NOW That’s What I Call Gold

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
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Nr.TitelKünstlerBewertungLänge
1You Raise Me Up
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Germany) GmbH (use as © & ℗ holders or as distributors only, between 2005/03/24–2009/01/14) (in 1984)
cover recording of:
You Raise Me Up
Texter:
Brendan Graham (Irish songwriter)
Komponist(in):
Rolf Løvland
publisher:
ALFRED PUBLISHING CO INC 301, Peer Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Peermusic (UK) Limited (vom 2002 bis heute) und Universal Music Publishing AB (Sweden) (vom 2002 bis heute)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
You Raise Me Up
Texter:
Brendan Graham (Irish songwriter)
Komponist(in):
Rolf Løvland
publisher:
ALFRED PUBLISHING CO INC 301, Peer Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Peermusic (UK) Limited (vom 2002 bis heute) und Universal Music Publishing AB (Sweden) (vom 2002 bis heute)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Westlife2.254:01
2Greatest Day
recording engineer, Programmierung und Mix:
Jeff Rothschild
sonstige Unterstützung:
Shari Sutcliffe (Aufgabe: production coordinator)
zusätzliche Programmierung:
Ryan Carline
assistierende(r) Techniker(in):
Richard Lancaster
zusätzliche(r) Techniker(in):
Graham Archer (engineer) und Ryan Carline
Produzent(in):
John Shanks
Akustikgitarre:
Jason Orange
Bass und Gitarre:
John Shanks
Keyboard [keyboards]:
Gary Barlow und John Shanks
Klavier und Sologesang:
Gary Barlow
Posaune:
Andy Wood (trombonist)
Schlagzeug [drums]:
Jeff Rothschild
Tenorposaune:
Mark Nightingale (trombonist)
Trompete:
John Barclay (trumpeter) und Derek Watkins (trumpeter)
zusätzlich Keyboard [keyboards]:
Ryan Carline
vocals:
Howard Donald, Jason Orange und Mark Owen (singer–songwriter)
Orchester:
London Studio Orchestra
conductor:
Wil Malone
Blechblasinstrumente arranger und Saiteninstrumente arranger:
Wil Malone
concertmaster:
Perry Montague‐Mason (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (Saiteninstrumente) und Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
mixed at:
Henson Studios (former A&M Studios) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Greatest Day von Take That
recording of:
Greatest Day
Verfasser(in):
Gary Barlow, Howard Donald, Jason Orange und Mark Owen (singer–songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Sony/ATV Music Publishing (UK) Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Take That43:59
39 to 5
Produzent(in):
Gregg Perry (American producer, arranger, songwriter and keyboardist)
baritone saxophone:
Kim S. Hutchcroft (in 1980)
Bassgitarre:
Abraham Laboriel (in 1980)
Gitarre:
Jeff Baxter (in 1980) und Martin K. Walsh (in 1980)
Klavier:
Larry Knechtel (in 1980)
Perkussion:
Leonard Castro (in 1980)
Posaune:
William Reichenbach (jazz trombonist) (in 1980)
Saxophon:
Tom Saviano (in 1980)
Schlagzeug:
Richard Schlosser (drummer) (in 1980)
Trompete:
Jerry Hey (in 1980)
Hintergrundgesang:
Anita Ball (in 1980), Denise Maynelli (in 1980) und Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) (in 1980)
vocals:
Dolly Parton (in 1980)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1980) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 191)
recording of:
9 to 5 (in 1980)
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Canada Ltd. (Canadian publisher), Fox Fanfare Music, Screen Gems–EMI Music und Velvet Apple Music
Teil von:
The 53rd Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1980 nominee)
Dolly Parton3.552:42
4Happy (from “Despicable Me 2”)
Assistent recording engineer:
Matthew Desrameaux
recording engineer:
Mike Larson (recording engineer)
Produzent(in):
Pharrell Williams
Mix:
Leslie Brathwaite
Editing:
Andrew Coleman (recording/mix engineer, Neptunes-associated) und Mike Larson (recording engineer)
Hintergrundgesang:
Rhea Dummett, Trevon Henderson, Shamika Hightower, Ashley L. Lee, Jasmine Murray und Terrence Rolle
arranger:
Andrew Coleman (recording/mix engineer, Neptunes-associated) und Mike Larson (recording engineer)
aufgenommen bei:
Circle House Studios in North Miami, Florida, Vereinigte Staaten
mixed at:
Music Box Studios (Atlanta) in Atlanta, Georgia, Vereinigte Staaten
Musikvideos:
Happy von Pharrell Williams und Happy (from Despicable Me 2) (ballroom version) von Pharrell Williams
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 1), Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 20) und Billboard: Greatest of All Time Hot 100 Songs (Nummer: 88)
recording of:
Happy
Texter und Komponist(in):
Pharrell Williams
publisher:
EMI April Music Inc., More Water From Nazareth Publishing, Inc. und Universal Pictures Music
Teil von:
The 86th Academy Award for Best Original Song (Nummer: 2)
Pharrell Williams4.33:52
5Celebration
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1980)
recording of:
Celebration
Verfasser(in):
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) und Earl Toon, Jr.
