Euros 2021

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

℗ & © «2021 UMG Recordings, Inc.»
℗ «FP»

Countries excluded (Deezer + Spotify)

(As of 2021-06-27).

  • Central America: 🇧🇿 Belize (bz)
  • Caribbean: 🇦🇬 Antigua and Barbuda (ag) 🇦🇮 Anguilla (ai) 🇧🇧 Barbados (bb) 🇩🇲 Dominica (dm) 🇬🇩 Grenada (gd) 🇯🇲 Jamaica (jm) 🇰🇳 Saint Kitts and Nevis (kn) 🇰🇾 Cayman Islands (ky) 🇱🇨 Saint Lucia (lc) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇻🇨 Saint Vincent and Grenadines (vc) 🇻🇬 British Virgin Islands (vg) 🇧🇸 Bahamas (bs) 🇨🇼 Curaçao (cw) 🇭🇹 Haiti (ht)
  • South America: 🇫🇰 Falkland Islands (fk) 🇬🇾 Guyana (gy) 🇸🇷 Suriname (sr)
  • Western Europe: 🇱🇮 Liechtenstein (li) 🇲🇨 Monaco (mc)
  • Northern Europe: 🇸🇯 Svalbard and Jan Mayen (sj)
  • Southern Europe: 🇦🇩 Andorra (ad) 🇸🇲 San Marino (sm)
  • Eastern Europe: 🇲🇩 Moldova (md)
  • Northern Africa: 🇱🇾 Libya (ly)
  • Western Africa: 🇧🇫 Burkina Faso (bf) 🇧🇯 Benin (bj) 🇨🇻 Cape Verde (cv) 🇬🇲 Gambia (gm) 🇬🇳 Guinea (gn) 🇬🇼 Guinea-Bissau (gw) 🇱🇷 Liberia (lr) 🇲🇱 Mali (ml) 🇲🇷 Mauritania (mr) 🇳🇪 Niger (ne) 🇸🇱 Sierra Leone (sl) 🇹🇬 Togo (tg)
  • Eastern Africa: 🇧🇮 Burundi (bi) 🇩🇯 Djibouti (dj) 🇪🇷 Eritrea (er) 🇪🇹 Ethiopia (et) 🇮🇴 British Indian Ocean Territory (io) 🇰🇲 Comoros (km) 🇲🇬 Madagascar (mg) 🇲🇺 Mauritius (mu) 🇲🇼 Malawi (mw) 🇲🇿 Mozambique (mz) 🇷🇼 Rwanda (rw) 🇸🇨 Seychelles (sc) 🇸🇴 Somalia (so) 🇹🇿 Tanzania (tz) 🇺🇬 Uganda (ug) 🇿🇲 Zambia (zm) 🇿🇼 Zimbabwe (zw)
  • Middle Africa: 🇦🇴 Angola (ao) 🇨🇩 Democratic Republic of Congo (cd) 🇨🇫 Central African Republic (cf) 🇨🇬 Congo (cg) 🇬🇦 Gabon (ga) 🇬🇶 Equatorial Guinea (gq) 🇸🇹 Sao Tome and Principe (st) 🇹🇩 Chad (td)
  • Southern Africa: 🇧🇼 Botswana (bw) 🇱🇸 Lesotho (ls) 🇳🇦 Namibia (na) 🇸🇿 Swaziland (sz)
  • Western Asia: 🇦🇲 Armenia (am) 🇦🇿 Azerbaijan (az) 🇬🇪 Georgia (ge) 🇮🇶 Iraq (iq) 🇯🇴 Jordan (jo) 🇾🇪 Yemen (ye) 🇵🇸 Palestine (ps)
  • Central Asia: 🇰🇬 Kyrgyzstan (kg) 🇰🇿 Kazakhstan (kz) 🇹🇯 Tajikistan (tj) 🇹🇲 Turkmenistan (tm) 🇺🇿 Uzbekistan (uz)
  • Southern Asia: 🇦🇫 Afghanistan (af) 🇧🇩 Bangladesh (bd) 🇧🇹 Bhutan (bt) 🇲🇻 Maldives (mv) 🇳🇵 Nepal (np) 🇵🇰 Pakistan (pk)
  • Eastern Asia: 🇲🇳 Mongolia (mn) 🇲🇴 Macao (mo)
  • South-Eastern Asia: 🇧🇳 Brunei (bn) 🇱🇦 Laos (la) 🇹🇱 Timor-Leste (tl)
  • Oceania: 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇳🇫 Norfolk Island (nf)
  • Polynesia: 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu) 🇵🇳 Pitcairn (pn) 🇹🇰 Tokelau (tk) 🇹🇴 Tonga (to) 🇹🇻 Tuvalu (tv) 🇼🇸 Samoa (ws)
  • Melanesia: 🇫🇯 Fiji (fj) 🇵🇬 Papua New Guinea (pg) 🇸🇧 Solomon Islands (sb) 🇻🇺 Vanuatu (vu)
  • Micronesia: 🇫🇲 Federated States of Micronesia (fm) 🇰🇮 Kiribati (ki) 🇲🇭 Marshall Islands (mh) 🇳🇷 Nauru (nr) 🇵🇼 Palau (pw)

Countries where available (Deezer + Spotify)

