Sounds of the Seventies: Pop Nuggets: Late '70s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Pop Muzik
registrazione di:
Pop Muzik
paroliere e compositore:
Robin Scott
editore:
BMG Music Publishing Ltd., Pop Muzik Limited e Union Square Music Publishing Ltd.
M3.53:23
2Saturday Night
produttore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
arrangiatore:
Phil Coulter
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1975) e Arista Records, LLC (holding company - file NO releases here!) (nel 1975)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 382)
registrazione di:
Saturday Night
autore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!) e Mews Music Ltd.
Bay City Rollers52:57
3Undercover Angel
registrazione di:
Undercover Angel
paroliere e compositore:
Alan O’Day
Alan O’Day3:29
4Escape (The Pina Colada Song)
diritti fonografici (℗) detenuti da:
MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1979) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1979)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 89)
registrazione di:
Escape (The Piña Colada Song)
paroliere e compositore:
Rupert Holmes
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rupert Holmes23:56
5Love Rollercoaster
registrazione di:
Love Rollercoaster
autore:
Billy Beck, Leroy Bonner (funk guitarist, aka Sugarfoot), Marshall Jones (US bassist & songwriter, member of Ohio Players), Ralph “Pee Wee” Middlebrooks, Mervin Pierce (Ohio Players), Clarence Satchell e James “Diamond” Williams (US drummer for Ohio Players)
editore:
Rick S. Music (publishing company associated with Casablanca), Rightsong Music Inc. e Segundo Sueños LLC
Ohio Players2:55
6Do That To Me One More Time
diritti fonografici (℗) detenuti da:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (nel 1979)
registrazione di:
Do That to Me One More Time
paroliere e compositore:
Toni Tennille
editore:
Fujipacific Music, Inc. e Moonlight & Magnolias Music Publ. Co. (BMI-affiliated)
Captain & Tennille4.653:56
7Thunder Island
diritti fonografici (℗) detenuti da:
Asylum Records (Warner Music subsidiary) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 50)
registrazione di:
Thunder Island
paroliere e compositore:
Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
editore:
Painless Music
Jay Ferguson3:32
8When You're in Love With a Beautiful Woman
produttore:
Ron Haffkine
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979)
registrazione di:
When You’re in Love With a Beautiful Woman
paroliere e compositore:
Even Stevens (singer / songwriter)
editore:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook43:00
9Sad Eyes
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1979) e EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1979)
registrazione di:
Sad Eyes
paroliere e compositore:
Robert John (US singer‐songwriter)
editore:
BMG Music Publishing, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co., Chappell & Co., Inc. (USA), Six Continents Music Publishing Inc., Unichappell Music, Unichappell Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Robert John3:33
10How Much I Feel
produttore:
Freddie Piro
basso :
Joe Puerta
batteria , percussione e voce di accompagnamento:
Burleigh Drummond
chitarra , tastiera e voce principale:
David Pack
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1978) e Warner Music H.K. Ltd. (nel 1997)
registrazione di:
How Much I Feel
paroliere e compositore:
David Pack
editore:
EMI Longitude Music e Longitude Music Co.
Ambrosia54:50
11Boogie Fever
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2002)
registrazione di:
Boogie Fever
autore:
Freddie Perren e Keni St. Lewis
editore:
PolyGram Music Publishing e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Sylvers43:31
12Fly Robin Fly
diritti fonografici (℗) detenuti da:
Edition Butterfly Roswitha Kunze (nel 1975)
registrazione di:
Fly, Robin, Fly
autore:
Sylvester Levay e Stephan Prager (songwriter, aka Michael Kunze)
editore:
Sounds of Jupiter Music, Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Silver Convention3:20
13You Don't Have to Be a Star (To Be in My Show)
Marilyn McCoo & Billy Davis Jr.4:01
14I'd Really Love to See You Tonight
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1976)
registrazione di:
I’d Really Love to See You Tonight
paroliere e compositore:
Parker McGee
editore:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing e Sutjujo Music
England Dan & John Ford Coley52:40
15Lonely Boy
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1977)
registrazione di:
Lonely Boy
paroliere e compositore:
Andrew Gold
editore:
Luckyu Music
Andrew Gold4.54:03
16Wild Fire
registrazione di:
Wildfire
autore:
Larry Cansler e Michael Martin Murphey
Michael Martin Murphey53:20
17Rhinestone Cowboy
diritti fonografici (℗) detenuti da:
Nashville Records (country label, used to be under Starday Records in Nashville, TN, today under Capitol Records, Inc.) (nel 1975) e Capitol Records Nashville (nel 2003)
registrazione di:
Rhinestone Cowboy (il 1975-02-24)
paroliere e compositore:
Larry Weiss (American singer-songwriter)
editore:
House of Weiss Music Co, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
Glen Campbell43:14
18Amie
diritti fonografici (℗) detenuti da:
BMG Music (nel 1975)
registrazione di:
Amie
paroliere e compositore:
Craig Fuller
editore:
Unichappell Music, Inc.
Pure Prairie League44:22
19Right Time Of The Night
Jennifer Warnes2:54
20Just When I Needed You Most
produttore:
Del Newman (British conductor, orchestrator, arranger)
diritti fonografici (℗) detenuti da:
Bearsville Records Inc. (nel 1979) e Rhino Records, Inc. (company credits only; not for release label use!) (nel 1979)
registrazione di:
Just When I Needed You Most
paroliere e compositore:
Randy VanWarmer
editore:
Fourth Floor Music Inc. (US publisher), Terraform Music (publisher), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Randy VanWarmer4:02

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parte di:Sounds of the Seventies (Time-Life Music) (numero: R840-01) (ordine: 42)