Encores

~ Release by Itzhak Perlman (see all versions of this release, 2 available)

Annotation

Copyright: © 2015 Parlophone Records Limited, A Warner Music Group Company.
℗ 2015 Parlophone Records Limited, A Warner Music Group Company.

Annotation last modified on 2026-07-17 16:54 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Prelude and Allegro in the Style of Pugnani
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Samuel Sanders (pianist) (from 1972-11-05 until 1972-11-07)
violin:
Itzhak Perlman (violinist and conductor) (from 1972-11-05 until 1972-11-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11-05 until 1972-11-07)
recording of:
Prélude et Allegro dans le style de Pugnani (from 1972-11-05 until 1972-11-07)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
Fritz Kreisler5:28
2Spanish Dances, Op. 22: No. 1, Romanza andaluza
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Samuel Sanders (pianist) (from 1972-11-05 until 1972-11-07)
violin:
Itzhak Perlman (violinist and conductor) (from 1972-11-05 until 1972-11-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-11-05 until 1972-11-07)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11-05 until 1972-11-07)
recording of:
Spanish Dances, op. 22, no. 1: Romanza andaluza (for violin (or mandolin) and piano) (from 1972-11-05 until 1972-11-07)
composer:
Pablo de Sarasate (violinist and composer)
part of:
Spanish Dances, op. 22 (for violin (or mandolin) and piano)
Pablo de Sarasate4:52
3Perpetuum mobile
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Samuel Sanders (pianist) (from 1972-11-05 until 1972-11-07)
violin:
Itzhak Perlman (violinist and conductor) (from 1972-11-05 until 1972-11-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-11-05 until 1972-11-07)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11-05 until 1972-11-07)
recording of:
Perpetuum mobile, op. 5 no. 4 (for violin and piano) (from 1972-11-05 until 1972-11-07)
composer:
Ottokar Nováček (Violinist, composer)
part of:
8 Concert Caprices, op. 5
Ottokar Novácek2:47
4Berceuse sfaradite
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Samuel Sanders (pianist) (from 1972-11-05 until 1972-11-07)
violin:
Itzhak Perlman (violinist and conductor) (from 1972-11-05 until 1972-11-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-11-05 until 1972-11-07)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11-05 until 1972-11-07)
recording of:
Berceuse sfaradite (for violin and piano) (from 1972-11-05 until 1972-11-07)
composer:
Paul Ben-Haim (Israeli composer)
Paul Ben-Haim3:45
5Polonaise de concert, Op. 4 (Arr. Jacobsen for Violin and Piano)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Samuel Sanders (pianist) (from 1972-11-05 until 1972-11-07)
violin:
Itzhak Perlman (violinist and conductor) (from 1972-11-05 until 1972-11-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11-05 until 1972-11-07)
recording of:
Polonaise de concert no. 1 in D major, op. 4 (for violin and piano) (from 1972-11-05 until 1972-11-07)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1852)
dedicated to:
Karol Lipiński (Polish composer)
publisher:
Litolff (in 1853)
part of:
Works of Henryk Wieniawski by opus number (number: op. 4)
arrangement of:
Polonaise de concert no. 1 in D major, op. 4 (for violin and orchestra)
Henryk Wieniawski4:42
6Préludes, Livre I, CD 125, L. 117: No. 8, La fille aux cheveux de lin
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Samuel Sanders (pianist) (from 1972-11-05 until 1972-11-07)
violin:
Itzhak Perlman (violinist and conductor) (from 1972-11-05 until 1972-11-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-11-05 until 1972-11-07)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11-05 until 1972-11-07)
recording of:
La fille aux cheveux de lin (for violin and piano, Hartmann) (from 1972-11-05 until 1972-11-07)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
piano and violin arranger:
Arthur Hartmann (classical composer, violinist, USA 1881-1956)
arrangement of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair)