(As of 2021-06-27).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us)
  • Central America: 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • Caribbean: 🇩🇴 Dominican Republic (do) 🇹🇹 Trinidad and Tobago (tt)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇺🇾 Uruguay (uy) 🇻🇪 Venezuela (ve)
  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇺 Luxembourg (lu) 🇳🇱 Netherlands (nl)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇮🇸 Iceland (is) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se)
  • Southern Europe: 🇦🇱 Albania (al) 🇧🇦 Bosnia and Herzegovina (ba) 🇨🇾 Cyprus (cy) 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇭🇷 Croatia (hr) 🇮🇹 Italy (it) 🇲🇪 Montenegro (me) 🇲🇰 North Macedonia (mk) 🇲🇹 Malta (mt) 🇵🇹 Portugal (pt) 🇷🇸 Serbia (rs) 🇸🇮 Slovenia (si)
  • Eastern Europe: 🇧🇬 Bulgaria (bg) 🇧🇾 Belarus (by) 🇨🇿 Czech Republic (cz) 🇭🇺 Hungary (hu) 🇵🇱 Poland (pl) 🇷🇴 Romania (ro) 🇷🇺 Russia (ru) 🇸🇰 Slovakia (sk) 🇺🇦 Ukraine (ua) 🇽🇰 Kosovo (xk)
  • Northern Africa: 🇩🇿 Algeria (dz) 🇪🇬 Egypt (eg) 🇲🇦 Morocco (ma) 🇹🇳 Tunisia (tn)
  • Western Africa: 🇨🇮 Cote D’Ivoire (ci) 🇬🇭 Ghana (gh) 🇳🇬 Nigeria (ng) 🇸🇳 Senegal (sn)
  • Eastern Africa: 🇰🇪 Kenya (ke)
  • Middle Africa: 🇨🇲 Cameroon (cm)
  • Southern Africa: 🇿🇦 South Africa (za)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇧🇭 Bahrain (bh) 🇮🇱 Israel (il) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Turkey (tr)
  • Southern Asia: 🇱🇰 Sri Lanka (lk) 🇮🇳 India (in)
  • Eastern Asia: 🇯🇵 Japan (jp) 🇭🇰 Hong Kong (hk) 🇰🇷 South Korea (kr) 🇹🇼 Taiwan (tw)
  • South-Eastern Asia: 🇮🇩 Indonesia (id) 🇰🇭 Cambodia (kh) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Vietnam (vn)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Anmerkung zuletzt geändert am 2021-06-27 20:51 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Ramenez la coupe à la maison
Vegedream3:56
2Chelsea Dagger
Techniker(in):
Todd Burke und Tony Hoffer
Produzent(in) und Mix:
Tony Hoffer
recording of:
Chelsea Dagger
Texter und Komponist(in):
Jon Fratelli
The Fratellis4.153:35
3Bitter Sweet Symphony
recording engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in):
Andrew Loog Oldham, The Verve und Youth (producer/bassist Martin Glover)
zusätzliche(r) Produzent(in) und zusätzliche(r) Mix:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Sologesang:
Richard Ashcroft
Orchester:
The Andrew Oldham Orchestra
zusätzlich Saiteninstrumente arranger:
Wil Malone
Samples:
The Last Time von The Andrew Oldham Orchestra
Musikvideos:
Bitter Sweet Symphony von The Verve
Teil von:
Triple J’s Hottest 100: Twenty Years (2013) (Nummer: 5), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 18), Indie 88: Top 500 Indie Rock Songs (Nummer: 22) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 382)
