Het beste uit de Mega Top 50 van ’93

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1That’s the Way Love Goes
tecnico di registrazione:
Steve Hodge (engineer and producer)
produttore:
Janet Jackson e Jimmy Jam & Terry Lewis
tecnico di missaggio:
Dave Rideau (engineer) e Steve Hodge (engineer and producer)
voce di accompagnamento e voce principale:
Janet Jackson
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1993) e Virgin Records Inc. (nel 2018)
campionamenti:
Impeach the President di The Honey Drippers (70s US funk band, backing band for Roy C. Hammond) e Papa Don’t Take No Mess di James Brown (The Godfather of Soul)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 216)
registrazione di:
That’s the Way Love Goes
autore:
Charles Bobbitt, James Brown (The Godfather of Soul), Janet Jackson, James Harris (James Harris of Jam & Lewis), Terry Lewis (US hip-hop/soul songwriter, producer & label owner), John Starks e Fred Wesley
editore:
Black Ice Publishing, Dynatone Publishing Co. e Kobalt Music Publishing Ltd. (UK)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 大洋音楽 (Taiyō Music)
Janet Jackson3.64:25
2Show Me Love
registrazione di:
Show Me Love
autore:
Allen George (Songwriter - producer - keyboards player) e Fred McFarlane
editore:
Champion Music e Son-A-Tron Music
Robin S.3:43
3Two Princes
tecnico:
Frank Aversa e Spin Doctors
produttore:
Frank Aversa, Peter Denenberg, Frankie LaRocka e Spin Doctors
tecnico di missaggio:
Peter Denenberg, Frankie LaRocka e Spin Doctors
chitarra :
Eric Schenkman
chitarra basso :
Mark White (Spin Doctors)
organo Hammond, batteria e percussione :
Aaron Comess
voce:
Chris Barron
voce di accompagnamento ospite:
John Popper
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1991), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1991), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1991) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1991)
registrazione di:
Two Princes (original version)
autore:
Chris Barron, Aaron Comess, Eric Schenkman e Mark White (Spin Doctors)
editore:
Mow B'jow Music, Sony Songs Inc. e Sony/ATV Music Publishing Ltd.
registrazione di:
Two Princes (Muppets parody)
versione parodia di:
Two Princes (original version)
Spin Doctors4.24:14
4Theme From Harry’s Game
tecnico:
Richard Dodd (mastering engineer, producer and engineer) e Austin Ince (engineer)
produttore:
Richard Dodd (mastering engineer, producer and engineer)
direttore d'orchestra:
James Horner (American score composer) (nel 1992)
diritti fonografici (℗) detenuti da:
RCA Ltd. (UK arm of RCA) (nel 1983)
registrata presso e mixata presso:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irlanda
registrazione di:
Theme From Harry’s Game
paroliere e compositore:
Ciarán Ó Braonáin e Pól Ó Braonáin
editore:
Television Music Ltd.
si basa su:
[old text from County Galway]
Clannad4.652:28
5Mr. Vain
tecnico:
Torsten Fenslau (German dance producer) e Peter Zweier
produttore:
Torsten Fenslau (German dance producer)
esecutore:
Tania Evans
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1993)
edit di:
Mr. Vain (Vain mix) di Culture Beat (German Euro‐dance duo)
registrazione di:
Mr. Vain
paroliere:
Nosie Katzmann e Jay Supreme
autore:
J. Supreme, S. Levis e N. Katzmann
compositore:
Nosie Katzmann, Stephan Zick e Jay Supreme
editore:
Control (German electronic sub-label of edel, inactive for a time, but relaunched in 2015), Edition "Get Into Magic", Warner Chappell e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Culture Beat4.154:17
6Everybody Hurts
produttore:
Scott Litt (producer and engineer) e R.E.M. (American rock band)
diritti fonografici (℗) detenuti da:
R.E.M. (American rock band) (nel 1993)
diritti fonografici (℗) detenuti da:
Athens Ltd. (nel 1993)
registrazione di:
Everybody Hurts
autore:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) e Michael Stipe
editore:
Night Garden Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
R.E.M.44:56
7What’s Up
tecnico di registrazione:
David Tickle (nel 1992)
tecnico di mastering:
Stephen Marcussen (mastering engineer)
tecnico:
Mark Hensley
tecnico aggiunto:
Jessie Kanner (1980s–90s assistant engineer/mixer, Lion Share Recording Studios), Kent Mactke, Laurent Tardy e Paul Dieter (American sound engineer and producer.)
produttore e tecnico di missaggio:
David Tickle
basso :
Christa Hillhouse (nel 1992)
batteria :
Dawn Richardson (nel 1992)
chitarra :
Louis Metoyer (nel 1992) e Roger Rocha (nel 1992)
chitarra acustica e chitarra elettrica :
Linda Perry (rock singer‐songwriter & producer) (nel 1992)
voce:
Christa Hillhouse (nel 1992) e Linda Perry (rock singer‐songwriter & producer) (nel 1992)
diritti fonografici (℗) detenuti da:
Interscope Records (part of UMG Recordings, Inc.) (nel 1992, nel 1993)
registrata presso:
Groove Masters in Santa Monica, California, Stati Uniti (nel 1992), The Bunker (nel 1992) e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti (nel 1992)
mixata presso:
The Bunker
registrazione di:
What’s Up? (nel 1992)
paroliere e compositore:
Linda Perry (rock singer‐songwriter & producer)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat e Stuck in the Throat Music
4 Non Blondes4.354:14
8Tease Me
produttore:
Sly & Robbie
