Testament van de Seventies

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Each CD and DVD has its own barcode.
Review suggests that the CDs are copy protected, see https://www.bol.com/nl/p/testament-van-de-seventies/1000004006235338/

Annotation last modified on 2018-12-31 14:20 UTC.

Tracklist

1▶CD: ’70
2▶CD: ’71
3▶CD: ’72
4▶CD: ’73
5▶CD: ’74
6▶CD: ’75
7▶CD: ’76
8▼CD: ’77
#TitleArtistRatingLength
1Living Next Door to Alice
associate producer:
Nicky Chinn
producer:
Mike Chapman (Australian producer and songwriter) and G. Kasper (German sound engineer & producer, “Mr. Cool”)
phonographic copyright (℗) by:
Chinnichap Records Ltd. (in 1976) and RAK Records Ltd. (in 1976)
produced for:
Chinnichap (production company and publisher)
cover recording of:
Living Next Door to Alice
lyricist:
Nicky Chinn
composer:
Mike Chapman (Australian producer and songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Musik-Edition Discoton GmbH and Universal Music Publishers MGB Australia Pty Ltd
Smokie4.153:30
2More Than a Feeling
assistant engineer:
Bruce Hensal, Deni King (engineer) and Doug Rider
engineer:
Warren Dewey and Tom Scholz
producer:
John Boylan and Tom Scholz
assistant mixer:
Steve Hodge (engineer and producer)
acoustic guitar, bass guitar, guitar [lead guitar] and guitar [rhythm guitar]:
Tom Scholz (from 1975 until 1976)
drums (drum set) and percussion:
Sib Hashian (from 1975 until 1976)
lead vocals and lead vocals [Harmony]:
Brad Delp (from 1975 until 1976)
arranger:
Brad Delp and Tom Scholz
co-arranger:
Jim Masdea
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1976), CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
Foxglove Studios in Watertown, Massachusetts, United States (in 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1976) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
earliest release:
More Than a Feeling by Boston (US rock band)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 39), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 63), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 212) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 500)
recording of:
More Than a Feeling (from 1975 until 1976)
lyricist and composer:
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) and Pure Songs (in 1976)
Boston3.954:42
3Don’t Cry for Me Argentina
producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre) and Tim Rice
vocals:
Julie Covington (in 1976)
performer:
Julie Covington
part of:
TV Cream: Real 100 Best Singles Ever (number: 56)
recording of:
Don’t Cry for Me Argentina (Evita) (in 1976)
lyricist:
Tim Rice
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Evita Music, Evita Music Ltd., Leeds Music (MCA), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing (UK subsidiary of Universal Music Publishing Group)
part of:
Evita (Andrew Lloyd Webber musical)
Julie Covington35:27
4Year of the Cat
recording of:
Year of the Cat
writer:
Al Stewart (UK folk singer/songwriter) and Peter Wood (UK keyboardist/pianist)
publisher:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Al Stewart3:24
5Rich Girl
phonographic copyright (℗) by:
BMG Entertainment (in 1976), BMG Music (in 1976) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 14)
recording of:
Rich Girl
lyricist and composer:
Daryl Hall (in 1976)
publisher:
Unichappell Music, Inc. and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Daryl Hall & John Oates4.152:26
6Pearl’s a Singer
cover recording of:
Pearl’s a Singer
writer:
Ralph Dino, Jerry Leiber, John Sembello and Mike Stoller
publisher:
Sony/ATV Songs LLC
Elkie Brooks43:38
7Oxygene 4
assistant engineer:
Patrick Foulon
engineer and mixer:
Jean-Pierre Janiaud
producer:
Jean‐Michel Jarre
editor:
Francis Dreyfus (producer)
synthesizer:
Jean‐Michel Jarre
performer:
Jean‐Michel Jarre
recording of:
Oxygène, Part IV
composer:
Jean‐Michel Jarre
publisher:
Francis Dreyfus Music and JM Jarre Publishing Designee
part of:
Oxygène
Jean‐Michel Jarre3.954:05
8Het werd zomer
recording of:
Het werd zomer
lyricist:
Gregor Rottschalk (radio host, producer, lyricist, author)
composer:
Joachim Heider (producer, composer, performer)
translator:
Joost Nuissl (singer, songwriter, stage artist)
translated version of:
Und es war Sommer
Rob de Nijs4:11
9See You When I Get There
recording of:
See You When I Git There
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lou Rawls4:26
10I Feel Love
recording of:
I Feel Love
lyricist:
Pete Bellotte (English lyricist and producer)
composer:
Pete Bellotte (English lyricist and producer), Giorgio Moroder and Donna Summer (soul/disco diva)
arranger:
Thor Baldursson
publisher:
Budde Music Inc. (US publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rick’s Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music and Warner Chappell (Warner/Chappell Music, Inc.)
Donna Summer43:45
11Give a Little Bit
recording engineer:
Pete (J.B.) Henderson (English sound engineer)
assistant engineer:
Steve Smith (70s producer & engineer, mainly Island Records), Tom (G.B.) Likes and Tom (T.A.) Anderson (engineer)
producer:
Supertramp
mixer:
Geoff Emerick (British recording engineer)
12 string guitar, electric guitar and lead vocals:
Roger Hodgson (from 1976-11 until 1977-01)
bass:
Dougie Thomson (from 1976-11 until 1977-01)
clavinet, organ and piano:
Rick Davies (UK keyboardist, member of Supertramp) (from 1976-11 until 1977-01)
drums (drum set) and percussion:
Bob C. Benberg (from 1976-11 until 1977-01)