recording of:
Bitter Sweet Symphony
Texter und Komponist(in):
Richard Ashcroft
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
basiert auf:
The Last Time
The Verve4.35:57
4Town Called Malice
Produzent(in):
The Jam (late 70s/early 80s UK punk/mod revival band) und Peter Wilson (UK Producer)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1982)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1981-12)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 151)
recording of:
Town Called Malice
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. und Universal Music Publishing MGB Australia
The Jam4.82:54
5I Took a Pill in Ibiza (Seeb remix)
remixer:
Seeb
Remix von:
I Took a Pill in Ibiza (acoustic original) von Mike Posner
recording of:
I Took a Pill in Ibiza
Texter und Komponist(in):
Mike Posner
Mike Posner & Seeb4.33:22
6Rockin’ All Over the World
assistierende(r) Techniker(in):
Kevin Whyte
Techniker(in):
John Eden (producer), Barry Hammond und Simon Sullivan
Produzent(in):
Status Quo (UK boogie rock band) und Pip Williams (producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1977), Mercury Records Ltd. (London) (for copyrights use only) (in 1977), Mercury Records Ltd. (UK) (in 1977), Phonogram Ltd. (not for release label use!) (in 1977), Phonogram Ltd. (London) (company name, NOT a label!) (in 1977, in 1988) und Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1992)
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich (am 1992-08-30), Studio Bohus in Kungälv Municipality (Kungälv), Västra Götaland (Västra Götaland county), Schweden (am 1992-08-30) und Sutton Park in Birmingham, West Midlands, England, Vereinigtes Königreich (am 1992-08-30)
mixed at:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Rockin All Over the World von Status Quo (UK boogie rock band)
cover recording of:
Rockin’ All Over the World (am 1992-08-30)
Texter und Komponist(in):
John Fogerty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greasy King Music, Hornall Brothers Music (limited company), Intersong (publisher), Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB (Sweden), Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Wenaha Music, Wenaha Music Company und Intersong Ltd. (publisher) (in 1977)
Status Quo43:37
7Wavin’ Flag (Coca‐Cola® Celebration mix)
Produzent(in):
The Smeezingtons
Mix:
Phil Tan (Malaysian-American audio engineer)
K’naan3:33
8Celebration
Hintergrundgesang:
Kelly Barretto, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dee Dee Bryant, Gwen Hester, Cynthia Huggins, Joan Motley, Meekaeel Muhammad, Robert Bell, Robert Mickens, Elaine Sims, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Cedric Toon und Earl Toon, Jr.
