tecnico:
John Richards (engineer)
direttore d'orchestra:
John Barry (English score composer) (nel 1964-07)
diritti fonografici (℗) detenuti da:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione di:
The Death of Goldfinger / End Titles (nel 1964-07)
compositore:
John Barry (English score composer)
parte di:
Goldfinger
John Barry2:35
12Golden Girl
tecnico:
John Richards (engineer)
diritti fonografici (℗) detenuti da:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione di:
Golden Girl
compositore:
John Barry (English score composer)
editore:
EMI Unart Catalog Inc.
parte di:
Goldfinger
John Barry2:11
13Death of Tilley
tecnico:
John Richards (engineer)
diritti fonografici (℗) detenuti da:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione di:
Death of Tilley
compositore:
John Barry (English score composer)
parte di:
Goldfinger
John Barry2:05
14The Laser Beam
tecnico:
John Richards (engineer)
diritti fonografici (℗) detenuti da:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione di:
The Laser Beam
compositore:
John Barry (English score composer)
parte di:
Goldfinger
John Barry2:54
15Pussy Galore’s Flying Circus
tecnico:
John Richards (engineer)
diritti fonografici (℗) detenuti da:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione di:
Pussy Galore’s Flying Circus
compositore:
John Barry (English score composer)
parte di:
Goldfinger
John Barry2:48

Accreditamenti

Pubblicazione

fabbricata a:U.S.A.
stampata a:U.S.A.
direzione artistica e design:Peter Grant (visual art direction, design)
note di libretto:Jeff Bond (liner notes)
supporto a vario titolo:Sid Margo (violinist and orchestra contractor)
produttore:Frank Collura
tecnico di remastering:Bob Fisher (producer, recording artist & mastering engineer)
fabbricata da e licenziata a:Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
copyright (©) detenuto da:Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964)
United Artists Corporation (nel 1964)
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2003)
diritti fonografici (℗) detenuti da:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2003)
remastering effettuato presso:Pacific Multimedia in Los Angeles, California, Stati Uniti
remaster di:Goldfinger (stereo)
Discogs:https://www.discogs.com/release/2040971 [info]
ASIN:US: B00008BL4N [info]

Gruppo di pubblicazioni

supporto artisti & repertorio (A&R):Gregg Ogorzelec
direzione creativa:Michelle Azzopardi (producer, creative director)
singoli/EP collegati:Goldfinger di Shirley Bassey (Welsh singer)
parte di:James Bond film soundtracks (Film Soundtracks) (numero: 1964) (ordine: 4)
Billboard 200 Decade-End Chart 1960s (numero: 38) (ordine: 38)
Discogs:https://www.discogs.com/master/87552 [info]
IMDb:https://www.imdb.com/title/tt0058150/ [info]
Allmusic:https://www.allmusic.com/album/mw0000652931 [info]
Wikidata:Q3405315 [info]