NOW 100 Hits: Sing‐A‐Long

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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2▶CD
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5▼CD
Nr.TitelKünstlerBewertungLänge
1Rehab
Assistent recording engineer:
Jesse Gladstone und Mike Makowski
recording engineer:
Vaughan Merrick und Mark Ronson (British DJ and producer)
sonstige Unterstützung:
Isobel Griffiths (Aufgabe: contractor / orchestra)
Techniker(in):
Dom Morley
Produzent(in):
Mark Ronson (British DJ and producer)
assistierende(r) Mix:
Matt Paul
Mix:
Tom Elmhirst (mixing engineer)
alto saxophone:
Chris Davies und Andy Mackintosh (British-born saxophonist)
baritone saxophone:
Dave Bishop (saxophonist) und Ian Hendrickson-Smith
Bassgitarre:
Nick Movshon
Bratsche / Viola:
Rachel Bolt (violist), Jonathan Thorne (viola player), Bruce White (violist) und Katie Wilkinson (violist)
Cello:
John Heley (cellist), Joely Koos (cellist) und Anthony Pleeth (cellist)
Geige / Violine:
Mark Berrow (violinist), Elizabeth Edwards (violinist), Peter Hanson (violinist), Boguslaw Kostecki (violinist), Perry Montague‐Mason (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Jonathan Rees, Chris Tombling (violinist) und Warren Zielinski (violinist)
Gitarre:
Thomas Brenneck und Binky Griptite
Händeklatschen:
Vaughan Merrick und Mark Ronson (British DJ and producer)
Harfe:
Helen Tunstall
Hybrid-Piano, Händeklatschen und Klavier und Klavier:
Victor Axelrod
Perkussion:
Frank Ricotti (percussionist)
Posaune:
Richard Edwards (trombonist)
Schlagzeug:
Homer Steinweiss
Tenorsaxophon:
Mike Smith (British saxophonist/keyboardist/composer/arranger/conductor), Neal Sugarman und Jamie Talbot (English jazz alto saxophonist)
Trompete:
Dave Guy und Steve Sidwell (English composer & wind instrumentalist)
conductor:
Chris Elliott (composer and arranger)
Blasinstrumente arranger:
Gabriel Roth und Mark Ronson (British DJ and producer)
Saiteninstrumente arranger:
Chris Elliott (composer and arranger)
arranger:
Gabriel Roth (Gabriel Alexander Roth)
aufgenommen bei:
Chung King Studios in New York, New York, Vereinigte Staaten, Daptone’s House of Soul in Bushwick, New York, New York, Vereinigte Staaten und Metropolis (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
Amazon – Best Songs of 2007: Editor Picks (Nummer: 57), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 73) und Indie 88: Top 500 Indie Rock Songs (Nummer: 419)
recording of:
Rehab
Texter und Komponist(in):
Amy Winehouse
publisher:
EMI Music Publishing (do not use as a release label!)
Amy Winehouse4.13:33
2New Rules
Programmierung und Techniker(in):
Ian Kirkpatrick (producer/songwriter)
Produzent(in):
Ian Kirkpatrick (producer/songwriter) (Aufgabe: and vocal)
Mix:
Josh Gudwin
vocals:
Dua Lipa
phonographisches Urheberrecht (℗) von:
Dua Lipa Limited (in 2017)
sonstige Unterstützung:
Warner Music UK Limited (not for release label use!) (Aufgabe: under exclusive license to)
aufgenommen bei:
Atlantic Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, NRG Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Strongroom 7 in Shoreditch, Hackney, London (Greater London), England, Vereinigtes Königreich, TaP Studio in London (Greater London), England, Vereinigtes Königreich und Zenseven Studios in Woodland, California (Kalifornien), Vereinigte Staaten
Teil von:
RuPaul’s Drag Race UK Lip Sync Performances (season 1) (Nummer: 1), Billboard Year-End Hot 100 singles of 2018 (Nummer: 16), Stereogum: The 200 Best Songs of the 2010s (Nummer: 114) und BILLIONS CLUB
recording of:
New Rules
Verfasser(in):
Caroline Ailin, Ian Kirkpatrick (producer/songwriter) und Emily Warren
publisher:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Buckley Tenenbaum Publishing, KMR Music Royalties II SCSp, Prescription Songs, Under Warrenty Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Waterfall Music
sub-publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Kobalt Music Publishing Ltd. (UK), Kobalt Music Services America Inc., Neue Welt Musikverlag GmbH (2017 – present), Prescription Songs, LLC, Warner Bros., Inc. (not for release label use!) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Dua Lipa3.63:30
3Sorry
Produzent(in):
BLOOD und Skrillex
Teil von:
Billboard Year-End Hot 100 singles of 2016 (Nummer: 2), Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 23), Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 29) und Pitchfork: The 200 Best Songs of the 2010s (Nummer: 120)
recording of:
Sorry
Verfasser(in):
Justin Bieber, Michael Tucker, Julia Michaels, Sonny Moore und Justin Tranter (singer and songwriter)
