Messiah

~ Release by Handel; Trinity Choir, Trinity Church Orchestra, Owen Burdick (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Messiah: Part Two: Scene Two: No. 27. Arioso for Tenor
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
tenor vocals:
Benjamin Brecher (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see Him” (Tenor) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:37
2Messiah: Part Two: Scene Two: No. 28. Chorus
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
choir vocals:
Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:31
3Messiah: Part Two: Scene Two: No. 29. Recitative for Tenor
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
tenor vocals:
Benjamin Brecher (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken His heart” (Tenor) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:30
4Messiah: Part Two: Scene Two: No. 30. Air for Tenor
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
tenor vocals:
Benjamin Brecher (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:15
5Messiah: Part Two: Scene Two: No. 31. Recitative for Tenor
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
tenor vocals:
Benjamin Brecher (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (Soprano) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:24
6Messiah: Part Two: Scene Three: No. 32. Air for Tenor
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
tenor vocals:
Benjamin Brecher (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part II, no. 32. Air “But thou didst not leave His soul in hell…” (Soprano) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:19
7Messiah: Part Two: Scene Three: No. 33. Chorus
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
choir vocals:
Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:14
8Messiah: Part Two: Scene Three: No. 34. Recitative for Tenor
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
tenor vocals:
Benjamin Brecher (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:19
9Messiah: Part Two: Scene Three: No. 35. Chorus
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
choir vocals:
Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:32
10Messiah: Part Two: Scene Three: No. 36. Air for Alto
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
alto vocals:
Andrea Saposnik (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:10
11Messiah: Part Two: Scene Four: No. 37. Chorus
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
choir vocals:
Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:09
12Messiah: Part Two: Scene Four: No. 38. Aria for Soprano
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
soprano vocals:
Bethany Hodges (soprano) (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
is based on:
Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:29
13Messiah: Part Two: Scene Four: No. 39. Chorus
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
choir vocals:
Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:17
14Messiah: Part Two: Scene Five: No. 40. Air for Bass
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
bass vocals:
James Martin (baritone) (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:38
15Messiah: Part Two: Scene Five: No. 41. Chorus
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
choir vocals:
Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us break their bonds asunder” (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:52
16Messiah: Part Two: Scene Five: No. 42. Recitative for Tenor
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
tenor vocals:
Benjamin Brecher (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (Tenor) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:15
17Messiah: Part Two: Scene Five: No. 43. Air for Tenor
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
tenor vocals:
Benjamin Brecher (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:56
18Messiah: Part Two: Scene Five: No. 44. Chorus
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
choir vocals:
Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:04
19Messiah: Part Three: Scene One: No. 45. Air for Soprano
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
soprano vocals:
Bethany Hodges (soprano) (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel5:14
20Messiah: Part Three: Scene Two: No. 46. Chorus
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
choir vocals:
Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel2:01
21Messiah: Part Three: Scene Two: No. 47. Recitative for Bass
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
bass vocals:
James Martin (baritone) (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part III, no. 47. Recitative “Behold, I tell you a mystery” (Bass) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:36
22Messiah: Part Three: Scene Two: No. 48. Air for Bass
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
bass vocals:
James Martin (baritone) (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel8:26
23Messiah: Part Three: Scene Three: No. 49. Recitative for Alto
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
alto vocals:
Robert Crowe (countertenor) (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:17
24Messiah: Part Three: Scene Three: No. 50. Duet for Alto and Tenor
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
alto vocals:
Robert Crowe (countertenor) (from 1996-05-05 until 1996-05-12)
tenor vocals:
Benjamin Brecher (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel1:01
25Messiah: Part Three: Scene Three: No. 51. Chorus
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
choir vocals:
Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel2:14
26Messiah: Part Three: Scene Four: No. 52. Air for Soprano
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
soprano vocals:
Rebekah Wilshire (soprano) (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel4:39
27Messiah: Part Three: Scene Four: No. 53. Chorus
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
choir vocals:
Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
partial recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel3:28
28Messiah: Part Three: Scene Four: Amen
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
choir vocals:
Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
partial recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel5:15