The All Time Greatest Movie Songs of the Last 3 Decades

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1My Heart Will Go On
recording engineer:
Humberto Gatica und David Gleeson
sonstige Unterstützung:
Emilie Charlap (Aufgabe: orchestratra contractor) und Dan Shea (Aufgabe: sound design)
drum machine [drum and rhythm]-Programmierung:
Walter Afanasieff
Programmierung:
Dan Shea
zusätzliche drum machine [drum and rhythm]-Programmierung:
Dan Shea
assistierende(r) Techniker(in):
Chris Brooke, Tony Gonzalez (engineer), Tyson Leeper, Glen Marchese, Ethan Schofer und Greg Thompson (engineer, mixer)
Techniker(in):
Humberto Gatica (Sologesang) und Dan Shea
Koproduzent(in):
James Horner (American score composer)
Produzent(in):
Walter Afanasieff
Mix:
Humberto Gatica
Bass-Synthesizer [synth bass], Hammond-Orgel [Hammond B-3 organ] und Keyboard:
Walter Afanasieff
Fiddle [Irish fiddle]:
Paul Peabody (violinist)
Gitarre:
Dann Huff
tin whistle [pennywhistle/whistles]:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
zusätzlich Keyboard:
Dan Shea
Hintergrundgesang:
Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens und Jeanie Tracy
conductor:
William Ross (composer, orchestrator, arranger, conductor)
arranger:
Walter Afanasieff
Orchestrator(in):
William Ross (composer, orchestrator, arranger, conductor)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten und Wallyworld in San Rafael, California (Kalifornien), Vereinigte Staaten
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
My Heart Will Go On (love theme from Titanic) von Céline Dion
a cappella versions:
The music from that movie about the boat von David Thorne (designer)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 2) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 279)
recording of:
My Heart Will Go On
Texter:
Will Jennings
Komponist(in):
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (bis 2014-12-31) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (vom 2015-01-01 bis heute)
Teil von:
The 70th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1997 winner)
Teil von:
Titanic
Céline Dion4.354:41
2From the Heart
Techniker(in):
Ali Boudris und Mario Luccy
leitende(r) Produzent(in):
Diane Warren (US songwriter)
Produzent(in):
Khris Kellow
assistierende(r) Mix:
Tom Bender (engineer)
Mix:
Mick Guzauski
Gitarre:
Ali Boudris
aufgenommen bei:
Bananaboat Studios in Burbank, California (Kalifornien), Vereinigte Staaten und Realsongs in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Barking Doctor Recording in Mount Kisco, New York, Vereinigte Staaten
recording of:
From the Heart
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Realsongs
Another Level4:53
3Evergreen (Love Theme From “A Star Is Born”)
Produzent(in):
Phil Ramone und Barbra Streisand
vocals:
Barbra Streisand
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recording of:
Evergreen (love theme from “A Star Is Born”)
Texter:
Paul Williams (US songwriter/soft rock vocalist) (in 1976)
Komponist(in):
Barbra Streisand (in 1976)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Olive Music LLC, Warner/Chappell North America, WB Music Corp. (1929–2019) (bis 2019-05-28), Emmanuel Music Corp (in 1976) und First Artists Music Co. (in 1976)
Teil von:
Academy Award for Best Original Song (Nummer: 1976 winner)
Barbra Streisand43:06
4Mrs. Robinson
recording engineer:
Roy Halee (am 1968-02-02)
assistierende(r) Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Produzent(in):
Art Garfunkel, Roy Halee und Paul Simon (of Simon & Garfunkel)
Gitarre:
Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1968-02-02)
vocals:
Art Garfunkel (am 1968-02-02) und Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1968)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 270)
recording of:
Mrs. Robinson (am 1968-02-02)
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) und Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.254:03
5Streets of Philadelphia
Produzent(in):
Chuck Plotkin und Bruce Springsteen
Mix:
Bob Clearmountain
vocals:
Bruce Springsteen
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment, Inc., U.S.A. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1994)
recording of:
Streets of Philadelphia (in 1993-09)
publisher:
Bruce Springsteen
Texter und Komponist(in):
Bruce Springsteen (in 1993-08)
publisher:
Zomba Music Publishing (music publisher – add no releases here!) und Zomba Music Publishing Ltd.