Claude Debussy arr. Arthur Hartmann2:39
7Variations on a Theme of Corelli in the Style of Tartini
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Samuel Sanders (pianist) (from 1972-11-05 until 1972-11-07)
violin:
Itzhak Perlman (violinist and conductor) (from 1972-11-05 until 1972-11-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11-05 until 1972-11-07)
recording of:
Variations on a Theme of Corelli (for violin and piano) (from 1972-11-05 until 1972-11-07)
arranger:
Fritz Kreisler (Austrian‐American violinist and composer)
Fritz Kreisler3:18
826 Preludes: No. 15, Ao pé da fogueira
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Samuel Sanders (pianist) (from 1972-11-05 until 1972-11-07)
violin:
Itzhak Perlman (violinist and conductor) (from 1972-11-05 until 1972-11-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11-05 until 1972-11-07)
recording of:
Ao pé da fogueira (for violin and piano, arr. Heifetz) (from 1972-11-05 until 1972-11-07)
composer:
Flausino Vale (Brazilian violinist and composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Ao pé da fogueira
Flausino Vale arr. Jascha Heifetz1:22
914 Romances, Op. 34: No. 14, Vocalise (Arr. Gutheil for Violin and Piano)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Samuel Sanders (pianist) (from 1972-11-05 until 1972-11-07)
violin:
Itzhak Perlman (violinist and conductor) (from 1972-11-05 until 1972-11-07)
arranger:
Михаил Пресс (Michael Press, Russian-American violinist, conductor and music educator)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11-05 until 1972-11-07)
recording of:
Vocalise, op. 34 no. 14 (for violin and piano, Press/Gingold) (from 1972-11-05 until 1972-11-07)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1912)
arranger:
Josef Gingold (violinist) and Michel Press (Michael Press, Russian-American violinist, conductor and music educator)
arrangement of:
Vocalise, op. 34 no. 14 (for violin and piano, Press)
Sergei Rachmaninoff4:57
10Scherzo tarantelle, Op. 16
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Samuel Sanders (pianist) (from 1972-11-05 until 1972-11-07)
violin:
Itzhak Perlman (violinist and conductor) (from 1972-11-05 until 1972-11-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11-05 until 1972-11-07)
recording of:
Scherzo-tarantelle, op. 16 (from 1972-11-05 until 1972-11-07)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1855)
part of:
Works of Henryk Wieniawski by opus number (number: op. 16)
Henryk Wieniawski4:33
113 Romances, Op. 94: No. 2 in A Major
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Samuel Sanders (pianist) (from 1972-11-05 until 1972-11-07)
violin:
Itzhak Perlman (violinist and conductor) (from 1972-11-05 until 1972-11-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-11-05 until 1972-11-07)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11-05 until 1972-11-07)
recording of:
Romance in A, op. 94 no. 2 (for violin and piano, arr. Kreisler) (from 1972-11-05 until 1972-11-07)
composer:
Robert Schumann (German classical composer) (from 1849-12-07 until 1849-12-12)
piano and violin arranger:
Fritz Kreisler (Austrian‐American violinist and composer)
arrangement of:
3 Romanzen, op. 94: No. 2. Einfach, innig (for oboe and piano)
Robert Schumann arr. Fritz Kreisler4:13
12Violin Sonata in E Minor, Op. 3 No. 6
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Samuel Sanders (pianist) (from 1972-11-05 until 1972-11-07)
violin:
Itzhak Perlman (violinist and conductor) (from 1972-11-05 until 1972-11-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11-05 until 1972-11-07)
recording of:
Sonata in E minor, op. 3 no. 6 (catch-all for arrangements) (from 1972-11-05 until 1972-11-07)
composer:
Niccolò Paganini (Italian composer and violinist)
arrangement of:
Sonata per violino e chitarra in E minor, op. 3 no. 6, MS 27 (for violin and guitar)
Niccolò Paganini3:49
13Danzas españolas: Zapateado, Op. 23 No. 2
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Samuel Sanders (pianist) (from 1972-11-05 until 1972-11-07)
