The Cell

~ Veröffentlichung von Howard Shore (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Tracks 1, 3 and 9 contain excerpts from 'El Medahey,' composed by Hadj Abdesalam.
Tracks 1 and 3 contain excerpts from 'Memories Of My Father,' composed by Bachir Attar.
Track 7 contains excerpts from 'Mairzy Doats.'

Anmerkung zuletzt geändert am 2021-12-28 22:39 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1The Cell
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Jon Bailey (engineer) und Jake Jackson (recording engineer)
Produzent(in):
Suzana Perić und Howard Shore (Canadian score composer)
Editing:
Nancy Allen (music editor) und Suzana Perić
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
New Line Records
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
The Cell (The Cell)
Komponist(in):
Howard Shore (Canadian score composer)
Teil von:
The Cell (2000)
3:20
2Carl Rudolph Stargher
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Jon Bailey (engineer) und Jake Jackson (recording engineer)
Produzent(in):
Suzana Perić und Howard Shore (Canadian score composer)
Editing:
Nancy Allen (music editor) und Suzana Perić
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
New Line Records
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Carl Rudolph Stargher (The Cell)
Komponist(in):
Howard Shore (Canadian score composer)
Teil von:
The Cell (2000)
2:02
3Trauma
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Jon Bailey (engineer) und Jake Jackson (recording engineer)
Produzent(in):
Suzana Perić und Howard Shore (Canadian score composer)
Editing:
Nancy Allen (music editor) und Suzana Perić
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
New Line Records
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Trauma (The Cell)
Komponist(in):
Howard Shore (Canadian score composer)
Teil von:
The Cell (2000)
1:41
492 Aqua Green Ford
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Jon Bailey (engineer) und Jake Jackson (recording engineer)
Produzent(in):
Suzana Perić und Howard Shore (Canadian score composer)
Editing:
Nancy Allen (music editor) und Suzana Perić
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
New Line Records
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
92 Aqua Green Ford (The Cell)
Komponist(in):
Howard Shore (Canadian score composer)
Teil von:
The Cell (2000)
1:31
5FBI Pathologist
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Jon Bailey (engineer) und Jake Jackson (recording engineer)
Produzent(in):
Suzana Perić und Howard Shore (Canadian score composer)
Editing:
Nancy Allen (music editor) und Suzana Perić
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
New Line Records
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
FBI Pathologist (The Cell)
Komponist(in):
Howard Shore (Canadian score composer)
Teil von:
The Cell (2000)
2:40
6Whalen’s Infraction
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Jon Bailey (engineer) und Jake Jackson (recording engineer)
Produzent(in):
Suzana Perić und Howard Shore (Canadian score composer)
Editing:
Nancy Allen (music editor) und Suzana Perić
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
New Line Records
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Whalen’s Infraction (The Cell)
Komponist(in):
Howard Shore (Canadian score composer)
Teil von:
The Cell (2000)
2:03
7Tide Pool
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Jon Bailey (engineer) und Jake Jackson (recording engineer)
Produzent(in):
Suzana Perić und Howard Shore (Canadian score composer)
Editing:
Nancy Allen (music editor) und Suzana Perić
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
New Line Records
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Tide Pool (The Cell)
Komponist(in):
Howard Shore (Canadian score composer)
Teil von:
The Cell (2000)
5:00
8Sing a Song of Sixpence
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Jon Bailey (engineer) und Jake Jackson (recording engineer)
Produzent(in):
Suzana Perić und Howard Shore (Canadian score composer)
Editing:
Nancy Allen (music editor) und Suzana Perić
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
New Line Records
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Sing a Song of Sixpence (The Cell)
Komponist(in):
Howard Shore (Canadian score composer)
Teil von:
The Cell (2000)
4:10
9Valentine
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Jon Bailey (engineer) und Jake Jackson (recording engineer)
Produzent(in):
Suzana Perić und Howard Shore (Canadian score composer)
Editing:
Nancy Allen (music editor) und Suzana Perić
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
New Line Records
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Valentine (The Cell)
Komponist(in):
Howard Shore (Canadian score composer)
Teil von:
The Cell (2000)
2:49
10Chlorine and Rust
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Jon Bailey (engineer) und Jake Jackson (recording engineer)
Produzent(in):
Suzana Perić und Howard Shore (Canadian score composer)
Editing:
Nancy Allen (music editor) und Suzana Perić
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
New Line Records