publisher:
Bieber Time Publishing, Copaface, Justin’s School for Girls, Michael Diamond Music, Thanks for the Songs Richard und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Justin Bieber43:20
4Perfect Strangers
phonographisches Urheberrecht (℗) von:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2016)
recording of:
Perfect Strangers
Verfasser(in):
Alex James Smith (English songwriter and producer), JP Cooper und Guy James Robin
Jonas Blue feat. JP Cooper43:17
5Ciao Adios
recording engineer:
Tom Meredith
zusätzlich recording engineer:
Cameron Gower Poole
drum machine [drum]-Programmierung und Synthesizer [synth]-Programmierung:
MdL und Tom Meredith
assistierende(r) Techniker(in):
Bill Zimmerman
Produzent(in):
MdL, Tom Meredith und Tom Meredith (Aufgabe: vocals)
Mix:
Phil Tan (Malaysian-American audio engineer)
Bass, Gitarre und Keyboard [keyboards]:
MdL und Tom Meredith
vocals:
Anne‐Marie (British singer)
phonographisches Urheberrecht (℗) von:
Asylum Records (Warner Music subsidiary) (in 2017) und Major Toms (in 2017)
aufgenommen bei:
Rustic Road
zusätzlich aufgenommen bei:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich und The Pool in Southwark, London (Greater London), England, Vereinigtes Königreich
mixed at:
Callanwolde Fine Arts Center in Atlanta, Georgia, Vereinigte Staaten
recording of:
Ciao Adiós
Verfasser(in):
Anne-Marie Nicholson (British singer), Jennifer Decilveo, Mason Levy und Tom Meredith
publisher:
Artist Publishing Group West, Barb & Al Publishing, BMG Monarch, BMG Platinum Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Mason Levy Productions und Miss Unini Music
Anne‐Marie3.53:20
6Dynamite (radio edit)
Assistent recording engineer:
Tatiana Gottwald
Programmierung:
benny blanco (producer Benjamin Levin), Taio Cruz und Dr. Luke
Techniker(in):
Emily Wright
Produzent(in):
benny blanco (producer Benjamin Levin) und Dr. Luke
Mix:
Serban Ghenea
Keyboard und Schlagzeug:
benny blanco (producer Benjamin Levin) und Dr. Luke
Hintergrundgesang und Sologesang:
Taio Cruz
phonographisches Urheberrecht (℗) von:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2010)
Musikvideos:
Dynamite von Taio Cruz
Teil von:
Billboard Year-End Hot 100 singles of 2010 (Nummer: 9), Billboard Year-End Hot 100 singles of 2011 (Nummer: 44) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 338)
recording of:
Dynamite
Verfasser(in):
Benjamin Levin (producer Benjamin Levin), Taio Cruz, Łukasz Gottwald, Max Martin (Swedish record producer) und Bonnie McKee
publisher:
Bonnie McKee Music, Songs of Pulse Recording (BMI) und Where da Kasz At
Taio Cruz3.43:23
7Meet Me Halfway (radio edit)
recording of:
Meet Me Halfway
Verfasser(in):
Allan Pineda, Jean Baptiste, Printz Board, Brian Chase (drummer and songwriter), Sylvia Gordon, Keith Harris (00s US producer & musician), Jaime Gomez (member of Black Eyed Peas), Karen Orzolek, Stacy Ferguson (American singer), William Adams (American rapper and producer) und Nick Zinner (US guitarist, composer, and producer)
The Black Eyed Peas33:45
8One Kiss
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2018)
Teil von:
Billboard Year-End Hot 100 singles of 2018 (Nummer: 68) und BILLIONS CLUB
recording of:
One Kiss
Verfasser(in):
Dua Lipa, Jessie Reyez (Colombian‐Canadian singer‐songwriter) und Adam Wiles
Calvin Harris & Dua Lipa3.653:32
9Believe
Produzent(in):
Brian Rawling und Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
Mix:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1998)
produced for:
Metro (production company) und Rive Droite Music Productions
aufgenommen bei und mixed at:
Dreamhouse Studios in London (Greater London), England, Vereinigtes Königreich
Teil von:
Grammy Award: Best Dance/Electronic Recording nominees (Nummer: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (Nummer: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 159) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 337)
recording of:
Believe
Texter:
Brian Higgins (British producer and song writer) und Matt Gray (UK techno DJ/producer, former video game composer)
Komponist(in):
Brian Higgins (British producer and song writer) (in 1998), Matt Gray (UK techno DJ/producer, former video game composer) (in 1998), Stuart McLennan (in 1998), Paul Michael Barry (songwriter/musician) (in 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (in 1998) und Steve Torch (in 1998)
publisher:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.), Rive Droite Music und Warner Chappell (Warner/Chappell Music, Inc.)