publisher:
Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1980) und WB Music Corp. (1929–2019) (in 1980)
Kool & the Gang4.43:39
6Good Times
Bass:
Bernard Edwards (American bassist and record producer) (in 1979)
Gitarre:
Nile Rodgers (in 1979)
Hybrid-Piano:
Raymond Jones (in 1979)
Klavier:
Rob Sabino (in 1979)
Schlagzeug:
Tony Thompson (drummer, best known for his work in CHIC) (in 1979)
Sologesang:
Alfa Anderson (in 1979) und Luci Martin (in 1979)
Interpret(in):
Chic (US disco group) (in 1979)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 68) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 224)
recording of:
Good Times (in 1979)
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs und Tommy Jymi Inc.
Chic53:44
7Fame
vocals:
Irene Cara
phonographisches Urheberrecht (℗) von:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981) (in 1980)
recording of:
Fame
Texter:
Dean Pitchford
Komponist(in):
Michael Gore (composer)
publisher:
EMI Affiliated Catalog Inc.
Teil von:
The 53rd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1980 winner)
Irene Cara35:16
8I Will Survive
Partner-Produzent(in):
Freddie Perren
Produzent(in):
Dino Fekaris
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978) und Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979)
Bearbeitung von:
I Will Survive (12″ single version) von Gloria Gaynor
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 251) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 489)
recording of:
I Will Survive
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:15
9I’m Every Woman
Techniker(in):
James Douglass (engineer)
Produzent(in):
Arif Mardin
Hintergrundgesang:
Will Lee (US jazz/rock bassist) (in 1978) und Hamish Stuart (Scottish guitarist, bassist, singer composer & producer) (in 1978)
Hintergrundgesang und Sologesang:
Chaka Khan (in 1978)
Blechblasinstrumente arranger, Holzblasinstrumente arranger und Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 6) (Nummer: 4)
recording of:
I’m Every Woman (in 1978)
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Chaka Khan3.34:07
10Strong Enough
Programmierung und Mix:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
leitende(r) Produzent(in):
Rob Dickins
Produzent(in):
Brian Rawling und Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
Bass und Bassgitarre:
Winston Blissett
Gitarre [guitars]:
Adam Phillips (British guitarist and singer)
Keyboard [keyboards]:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
Hintergrundgesang [backing vocals]:
Paul Barry (songwriter/musician), Hamish Stewart (Scottish guitarist, bassist, singer composer & producer) und Sylvia Mason James (British singer)
Sologesang:
Cher
Saiteninstrumente [Laughs And Lager Jeff "Duo" Taylor string] arranger:
Robin Smith (songwriter/pianist/conductor/producer) und Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
arranger:
Na (Arranger)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1998)
produced for:
Metro (production company) und Rive Droite Music Productions
aufgenommen bei und mixed at:
Dreamhouse Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Strong Enough
Verfasser(in):
Paul Michael Barry (songwriter/musician) und Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
publisher:
Rive Droite Music
Cher2.653:44
11Your Disco Needs You
