Double J – The 90s: The Greatest Decade in Music?

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Celebrating 90's month across Double J and triple j in June, 2017. We've handpicked a giant 4CD collection and download that showcases and celebrates the 90s.

To say it was all about the fuzzy guitars and fiery screams of grunge is to discount the slinky synths of West Coast hip hop and the thumping, anthemic big beats of the decade's best dance music.

The beauty of 90s music was both its diversity and the way artists took the styles of previous decades, refined them, then added a sonic dimension and attitude that matched both the optimism and, at times, despair of the decade.

Was the 90s really just one decade?

When you look at the 80 or so songs we've collected here, you realise it's just a snapshot of what was an explosive, diverse, and prolific era for music.

Annotazione modificata l'ultima volta il 2023-04-06 03:07 UTC.

Elenco tracce

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#TitoloArtistaValutazioneDurata
1These Days
diritti fonografici (℗) detenuti da:
Grudge Records (Australian label)
edit di:
These Days (album version) di Powderfinger (Australian rock band)
registrazione di:
These Days
autore:
Jon Coghill, John Collins (Australian rock guitarist), Bernard Fanning, Ian Haug, Darren Middleton e Powderfinger (Australian rock band)
editore:
Mushroom Music (Mushroom label’s publishing company)
Powderfinger4:14
2Zombie
produttore:
Stephen Street (famous producer, songwriter)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1994)
registrazione di:
Zombie
paroliere e compositore:
Dolores O’Riordan
editore:
Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017) e Universal–Songs of PolyGram International, Inc.
The Cranberries44:11
3It’s Like That
produttore:
Larry Smith (US hip hop producer) e Russell Simmons
produttore aggiunto:
Jason Nevins
remixer:
Jason Nevins
diritti fonografici (℗) detenuti da:
Profile Records Ltd. e Smile Communications
è stato produttore per:
Rush Groove Productions
registrazione di:
It’s Like That
autore:
Darryl McDaniels (rapper Darryl McDaniels), Joseph Simmons (US rapper Rev. Run of Run-D.M.C) e Larry Smith (US hip hop producer)
editore:
Protoons Inc., Rush-Groove e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Run‐D.M.C. vs. Jason Nevins3.34:10
4The Beautiful People
assistente tecnico:
Brian Pollack (engineer) e Chris Vrenna (member of Tweaker)
tecnico:
Sean Beavan e Dave Ogilvie (Canadian producer, engineer, and musician)
co-produttore:
Marilyn Manson (the person)
produttore:
Dave Ogilvie (Canadian producer, engineer, and musician) e Trent Reznor
tecnico di missaggio:
Sean Beavan, Dave Ogilvie (Canadian producer, engineer, and musician) e Chris Vrenna (member of Tweaker)
editor:
Sean Beavan, Charlie Clouser, Dave Ogilvie (Canadian producer, engineer, and musician), Trent Reznor e Chris Vrenna (member of Tweaker)
basso elettrico e chitarra elettrica :
Twiggy Ramirez
batteria :
Ginger Fish (American drummer)
chitarra elettrica e chitarra synth :
Sean Beavan
tastiera :
Madonna Wayne Gacy
voce principale:
Marilyn Manson (the person)
diritti fonografici (℗) detenuti da:
Interscope Records (part of UMG Recordings, Inc.) (nel 1996, nel 2012), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso:
Nothing Studio in New Orleans, Louisiana, Stati Uniti
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 86)
registrazione di:
The Beautiful People
paroliere:
Brian Hugh Warner (Marilyn Manson, the person)
compositore:
Twiggy Ramirez
editore:
Blood Heavy Music, Dinger & Ollie Music e Songs of Golgotha
Marilyn Manson4.553:39
5That Ain’t Bad
registrazione di:
That Ain’t Bad
autore:
Simon Day (Australian musician, member of Ratcat)
Ratcat33:58
6Society
registrazione di:
Society
autore:
Pennywise (punk rock band from Hermosa Beach, California)
Pennywise4.653:24
7Woman
registrazione di:
Woman
autore:
Neneh Cherry, Cameron McVey e Jonathan Sharp (UK producer aka Jonny Dollar)
editore:
EMI Music (do not use as release label! this is a music publisher)
Neneh Cherry4:30
8Sex & Candy
tecnico:
Ken Gioia e Jim Sabella
produttore:
John Wozniak (Marcy Playground singer & guitarist)
tecnico di missaggio:
Ken Gioia e Marcy Playground
basso e batteria :
Jared Kotler
chitarra acustica e chitarra elettrica :
John Wozniak (Marcy Playground singer & guitarist)
voce:
John Wozniak (Marcy Playground singer & guitarist)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1997)
registrata presso e mixata presso:
Sabella Studios in Roslyn, New York, Stati Uniti
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 33) e Indie 88: Top 500 Indie Rock Songs (numero: 285)
registrazione di:
Sex and Candy
paroliere e compositore:
John Wozniak (Marcy Playground singer & guitarist)
editore:
Wozniak Publishing
Marcy Playground3.92:50
9Girls Like That (Don’t Go for Guys Like Us)
produttore e tecnico di missaggio:
Magoo (Australian producer Lachlan Goold)
chitarra :
David McCormack
chitarra [lead] :
Matthew Strong
chitarra basso :
Paul Medew
membranofono , shaker e sintetizzatore basso [roland sh101] :
Glenn Thompson
registrata presso:
The Dirty Room in Fortitude Valley, Brisbane, Queensland, Australia (dal 1998-07-26 al 1998-07-28)
mixata presso:
Sing Sing Studios (closed in 2017) in Cremorne, Melbourne, Victoria, Australia (nel 1998-08)
video musicali:
Girls Like That (Don’t Go for Guys Like Us) di Custard (Australian rock band)
registrazione di:
Girls Like That (Don’t Go for Guys Like Us)
paroliere e compositore:
Trevor J. Ludlow, David McCormack e Dylan McCormack
editore:
PolyGram Music Publishing (conclusa), Control (not for release label use! this is only for copyrights and publishing relationships) e Mushroom Music Publishing
Custard2.53:11
10Nearly Lost You
tecnico di registrazione:
John Agnello (engineer & producer)
produttore:
Don Fleming
tecnico di missaggio:
Andy Wallace (engineer)
registrazione di:
Nearly Lost You
autore:
Gary Lee Conner, Van Conner e Mark Lanegan
editore:
Glowing Eel Music, Ripplestick Music, Solomon Grundy Music e Sony Songs Inc.
Screaming Trees4.34:07
11Addicted to Bass
tecnico di registrazione e produttore:
Josh Abrahams (Puretone, aka Puretone)
diritti fonografici (℗) detenuti da:
Warner Music Australia (AU subsidiary of Warner Music International since 1988) (nel 1999)
registrata presso e mixata presso:
Fishtank Recording Studio in Brighton (Brighton, Victoria), Victoria, Australia
registrazione di:
Addicted to Bass
autore:
Josh Abrahams (Puretone, aka Puretone) e Amiel (Australian pop singer, songwriter & actress)
editore:
Mushroom Music Publishing
Josh Abrahams & Amiel3.53:56
12What It’s Like
tecnico:
John Gamble (member of the SD50s)
produttore:
Everlast (US rapper/singer/songwriter Erik Schrody), John Gamble (member of the SD50s) e Dante Ross
tecnico di missaggio:
Jamie Staub
basso :
Ben Bocardo
famiglia delle chitarre :
Everlast (US rapper/singer/songwriter Erik Schrody)
viola :
John Wang
violino :
Alen C. Agadhzhanyan e Jacqueline Suzuki
violoncello :
Elizabeth Wright
arrangiatore archi :
Giovanni Loria e SD50’s
registrazione di:
What It’s Like (Everlast)
paroliere e compositore:
Erik Schrody
Everlast4.15:01
13Mutliated Lips
registrazione di:
Mutilated Lips
autore:
Ween (US alternative rock band)
editore:
Browndog Music, Ver Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ween3:49
14Labour of Love
tecnico di registrazione e produttore:
Frente! e Michael Koppelman (Minneapolis producer and engineer)
tecnico di missaggio:
Michael Koppelman (Minneapolis producer and engineer)
registrazione di:
Labour of Love
autore:
Simon Austin e Angie Hart
Frente!33:03
15Popular
registrazione di:
Popular
paroliere e compositore:
Matthew Caws (US singer-songwriter/guitarist, member of Nada Surf) e Daniel Lorca
Nada Surf53:38
16Lemonsuck
Pollyanna33:36
17Killing Me Softly With His Song
tecnico di registrazione e tecnico di missaggio:
Wyclef Jean (Haitian rapper, musician and actor) e Warren Riker
tecnico:
Warren Riker
co-produttore:
Jerry Duplessis e Pras Michel (Pras, American rapper, member of The Fugees)
produttore:
Ms. Lauryn Hill e Wyclef Jean (Haitian rapper, musician and actor)
voce di accompagnamento e voce principale:
Ms. Lauryn Hill
voce principale:
Wyclef Jean (Haitian rapper, musician and actor)
esecutore:
Fugees
arrangiatore voci:
Ms. Lauryn Hill
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (dal 1996 a oggi, nel 1996) e Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1996)
registrata presso e mixata presso:
Booga Basement Studio in Bloomfield, New Jersey, Stati Uniti
campionamenti:
Bonita Applebum di A Tribe Called Quest, Fool Yourself di Little Feat, Killing Me Softly With His Song di Roberta Flack (singer and pianist), Memory Band di Rotary Connection e The Day Begins (1972 stereo mix) di The Moody Blues with the London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople) conducted by Peter Knight (British arranger, conductor and composer)
versioni a cappella:
Killing Me Softly (L∆VINCi Remix) di L∆VINCi (LAVINCi) feat. Fugees & Kay Flock (Kevin Perez)
parte di:
Flak: Best Cover Songs of the 90's, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 136) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 359)
registrazione cover di:
Killing Me Softly With His Song
paroliere:
Norman Gimbel
compositore:
Charles Fox (film/TV composer, also Latin pianist)
editore:
Platz Music Publishng, Rodali Music, Sony/ATV Songs LLC e Fox-Gimbel Productions Inc. (nel 1972)
Fugees4.154:59
18Why’s Everybody Always Pickin’ on Me?
tecnico:
Raahu
produttore:
Jimmy Pop Ali (member of Bloodhound Gang)
registrazione di:
Why’s Everybody Always Pickin’ on Me?
paroliere:
James M. Franks
compositore:
James M. Franks, Harry Middlebrooks e Mike Shapiro (saxophonist, composer of Spooky)
editore:
Sony/ATV Songs LLC
si basa su:
Spooky (instrumental)
Bloodhound Gang3.83:23
19Black Hole Sun
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1994)
edit di:
Black Hole Sun (album version) di Soundgarden
registrazione di:
Black Hole Sun
paroliere e compositore:
Christopher J Cornell (Soundgarden lead singer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mushroom Music Pty. Ltd., Universal/MCA Music Publishing GmbH e You Make Me Sick I Make Music (nel 1994)
Soundgarden44:32
20Holy Grail
diritti fonografici (℗) detenuti da:
Human Frailty Pty. Ltd. (nel 1992)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 50)
registrazione di:
Holy Grail
autore:
John Archer (guitarist in Hunters & Collectors), Doug Falconer, Barry Palmer (Australian Guitarist), Mark Seymour e Jeremy Smith (bass (Hunters & Collectors))
editore:
Mushroom Music Publishing
Hunters & Collectors33:45
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