The Singles

~ Veröffentlichung von Phil Collins (alle Versionen dieser Veröffentlichung ansehen, 8 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1In the Air Tonight
assistierende(r) Techniker(in):
Nick Launay und Karen Segal (engineer)
Techniker(in):
Hugh Padgham
assistierende(r) Produzent(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis) und Hugh Padgham
Bassgitarre:
John Giblin (in 1980)
Geige / Violine:
Sharokav (in 1980)
Gitarre:
Daryl Stuermer (in 1980)
Rhodes Piano, drum machine, Schlagzeug, Synthesizer und Vocoder und Sologesang:
Phil Collins (of Genesis) (in 1980)
arranger:
Phil Collins (of Genesis)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 35) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 291)
recording of:
In the Air Tonight (in 1980)
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
EMI April Music Inc., Hit & Run Music (Publishers) Limited, Imagem Music, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1980, in 1981), Hit & Run Music (Publishing) Ltd (in 1980) und Pun Music, Inc. (in 1981)
Teil von:
Risky Business (film soundtrack)
4.35:36
2I Missed Again
assistierende(r) Techniker(in):
Nick Launay und Karen Segal (engineer)
Techniker(in):
Hugh Padgham
assistierende(r) Produzent(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis)
Bass:
Alphonso Johnson
Geige / Violine:
Shankar (L. Shankar)
Gitarre:
Daryl Stuermer
Posaune:
Louis Satterfield
Schlagzeug, Klavier und Synthesizer:
Phil Collins (of Genesis)
Solo-Tenorsaxophon:
Ronnie Scott (English jazz tenor saxophonist and jazz club owner)
Tenorsaxophon:
Don Myrick
Trompete:
Rahmlee Michael Davis und Michael Harris (trumpeter, member of The Phenix Horns)
vocals:
Phil Collins (of Genesis)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
recording of:
I Missed Again (in 1980)
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Imagem Music, Effectsound Ltd. (publisher) (in 1981) und Pun Music, Inc. (in 1981)
4.253:44
3If Leaving Me Is Easy
assistierende(r) Techniker(in):
Nick Launay und Karen Segal (engineer)
Techniker(in):
Hugh Padgham
assistierende(r) Produzent(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis)
alto saxophone:
Don Myrick
Bass:
Alphonso Johnson
Flügelhorn:
Rahmlee Michael Davis und Michael Harris (trumpeter, member of The Phenix Horns)
Gitarre:
Eric Clapton und Daryl Stuermer
Rhodes Piano, Schlagzeug und Synthesizer und Sologesang:
Phil Collins (of Genesis)
vocals:
Phil Collins (of Genesis)
Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
recording of:
If Leaving Me Is Easy (in 1980)
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Imagem Music, Effectsound Ltd. (publisher) (in 1981) und Pun Music, Inc. (in 1981)
4.54:56
4Thru These Walls
assistierende(r) Techniker(in):
Howard (Double Plug) Gray (UK producer, engineer, and electronic musician)
Techniker(in):
Hugh Padgham
assistierende(r) Produzent(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis)
Bassgitarre [bass]:
Mo
Gitarre [guitars]:
Daryl
Keyboard [keys], Marimba und Schlagzeug [drums]:
Phil (of Genesis)
vocals:
Phil (of Genesis)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (vom 1982 bis heute)
recording of:
Thru These Walls
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Pun Music, Inc.
35:05
5You Can’t Hurry Love
assistierende(r) Techniker(in):
Howard (Double Plug) Gray (UK producer, engineer, and electronic musician)
Techniker(in):
Paul Gomersall und Hugh Padgham
assistierende(r) Produzent(in):
Hugh Padgham
Produzent(in):
Robert Colby (live sound engineer & producer, notably for Phil Collins) und Phil Collins (of Genesis)
Mix:
Robert Colby (live sound engineer & producer, notably for Phil Collins) und Paul Gomersall
Bassgitarre [bass]:
John
Gitarre [guitars]:
Daryl
Glockenspiel [glock], Klavier und Vibraphon:
Peter (Scene) Robinson (English score composer)
Schlagzeug [drums], Tamburin und Sologesang:
Phil Collins (of Genesis)
Saiteninstrumente arranger:
Martyn (Norrie) Ford (conductor)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (vom 1982 bis heute)
cover recording of:
You Can’t Hurry Love
Verfasser(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), Jobete Music (UK) Ltd. (in 1965) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
42:54
6I Don’t Care Anymore
assistierende(r) Techniker(in):
Howard (Double Plug) Gray (UK producer, engineer, and electronic musician)
Techniker(in):
Hugh Padgham
assistierende(r) Produzent(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis)
Basspedal, Keyboard [keyboards] und Schlagzeug [drums]:
Phil (of Genesis)
Gitarre [guitars]:
Daryl Steurmor
vocals:
Phil (of Genesis)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (vom 1982 bis heute)
recording of:
I Don’t Care Anymore
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Hit & Run Music (Publishing) Ltd und Pun Music, Inc.