Cher3.83:57
10Cheap Thrills
zusätzlich recording engineer:
Jesse Shatkin (US hip-hop producer Jesse Shatkin) (Sologesang)
Techniker(in):
Julian Burg, Greg Kurstin und Alex Pasco
Produzent(in):
Greg Kurstin
assistierende(r) Mix:
Chris Galland und Ike Schultz
Mix:
Manny Marroquin
Bass, Gitarre, Keyboard und membranophone [drums]:
Greg Kurstin
Sologesang:
Sia (Australian singer‐songwriter)
zusätzlich Sologesang:
Sean Paul (Jamaican reggae/dancehall)
zusätzlich aufgenommen bei:
Hot Closet Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (Sologesang)
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
engineered at:
Echo Studio in Los Feliz, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2017)
recording of:
Cheap Thrills (featuring Sean Paul)
Verfasser(in):
Greg Kurstin und Sia Furler (Sia, Australian singer‐songwriter)
zusätzliche(r) Verfasser(in):
Sean Paul Henriques (Jamaican reggae/dancehall)
publisher:
Dutty Rock Music, EMI April Music Inc., Kurstin Music und Pineapple Lasagne (ASCAP-affiliated)
Version von:
Cheap Thrills
Sia feat. Sean Paul2.93:41
11Work From Home
Assistent recording engineer und assistierendes Editing:
Dexter Randall
recording engineer und Editing:
Andrew Bolooki
Programmierung:
Ammo (American musician, songwriter and producer Joshua Coleman) und DallasK (Dallas Koehlke)
Produzent(in):
Ammo (American musician, songwriter and producer Joshua Coleman), DallasK (Dallas Koehlke) und Victoria Monét
assistierende(r) Mix:
Daniela Rivera (engineer)
Mix:
Phil Tan (Malaysian-American audio engineer)
Instrumente:
Ammo (American musician, songwriter and producer Joshua Coleman) und DallasK (Dallas Koehlke)
Gast vocals und Gast-Interpret(in):
Ty Dolla $ign
vocals:
Ally Brooke, Camila Cabello, Dinah Jane, Lauren Jauregui und Normani (American singer, formerly of Fifth Harmony)
Interpret(in):
Fifth Harmony
phonographisches Urheberrecht (℗) von:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2016)
aufgenommen bei:
The Mothership in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Windmark Recording in Virginia Beach, Virginia, Vereinigte Staaten
mixed at:
Callanwolde Fine Arts Center in Atlanta, Georgia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2016 (Nummer: 16) und Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 86)
recording of:
Work From Home
Verfasser(in):
Daniel Bedingfield (singer- songwriter), Dallas Koehlke (Dallas Koehlke), Jude Demorest, Alexander Izquierdo, Joshua Coleman (American musician, songwriter and producer Joshua Coleman), Brian Lee (Korean American songwriter) und Tyrone Griffin Jr.