Teil von:
The 66th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1993 winner)
Bruce Springsteen3.653:52
6Men in Black
recording engineer:
John Shriver
drum machine [drum]-Programmierung:
Poke and Tone
Produzent(in):
Poke and Tone
Mix:
Commissioner Gordon (US hip hop producer Gordon Williams) und Tony Maserati (engineer / mixer)
Hintergrundgesang:
Coko (R&B singer Cheryl Gamble)
Herausgeber:
Track Masters Entertainment
Samples:
Forget Me Nots von Patrice Rushen
recording of:
Men in Black
Verfasser(in):
Fred Washington (US session bassist), Patrice Rushen, Will Smith (US actor aka The Fresh Prince) und Terry McFadden
publisher:
Baby Fingers Music, Freddie Dee Music, New Columbia Pictures, Inc, Treyball Music, Inc. und Yamina Music
Will Smith4.153:47
7Arthur’s Theme
assistierende(r) Techniker(in):
Stuart Gitlin und Margaret Gwynne (engineer)
zusätzliche(r) Techniker(in):
John Guess, Lee Herschberg, Mark Linett und Richard Mullen
Produzent(in):
Michael Omartian
Mix:
Chet Himes
Sologesang:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
Saiteninstrumente arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
concertmaster:
Assa Drori
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
aufgenommen bei und mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
Verfasser(in):
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager und Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America und Woolnough Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1981 winner)
Christopher Cross53:53
8All Time High
vocals:
Rita Coolidge
recording of:
All Time High (Main Titles) (from the film "Octopussy")
Texter:
Tim Rice
Komponist(in):
John Barry (English score composer)
publisher:
BMG Music und EMI Songs
Teil von:
James Bond themes
Teil von:
Octopussy (soundtrack from the James Bond film)
Rita Coolidge43:03
9Take My Breath Away
Techniker(in):
Dave Concors, Michael Rosen (US metal producer/engineer) und Tom Whitlock
Produzent(in):
Jerry Bruckheimer, Giorgio Moroder und Don Simpson (American film producer, screenwriter, and actor)
Mix:
Giorgio Moroder und Brian Reeves
E-Gitarre:
Ric Olsen
Schlagzeug:
Rob Brill
Synthesizer:
Arthur Barrow und John Crawford (Berlin bassist)
Sologesang:
Terri Nunn (Berlin singer)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
aufgenommen bei:
Oasis Recording Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Take My Breath Away von Berlin (US new wave/synthpop)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 28), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 62) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 490)
recording of:
Take My Breath Away (song from the 1986 film Top Gun)
Texter:
Tom Whitlock
Komponist(in):
Giorgio Moroder
publisher:
Famous Music Publishing Germany GmbH & Co. KG (beendet), Jastian Music Inc. (beendet), BMG Ariola Belgium, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Sony/ATV Harmony, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1986), GMPC (in 1986) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) (beendet), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 59th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1986 winner)
Berlin3.654:13
10Endless Love
recording engineer:
Reggie Dozier
Produzent(in):
Lionel Richie
Mix:
Guy Costa
zusätzliche(r) Gast-Interpret(in):
Diana Ross
arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 20)
recording of:
Endless Love
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) und Warner/Chappell North America
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1981 nominee)
Diana Ross & Lionel Richie3.54:27
11Knockin’ on Heaven’s Door
Techniker(in):
Dan Wallin
Produzent(in):
Gordon Carroll (producer)
Bassgitarre:
Terry Paul (in 1973-02)
Gitarre:
Bob Dylan (in 1973-02) und Roger McGuinn (in 1973-02)
Harmonium, Orgel und Spinet:
Carl Fortina (in 1973-02)
Schlagzeug:
Jim Keltner (in 1973-02)
Hintergrundgesang:
Carol Hunter (in 1973-02), Brenda Patterson (in 1973-02) und Donna Weiss (in 1973-02)
vocals:
Bob Dylan (in 1973-02)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973)
engineered at:
The Burbank Studios in Burbank, California (Kalifornien), Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 190)
recording of:
Knockin’ on Heaven’s Door (in 1973-02)
Texter und Komponist(in):
Bob Dylan
zusätzlicher Texter:
Bob Dylan (am 1975-03-23)
publisher:
Sony Music Publishers, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Ram’s Horn Music (in 1973)
Bob Dylan4.72:31
12The Entertainer
Marvin Hamlisch3:03
13It Had to Be You
arranger und Orchestrator(in):
Marc Shaiman (American score composer and lyricist)
cover recording of:
