Now That’s a Download: Eighties

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Walking on Sunshine
recording of:
Walking on Sunshine
Texter:
Kimberley Rew (in 1983)
Komponist(in):
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.63:39
2The Power of Love
recording engineer:
Jim Gaines und Robert Missbach
assistierende(r) Techniker(in):
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) und Jim “Watts” Vereecke
zusätzliche(r) Techniker(in):
Michael Christopher (engineer), Phil Kaffel und Malcolm Pollack
Produzent(in):
Bob Clearmountain, Jellybean (US producer John Benitez) und Huey Lewis and the News (American pop rock band)
Mix:
Robert Missbach
Bassgitarre:
Mario Cipollina
Gitarre:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) und Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
Keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
Mundharmonika:
Huey Lewis
Perkussion und Schlagzeug:
Bill Gibson (US drummer for Huey Lews & the News)
Saxophon:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) und Huey Lewis
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985, in 1986) und Chrysalis (in 1985)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Studio D Recording in Sausalito, California (Kalifornien), Vereinigte Staaten und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Musikvideos:
The Power of Love (full length) von Huey Lewis and the News (American pop rock band)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 108)
recording of:
The Power of Love (Back to the Future)
Verfasser(in):
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) und Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) und WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Teil von:
The 58th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1985 nominee)
Teil von:
Back to the Future: the Musical
Huey Lewis and the News43:54
3Let’s Dance
Techniker(in) und Mix:
Bob Clearmountain
Produzent(in):
David Bowie (English singer‐songwriter) und Nile Rodgers
assistierende(r) Mix:
David Bowie (English singer‐songwriter) und Nile Rodgers
Solo-Gitarre:
Stevie Ray Vaughan
Sologesang:
David Bowie (English singer‐songwriter)
phonographisches Urheberrecht (℗) von:
David Bowie (English singer‐songwriter) (in 1983)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1982-12 bis 1983-01)
recording of:
Let’s Dance (von 1982-12 bis 1983-01)
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
Essex (publisher), Jones Music (publishers associated with David Bowie), Jones Music America, RZO Music Ltd und Watanabe Music Publishing CM division
David Bowie44:10
4Don’t You (Forget About Me)
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Jez Coad
Interpret(in):
Simple Minds (Scottish rock band) (am 1984-07-10)
phonographisches Urheberrecht (℗) von:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 25) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 340)
recording of:
Don’t You (Forget About Me) (am 1984-07-10)
Verfasser(in):
Keith Forsey (drummer, producer and songwriter) und Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. und Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:20
5Girls on Film
Techniker(in) und Produzent(in):
Colin Thurston
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1998)
recording of:
Girls on Film
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB und Gloucester Place Music Ltd.
Version von:
Girls on Film (Pre-Le Bon version)
Duran Duran3.753:27
6I Want That Man
Produzent(in) und Mix:
Tom Bailey (UK singer-songwriter / composer / producer) und Eric Thorngren
zusätzliche(r) Produzent(in):
Ben Grosse (American producer and engineer)
zusätzlich Gitarre:
Chris Stein
zusätzlich Schlagzeug:
Geoff Dugmore
remixer:
Ben Grosse (American producer and engineer)
aufgenommen bei:
Maison Rouge Studio in London (Greater London), England, Vereinigtes Königreich
mixed at:
Quad Recording in New York, New York, Vereinigte Staaten
remixed at:
Pearl Sound in Canton, Michigan, Vereinigte Staaten
recording of:
I Want That Man
Texter und Komponist(in):
Tom Bailey (Thompson Twins) und Alannah Currie
publisher:
BMG Music, Point Music Ltd. und Point Music America Inc. (in 1989)
Deborah Harry3.63:40
7White Wedding, Part 1
assistierende(r) Techniker(in):
Steve Bates (engineer)
Techniker(in):
Brian Reeves
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bassgitarre:
Phil Feit
Gitarre:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
Schlagzeug:
Steve Missal
Sologesang:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1982) und Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002)
aufgenommen bei und mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
White Wedding, Pt. 1 von Billy Idol (English rock singer‐songwriter)
recording of:
White Wedding
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Rare Blue Music Inc
Billy Idol4.154:13
8Rush Hour
Produzent(in):
Stephen Hague
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1988)
recording of:
Rush Hour
Verfasser(in):
Peter Rafelson und Jane Wiedlin
publisher:
BMG Music Publishing Ltd., Palan Music Publishing Ltd. und Universal Music–MGB Songs
Jane Wiedlin4:01
9We Close Our Eyes
Produzent(in):
Gary Stevenson
remixer:
Tom Lord‐Alge
phonographisches Urheberrecht (℗) von:
EMI Records (UK label renamed from Virgin EMI Records in 2020) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985)
Musikvideos:
We Close Our Eyes von Go West
recording of:
We Close Our Eyes
Verfasser(in):
Peter Cox (Artist and songwriter) und Richard Drummie
publisher:
ATV Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Music Publishing (do not use as a release label!)