3.65:04
7Don’t Let Him Steal Your Heart Away
assistierende(r) Techniker(in):
Howard (Double Plug) Gray (UK producer, engineer, and electronic musician)
Techniker(in):
Hugh Padgham
assistierende(r) Produzent(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis)
Bassgitarre [bass]:
John
Gitarre [guitars]:
Daryl
Klavier und Schlagzeug [drums]:
Phil (of Genesis)
Sologesang:
Phil Collins (of Genesis)
vocals:
Phil (of Genesis)
Orchester:
The Martyn Ford Orchestra
Saiteninstrumente arranger:
Martyn (Kickers) Ford (conductor)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (vom 1982 bis heute)
recording of:
Don’t Let Him Steal Your Heart Away
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, Philip Collins Ltd. und Pun Music, Inc.
44:45
8Why Can’t It Wait ’til Morning
assistierende(r) Techniker(in):
Howard (Double Plug) Gray (UK producer, engineer, and electronic musician)
Techniker(in):
Hugh Padgham
assistierende(r) Produzent(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis)
Klavier:
Phil (of Genesis)
vocals:
Phil (of Genesis)
Saiteninstrumente arranger:
Martyn (Doris) Ford (conductor)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (vom 1982 bis heute)
recording of:
Why Can’t It Wait ’Til Morning
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Pun Music, Inc.
33:10
9I Cannot Believe It’s True
assistierende(r) Techniker(in):
Howard (Double Plug) Gray (UK producer, engineer, and electronic musician)
Techniker(in):
Hugh Padgham
assistierende(r) Produzent(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis)
Bassgitarre [bass]:
John Giblin
Gitarre [guitars]:
Daryl
Keyboard [keys], Perkussion und Schlagzeug [drums]:
Phil (of Genesis)
Posaune:
Louis
Solo-alto saxophone [alto sax]:
Don Myrick
Trompete:
Michael (trumpeter, member of The Phenix Horns) und Rhamlee
vocals:
Phenix Choir und Phil (of Genesis)
Interpret(in):
Phenix Horns
instruments arranger:
Tom-Tom 84
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (vom 1982 bis heute)
recording of:
I Cannot Believe It’s True
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Pun Music, Inc.