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Chlorine and Rust (The Cell)
Komponist(in):
Howard Shore (Canadian score composer)
Teil von:
The Cell (2000)
1:32
11Only Girls Play With Dolls
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Jon Bailey (engineer) und Jake Jackson (recording engineer)
Produzent(in):
Suzana Perić und Howard Shore (Canadian score composer)
Editing:
Nancy Allen (music editor) und Suzana Perić
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
New Line Records
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Only Girls Play With Dolls (The Cell)
Komponist(in):
Howard Shore (Canadian score composer)
Teil von:
The Cell (2000)
2:21
12Normal Psychotropics
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Jon Bailey (engineer) und Jake Jackson (recording engineer)
Produzent(in):
Suzana Perić und Howard Shore (Canadian score composer)
Editing:
Nancy Allen (music editor) und Suzana Perić
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
New Line Records
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Normal Psychotropics (The Cell)
Komponist(in):
Howard Shore (Canadian score composer)
Teil von:
The Cell (2000)
1:50
13The Seduction
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Jon Bailey (engineer) und Jake Jackson (recording engineer)
Produzent(in):
Suzana Perić und Howard Shore (Canadian score composer)
Editing:
Nancy Allen (music editor) und Suzana Perić
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
New Line Records
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
The Seduction (The Cell)
Komponist(in):
Howard Shore (Canadian score composer)
Teil von:
The Cell (2000)
2:59
14Four and Twenty Blackbirds
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Jon Bailey (engineer) und Jake Jackson (recording engineer)
Produzent(in):
Suzana Perić und Howard Shore (Canadian score composer)
Editing:
Nancy Allen (music editor) und Suzana Perić
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
New Line Records
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Four and Twenty Blackbirds (The Cell)
Komponist(in):
Howard Shore (Canadian score composer)
Teil von:
The Cell (2000)
0:58
15Stargher King
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Jon Bailey (engineer) und Jake Jackson (recording engineer)
Produzent(in):
Suzana Perić und Howard Shore (Canadian score composer)
Editing:
Nancy Allen (music editor) und Suzana Perić
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
New Line Records
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Stargher King (The Cell)
Komponist(in):
Howard Shore (Canadian score composer)
Teil von:
The Cell (2000)
6:14
16Catherine’s World
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Jon Bailey (engineer) und Jake Jackson (recording engineer)
Produzent(in):
Suzana Perić und Howard Shore (Canadian score composer)
Editing:
Nancy Allen (music editor) und Suzana Perić
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
New Line Records
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Catherine’s World (The Cell)
Komponist(in):
Howard Shore (Canadian score composer)
Teil von:
The Cell (2000)
4:33
17The Drowning
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Jon Bailey (engineer) und Jake Jackson (recording engineer)
Produzent(in):
Suzana Perić und Howard Shore (Canadian score composer)
Editing:
Nancy Allen (music editor) und Suzana Perić
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
New Line Records
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
The Drowning (The Cell)
Komponist(in):
Howard Shore (Canadian score composer)
Teil von:
The Cell (2000)
7:15
18Scavenged Dolls
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Jon Bailey (engineer) und Jake Jackson (recording engineer)
Produzent(in):
Suzana Perić und Howard Shore (Canadian score composer)
Editing:
Nancy Allen (music editor) und Suzana Perić
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
New Line Records
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Scavenged Dolls (The Cell)
Komponist(in):
Howard Shore (Canadian score composer)
Teil von:
The Cell (2000)
0:48
19Vital Signs
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Jon Bailey (engineer) und Jake Jackson (recording engineer)
Produzent(in):
Suzana Perić und Howard Shore (Canadian score composer)
Editing:
Nancy Allen (music editor) und Suzana Perić
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
New Line Records
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Vital Signs (The Cell)
Komponist(in):
Howard Shore (Canadian score composer)
Teil von:
The Cell (2000)
2:02
20You Can Find the Feeling
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Jon Bailey (engineer) und Jake Jackson (recording engineer)
Produzent(in):
Suzana Perić, Howard Shore (Canadian score composer) und Talvin Singh
Editing:
Nancy Allen (music editor) und Suzana Perić
Gast-Interpret(in):
Master Musicians of Jajouka (led by Bachir Attar)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
New Line Records
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
You Can Find the Feeling
Komponist(in):
Howard Shore (Canadian score composer)
Teil von:
The Cell (2000)
3:48