Go West3.23:41
10Wired for Sound
Produzent(in):
Alan Tarney
vocals:
Cliff Richard
recording of:
Wired for Sound
Texter und Komponist(in):
B.A. Robertson und Alan Tarney
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Cliff Richard53:41
11Turning Japanese
Produzent(in):
Vic Coppersmith‐Heaven
E-Bass [bass guitar]:
Steve Smith (UK bassist for the Vapors)
Gitarre und Sologesang:
David Fenton
Gitarre [lead guitar]:
Edward Bazalgette
Schlagzeug:
Howard Smith (UK drummer for the Vapors)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, in 1980)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 30)
recording of:
Turning Japanese
Texter und Komponist(in):
David Fenton
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!) und Glenwood Music Corp.
The Vapors3.63:45
12Enola Gay
Techniker(in):
Laurence Diana und Max Norman
Produzent(in):
Mike Howlett und Orchestral Manoeuvres in the Dark
Bass und Synthesizer:
Andy McCluskey
Keyboard und Synthesizer:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
Schlagzeug und Perkussion:
Malcolm Holmes (drummer)
vocals:
Paul Humphreys (Orchestral Manoeuvres in the Dark) und Andy McCluskey
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980)
aufgenommen bei:
Ridge Farm Studios in Dorking, Surrey, England, Vereinigtes Königreich
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Enola Gay
Texter und Komponist(in):
Andy McCluskey
publisher:
Dinsong Music und Virgin Music Publishers Ltd.
Orchestral Manoeuvres in the Dark3.753:32
13Tarzan Boy
Produzent(in):
Maurizio Bassi
arranger:
Maurizio Bassi
recording of:
Tarzan Boy
Texter:
Naimy Hackett
Komponist(in):
Maurizio Bassi
publisher:
EMI Music Publishing (do not use as a release label!) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Baltimora43:21
14Senses Working Overtime
assistierende(r) Techniker(in):
Howard Gray (UK producer, engineer, and electronic musician)
Techniker(in):
Hugh Padgham
Produzent(in):
Hugh Padgham und XTC (English rock band)
Akustikgitarre und Hintergrundgesang und Sologesang:
Andy Partridge
Bass, Fretless Bass und Hintergrundgesang:
Colin Moulding
drum machine und Schlagzeug und Schlagzeug:
Terry Chambers
Gitarre:
Dave Gregory (XTC) und Andy Partridge
zwölfsaitige Gitarre und Perkussion:
Dave Gregory (XTC)
vocals:
Colin Moulding und Andy Partridge
aufgenommen bei:
The Manor in Oxfordshire, England, Vereinigtes Königreich
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 35) und Indie 88: Top 500 Indie Rock Songs (Nummer: 339)
recording of:
Senses Working Overtime
Texter und Komponist(in):
Andy Partridge
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
XTC54:51
15C'est la vie
recording of:
C’est la vie
Verfasser(in):
Mark Holding, Robbie Nevil und Duncan Pain (songwriter)
publisher:
AFG House Music, BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dresden China Music (A), EMI Music Publishing (do not use as a release label!), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), PolyGram Music Publishing, Universal‐MCA Music Publishing (US), Warner/Chappell Music Ltd. (1996–2019) und WC Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Robbie Nevil3:05
16Buffalo Stance
recording of:
Buffalo Stance
Verfasser(in):
Neneh Cherry, Cameron McVey, Jamie J. Morgan (Director, Photographer, Musician) und Phil Ramacon (soul/R&B/reggae songwriter)
publisher:
April Music Ltd., BMG VM Music Ltd. und Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), EMI Songs France (27, rue de Berri) und Warner Chappell Music France
basiert auf:
Looking Good Diving With The Wild Bunch
Neneh Cherry44:06
17Good Life
Techniker(in):
Ben Grosse (American producer and engineer)
Produzent(in):
Kevin Saunderson
Mix:
Ben Grosse (American producer and engineer) und Kevin "Master Reese" Saunderson
phonographisches Urheberrecht (℗) von:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1989)
recording of:
Good Life
Verfasser(in):
Paris Grey, Roy Holmon, Jackson, Ann Saunderson und Kevin Saunderson
publisher:
Drive On Music und Virgin Songs
Inner City3.254:02
18Rebel Yell
Techniker(in):
Michael Frondelli
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Dave Wittman
Bass, Gitarre und Keyboard:
Steve Stevens (US guitarist and songwriter) (in 1983)
Bassgitarre:
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (in 1983)
Keyboard:
Judi Dozier (in 1983)
Schlagzeug:
Thommy Price (in 1983)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1983)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983), Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1999) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1986)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (in 1983)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Rebel Yell von Billy Idol (English rock singer‐songwriter)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 79)
recording of:
Rebel Yell (in 1983)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
publisher:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) und WC Music Corp.