violin:
Itzhak Perlman (violinist and conductor) (from 1972-11-05 until 1972-11-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-11-05 until 1972-11-07)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11-05 until 1972-11-07)
recording of:
Spanish Dances, op. 23, no. 2: Zapateado (from 1972-11-05 until 1972-11-07)
composer:
Pablo de Sarasate (violinist and composer)
part of:
Spanish Dances, op. 23 (for violin and piano)
Pablo de Sarasate3:21
14Polonaise No. 2, Op. 21
producer:
Suvi Raj Grubb
piano:
Samuel Sanders (pianist) (from 1978-02-23 until 1978-02-24)
violin:
Itzhak Perlman (violinist and conductor) (from 1978-02-23 until 1978-02-24)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-02-23 until 1978-02-24)
recording of:
Polonaise Brillante en la majeur, op. 21 (from 1978-02-23 until 1978-02-24)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1870)
part of:
Works of Henryk Wieniawski by opus number (number: op. 21)
Henryk Wieniawski8:46
15Mazurka in G Major, Op. 19 No. 1 "Obertass"
producer:
Suvi Raj Grubb
piano:
Samuel Sanders (pianist) (from 1978-02-23 until 1978-02-24)
violin:
Itzhak Perlman (violinist and conductor) (from 1978-02-23 until 1978-02-24)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-02-23 until 1978-02-24)
recording of:
Obertass (Mazurka), op. 19 no. 1 (violin and piano) (from 1978-02-23 until 1978-02-24)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1860)
part of:
Works of Henryk Wieniawski by opus number (number: op. 19 no. 1)
part of:
2 Mazurkas caractéristiques, op. 19
Henryk Wieniawski2:07
16Jeannie with the Light Brown Hair
producer:
Suvi Raj Grubb
piano:
Samuel Sanders (pianist) (from 1978-02-23 until 1978-02-24)
violin:
Itzhak Perlman (violinist and conductor) (from 1978-02-23 until 1978-02-24)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-02-23 until 1978-02-24)
recording of:
Jeanie With the Light Brown Hair (for violin and piano, arr. Heifetz) (from 1978-02-23 until 1978-02-24)
composer:
Stephen Foster (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Jeanie With the Light Brown Hair
Stephen Foster arr. Jascha Heifetz3:27
17Souvenirs d'Amérique, Op. 17
producer:
Suvi Raj Grubb
piano:
Samuel Sanders (pianist) (from 1978-02-23 until 1978-02-24)
violin:
Itzhak Perlman (violinist and conductor) (from 1978-02-23 until 1978-02-24)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-02-23 until 1978-02-24)
recording of:
Souvenir d’Amérique, op. 17 "Yankee Doodle" (from 1978-02-23 until 1978-02-24)
composer:
Henri Vieuxtemps (Belgian 19th century composer & violinist)
part of:
Works of Henri Vieuxtemps by opus number (number: op. 17)
Henri Vieuxtemps4:58
18Traditional: Deep River
producer:
Suvi Raj Grubb
piano:
Samuel Sanders (pianist) (from 1978-02-23 until 1978-02-24)
violin:
Itzhak Perlman (violinist and conductor) (from 1978-02-23 until 1978-02-24)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-02-23 until 1978-02-24)
recording of:
Deep River (arr. Heifetz, for violin and piano) (from 1978-02-23 until 1978-02-24)
composer:
[traditional] (special purpose artist)
arranger:
Jascha Heifetz (violinist)
arrangement of:
Deep River
Traditional arr. Jascha Heifetz2:17
19Scherzo fantastique, Op. 25 "La ronde des lutins"
recorded in:
Philadelphia, Pennsylvania, United States (on 1978-11-10)
producer:
Suvi Raj Grubb
piano:
Samuel Sanders (pianist) (on 1978-11-10)
violin:
Itzhak Perlman (violinist and conductor) (on 1978-11-10)
arranger:
Jascha Heifetz (violinist)
balance engineer:
Michael Gray (UK classical recording engineer)
recording of:
Scherzo fantastique, op. 25 "La Ronde des lutins" (on 1978-11-10)
composer:
Antonio Bazzini (Italian violinist and composer) (in 1852)
part of:
Works of Antonio Bazzini by opus number (number: op. 25)
Antonio Bazzini4:42
20Sicilienne
producer:
Suvi Raj Grubb
piano:
Samuel Sanders (pianist) (from 1978-02-23 until 1978-02-24)
violin:
Itzhak Perlman (violinist and conductor) (from 1978-02-23 until 1978-02-24)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-02-23 until 1978-02-24)
recording of:
Sicilienne (for violin and piano. arr Dushkin) (from 1978-02-23 until 1978-02-24)
composer:
Maria Theresia von Paradis
piano and violin arranger:
Samuel Dushkin (American violinist and transcriber)
arrangement of:
Sicilienne (for violin and piano)
Maria Theresia von Paradis2:55
21Mavra: Parasha's Song. "My Dear Friend"
producer:
Suvi Raj Grubb
piano:
Samuel Sanders (pianist) (from 1978-02-23 until 1978-02-24)
violin:
Itzhak Perlman (violinist and conductor) (from 1978-02-23 until 1978-02-24)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-02-23 until 1978-02-24)
recording of:
Parasha's Aria from Mavra (for violin and piano, Dushkin) (from 1978-02-23 until 1978-02-24)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
arranger:
Samuel Dushkin (American violinist and transcriber)
arrangement of:
Mavra: Parasha's Song (original aria)
Igor Stravinsky arr. Samuel Dushkin3:36
22Cavatina in A-Flat Major, Op. 85 No. 3
producer:
Suvi Raj Grubb
piano:
Samuel Sanders (pianist) (from 1978-02-23 until 1978-02-24)
violin:
Itzhak Perlman (violinist and conductor) (from 1978-02-23 until 1978-02-24)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-02-23 until 1978-02-24)
recording of:
Cavatina, op. 85 no. 3 (from 1978-02-23 until 1978-02-24)
composer:
Joachim Raff (composer) (in 1859)
part of:
6 Morceaux, op. 85
Joachim Raff3:55
23Souvenir d'un lieu cher, Op. 42: No. 3, Mélodie (Arr. Parhamovsky for Violin and Piano)
producer:
Suvi Raj Grubb
piano:
Samuel Sanders (pianist) (from 1978-02-23 until 1978-02-24)
violin:
Itzhak Perlman (violinist and conductor) (from 1978-02-23 until 1978-02-24)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-02-23 until 1978-02-24)
recording of:
Souvenir d’un lieu cher, op. 42: III. Mélodie (for violin and piano, Flesch) (from 1978-02-23 until 1978-02-24)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1878-03 until 1878-05)
arranger:
Carl Flesch (Hungarian violinist)
arrangement of:
Souvenir d’un lieu cher for Violin and Piano, op. 42: III. Mélodie
Pyotr Ilyich Tchaikovsky3:48
24Triakontameron "30 Moods and Scenes": No. 11, Alt-Wien
producer:
Suvi Raj Grubb
piano:
Samuel Sanders (pianist) (from 1978-02-23 until 1978-02-24)
violin:
Itzhak Perlman (violinist and conductor) (from 1978-02-23 until 1978-02-24)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-02-23 until 1978-02-24)
recording of:
Triakontameron: No. 11. Alt Wien (for violin and piano, arr. Heifetz) (from 1978-02-23 until 1978-02-24)
composer:
Leopold Godowsky (pianist and composer) (from 1919 until 1920)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Triakontameron, Thirty Moods and Scenes in Triple Measure: No. 11. Alt-Wien, 'Whose Yesterdays Look Backwards With a Smile Through Tears'
Leopold Godowsky arr. Jascha Heifetz2:22
2524 Shakespeare Songs, Op. 33, Vol. VIII: No. 3, Two Maids Wooing a Man "Tango"
producer:
Suvi Raj Grubb
piano:
Samuel Sanders (pianist) (from 1978-02-23 until 1978-02-24)
violin:
Itzhak Perlman (violinist and conductor) (from 1978-02-23 until 1978-02-24)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-02-23 until 1978-02-24)
recording of:
Tango (arr. Heifetz for violin and piano) (from 1978-02-23 until 1978-02-24)
composer:
Mario Castelnuovo‐Tedesco (Italian composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Two maids wooing (from Shakespeare Songs)
Mario Castelnuovo-Tedesco arr. Jascha Heifetz2:01
26Petite suite, CD 71, L. 65: I. En bateau
producer:
Suvi Raj Grubb
piano:
Samuel Sanders (pianist) (from 1978-02-23 until 1978-02-24)
violin:
Itzhak Perlman (violinist and conductor) (from 1978-02-23 until 1978-02-24)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-02-23 until 1978-02-24)
recording of:
Petite Suite, L. 65, CD 71a : I. En bateau (for violin and piano, Choisnel) (from 1978-02-23 until 1978-02-24)
composer:
Claude Debussy (French composer) (from 1888 until 1889)
arranger:
Gaston Choisnel (French organist and composer)
arrangement of:
Petite Suite, L. 65, CD 71a : I. En bateau (for piano 4-hands)
Claude Debussy arr. Gaston Choisnel3:41