drum machine-Programmierung:
Andy Duncan (UK drummer and producer)
Programmierung:
Steve McNichol
Techniker(in) und Mix:
Steve Power
Produzent(in):
Guy Chambers (English songwriter and record producer) und Steve Power
Bassgitarre:
Phil Spalding
Keyboard und Klavier:
Guy Chambers (English songwriter and record producer)
Chorgesang:
Andy Caine, Rick Driscoll (choir vocalist), Lance Ellington (Strictly Come Dancing), Clive Griffith, Peter Howarth (singer and guitarist), Mick Mullins, Dan Russell (Voice Actor), Jon Savannah, Tony Walthers und Carl Wayne
Hintergrundgesang:
Tracy Ackerman, Kylie Minogue und Robbie Williams
Sologesang:
Kylie Minogue
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2000)
recording of:
Your Disco Needs You
Verfasser(in):
Guy Chambers (English songwriter and record producer), Kylie Minogue und Robbie Williams
publisher:
BMG Music, EMI Music (do not use as release label! this is a music publisher) und Mushroom Music (Mushroom label’s publishing company)
Kylie Minogue3:31
12I Gotta Feeling
recording of:
I Gotta Feeling
Texter:
Allan Pineda, Jaime Gomez (member of Black Eyed Peas), Stacy Ferguson (American singer) und William Adams (American rapper and producer)
Komponist(in):
David Guetta und Frédéric Riesterer
Black Eyed Peas3.14:05
13One Last Time
recording engineer:
Eric Weaver
Programmierung:
Carl Falk (Swedish guitarist and songwriter), ILYA (Swedish/Iranian songwriter, producer, and singer), Max Martin (Swedish record producer), Rami (Swedish record producer and songwriter) und Shellback
Techniker(in):
Peter Carlsson (engineer) und John Hanes (audio engineer, mixer) (Aufgabe: mix engineered)
Koproduzent(in):
ILYA (Swedish/Iranian songwriter, producer, and singer) und Giorgio Tuinfort
Produzent(in):
Carl Falk (Swedish guitarist and songwriter)
zusätzliche(r) Produzent(in):
Savan Kotecha und Rami (Swedish record producer and songwriter)
Mix:
Serban Ghenea
Editing:
ILYA (Swedish/Iranian songwriter, producer, and singer) und Rami (Swedish record producer and songwriter)
Gitarre:
Carl Falk (Swedish guitarist and songwriter)
Hintergrundgesang:
Savan Kotecha und Jeanette Olsson
phonographisches Urheberrecht (℗) von:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (in 2014) und Universal International (Japanese label; release must say “制作:Universal International” AND have no logos other than “Universal Music”) (in 2014)
aufgenommen bei:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Kinglet Studios in Stockholm, Stockholms län (Stockholm county), Schweden
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
One Last Time von Ariana Grande
Teil von:
Billboard Year-End Hot 100 singles of 2015 (Nummer: 67) und BILLIONS CLUB
recording of:
One Last Time
Verfasser(in):
Carl Falk (Swedish guitarist and songwriter), David Guetta, Savan Kotecha, Rami (Swedish record producer and songwriter) und Giorgio Tuinfort
publisher:
MXM Music AB, Piano Music, Piano Songs, Sony/ATV Songs LLC, Talpa Music, Team 2101 Songs und What a Publishing Limited
Ariana Grande4.153:19
14Call the Shots
Programmierung:
Miranda Cooper, Matt Gray (UK techno DJ/producer, former video game composer), Brian Higgins (British producer and song writer), Tim Powell (Songwriter and producer, ex-Xenomania) und Toby Scott (UK pop producer and songwriter)
Produzent(in):
