The Essential Pop 1990s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Gonna Make You Sweat (Everybody Dance Now)
assistierende(r) Produzent(in):
Ricky Crespo und Alan Friedman
Produzent(in):
Robert Clivillés (record producer, songwriter, arranger, music video director) und David Cole (US musician/producer, member of C+C Music Factory)
Keyboard:
Ricky Crespo und Dave Cole (US musician/producer, member of C+C Music Factory)
Perkussion und Schlagzeug:
Robert Clivillés (record producer, songwriter, arranger, music video director)
zusätzlich Schlagzeug:
Alan Friedman
vocals:
Martha Wash und Freedom Williams
Keyboard arranger:
Robert Clivillés (record producer, songwriter, arranger, music video director)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 116) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 402)
recording of:
Gonna Make You Sweat (Everybody Dance Now)
Verfasser(in):
Robert Clivillés (record producer, songwriter, arranger, music video director) und Frederick B. Williams (UK dance vocalist aka Freedom Williams)
publisher:
Cole/Clivillés Music, EMI Virgin Music Ltd. (do not use this as a release label!), R.B.G. Dome Music, WB Music Corp. (1929–2019), Cole/Clivillés Music Enterprises (vom 1990 bis ????) und Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (vom 1990 bis ????)
C+C Music Factory4.154:06
2Rush
assistierende(r) Techniker(in):
Serge Glanzberg und Dave Mercer
Techniker(in):
Andre Shapps
Produzent(in):
Mick Jones (The Clash/Big Audio Dynamite), Olimax und DJ Shapps
Bass:
Gary Stonadge
Gitarre:
Nick Hawkins und Mick Jones (The Clash/Big Audio Dynamite)
Schlagzeug:
Chris Kavanagh
vocals:
Nick Hawkins, Mick Jones (The Clash/Big Audio Dynamite), Chris Kavanagh und Gary Stonadge
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recording of:
Rush
Texter, Verfasser(in) und Komponist(in):
Mick Jones (The Clash/Big Audio Dynamite)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Big Audio Dynamite4.54:20
3Here Comes the Hotstepper
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1994) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1994)
Samples:
Heartbeat (club version) von Taana Gardner und Land of 1000 Dances von Cannibal & the Headhunters
recording of:
Here Comes the Hotstepper
Verfasser(in):
Ini Kamoze, Chris Kenner und Salaam Remi
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), EMI (EMI Records, or EMI Music only if there is no other imprint), Longitude Music, Pine Publishing, Rondor Music (London) Ltd. und Salaam Remi Music
Ini Kamoze3.154:11
4...Baby One More Time
recording engineer, Produzent(in) und Mix:
Max Martin (Swedish record producer) und Rami (Swedish record producer and songwriter)
Bassgitarre:
Tomas Lindberg (Swedish bass player)
Gitarre:
Johan Carlberg
Hintergrundgesang:
Nana Hedin (Swedish singer; also known as Na Na and Nana d’Aquini), Max Martin (Swedish record producer) und Britney Spears
Sologesang:
Britney Spears
phonographisches Urheberrecht (℗) von:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1998) und Zomba Recording LLC (in 1999)
gemixt für und produced for:
Cheiron Productions
aufgenommen bei und mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden
Musikvideos:
…Baby One More Time von Britney Spears, …Baby One More Time (official music video) von Britney Spears, …Baby One More Time (Angle 1) von Britney Spears und …Baby One More Time (Angle 2) von Britney Spears
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 12), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 205) und BILLIONS CLUB
recording of:
…Baby One More Time
Texter und Komponist(in):
Max Martin (Swedish record producer)
publisher:
Grantsville Publishing Ltd., Imagem, MXM Music AB, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc. und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
Freaky Friday (2003)
Britney Spears3.83:32
5The Colour of My Dreams
recording of:
The Colour of My Dreams
Texter:
B.G. The Prince of Rap und Morrison Long
Komponist(in):
Stefan Benz (German electronic musician), Morrison Long und Jam El Mar
publisher:
BMG-Ufa (not for release label use! this is a music publisher), Edition "Get Into Magic", Edition 5th Floor, Edition Allstar und Warner Chappell
B.G. The Prince of Rap3:57
6Scatman
Produzent(in):
Antonio Nunzio Catania (Italian producer, composer and musician) und Ingo Kays
phonographisches Urheberrecht (℗) von:
BMG Ariola Hamburg GmbH (in 1994, in 1995)
recording of:
Scatman (Ski-ba-bop-ba-dop-bop)
Texter und Komponist(in):