instruments:
John Helliwell (from 1976-11 until 1977-01)
remixer:
Tom (T.A.) Anderson (engineer)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1977)
recorded at:
The Caribou Ranch in Nederland, Colorado, United States (from 1976-11 until 1977-01) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1976-11 until 1977-01)
recording of:
Give a Little Bit (from 1976-11 until 1977-01)
composer:
Rick Davies (UK keyboardist, member of Supertramp) and Roger Hodgson
publisher:
Rondor Music, Rondor Music (London) Ltd., Almo Music Corp. (USA, affiliated with ASCAP) (in 1977) and Delicate Music (in 1977)
Supertramp3.954:09
12Sorry, I’m a Lady
recording of:
Sorry, I’m a Lady (in 1977)
lyricist:
Frank Dostal and Rolf Soja
composer:
Rolf Soja
Baccara33:39
13Don’t Let Me Be Misunderstood
phonographic copyright (℗) by:
Casablanca (label that Tommy Mottola founded circa 2003, part of UMG) (in 1977)
cover recording of:
Don’t Let Me Be Misunderstood
writer:
Bennie Benjamin, Gloria Caldwell, Sol Marcus and Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) and Unichappell Music, Inc. (in 1981)
Santa Esmeralda3:27
14Do You Remember
recording of:
Do You Remember
writer:
Tony Britnell and Arnie Treffers
Long Tall Ernie & The Shakers4:36
15Home on a Monday
assistant engineer:
John Hodge (engineer)
engineer:
Ross Cockle and Paul Grupp
producer:
John Boylan and Little River Band
mixer:
Paul Grupp
acoustic guitar:
Beeb Birtles and Graeham Goble
bass:
George McArdle
drums (drum set):
Derek Pellicci
electric guitar:
Beeb Birtles and David Briggs (producer, guitarist of Little River Band)
piano:
Peter Sullivan
background vocals:
Beeb Birtles, Graeham Goble and Glenn Shorrock
lead vocals:
Glenn Shorrock
orchestra:
Melbourne Symphony Orchestra
conductor:
Riccardo Formosa
strings arranger:
Riccardo Formosa
vocals arranger:
Graeham Goble
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1975), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1976, in 1977), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1977, in 1978) and EMI Music Australia (defunct holding company, not for release label use!) (in 2002)
produced for:
Tumbleweed Productions
recorded at:
Armstrong Audio Video (later renamed AAV Studios) in Melbourne, Victoria, Australia
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
recording of:
Home on Monday
lyricist:
Beeb Birtles and Glenn Shorrock
composer:
Glenn Shorrock
publisher:
Tumbleweed Music Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. and Wheatley Music Pty Ltd.
Little River Band23:51
16Vluchten kan niet meer
recording of:
Vluchten kan niet meer (from the 1971 musical En nu naar bed!)
lyricist:
Annie M.G. Schmidt
composer:
Harry Bannink
Jenny Arean & Frans Halsema3:43
17“Heroes”
mastering:
Dr. Toby Mountain (American musician and mastering engineer)
producer:
David Bowie (English singer‐songwriter) and Tony Visconti
mixer:
David Bowie (English singer‐songwriter), David Richards (Swiss-based producer and engineer) and Tony Visconti
bass:
George Murray (American bass guitarist)
guitar:
Carlos Alomar and Robert Fripp
guitar, keyboard and saxophone and lead vocals:
David Bowie (English singer‐songwriter)
keyboard and synthesizer:
Brian Eno
percussion:
Dennis Davis (drummer)
recorded at:
Hansa by the Wall in Berlin, Germany (from 1977-07-23 until 1977-08-08)
recording of:
“Heroes” (from 1977-07-23 until 1977-08-08)
lyricist:
David Bowie (English singer‐songwriter)
composer:
David Bowie (English singer‐songwriter) and Brian Eno
publisher:
Bewlay Bros., BMG Songs Ltd., E.G. Music Ltd. (publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Fleur Music (publisher), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music, Universal Music Careers, Universal Music MGB Ltd. and Universal Music Publishing International MGB Ltd.
David Bowie3.653:37
18Isn’t It Time
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1977)
recording of:
Isn’t It Time
writer:
Jack Conrad (producer and songwriter) and Ray Kennedy (singer, songwriter, and record producer based in L.A.)
publisher:
EMI Music (do not use as release label! this is a music publisher), Jacon Music, Seven Summits Music, Sony/ATV Melody, Sony/ATV Music Publishing Australia Pty Ltd. and X‐Ray Music
The Babys44:02
19Don’t It Make My Brown Eyes Blue
phonographic copyright (℗) by:
Capitol Records Nashville (in 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1976) and Capitol Nashville (in 1977, in 1979)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 71)
cover recording of:
Don’t It Make My Brown Eyes Blue
lyricist and composer:
Richard Leigh (American country music songwriter and singer)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) and EMI United Partnership Ltd.
Crystal Gayle4.42:34
20Egyptian Reggae
recording of:
Egyptian Reggae
writer:
Earl Anthony Johnson (reggae singer Earl Zero) and Jonathan Richman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
is based on:
None Shall Escape the Judgement
Jonathan Richman & The Modern Lovers2:36
9▶CD: ’78
10▶CD: ’79
11▶DVD-Video: ’70–’71
12▶DVD-Video: ’72–’73
13▶DVD-Video: ’74–’75
14▶DVD-Video: ’76–’77
15▶DVD-Video: ’78–’79

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:USM (for ℗ & © use only; Universal Strategic Marketing, a division of Universal Music B.V.) (in 2008)
Discogs:https://www.discogs.com/release/3682507 [info]

Release group

part of:Testament van de (CD+DVD series by Universal) (order: 2)