Sologesang:
James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
Interpret(in):
Kool & the Gang
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980, in 2020)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 298)
recording of:
Celebration
Verfasser(in):
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) und Earl Toon, Jr.
publisher:
Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1980) und WB Music Corp. (1929–2019) (in 1980)
Kool & the Gang4.44:59
9Don’t You Worry Child
Produzent(in):
Swedish House Mafia
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2012)
recording of:
Don’t You Worry Child
Verfasser(in):
Steve Angello, Axwell (Swedish DJ, record producer and remixer), Sebastian Ingrosso, John Martin (famous for vocals on songs by Swedish House Mafia) und Michel Zitron
publisher:
Lateral Management, Sony/ATV Music Publishing Ltd. und Universal Music Publishing AB (Sweden)
Swedish House Mafia & John Martin6:43
10Mr. Brightside
recording engineer:
Jeff Saltzman (music attorney and record producer)
Produzent(in):
Jeff Saltzman (music attorney and record producer) und The Killers (American rock band)
Mix:
Mark Needham
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2004) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2017)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 4), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 33), Offizielle deutsche Charts – Single-Jahrescharts 2025 (Nummer: 51), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 90) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 378)
recording of:
Mr. Brightside
Verfasser(in):
Brandon Flowers und Dave Keuning
publisher:
The Killers Publishing und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Killers4.33:43
11Levels
recording engineer, Produzent(in) und Mix:
Avicii
phonographisches Urheberrecht (℗) von:
Veratone AG (in 2011)
Samples:
Something’s Got a Hold on Me von Etta James (Sologesang)
Bearbeitung von:
Levels von Avicii
Teil von:
BILLIONS CLUB
recording of:
Levels
Verfasser(in):
Arash Pournouri (music manager, songwriter and record label owner), Tim Bergling, Etta James, Leroy Kirkland und Pearl Woods (60s R&B)
Avicii4.13:22
12Common People
Programmierung:
Olle Romo (Swedish music producer, songwriter, and drummer) (von 1995-01-18 bis 1995-01-24)
assistierende(r) Techniker(in):
Pete Lewis (engineer)
Techniker(in):
David Nicholas (Australian recording engineer and producer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1995)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (von 1995-01-18 bis 1995-01-24)
mixed at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Common People von Pulp
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 3), Indie 88: Top 500 Indie Rock Songs (Nummer: 63) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 75)
recording of:
Common People (von 1995-01-18 bis 1995-01-24)
Texter:
Jarvis Cocker
Komponist(in):
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) und Russell Senior
Premiere bei:
Reading Festival (1994-08-27) (1994)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2018-03-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Pulp4.75:49
13Cocoon
Programmierung und Produzent(in):
Jim Abbiss
Techniker(in) und Mix:
Ian Dowling
Klavier:
Van McCann
recording of:
Cocoon
Texter:
Van McCann
Komponist(in):
Billy Bibby, Benji Blakeway, Bob Hall (Catfish and the Bottlemen) und Van McCann
publisher:
Songs of Kobalt Music Publishing
Catfish and the Bottlemen4.53:57
14I’m a Believer
Produzent(in) und Mix:
Eric Valentine (Eric Dodd, producer and instrumentalist)
cover recording of:
I’m a Believer
Texter und Komponist(in):
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. und Stonebridge Music (publisher)
Smash Mouth4.253:05
15Walking on a Dream
recording engineer und Mix:
Peter Mayes
zusätzlich recording engineer:
Chris Vallejo
Koproduzent(in):
Peter Mayes
Produzent(in):
Donnie Sloan
phonographisches Urheberrecht (℗) von:
Nick Littlemore (in 2008)
phonographisches Urheberrecht (℗) von:
The Sleepy Jackson Pty Ltd. (in 2008)
Musikvideos:
Walking on a Dream von Empire of the Sun
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 24), triple j's Hottest 100 of 2008 (16th edition of Australian annual music poll) (Nummer: 4), Pitchfork Presents: The 100 Best Tracks of 2008 (Nummer: 96) und Indie 88: Top 500 Indie Rock Songs (Nummer: 146)
recording of:
Walking on a Dream
Texter:
Nick Littlemore und Jonathan Sloan
Komponist(in):
Jonathan Sloan und Luke Steele
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing Australia Pty Ltd. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Empire of the Sun43:16
16Sympathy for the Devil
recording of:
Sympathy for the Devil
Verfasser(in):
Mick Jagger (The Rolling Stones) und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Essex Music International und Westminster Music Ltd.