It Had to Be You (in 1989-05)
Texter:
Gus Kahn (in 1924)
Komponist(in):
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) und Jerome H. Remick & Co. (am 1924-05-09)
Harry Connick, Jr.2:39
14Axel F
Produzent(in):
Harold Faltermeyer
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 70)
recording of:
Axel F (Beverly Hills Cop)
Komponist(in):
Harold Faltermeyer
Harold Faltermeyer4.153:01
15Kokomo
Techniker(in) und Mix:
Keith Wechsler
Produzent(in):
Terry Melcher
accordion:
Van Dyke Parks (von 1988-03-22 bis 1988-04-06)
Akustikgitarre:
Jeffrey Foskett (von 1988-03-22 bis 1988-04-06)
alto saxophone:
Joel Peskin (von 1988-03-22 bis 1988-04-06)
Bass:
Rod Clark (UK bassist) (von 1988-03-22 bis 1988-04-06)
Schlagzeug:
Jim Keltner (von 1988-03-22 bis 1988-04-06)
Slide-Gitarre [electric slide guitar]:
Ry Cooder (von 1988-03-22 bis 1988-04-06)
Hintergrundgesang:
Al Jardine (guitarist and singer) (von 1988-03-22 bis 1988-04-06), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (von 1988-03-22 bis 1988-04-06), Mike Love (Beach Boys) (von 1988-03-22 bis 1988-04-06) und Carl Wilson (Beach Boys) (von 1988-03-22 bis 1988-04-06)
Sologesang:
Mike Love (Beach Boys) (von 1988-03-22 bis 1988-04-06) und Carl Wilson (Beach Boys) (von 1988-03-22 bis 1988-04-06)
Interpret(in):
The Beach Boys (American rock band) (von 1988-03-22 bis 1988-04-06)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra (all releases with “Elektra” or “Elektra Entertainment” logo, 1950 to present) (in 1988) und Touchstone Pictures (in 1988)
Musikvideos:
Kokomo von The Beach Boys (American rock band)
recording of:
Kokomo (von 1988-03-22 bis 1988-04-06)
Verfasser(in):
Mike Love (Beach Boys), Scott McKenzie, Terry Melcher und John Phillips (The Mamas & The Papas)
publisher:
Buena Vista Music Company, Clairaudient Music Corporation, Daywin Music Inc., Honest John Music, Nichion Synch Division (NICHION, INC. Synch Division), Spirit One Music, Touchstone Pictures Music and Songs Inc. und Yamaha Music EH(CM)
The Beach Boys4.253:37
16Right Here
Produzent(in):
Brian Morgan
remixer:
Teddy Riley (US R&B singer & producer)
recording of:
Right Here
Verfasser(in):
John Bettis, Brian Alexander Morgan und Steve Porcaro
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
SWV3.53:50
17Up Where We Belong
Produzent(in):
Stewart Levine (record producer and saxophonist)
Gitarre:
Louie Shelton
Keyboard:
Robbie Buchanan (Canadian producer) und Bobby Lyle
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Leon Ndugu Chancler
Sologesang:
Joe Cocker und Jennifer Warnes
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1982) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
Texter:
Will Jennings
Komponist(in):
Jack Nitzsche (American musician and score composer) und Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1982 winner)
Joe Cocker & Jennifer Warnes3.53:54
18Suicide Is Painless
vocals:
John Bahler, Tom Bahler, Ian Freebairn‐Smith und Ron Hicklin
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980)
recording of:
Suicide Is Painless
Texter:
Mike Altman
Komponist(in):
Johnny Mandel (American composer and arranger)
publisher:
Chappell Music Ltd., Twentieth Century Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
The Mash32:55
19I Don’t Know How to Love Him
cover recording of:
I Don’t Know How to Love Him
Texter:
Tim Rice
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Leeds Music (MCA), Leeds Music Ltd., MCA Music Ltd., Universal/MCA Music (music publisher; do not use as release label!) und Universal/MCA Music Ltd. (not for release label use!)
Teil von:
Jesus Christ Superstar (Andrew Lloyd Webber musical)
Helen Reddy3:17
20Be
recording of:
Be
Texter und Komponist(in):
Neil Diamond (in 1973)
Teil von:
Jonathan Livingston Seagull
Teil von:
The Odyssey
Neil Diamond3:20
21Ballad of Easy Rider
Techniker(in):
Jerry Hochman (engineer)
Partner-Produzent(in):
Jerry Hochman (engineer)
Produzent(in):
Terry Melcher
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
cover recording of:
Ballad of Easy Rider (am 1969-06-18)
Texter und Komponist(in):
Roger McGuinn
zusätzlicher Texter:
Bob Dylan
publisher:
Dwarf Music
The Byrds32:03
22I’m Forrest… Forrest Gump
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
Alan Silvestri (US score composer)
Editing:
Kenneth Karman und Jacqueline Tager (editor)
conductor:
Alan Silvestri (US score composer)
Orchestrator(in):
William Ross (composer, orchestrator, arranger, conductor)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Forrest Gump
Komponist(in):
Alan Silvestri (US score composer)
Teil von:
Forrest Gump
Alan Silvestri2:39
2▶CD

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