The Best of Sublime

~ Release by Sublime (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Date Rape
edit of:
Date Rape / Rawhide by Sublime (ska punk)
recording of:
Date Rape
lyricist and composer:
Bradley Nowell
is based on:
Mandingo
4.153:36
2Same in the End
engineer:
Stuart Sullivan (producer, recording engineer)
producer and mixer:
Paul Leary
bass [Green Dan MacDonald Custom-Made]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
drums (drum set):
Bud Gaugh (from 1996-02 until 1996-05)
electric guitar [Brown Dan MacDonald Custom-Made]:
Bradley Nowell (from 1996-02 until 1996-05)
vocals:
Bradley Nowell (from 1996-02 until 1996-05)
recorded at:
Pedernales Studio in Spicewood, Texas, United States (from 1996-02 until 1996-05)
mixed at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (from 1996-02 until 1996-05)
recording of:
Same in the End
writer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
42:37
3Smoke Two Joints
samples:
Na Touch da Just (extended single version) by Just-Ice, No More ?’s (explicit) by Eazy‐E and Outside! by The Ziggens
cover recording of:
Smoke Two Joints
writer:
Chris Kay and Michael Kay
4.22:56
4Wrong Way
engineer:
Stuart Sullivan (producer, recording engineer)
producer and mixer:
Paul Leary
bass [Green Dan MacDonald Custom-Made]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
drums (drum set):
Bud Gaugh (from 1996-02 until 1996-05)
electric guitar [Brown Dan MacDonald Custom-Made]:
Bradley Nowell (from 1996-02 until 1996-05)
trombone:
Jon Blondell
vocals:
Bradley Nowell (from 1996-02 until 1996-05)
recorded at:
Pedernales Studio in Spicewood, Texas, United States (from 1996-02 until 1996-05)
mixed at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (from 1996-02 until 1996-05)
music videos:
Wrong Way by Sublime (ska punk)
recording of:
Wrong Way
writer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
is based on:
Big Salty Tears
is based on:
It’s Up to You
4.352:17
5Doin’ Time
drum machine programming:
Marshall Goodman
programming:
Marshall Goodman
engineer:
Eddie Ashworth
producer and mixer:
David Kahne
bass [Green Dan MacDonald Custom-Made]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
electric guitar [Brown Dan MacDonald Custom-Made] and lead vocals:
Bradley Nowell (from 1996-02 until 1996-05)
sampler and turntable:
Marshall Goodman
background vocals:
Michael "Miguel" Happoldt
recorded at:
Total Access Recording in Redondo Beach, California, United States (from 1996-02 until 1996-05)
mixed at:
Scream Studios in Studio City, Los Angeles, California, United States (from 1996-02 until 1996-05)
samples:
(You Gotta) Fight for Your Right (To Party) by Beastie Boys and Summertime (mono) by Herbie Mann
recording of:
Doin’ Time
writer:
Adam Keefe Horovitz, Adam Nathaniel Yauch, Bradley James Nowell, George Gershwin (composer), Ira Gershwin, Dorothy Heyward (playwright), DuBose Heyward, Marshall Raymond Goodman and Rick Rubin (US record producer, former co‐president of Columbia Records)
is based on:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
quotes lyrics from:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
44:11
6Santeria
engineer:
Stuart Sullivan (producer, recording engineer)
producer and mixer:
Paul Leary
bass [Green Dan MacDonald Custom-Made]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
drums (drum set):
Bud Gaugh (from 1996-02 until 1996-05)
electric guitar [Brown Dan MacDonald Custom-Made]:
Bradley Nowell (from 1996-02 until 1996-05)
vocals:
Bradley Nowell (from 1996-02 until 1996-05)
recorded at:
Pedernales Studio in Spicewood, Texas, United States (from 1996-02 until 1996-05)
music videos:
Santeria by Sublime (ska punk)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 253)
recording of:
Santeria
writer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
is based on:
Lincoln Highway Dub
4.553:03
740 oz. to Freedom
producer:
Michael "Miguel" Happoldt and Sublime (ska punk)
recording of:
40 oz. to Freedom
writer:
Marshall Goodman and Bradley Nowell
33:03
8Saw Red (feat. Gwen Stefani)
engineer:
Donnell Cameron
producer:
Michael "Miguel" Happoldt
mixer:
Warren Fitzgerald and Michael "Miguel" Happoldt
vocals:
Gwen Stefani
recording of:
Saw Red (Sublime)
lyricist and composer:
Bradley Nowell
is based on:
She's Mine
21:57
9Badfish
recording engineer, engineer, producer and mixer:
Elephant Levitation (in 1991)
acoustic guitar and electric guitar:
Brad Nowell (in 1991)
drums (drum set) [drums]:
Floyd I (in 1991)
electric bass guitar [bass] and organ:
Eric Wilson (Sublime) (in 1991)
vocals:
Brad Nowell (in 1991)
recorded at and mixed at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
produced at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
recording of:
Badfish
lyricist and composer:
Bradley Nowell
is based on:
All the Fun That We Missed
is based on:
Nite Klub
2.63:04
10What I Got
engineer:
Eddie Ashworth
producer and mixer:
David Kahne
acoustic guitar [lead]:
Michael "Miguel" Happoldt
organ:
David Kahne
turntable:
Marshall Goodman
recorded at:
Total Access Recording in Redondo Beach, California, United States (from 1996-02 until 1996-05)
mixed at:
Scream Studios in Studio City, Los Angeles, California, United States (from 1996-02 until 1996-05)
samples:
Have Your Ass Home by 11:00 by Richard Pryor, It’s a New Day by Skull Snaps and Life Is… Too $hort by Too $hort
music videos:
What I Got (Official Video) by Sublime (ska punk)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 81)
recording of:
What I Got
lyricist:
Bradley Nowell
composer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
is based on:
Lady Madonna
is based on:
Life Is… Too Short
is based on:
Loving
is based on:
My Mom Smokes Pot
is based on:
Nappy Heads
revision of:
What I Got (reprise)
4.252:51
11Trenchtown Rock
engineer and mixer:
Michael "Miguel" Happoldt (in 1991)
producer:
Michael "Miguel" Happoldt and Bradley Nowell
cover recording of:
Trenchtown Rock
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc
11:41
12I Love My Dog
recording of:
I Love My Dog (Sublime)
writer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
is based on:
I Luv I Jah
4:19
13April 29, 1992
programming:
Dave Aron (mix engineer) and Marshall Goodman
engineer:
Eddie Ashworth
producer and mixer:
David Kahne
other instruments:
Michael "Miguel" Happoldt
piano:
David Kahne
saxophone:
Todd Forman
turntable:
Marshall Goodman
recorded at:
Total Access Recording in Redondo Beach, California, United States (from 1996-02 until 1996-05)
mixed at:
Scream Studios in Studio City, Los Angeles, California, United States (from 1996-02 until 1996-05)
samples:
Give Me My Share (live, 1982-02-10: Aces Disco, St. Thomas, Jamaica) by Jah Rubel, La Di‐Da‐Di by Doug E. Fresh and M.C. Ricky D (earlier name of hip hop MC Slick Rick), Shook Ones, Part I (original version) by Mobb Deep (QB hip hop duo Prodigy & Havoc) and The Original Gangster of Hip Hop by Just‐Ice
recording of:
April 29, 1992
composer:
Marshall Goodman, Michael "Miguel" Happoldt and Bradley Nowell
is based on:
Burn Hollywood Burn
is based on:
One Eight Seven
43:55
14Ball and Chain
recording engineer:
Gary Greeth (in 1989)
mixer:
Steve McNeil (engineer) (in 1989)
drums (drum set):
Bud Gaugh (in 1989)
electric bass guitar:
Eric Wilson (Sublime) (in 1989)
electric guitar and lead vocals:
Bradley Nowell (in 1989)
recorded at and mixed at:
Mambo Recording in Long Beach, California, United States (in 1989)
recording of:
Ball and Chain (Sublime) (in 1989)
lyricist and composer:
Bradley Nowell
23:42
15Pool Shark
partial recording of:
Pool Shark
writer:
Sublime (ska punk)
11:00
16Seed
engineer:
Stuart Sullivan (producer, recording engineer)
producer and mixer:
Paul Leary
bass [Green Dan MacDonald Custom-Made]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
drums (drum set):
Bud Gaugh (from 1996-02 until 1996-05)
electric guitar [Brown Dan MacDonald Custom-Made]:
Bradley Nowell (from 1996-02 until 1996-05)
vocals:
Bradley Nowell (from 1996-02 until 1996-05)
recorded at:
Pedernales Studio in Spicewood, Texas, United States (from 1996-02 until 1996-05)
mixed at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (from 1996-02 until 1996-05)
recording of:
Seed
composer:
Sublime (ska punk)
is based on:
Mr. Moto
4.352:10