The Rolling Stones6:18
17You’ve Got the Love
assistierende(r) Techniker(in):
Al Riley (engineer)
Produzent(in):
Charlie Hugall (producer/songwriter/engineer)
assistierende(r) Mix:
Neil Comber (engineer)
Mix:
Cenzo Townsend (engineer)
Gitarre:
Rob Ackroyd
Harfe:
Tom Moth (harpist)
Klavier:
Isabella Summers
Schlagzeug:
Christopher Lloyd Hayden
zusätzlich Bass:
Charlie Hugall (producer/songwriter/engineer)
Sologesang:
Florence Welch (English singer)
phonographisches Urheberrecht (℗) von:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2009)
aufgenommen bei:
The Dairy Studios in Brixton, Lambeth, London (Greater London), England, Vereinigtes Königreich
mixed at:
Metropolis (London) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
You Got the Love
Verfasser(in):
John Bellamy, Arnecia Michelle Harris, Rush (written‐by credit) und Anthony B. Stephens
publisher:
Polygram Music Publ. und Warner Chappell (Warner/Chappell Music, Inc.)
basiert auf:
Your Love
Florence + the Machine3.752:49
18Lightning Bolt
Produzent(in) und Mix:
Iain Archer
Gitarre:
Iain Archer und Jake Bugg
Schlagzeug:
Iain Archer
vocals:
Jake Bugg
recording of:
Lightning Bolt
Verfasser(in):
Iain Archer und Jake Bugg
publisher:
Kobalt Music Services Ltd. (UK) und Soul Kitchens Music Ltd
Jake Bugg42:24
19Hypersonic Missiles
recording engineer:
Bramwell Bronte und Dean Thompson (guitarist associated with Sam Fender)
Programmierung und Produzent(in):
Bramwell Bronte
assistierende(r) Mix:
KT Pipal
Mix:
Rich Costey
Bassgitarre:
Tom Ungerer
Gitarre:
Sam Fender
Saxophon:
John Waugh
Schlagzeug:
Drew Michael (drummer for Sam Fender)
Synthesizer:
Joseph Atkinson (multi-instrumentalist associated with Sam Fender)
zusätzlich Gitarre:
Dean Thompson (guitarist associated with Sam Fender)
Hintergrundgesang:
Joe Atkinson (multi-instrumentalist associated with Sam Fender), Heidi Curtis (Singer songwriter from the Newcastle area of the UK.), Sam Fender, A Festival, A Parade (Alternative rock band from Newcastle upon Tyne), Drew Michael (drummer for Sam Fender), The Pale White, Dean Thompson (guitarist associated with Sam Fender) und Tom Ungerer
vocals:
Sam Fender
phonographisches Urheberrecht (℗) von:
Sam Fender (in 2019)
aufgenommen bei:
Wor House
Musikvideos:
Hypersonic Missiles von Sam Fender
recording of:
Hypersonic Missiles
Texter und Komponist(in):
Sam Fender
publisher:
Kobalt Music Group Limited
Sam Fender34:00
20The Boys Are Back in Town
Assistent recording engineer:
Neil Hornby
Techniker(in):
Will Reid-Dick
Produzent(in):
John Alcock (producer)
Akustikgitarre und Bassgitarre und Sologesang:
Phil Lynott
Gitarre:
Scott Gorham (Thin Lizzy guitarist) und Brian Robertson (Thin Lizzy & Motörhead)
Schlagzeug:
Brian Downey (Thin Lizzy drummer)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 272) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 499)
recording of:
The Boys Are Back in Town
Texter und Komponist(in):
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und PolyGram Music Publishing (in 1989)
Thin Lizzy4.14:23
21Tick Tick Boom
Produzent(in):
Dennis Herring
Mix:
Serban Ganesa
Bassgitarre:
His Royal Highness Prince Dr Matt Destruction
Gitarre:
His Royal Highness Prince Nicholaus Arson und His Royal Highness Prince Vigilante Carlstroem