registrazione di:
Tease Me
autore:
Everton Bonner (a.k.a. Pliers from "Chaka Demus & Pliers"), Joseph Bonner (reggae artist), Lowell “Sly” Dunbar, Robert “Robbie” Shakespeare, John Taylor (Chaka Demus) e Lloyd "Gitsy" Willis
Chaka Demus & Pliers23:41
9Slave to the Music
registrazione di:
Slave to the Music
autore:
Ruud van Rijen e Stay-C (Stacey Paton)
editore:
2 P's e TBM Music
Twenty 4 Seven4:03
10It Keeps Rainin’ (Tears From My Eyes)
registrazione cover di:
It Keeps Rainin’
autore:
Antoine Dominique Domino (Fats Domino), Dave Bartholomew e Robert Guidry
Bitty McLean3:46
11The Key: The SecretUrban Cookie Collective3.53:40
12Go West
programmazione:
Pete Gleadall
tecnico:
Pete Gleadall e Bob Kraushaar
produttore:
Brothers in Rhythm
produttore aggiunto:
Brothers in Rhythm
tecnico di missaggio:
Mike “Spike” Drake e Stephen Hague
voce principale:
Neil Tennant
remixer:
Brothers in Rhythm e Stephen Hague
diritti fonografici (℗) detenuti da:
Pet Shop Boys Partnership Ltd. (nel 1993)
registrazione cover di:
Go West
paroliere:
Henri Belolo e Victor Willis (member of the Village People)
compositore:
Jacques Morali
editore:
EMI Music (do not use as release label! this is a music publisher), Leosong Copyright Service Ltd., Scorpio Music (work publisher of "Scorpio Music") e Zomba Management and Publishers Ltd.
versione di:
À l'ouest
Pet Shop Boys4.24:57
13Runaway Train
assistente tecnico:
David Michael Dill (engineer) e Dan Gellert (sound engineer)
produttore:
Michael Beinhorn
assistente tecnico di missaggio:
Craig Doubet (recording engineer) e Steve Sisco
tecnico di missaggio:
Andy Wallace (engineer)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1992) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1992)
registrazione di:
Runaway Train
paroliere e compositore:
Dave Pirner
editore:
EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), LFR Music, Standing Water Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell North America Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) e WB Music Corp. (1929–2019)
Soul Asylum4.44:22
14I’d Do Anything for Love
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1993)
registrazione di:
I’d Do Anything for Love (but I Won’t Do That)
paroliere e compositore:
Jim Steinman
editore:
Carlin Music Corporation e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (nel 1993)
Meat Loaf47:51
15Relight My Fire
voce ospite:
Lulu (Scottish singer and actress, best known for “To Sir With Love”)
registrazione cover di:
Relight My Fire
paroliere e compositore:
Dan Hartman
editore:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Take That feat. Lulu3:58
16Relax
tecnico:
Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood) (nel 1983)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (nel 1983)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983)
percussione ospite :
Luís Jardim (nel 1983)
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) (nel 1983) e Anne Dudley (English score composer) (nel 1983)
voce principale:
Holly Johnson (nel 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983) e Paul Rutherford (member of Frankie Goes to Hollywood) (nel 1983)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1983) e Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1983)
versione karaoke di:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) di DJ Schmolli
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 10) e Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 44)
registrazione di:
Relax (nel 1983)
paroliere:
Holly Johnson
compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:54
17As Long as the Wind Blows
registrata a:
Scheveningen, Den Haag (The Hague), Zuid-Holland (South Holland), Paesi Bassi, Kingdom of the Netherlands (il 1993-06-12)
registrazione dal vivo di:
As Long as the Wind Blows (il 1993-06-12)
compositore:
George Kooymans
editore:
Dayglow Music, Inc. e New Dayglow B.V.
Golden Earring4:35
18Ring of Fire
registrata a:
Nashville, Tennessee, Stati Uniti (il 1963-03-25)
produttore:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) e Don Law
basso :
Marshall Grant
batteria :
W.S. Holland
chitarra :
Johnny Cash (country music legend) e Jack Clement
chitarra elettrica :
Luther Perkins
pianoforte :
Bill Pursell
tromba :
Bill McElhiney
voce e esecutore:
The Carter Family (later generations of the family after 1943)
voce principale:
Johnny Cash (country music legend)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1963, nel 1977)
registrata presso:
Columbia Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1963-03-25)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 25), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 87), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 201) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 388)
registrazione cover di:
Ring of Fire (il 1963-03-25)
autore:
June Carter Cash (American Country singer and songwriter) e Merle Kilgore
editore:
Painted Desert Music Corporation
Johnny Cash4.252:36

Accreditamenti

Pubblicazione

parte di:Mega Top 50 / 100 (Dutch compilation album series which served as the musical year overview of the Mega Top 50 charts) (ordine: 1)
Discogs:https://www.discogs.com/release/437491 [info]