quotes music from:
Gotta Get Thru This
Fifth Harmony feat. Ty Dolla $ign4.23:36
12Don’t Kill My Vibe
recording of:
Don't Kill My Vibe
Verfasser(in):
Sigrid Solbakk Raabe (Norwegian singer) und Martin Sjølie (Norwegian songwriter & producer)
Sigrid43:02
13Love Me Like You Do
recording of:
Love Me Like You Do
Verfasser(in):
Ilya Salmanzadeh (Swedish/Iranian songwriter, producer, and singer), Savan Kotecha, Max Martin (Swedish record producer), Ali Payami und Tove Lo
publisher:
BMG Ruby Songs, MXM Music AB, Universal Pictures Music, Warner/Chappell Music Scandinavia AB und Wolf Cousins
Ellie Goulding44:01
14Story of My Life
assistierende(r) Techniker(in):
Ian Franzino
Techniker(in):
Julian Bunetta, Ben “Bengineer” Chang, Alex Oriet und John Ryan (American pop singer/producer a/k/a “John the Blind”)
Produzent(in):
Julian Bunetta, John Ryan (American pop singer/producer a/k/a “John the Blind”) und Jamie Scott (UK singer-songwriter) (Aufgabe: vocal)
assistierende(r) Mix:
Ryan Lipman
Mix:
Joe Zook (engineer)
Instrumente:
Julian Bunetta, John Ryan (American pop singer/producer a/k/a “John the Blind”) und Jamie Scott (UK singer-songwriter)
Saiteninstrumente:
Christine Wu
Hintergrundgesang:
Damon Bunetta, Julian Bunetta, Peter Bunetta, Ian Franzino, John Ryan (American pop singer/producer a/k/a “John the Blind”) und Jamie Scott (UK singer-songwriter)
Saiteninstrumente arranger:
Christine Wu
phonographisches Urheberrecht (℗) von:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2013)
aufgenommen bei:
Angel Face Studios (in Churt, UK) in Vereinigtes Königreich und Enemy Dojo in Calabasas, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Story of My Life von One Direction (English‐Irish pop boy band)
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 24), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 40) und Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 57)
recording of:
Story of My Life
Verfasser(in):
Julian Bunetta, Niall Horan, Liam Payne, John Ryan (American pop singer/producer a/k/a “John the Blind”), Jamie Scott (UK singer-songwriter), Harry Styles, Louis Tomlinson und Zain Malik (ZAYN, British singer)
publisher:
Bob Erotik Music, Holy Cannoli Music, PPM Music Ltd. und Sony/ATV Music Publishing
One Direction3.44:03
15Back for Good (radio mix)
Programmierung:
Gary Barlow und Chris Cameron (British pianist, singer-songwriter, arranger and producer)
assistierende(r) Techniker(in):
Steve McNichol
Produzent(in):
Gary Barlow und Chris Porter (engineer and producer)
Gitarre:
Phil Palmer (guitarist)
Sologesang:
Gary Barlow
vocals:
Howard Donald, Jason Orange, Mark Owen (singer–songwriter) und Robbie Williams
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Limited (1987–1996) (in 1995) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1995)
recording of:
Back for Good
Texter und Komponist(in):
Gary Barlow
publisher:
EMI Virgin Music Australia Pty Ltd und EMI Virgin Music Ltd. (do not use this as a release label!)
Take That34:01
16…Baby One More Time
recording engineer, Produzent(in) und Mix:
Max Martin (Swedish record producer) und Rami (Swedish record producer and songwriter)
Bassgitarre:
Tomas Lindberg (Swedish bass player)
Gitarre:
Johan Carlberg
Hintergrundgesang:
Nana Hedin (Swedish singer; also known as Na Na and Nana d’Aquini), Max Martin (Swedish record producer) und Britney Spears
Sologesang:
Britney Spears
phonographisches Urheberrecht (℗) von:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1998) und Zomba Recording LLC (in 1999)
gemixt für und produced for:
Cheiron Productions
aufgenommen bei und mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden
Musikvideos:
…Baby One More Time von Britney Spears, …Baby One More Time (official music video) von Britney Spears, …Baby One More Time (Angle 1) von Britney Spears und …Baby One More Time (Angle 2) von Britney Spears
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 12), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 205) und BILLIONS CLUB
recording of:
…Baby One More Time
Texter und Komponist(in):
Max Martin (Swedish record producer)
publisher:
Grantsville Publishing Ltd., Imagem, MXM Music AB, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc. und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
Freaky Friday (2003)
Britney Spears3.83:31
17U Can’t Touch This
Koproduzent(in):
James Earley und Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
Produzent(in):
MC Hammer
Mix:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) und MC Hammer
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
Samples:
Super Freak von Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
U Can’t Touch This
Verfasser(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) und Stanley Kirk Burrell
publisher:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music und Stone Diamond Music Corporation