membranophone:
His Royal Highness Prince Chris Dangerous
vocals:
His Royal Highness Prince Howlin' Pelle Almqvist
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
recording of:
Tick Tick Boom
Texter und Komponist(in):
Randy Fitzsimmons
publisher:
Kobalt Music Publishing Ltd. (UK)
The Hives4.153:26
22Two Tribes
produced in:
London (Greater London), England, Vereinigtes Königreich (in 1984-03)
Techniker(in):
Steve Lipson
Produzent(in):
Trevor Horn
vocals:
Holly Johnson und Paul Rutherford (member of Frankie Goes to Hollywood)
phonographisches Urheberrecht (℗) von:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
Two Tribes (in 1983)
geschrieben in:
Liverpool, Merseyside, England, Vereinigtes Königreich (von 1982 bis 1983)
Texter und Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Frankie Goes to Hollywood3.653:56
23Pump It Up
Produzent(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
Interpret(in):
The Attractions (Elvis Costello) und Elvis Costello
phonographisches Urheberrecht (℗) von:
Elvis Costello (in 1978)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 181)
recording of:
Pump It Up
Texter und Komponist(in):
Elvis Costello
publisher:
BMG Music Publishing Ltd. und Universal Music Publishing MGB Australia
Elvis Costello & The Attractions4.63:17
24Let You Go
Chase & Status & Mali23:57
25Love Spreads
assistierende(r) Techniker(in):
Nick Brine
Techniker(in) und Produzent(in):
Simon Dawson (engineer)
Mix:
Bill Price (UK producer/engineer)
Bassgitarre:
Mani (English rock bassist)
Gast-Tamburin:
Nick Brine
Gitarre:
John Squire
Schlagzeug und Hintergrundgesang:
Reni
vocals:
Ian Brown (UK singer, member of Stone Roses)
phonographisches Urheberrecht (℗) von:
Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1994)
Musikvideos:
Love Spreads (Music video) von The Stone Roses
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 36) und NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 44)
recording of:
Love Spreads
Texter und Komponist(in):
John Squire
The Stone Roses4.155:47
26Black & Gold
recording of:
Black and Gold
Verfasser(in):
Jesse Rogg und Sam Falson
publisher:
EMI Music (do not use as release label! this is a music publisher)
Sam Sparro3.53:30
27This Girl (Kungs vs. Cookin’ on 3 Burners)
phonographisches Urheberrecht (℗) von:
Val Productions (in 2016)
Remix von:
This Girl von Cookin’ on 3 Burners feat. Kylie Auldist
recording of:
This Girl
Komponist(in):
Lance Ferguson, Ivan Khatchoyan und Jake Mason
recording of:
This Girl
Verfasser(in):
Lance Ferguson, Ivan Khatchoyan und Jake Mason
Revision von:
This Girl
Kungs & Cookin' On 3 Burners4.153:16
28Believer
Techniker(in) und Produzent(in):
Mattman & Robin (Swedish songwriting and production duo)
Mix:
John Hanes (audio engineer, mixer)
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2017) und KIDinaKORNER (in 2017)
a cappella versions:
Believer (Live at Dolby Studios) von Tufts Beelzebubs (Tufts University all-male a cappella group)
Teil von:
Billboard Year-End Hot 100 singles of 2017 (Nummer: 9), Billboard Year-End Hot 100 singles of 2018 (Nummer: 100) und Indie 88: Top 500 Indie Rock Songs (Nummer: 401)
recording of:
Believer
Verfasser(in):