3.55:15
10Against All Odds
Techniker(in):
Jeremy Smith (producer/engineer) und Lewis Hahn
Produzent(in):
Arif Mardin
Keyboard:
Rob Mounsey
Schlagzeug und Sologesang:
Phil Collins (of Genesis)
conductor:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1999)
recording of:
Against All Odds (Take a Look at Me Now)
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1984), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1984), Golden Torch Music Corp. (in 1984) und Hit & Run Music (Publishing) Ltd (in 1984)
sub-publisher:
EMI Music Publishing Germany GmbH (2008–today), Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
3.83:26
11Easy Lover
Produzent(in):
Phil Collins (of Genesis)
Bass:
Nathan East
Gitarre:
Daryl Stuermer
Keyboard:
Lesette Wilson
Schlagzeug:
Phil Collins (of Genesis)
Sologesang:
Philip Bailey und Phil Collins (of Genesis)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 20), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 49) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 203)
recording of:
Easy Lover
Verfasser(in):
Philip Bailey, Phil Collins (of Genesis) und Nathan East
publisher:
Concord Music GmbH, Concord Music Publishing LLC, Concord Sounds, Musik-Edition Discoton GmbH, Pun Music Inc., Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing International Ltd., Universal Music Publishing International MGB Ltd., Hit & Run Music (Publishing) Ltd (in 1984), New East Music (in 1984), Philip Collins Ltd. (in 1984), Sir & Trini Music (in 1984) und Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1984)
45:04
12Sussudio
assistierende(r) Techniker(in):
Steve Chase
Techniker(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis) und Hugh Padgham
Bass-Synthesizer [Mini Moog Bass], drum machine [DMX] und Keyboard [keyboards]:
David Frank (American keyboardist, producer, writer; The System)
drum machine [Roland 909] und Sologesang [vocals]:
Phil Collins (of Genesis)
Gitarre [guitars]:
Daryl Stuermer
Horn [horns]:
The Phenix Horns
Horn arranger:
Tom Tom 84
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1985), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985) und Philip Collins Ltd. (in 2016)
aufgenommen bei:
Old Croft in Surrey, England, Vereinigtes Königreich und The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
mixed at:
The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 88)
recording of:
Sussudio
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Imagem Music, Imagem Music NL, Hit & Run Music (Publishing) Ltd (in 1984) und Philip Collins Ltd. (in 1984)
4.354:23
13One More Night
assistierende(r) Techniker(in):
Steve Chase
Techniker(in):
John Jacobs (UK producer/engineer) und Hugh Padgham
Produzent(in):
Phil Collins (of Genesis) und Hugh Padgham
Bassgitarre [bass]:
Lee Sklar (bassist, session musician)
drum machine [Roland 808], Keyboard [keyboards], Hintergrundgesang [backing vocals] und Sologesang [vocals]:
Phil Collins (of Genesis)
Gitarre [guitars]:
Daryl Stuermer
Solo-Saxophon [sax]:
Don Myrick
Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1985), Warner Music International Inc. (not for release label use! Warner Music Group's global recorded music division managing over 50 countries) (in 1985), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985) und Philip Collins Ltd. (in 2016)
aufgenommen bei:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich, Old Croft in Surrey, England, Vereinigtes Königreich und The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
mixed at:
The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
One More Night von Phil Collins (of Genesis)
recording of:
One More Night
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Hit & Run Music (Publishing) Ltd, Imagem Music, Imagem Music NL und Philip Collins Ltd.
3.94:49
14Don’t Lose My Number
assistierende(r) Techniker(in):
Steve Chase
Techniker(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis) und Hugh Padgham
Bassgitarre [bass]:
Lee Sklar (bassist, session musician)
drum machine [Linn], Keyboard [keyboards], Schlagzeug und Sologesang [vocals]:
Phil Collins (of Genesis)
Gitarre [guitars]:
Daryl Stuermer
zusätzlich Keyboard [keyboards]:
David Frank (American keyboardist, producer, writer; The System)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1985), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985) und Philip Collins Ltd. (in 2016)
aufgenommen bei:
Old Croft in Surrey, England, Vereinigtes Königreich und The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
mixed at:
The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
recording of:
Don’t Lose My Number
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, Imagem Music NL, Hit & Run Music (Publishing) Ltd (in 1984) und Philip Collins Ltd. (in 1984)
4.154:49
15Take Me Home
assistierende(r) Techniker(in):
Steve Chase
Techniker(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis) und Hugh Padgham
Bassgitarre [bass] und Violoncello piccolo [piccolo bass]:
Lee Sklar (bassist, session musician)
drum machine [Roland 909], Keyboard [keyboards], Schlagzeug und Sologesang [vocals]:
Phil Collins (of Genesis)
Gitarre [guitars]:
Daryl Stuermer
Hintergrundgesang [backing vocals]:
Phil Collins (of Genesis), Peter Gabriel (formerly of Genesis), Sting (singer, songwriter & member of The Police) und Helen Terry (UK singer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1985), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985) und Philip Collins Ltd. (in 2016)
aufgenommen bei:
Old Croft in Surrey, England, Vereinigtes Königreich und The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
mixed at:
The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
recording of:
Take Me Home
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Imagem Music, Imagem Music NL, Hit & Run Music (Publishing) Ltd (in 1984) und Philip Collins Ltd. (in 1984)
4.255:54
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