basiert auf:
Super Freak
MC Hammer4.14:14
18Shotgun
Programmierung:
Cam Blackwood, Matthew Racher (drummer) und Liam Thorne
Techniker(in):
Liam Thorne
Produzent(in):
Cam Blackwood
assistierende(r) Mix:
Joel Davies (engineer) und Charles Haydon Hicks
Mix:
Dan Grech‐Marguerat
Bassgitarre [bass]:
George Ezra und FRED (UK producer, songwriter, multi-instrumentalist and DJ)
Blechblasinstrumente:
The Atlantic Horns
Gitarre:
Cam Blackwood und George Ezra
Keyboard und Sologesang:
George Ezra
Keyboard [keys]:
FRED (UK producer, songwriter, multi-instrumentalist and DJ)
Orgel:
James Wyatt
Perkussion:
Matthew Racher (drummer)
Posaune:
Mike Kearsey
Saxophon [sax]:
Mark Brown (London based saxophonist and keyboardist)
Schlagzeug [drums]:
FRED (UK producer, songwriter, multi-instrumentalist and DJ), Jaleesa Gemerts und Matthew Racher (drummer)
Synthesizer [synths]:
Cam Blackwood
Trompete:
Ben Edwards (trumpet and flugelhorn player)
zusätzlich Perkussion:
Liam Thorne
Hintergrundgesang [backing vocals]:
Cam Blackwood, Florrie Arnold (Florence Arnold), Ollie Hodge und Joel Pott
zusätzlich Blechblasinstrumente arranger:
Emma Corby
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2018)
aufgenommen bei:
Voltaire Road Studios in Clapham, Lambeth, London (Greater London), England, Vereinigtes Königreich
mixed at:
Studio 3, Strongroom Studios in Shoreditch, Hackney, London (Greater London), England, Vereinigtes Königreich
recording of:
Shotgun
Verfasser(in):
George Ezra und Joel Pott
George Ezra33:19
19Don’t You Want Me (remastered)
assistierende Programmierung:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (in 1981)
Programmierung:
Martin Rushent (in 1981)
assistierende(r) Techniker(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
Produzent(in):
The Human League und Martin Rushent
Synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) und Philip Oakey (in 1981)
Hintergrundgesang:
Joanne Catherall (in 1981) und Susan Ann Sulley (in 1981)
Sologesang:
Philip Oakey (in 1981) und Susan Ann Sulley (in 1981)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only)
aufgenommen bei:
Genetic Studios in West Berkshire, England, Vereinigtes Königreich (in 1981)
Musikvideos:
Don’t You Want Me von The Human League
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 79) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
Texter:
Philip Oakey
Komponist(in):
Jo Callis, Philip Oakey und Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.93:57
20Never Gonna Give You Up
Keyboard [Fairlight]-Programmierung:
Ian Curnow (in 1986-10)
assistierende(r) Techniker(in):
Boky, Peter Day, Gordon Dennis (engineer at PWL Studios), Jonathan King und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Techniker(in):
Mark McGuire (UK producer/engineer)
zusätzliche(r) Techniker(in):
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) und Karen Hewitt
Produzent(in):
Aitken, Stock (of Stock Aitken Waterman), Stock Aitken Waterman und Waterman
Mix:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”) (am 1987-01-01)
Gitarre [guitars]:
Matt Aitken (in 1986-10)
Keyboard [keyboards]:
Matt Aitken (in 1986-10) und Mike Stock (of Stock Aitken Waterman) (in 1986-10)
Schlagzeug [drums]:
A Linn (Linn 9000) (in 1986-10)
Hintergrundgesang [backing vocals]:
Dee Lewis (in 1986-10), Shirley Lewis (in 1986-10), Mae McKenna (vocalist) (in 1986-10) und Suzanne Rhatigan (in 1986-10)
Sologesang:
Rick (English singer, songwriter and radio personality) (in 1986-10)
arranger:
Gordon Jenkins
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Ltd. (1987–1996) (vom 1987 bis heute), BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 1987), Pete Waterman Ltd. (copyrights holder) (in 1987) und PWL (in 1987)
sonstige Unterstützung:
PWL (Aufgabe: original sound recordings made by)
aufgenommen bei:
PWL Studio 1 (in 1986-10), PWL Studio 2 (in 1986-10) und PWL Studios (London) in London (Greater London), England, Vereinigtes Königreich (in 1986-10)
mixed at:
PWL Studio 1 (am 1987-01-01) und PWL Studio 2 (am 1987-01-01)
Musikvideos:
Never Gonna Give You Up von Rick Astley (English singer, songwriter and radio personality)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 48) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 244)
recording of:
Never Gonna Give You Up (in 1986-10)
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music Ltd., BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Music (German publisher), Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. und Terrace Music (in 1987)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishers MGB Australia Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Rick Astley4.43:29

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Teil von:Now 100 Hits ("Now That's What I Call Music!" series spin-off, UK) (Reihenfolge: 11)