Robin Fredriksson (of Mattman & Robin), Justin Drew Tranter (singer and songwriter), Mattias Larsson (of Mattman & Robin), Ben McKee (American bassist, Imagine Dragons), Daniel Platzman, Dan Reynolds (American singer/songwriter, producer) und Wayne Sermon
publisher:
Imagine Dragons Publishing, Justin’s School for Girls, KIDinaKORNER, Ma-Jay Publishing, Neue Welt Musikverlag GmbH & Co. KG (– 2017), Universal MCA Music Publishing (France), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Scandinavia, Warner–Tamerlane Music Corp. und Wolf Cousins
Imagine Dragons3.33:24
29Hit It
assistierende(r) Techniker(in):
Jay Fallon und JC Santalis
Techniker(in):
Joe Costable
Produzent(in):
Aaron Accetta und Shep Goodman
assistierende(r) Mix:
Will Brierre
Mix:
Mark Needham
Banjo und Mandoline:
James Adam Shelley
Bassgitarre:
Dave Rublin
Gitarre:
Zac Barnett (lead singer in the band American Authors) und James Adam Shelley
Perkussion und Schlagzeug:
Matt Sanchez (of American Authors)
Hintergrundgesang:
Aaron Accetta, Zac Barnett (lead singer in the band American Authors), Shep Goodman, Matt Sanchez (of American Authors), Dave Rublin und James Adam Shelley
Sologesang:
Zac Barnett (lead singer in the band American Authors)
produced for:
Dirty Canvas Productions
aufgenommen bei:
Dirty Canvas Studios, Mt. Kisco, NY in Mount Kisco, New York, Vereinigte Staaten und Raw Recording, Brewster, NY in Mahopac, Carmel, New York, Vereinigte Staaten
mixed at:
The Ballroom Studios (Mark Needham's private studio) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Hit It
Verfasser(in):
Aaron Accetta, Dave Rublin, Matt Sanchez (of American Authors), James Adam Shelley, Shep Goodman und Zac Barnett (lead singer in the band American Authors)
publisher:
David Rublin Publishing, EMI April Music Inc., Needledown Publishing, Owl and Fox Publishing, Round Hill Songs II, Round Hill Works und Sony/ATV Allegro
American Authors43:27
30Ocean Drive
Gast vocals:
Boy Matthews
vocals:
Boy Matthews
recording of:
Ocean Drive
Duke Dumont3.653:26
31Heads Will Roll (A‐trak remix)
remixer:
A‐Trak
recording of:
Heads Will Roll
Verfasser(in):
Brian Chase (drummer and songwriter), Karen O und Nick Zinner (US guitarist, composer, and producer)
publisher:
BMG Blue und BMG Rights Management (UK) Ltd. (not for release label use! see annotation)
Yeah Yeah Yeahs & A‐Trak56:24
32Send Them Off!
Produzent(in):
Mark Crew (songwriter, record producer and mix engineer) und Dan Smith (member of UK band Bastille)
Mix:
Rich Costey, Mark Crew (songwriter, record producer and mix engineer), Mark “Spike” Stent (producer, engineer) und Manny Marroquin
Interpret(in):
Chris Wood (drummer, Bastille), Mark Crew (songwriter, record producer and mix engineer), William Farquarson (bassist, Bastille), Kyle Simmons (member of UK band Bastille) und Dan Smith (member of UK band Bastille)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 2016)
aufgenommen bei:
The Pool in Southwark, London (Greater London), England, Vereinigtes Königreich und Unit 24 (Mark Crew's studio) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Larrabee Sound North in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und The Mixsuite in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Send Them Off!
