De Pre Historie 200 Original Hits 1960–1969

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: 1960
2▶CD: 1961
3▶CD: 1962
4▶CD: 1963
5▶CD: 1964
6▶CD: 1965
7▶CD: 1966
8▼CD: 1967
Nr.TitelKünstlerBewertungLänge
1Massachusetts
phonographisches Urheberrecht (℗) von:
Robert Stigwood Organisation Ltd. (in 1968)
live recording of:
Massachusetts (am 1968-03-10)
geschrieben in:
New York, New York, Vereinigte Staaten
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs und Gibb Brothers Music
recording of:
Massachusetts
geschrieben in:
New York, New York, Vereinigte Staaten
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs und Gibb Brothers Music
The Bee Gees32:23
2Inch Allah
vocals:
Adamo (Belgian singer Salvatore Adamo)
conductor:
Alain Goraguer
recording of:
Inch’ Allah (italian lyrics)
Texter und Komponist(in):
Adamo (Belgian singer Salvatore Adamo)
übersetzte Version von:
Inch’Allah (original french lyrics)
Adamo4:44
3Excerpt From a Teenage Opera
recording of:
Theme From “A Teenage Opera”
Texter und Komponist(in):
Keith Hopkins und Mark Wirtz
Keith West4:38
4There’s a Kind of Hush
Techniker(in):
Dave Siddle (engineer)
Produzent(in):
Mickie Most (English record producer)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1966-12-07)
cover recording of:
There’s a Kind of Hush (am 1966-12-07)
Texter und Komponist(in):
Les Reed und Geoff Stephens
publisher:
Donna Music Ltd. (publisher), Glenwood Music Corp., Peermusic (UK) Limited, Songs of Peer, Ltd. (ASCAP), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Herman's Hermits4.52:33
5San Francisco
Produzent(in):
Lou Adler und John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
Texter und Komponist(in):
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) und Wingate Music Corp.
Scott McKenzie3.752:58
6Good Vibrations
recording engineer:
Bruce Botnick (von 1966-02 bis 1966-06), Chuck Britz (von 1966-02 bis 1966-06) und Larry Levine (von 1966-02 bis 1966-06)
Techniker(in):
Chuck Britz und Jim Lockert (Enginear)
Produzent(in):
The Beach Boys (American rock band) und Brian Wilson (Beach Boys co‐founder)
Mix:
Derry FitzGerald
Sologesang:
Mike Love (Beach Boys) (von 1966-02 bis 1966-06) und Carl Wilson (Beach Boys) (von 1966-02 bis 1966-06)
vocals:
Mike Love (Beach Boys) (von 1966-02 bis 1966-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966)
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06), Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06) und Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (von 1966-02 bis 1966-06)
Texter:
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) und Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Version von:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.33:41
7Reflections
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
recording of:
Reflections
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs, Jobete Music (appears also as: Jobete Msc.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) und Stone Agate Music (in 1967)
The Supremes2:50
8The Beat Goes on
Techniker(in):
Stan Ross (recording engineer, mixer & producer)
Produzent(in):
Sonny Bono
conductor:
Harold Battiste
phonographisches Urheberrecht (℗) von:
ATCO Records (in 1967)
engineered at:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Beat Goes On (in 1967)
Texter und Komponist(in):
Sonny Bono
publisher:
Chris Marc Music, Cotillion, Cotillion Music, Inc. (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Australia Pty. Ltd.
Sonny & Cher4.253:24
9Pata Pata
Produzent(in):
Jerry Ragovoy
arranger:
Jerry Ragovoy
recording of:
Pata Pata (in 1967-05)
Verfasser(in):
Myriam Makeba (South African singer-songwriter) und Jerry Ragovoy
Miriam Makeba43:00
10Release Me
Engelbert Humperdinck3:18
11A Whiter Shade of Pale
Produzent(in):
Denny Cordell
Bassgitarre:
David Knights
Gast-Schlagzeug:
Bill Eyden
Gitarre:
Ray Royer
Hammond-Orgel:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographisches Urheberrecht (℗) von:
Onward Music Ltd. (in 1967)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 57) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 271)
recording of:
A Whiter Shade of Pale
Texter:
Keith Reid
Komponist(in):
Gary Brooker und Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) und Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
basiert auf:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
basiert auf:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:03
12Ode to Billy Joe
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1967)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 51), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 191) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 412)
recording of:
Ode to Billie Joe (in 1967-03)
Texter und Komponist(in):
Bobbie Gentry (Roberta Lee Streeter - American singer-songwriter)
publisher:
Larry Shayne Music, Inc. und Universal/MCA Music Publishing Pty Ltd
Bobbie Gentry54:19
13Standing in the Shadows of Love
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1966)
recording of:
Standing in the Shadows of Love
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music Ltd
The Four Tops52:34
14Move
Jess & James3:51
15I’m a Man
Spencer Davis Group2:53
16Carrie Anne
Produzent(in):
Ron Richards
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967) und The Hollies Ltd. (in 1967)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-05-01)
recording of:
Carrie Anne (am 1967-05-01)
Texter und Komponist(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
publisher:
PolyGram Music Publishing und Universal Music Publishing (use ONLY if no country‐specific information is available)
The Hollies3.652:53
17Zabadak
recording of:
Zabadak
Komponist(in):
Alan Blaikley und Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
Dave Dee, Dozy, Beaky, Mick & Tich3:52
18From the Underworld
The Herd3:16
19Hi‐ho Silver Lining
Produzent(in):
Mickie Most (English record producer) (am 1967-01-19)
Bassgitarre:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (am 1967-01-19)
E-Gitarre und Sologesang:
Jeff Beck (English rock guitarist) (am 1967-01-19)
Schlagzeug:
Clem Cattini (am 1967-01-19)
Hintergrundgesang:
Rod Stewart (am 1967-01-19)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
engineered at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-01-19)
recording of:
Hi Ho Silver Lining (am 1967-01-19)
Verfasser(in):
Scott English und Larry Weiss (American singer-songwriter)
publisher:
EMI Music Publishing (do not use as a release label!)
Jeff Beck22:51
20Somebody to Love
recording engineer:
David Hassinger (am 1966-11-03)
Produzent(in):
Rick Jarrard (von 1966-10-31 bis 1966-11-22)
Bass:
Jack Casady (von 1966-10-31 bis 1966-11-22)
Gitarre [lead guitar]:
Jorma Kaukonen (American blues, folk, and rock guitarist) (von 1966-10-31 bis 1966-11-22)
Gitarre [rhythm guitar]:
Paul Kantner (von 1966-10-31 bis 1966-11-22)
Schlagzeug:
Spencer Dryden (von 1966-10-31 bis 1966-11-22)
Sologesang:
Grace Slick (von 1966-10-31 bis 1966-11-22)
vocals:
Marty Balin (von 1966-10-31 bis 1966-11-22) und Paul Kantner (von 1966-10-31 bis 1966-11-22)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967) und RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (in 1967)
aufgenommen bei:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-10-31 bis 1966-11-22)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 274)
recording of:
Somebody to Love (Jefferson Airplane song) (von 1966-10-31 bis 1966-11-22)
Texter und Komponist(in):
Darby Slick
publisher:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane4.552:58
9▶CD: 1968
10▶CD: 1969