Brian Higgins (British producer and song writer) und Xenomania
Mix:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
Gitarre:
Nick Coler und Owen Parker (UK composer, instrumentalist and producer)
Keyboard:
Miranda Cooper, Matt Gray (UK techno DJ/producer, former video game composer), Brian Higgins (British producer and song writer), Tim Powell (Songwriter and producer, ex-Xenomania) und Toby Scott (UK pop producer and songwriter)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2007)
recording of:
Call the Shots
Texter:
Miranda Cooper, Lisa Cowling, Tim Powell (Songwriter and producer, ex-Xenomania) und Giselle Sommerville
Komponist(in):
Miranda Cooper, Lisa Cowling, Brian Higgins (British producer and song writer), Tim Powell (Songwriter and producer, ex-Xenomania) und Giselle Sommerville
publisher:
Warner Chappell und Xenomania
Girls Aloud2.53:44
15Get on Your Feet
Programmierung:
Jorge Casas und Clay Ostwald
Techniker(in) und Mix:
Eric Schilling
Produzent(in):
Jorge Casas, Emilio Estefan, Jr. und Clay Ostwald
Solo-Saxophon:
Mike Scaglione
Hintergrundgesang:
Clay Ostwald, Randy Barlow (of Miami Sound Machine) und Jon Secada
Hintergrundgesang und Sologesang:
Gloria Estefan
arranger:
Jorge Casas, John Hill DeFaria und Clay Ostwald
recording of:
Get on Your Feet
Texter:
John Hill DeFaria
Komponist(in):
Jorge Casas, John Hill DeFaria und Clay Ostwald
Gloria Estefan43:39
16The Cup of Life (La copa de la vida) (The Official Song of the World Cup, France ’98)
Produzent(in):
Desmond Child, K. C. Porter (record producer, songwriter, musician and singer) und Draco Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recording of:
The Cup of Life (von 1997 bis 1998)
Verfasser(in):
Desmond Child, Luis Gómez Escolar und Draco Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
publisher:
Artemis Muziekuitgeverij B V, Deston Songs LLC, PolyGram Music Publishing (vom 1998 bis ????), A Phantom Vox Publishing (vom 1998 bis heute), Desmophobia (vom 1998 bis heute) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1998 bis heute)
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Warner Chappell Music France, フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ワーナー・チャペル音楽出版 株式会社 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
übersetzte Version von:
La copa de la vida
Ricky Martin4:31
17Reach
Programmierung:
Dave Arch (pianist, conductor, arranger and composer)
zusätzliche Programmierung:
Andy Wright (UK songwriter, producer and Simply Red keyboardist)
Produzent(in):
Cathy Dennis und Toddy (UK electronic producer/keyboardist, member of Republica)
zusätzliche(r) Produzent(in):
Cathy Dennis (Aufgabe: vocal), Stephen Lipson, Thomas Russo Jr. (Aufgabe: vocal) und Andy Wright (UK songwriter, producer and Simply Red keyboardist)
Mix:
Heff Moraes
Blechblasinstrumente:
The Kick Horns
Gitarre:
Gus Isidore und Toddy (UK electronic producer/keyboardist, member of Republica)
Keyboard [keyboards]:
Dave Arch (pianist, conductor, arranger and composer) und Cathy Dennis
Klavier und Orgel:
Dave Arch (pianist, conductor, arranger and composer)
Schlagzeug [drums]:
Gary O’Toole
zusätzlich Schlagzeug [drums]:
Andy Duncan (UK drummer and producer) und Geoff Holroyde
Interpret(in):
S Club (formerly “S Club 7”)
arranger:
Dave Arch (pianist, conductor, arranger and composer)
produced for:
19 Productions und S.S.O.
Bearbeitung von:
Reach (original version) von S Club 7 (formerly “S Club 7”)
recording of:
Reach
Verfasser(in):
Cathy Dennis und Andy Todd (UK electronic producer/keyboardist, member of Republica)
publisher:
BMG Music Publishing Ltd., Colgems-EMI Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) und Universal Music–MGB Songs
S Club 74:01
18Stop
zusätzliche Programmierung:
Mike Higham (British score composer) (am 1998-06-09)
Techniker(in):
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
Produzent(in):
Absolute (UK house/garage/production/songwriting team)
assistierende(r) Mix:
Paul "P. Dub"
Mix:
Mark “Spike” Stent (producer, engineer)
Blechblasinstrumente:
Kick Horns (am 1998-06-09)
Gitarre:
Milton McDonald (am 1998-06-09)
Instrumente:
Absolute (UK house/garage/production/songwriting team) (am 1998-06-09)
vocals:
Victoria Beckham (née Adams) (am 1998-06-09), Emma Bunton (am 1998-06-09), Melanie C (am 1998-06-09), Geri Halliwell (am 1998-06-09) und Mel B (Mel B) (am 1998-06-09)
aufgenommen bei:
Parco Novi Sad in Modena, Modena, Emilia-Romagna, Italien (am 1998-06-09)
live recording of:
Stop (am 1998-06-09)
Verfasser(in):
Andy Watkins (Absolute, Bristol Baseline Productions, Cortex), Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Paul Wilson (member of “Absolute”) und Victoria Beckham (née Adams)
Spice Girls3.853:26
19No Matter What
recorded in:
London (Greater London), England, Vereinigtes Königreich und Los Angeles, California (Kalifornien), Vereinigte Staaten
Keyboard-Programmierung:
Lee McCutcheon
Programmierung:
Simon Franglen (English score composer)
assistierende(r) Techniker(in):
Alex Black (engineer) und Tom (assistant engineeer)
Techniker(in):
Simon Franglen (English score composer), Steve Rinkoff und Robin Sellars (British recording engineer)
leitende(r) Produzent(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre) und Jim Steinman
Produzent(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre), Jim Steinman und Nigel Wright (British producer, orchestrator and songwriter)
zusätzliche(r) Produzent(in):
Simon Franglen (English score composer) und Lupino
Mix:
Mick Guzauski und Steve Rinkoff
Akustikgitarre [acoustic guitars] und E-Gitarre [electric guitars]:
Michael Thompson (session guitarist)
Bass:
Angela Lupino
Gitarre:
Fridrik Karlsson
Keyboard [keyboards]:
Simon Franglen (English score composer) und Nigel Wright (British producer, orchestrator and songwriter)
Hintergrundgesang [backing vocals]:
Tracy Ackerman und Andy Caine
Sologesang:
Stephen Gately und Ronan Keating
vocals:
Keith Duffy (Member of Boyzone), Mikey Graham und Shane Lynch
arranger:
Simon Franglen (English score composer) und Lupino
phonographisches Urheberrecht (℗) von:
Polydor Ireland (in 1998)
aufgenommen bei:
FLM Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Metropolis Studios (London) in London (Greater London), England, Vereinigtes Königreich, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und Skratch Studios in Surrey, England, Vereinigtes Königreich
engineered at:
Barking Dog Studios in New York, New York, Vereinigte Staaten
Musikvideos:
No Matter What von Boyzone
cover recording of:
No Matter What
Texter:
Jim Steinman
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (beendet), Universal–Songs of PolyGram International, Inc. (beendet), Lost Boys Music Inc. (BMI affiliated) und The Really Useful Group Limited (not for release label use!)
Teil von:
Whistle Down the Wind (Andrew Lloyd Webber musical)
recording of:
No Matter What
Texter:
Jim Steinman
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (beendet), Universal–Songs of PolyGram International, Inc. (beendet), Lost Boys Music Inc. (BMI affiliated) und The Really Useful Group Limited (not for release label use!)
Teil von:
Whistle Down the Wind (Andrew Lloyd Webber musical)
Boyzone24:33
20Search for the Hero
recording of:
Search for the Hero
Komponist(in):
Paul Heard und Mike Pickering (of M People and Quando Quango)
publisher:
BMG Music Publishing Ltd.
M People3:36

Nennungen

Veröffentlichungsgruppe

Teil von:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (Reihenfolge: 104)