Texter und Komponist(in):
Dan Smith (member of UK band Bastille)
Bastille43:21
33Centuries
Techniker(in):
Samuel Kalandjian und Jake Sinclair
zusätzliche(r) Techniker(in):
Fall Out Boy (pop punk band)
Koproduzent(in):
Omega (producer)
Produzent(in):
JR Rotem
zusätzliche(r) Produzent(in):
Fall Out Boy (pop punk band) und Jake Sinclair
assistierende(r) Mix:
Geoff Swan
Mix:
Mark “Spike” Stent (producer, engineer)
zusätzlich vocals:
LOLO (Lauren Pritchard)
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2014, in 2015), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
mixed at:
The Mixsuite UK in London (Greater London), England, Vereinigtes Königreich
engineered at:
Beluga Heights Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten und Infrasonic Studios
Samples:
Tom’s Diner von Suzanne Vega (American singer-songwriter)
Teil von:
Billboard Year-End Hot 100 singles of 2015 (Nummer: 43)
recording of:
Centuries
Verfasser(in):
Fall Out Boy (pop punk band), Jonathan Rotem, Raja Kumari, Michael J. Fonseca, Justin Tranter (singer and songwriter) und Suzanne Vega (American singer-songwriter)
publisher:
Chicago X Softcore Songs, Ganges Flow Music, Jonathan Rotem Music, Justin’s School for Girls, Music of Radar, Sony ATV Music Publishing, LLC (1995–2020), Sony/ATV Songs LLC, The Great O Music, These Are Songs of Pulse (ASCAP), Waifersongs Ltd., Warner–Tamerlane Publishing (publisher; do NOT use as release label) und WB Music Corp. (1929–2019)
quotes music from:
Tom’s Diner
Fall Out Boy3.13:49
34Pump It
drum machine-Programmierung:
will.i.am (American rapper and producer)
Techniker(in):
Tal Herzberg, Jason "Ill-Aroma" Villaroman und will.i.am (American rapper and producer)
Produzent(in):
will.i.am (American rapper and producer)
Mix:
Mark “Spike” Stent (producer, engineer)
Bass und Moog:
will.i.am (American rapper and producer)
Gitarre:
George Pajon, Jr.
vocals:
apl.de.ap, Fergie (American singer), Taboo (member of Black Eyed Peas) und will.i.am (American rapper and producer)
Samples:
Misirlou Twist von Dick Dale and His Del‐Tones
Musikvideos:
Pump It (video) von The Black Eyed Peas (US pop/hip hop group)
recording of:
Pump It
Verfasser(in):
apl.de.ap, Fergie (American singer), Thomas van Musser, Nicholas Roubanis (Greek American musician) und will.i.am (American rapper and producer)
basiert auf:
Miserlou
Black Eyed Peas3.953:34
35Dakota
Techniker(in):
Jim Lowe (sound engineer)
Produzent(in) und Mix:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics) und Jim Lowe (sound engineer)
phonographisches Urheberrecht (℗) von:
V2 Music Limited (holding company - do not use as release label) (in 2005), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Dakota
Texter und Komponist(in):
Kelly Jones (Welsh guitarist vocalist for the Stereophonics)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Stereophonics3.954:58
36Grounds for Divorce
zusätzliche(r) Techniker(in):
Danny Evans
Produzent(in) und Mix:
Craig Potter
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2008)
aufgenommen bei:
Blueprint Studios in Manchester, Greater Manchester, England, Vereinigtes Königreich
Musikvideos:
Grounds for Divorce von Elbow (UK rock band)
recording of:
Grounds for Divorce
Texter:
Guy Garvey
Komponist(in):
Guy Garvey, Richard Jupp, Craig Potter, Mark Potter und Pete Turner (the bass player of Manchester band Elbow)
publisher:
Salvation Music Ltd
Elbow4.63:39
37Heroes (We Could Be)
recording engineer und Mix:
Alesso
Produzent(in):
Alessandro Lindblad
vocals:
Tove Lo
aufgenommen bei:
Alefune Studios in Stockholm, Stockholms län (Stockholm county), Schweden
Bearbeitung von:
Heroes (We Could Be) (extended mix) von Alesso feat. Tove Lo
Musikvideos:
Heroes (We Could Be) von Alesso featuring Tove Lo
recording of:
Heroes (We Could Be)
Verfasser(in):
Alessandro Lindblad, David Bowie (English singer‐songwriter), Brian Eno und Tove Lo
publisher:
EMI Music Pub. Ltd. (PRS‐affiliated), Refune Music Rights AB (STIM), Screen Gems EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music, Universal Music MGB Ltd., Universal Music–MGB Songs und Warner/Chappell Music Scandinavia
basiert auf:
“Heroes”
Alesso & Tove Lo4.23:32