Festival der Chöre

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Aida: „Gloria all’Egitto, ad Iside“ (Triumphchor)
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Silvio Varviso (conductor)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi7:21
2Lohengrin: „Treulich geführt ziehet dahin“ (Chor der Brautjungfern)
choir vocals:
Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Silvio Varviso (conductor)
recording of:
Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor) (Lohengrin: Act III, Scene I. Bridal Chorus (Choir))
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner5:06
3Il trovatore: „Vedi! le fosche notturne spoglie“ (Zigeunerchor)Giuseppe Verdi2:38
4Die Schöpfung H.XXI.2: „Die Himmel erzählen die Ehre Gottes“
choir vocals:
Coro Gulbenkian
orchestra:
Orchestra of the Eighteenth Century
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn3:45
5Der Messias: „Hallelujah“ (Chor Nr. 42)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Der Messias, K. 572: Teil II, Nr. 32. Coro: “Hallelujah”
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel3:51
6Nabucco: „Va, pensiero, sull’ali dorate“ (Chor der Gefangenen)
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Silvio Varviso (conductor)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:08
7Missa solemnis: Gloria in excelsis Deo
alto vocals:
Patricia Payne (mezzo-soprano, alto)
bass vocals:
Robert Lloyd (operatic bass)
choir vocals:
London Symphony Chorus
soprano vocals:
Anna Tomowa‐Sintow (soprano)
tenor vocals:
Robert Tear (tenor)
orchestra:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
recording of:
Missa solemnis D-Dur, op. 123: IIa. Gloria: Allegro vivace: Gloria in excelsis Deo
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: II. Gloria
Ludwig van Beethoven5:06
8Die Zauberflöte: „O Isis und Osiris“ (Chor der Priester)Wolfgang Amadeus Mozart2:49
9Tannhäuser: „Freudig begrüßen wie die edle Halle“ (Einzug der Gäste auf der Wartburg)
choir vocals:
Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Silvio Varviso (conductor)
recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. "Freudig begrüssen wir die edle Halle" (Einzug der Gäste)
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II
Richard Wagner6:18
10Carmina burana: „O Fortuna“
choir vocals:
Shin Yu Kai Choir (Shinyukai Choir)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:25
11Messe h‐moll BWV 232: „Gloria in excelsis Deo“ – „Et in terra pax“
choir vocals:
Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:11
12Requiem D‐moll, KV 626: Lacrimosa
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
orchestra:
English Baroque Soloists (The English Baroque Soloists)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart2:56
13Der Freischütz: „Was gleicht wohl auf Erden dem Jägervergnügen?“ (Jägerchor)
choir vocals:
Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Der Freischütz: Akt III. Nr. 15. Jägerchor „Was gleicht wohl auf Erden dem Jägervergnügen?“ (Chor) (Der Freischütz: The Huntsmen's Chorus)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Carl Maria von Weber3:17
14Der fliegende Holländer: „Steuermann, laß die Wacht!“ (Matrosenchor)Richard Wagner2:36
15Messa da Requiem: Dies irae – Tuba mirum
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
orchestra:
Orchestre Révolutionnaire et Romantique
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
recording of:
Messa da requiem: IIb. Dies irae: Tuba mirum (basso, coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi5:14
16Symphonie Nr. 9, d‐moll, op. 125: „Freude schöner Götterfunken“ (Chorfinale mit Schillers „Ode an die Freude“))
alto vocals:
Jard van Nes (mezzo-soprano)
bass vocals:
Bernd Weikl (baritone)
choir vocals:
Rundfunkchor Leipzig
soprano vocals:
Sylvia McNair (soprano)
tenor vocals:
Uwe Heilmann (tenor)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven10:24

Credits

Release

part of:Golden Classics (Sat.1; collaboration with Decca, Philips, Deutsche Grammophon) (order: 2)
Discogs:https://www.discogs.com/release/29768425 [info]