Antonio Nunzio Catania (Italian producer, composer and musician) und John Larkin
publisher:
BMG Music Publishing Ltd., BMG UFA (not for release label use! this is a music publisher), Edition Scales, EMI Music Publ. Germany (GmbH & Co. KG), EMI Music Publishing Ltd. (PRS‐affiliated) und Iceberg Publ. DK
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Scatman John3.73:34
7I've Been Thinking About You
recording of:
I’ve Been Thinking About You
Verfasser(in):
Jimmy Chambers, George Chandler (UK vocalist, member of The Olympic Runners & Londonbeat), Jimmy Helms (soul singer) und William Henshall (Londonbeat)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Londonbeat3:50
8Show Me Love
phonographisches Urheberrecht (℗) von:
BMG Sweden AB (in 1997)
recording of:
Show Me Love
Verfasser(in):
Max Martin (Swedish record producer) und Robyn (Swedish singer and songwriter Robin Carlsson)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Robyn4.353:51
9It's My Life
Techniker(in):
Gundars Rullis (Chorgesang)
Produzent(in) und Mix:
Denniz PoP
Chorgesang:
Annelie Berg, Marie Bergman (Swedish singer), Björn Ström, Gladys del Pilar und Ricco (background vocals on "It's My Life")
Hintergrundgesang:
Paola Toro
Chorgesang arranger:
Anders Hansson (producer / writer / performer)
phonographisches Urheberrecht (℗) von:
BMG Ariola München GmbH (in 1992, in 1993)
produced for:
SweMix Productions (in 1992)
aufgenommen bei:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (Chorgesang) und SweMix Studio in Stockholm, Stockholms län (Stockholm county), Schweden
mixed at:
SweMix Studio in Stockholm, Stockholms län (Stockholm county), Schweden
Musikvideos:
It’s My Life von Dr. Alban
recording of:
It’s My Life
Texter:
Dr. Alban
Komponist(in):
Denniz PoP
publisher:
SweMix Music, SweMix Songs und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Dr. Alban3.84:02
10Macarena
phonographisches Urheberrecht (℗) von:
Serdisco, S.A. (in 1996)
Teil von:
A.Side: 10 Songs That Have Their Own Dance Moves (Nummer: 4)
recording of:
Macarena
Texter und Komponist(in):
Antonio Romero Monge und Rafael Ruiz
publisher:
Canciones del Mundo (publisher), Discorama, S. L. (Used on (p), (c) and as publishing company) und Editorial Discorama
Los del Río34:11
11I'm Every Woman
Programmierung:
James T. Alfano und Chauncey Mahan
Techniker(in):
Marc Reyburn und Matt Rohr (Recording Engineer)
zusätzliche(r) Techniker(in):
Richard Joseph (recording engineer and musician) und Acar Key
Produzent(in):
Narada Michael Walden
zusätzliche(r) Produzent(in):
Robert Clivillés (record producer, songwriter, arranger, music video director) und David Cole (US musician/producer, member of C+C Music Factory)
Mix:
Bob Rosa
zusätzlich vocals arranger:
Robert Clivillés (record producer, songwriter, arranger, music video director) und David Cole (US musician/producer, member of C+C Music Factory)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992)
aufgenommen bei:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Tarpan Studios in San Rafael, California (Kalifornien), Vereinigte Staaten
cover recording of:
I’m Every Woman (in 1992)
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Whitney Houston4.24:47
12Children
recording of:
Children
Komponist(in):
Roberto Concina
publisher:
Jeity Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Robert Miles4:06
13Move Your Body
recording of:
Move Your Body (Elevation)
Komponist(in):
Richie Malone und Martin Spreckley
Xpansions43:50
14Summertime
Produzent(in):
Hula & Fingers
Mix:
D.J. Jazzy Jeff (DJ/turntablist) und Def Geoff Hunt
Hintergrundgesang arranger:
LaVette
phonographisches Urheberrecht (℗) von:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1991)
Samples:
Summer Madness von Kool & the Gang
recording of:
Summertime
Texter:
Will Smith (US actor aka The Fresh Prince)
Verfasser(in):
Hula & K. Fingers
Komponist(in):
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Lamar Hula Mahone, Robert Spike Mickens, Craig Simpkins, Claydes Smith, Will Smith (US actor aka The Fresh Prince), Alton Taylor, Dennis “D.T.” Thomas (Kool & The Gang) und Ricky West (Kool & The Gang member)
basiert auf:
Summer Madness
DJ Jazzy Jeff & the Fresh Prince4.454:31
15Steal My Sunshine
recording of:
Steal My Sunshine
Verfasser(in):
Marc Costanzo und Gregg Diamond
publisher:
Big Meanie, BMG Songs, Inc., Buddah Music, Inc., EMI April Music Inc., EMI U Catalog Inc. (publisher; do NOT use as release label) und Gregg Diamond Music
basiert auf:
More, More, More
LEN4:09
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