Billy Idol4.54:48
19Dancing in the Street
assistierende(r) Techniker(in):
Steve Boyer, Alexander Haas (sound engineer), Ira McLaughlin (engineer) und Richard Sullivan (engineer)
Techniker(in):
Stephen Benben, Bob Clearmountain und Mark Saunders (engineer)
Produzent(in):
David Bowie (English singer‐songwriter), Clive Langer und Alan Winstanley (English record producer)
zusätzliche(r) Produzent(in):
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson), Mick Jagger (The Rolling Stones), Nile Rodgers und Steve Thompson (producer)
alto saxophone:
Stan Harrison (American saxophonist) (von 1985-06-29 bis 1985-07)
baritone saxophone:
Lenny Pickett (saxophone) (von 1985-06-29 bis 1985-07)
E-Bass:
John Regan (songwriter/bassist) (von 1985-06-29 bis 1985-07) und Matthew Seligman (von 1985-06-29 bis 1985-07)
Gitarre:
Kevin Armstrong (UK guitarist, producer & songwriter) (von 1985-06-29 bis 1985-07), Earl Slick (von 1985-06-29 bis 1985-07) und G.E. Smith (von 1985-06-29 bis 1985-07)
Keyboard:
Steve Nieve (von 1985-06-29 bis 1985-07)
Perkussion:
Jimmy McLean (von 1985-06-29 bis 1985-07) und Pedro Ortiz (von 1985-06-29 bis 1985-07)
Schlagzeug:
Neil Conti (von 1985-06-29 bis 1985-07)
Tenorsaxophon:
Stan Harrison (American saxophonist) (von 1985-06-29 bis 1985-07) und Lenny Pickett (saxophone) (von 1985-06-29 bis 1985-07)
Trompete:
Mac Gollehon (von 1985-06-29 bis 1985-07)
Hintergrundgesang:
Tessa Niles (von 1985-06-29 bis 1985-07) und Helena Springs (von 1985-06-29 bis 1985-07)
Sologesang:
David Bowie (English singer‐songwriter) (von 1985-06-29 bis 1985-07) und Mick Jagger (The Rolling Stones) (von 1985-06-29 bis 1985-07)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1985-06-29 bis 1985-06-30) und Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1985-07)
cover recording of:
Dancing in the Street (von 1985-06-29 bis 1985-07)
Verfasser(in):
I. Hunter, M. Gaye und W. Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
David Bowie & Mick Jagger3.653:22
20Let’s Go All the Way (short Blix mix)
recording of:
Let’s Go All the Way
Texter und Komponist(in):
Gary “Mudbone” Cooper
publisher:
EMI Music Publishing (do not use as a release label!)
Sly Fox3:48
21Dancing With Tears in My Eyes
Techniker(in):
Rik Walton
Produzent(in):
Ultravox
Mix:
John Hudson (producer, recording and mixing engineer) (am 1984-03-19)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1984, in 2025)
aufgenommen bei:
Musicfest Studio (recording studio, located in Chiswick, London, UK) in Chiswick, Hounslow, London (Greater London), England, Vereinigtes Königreich (am 1983-08-08)
mixed at:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich (am 1984-03-19)
Musikvideos:
Dancing With Tears in My Eyes von Ultravox
recording of:
Dancing With Tears in My Eyes (am 1983-08-08)
Verfasser(in):
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie und Midge Ure
publisher:
Hot Food Publishing Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox44:06
22Kayleigh (single version)
recording engineer:
Thomas Stiehler (von 1985-03 bis 1985-05)
Produzent(in):
Chris Kimsey
Mix:
Mark Freegard und Chris Kimsey
Bassgitarre:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (von 1985-03 bis 1985-05)
Gitarre:
Steve Rothery (von 1985-03 bis 1985-05)
Keyboard:
Mark Kelly (Marillion keyboardist) (von 1985-03 bis 1985-05)
Perkussion und Schlagzeug:
Ian Mosley (von 1985-03 bis 1985-05)
Sologesang:
Fish (Derek William Dick, ex‐Marillion frontman) (von 1985-03 bis 1985-05)
phonographisches Urheberrecht (℗) von:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) und Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1985)
Remix von:
Kayleigh (alternative mix) von Marillion (British progressive rock band)
Bearbeitung von:
Kayleigh von Marillion (British progressive rock band)
recording of:
Kayleigh (von 1985-03 bis 1985-05)
Texter:
Derek William Dick
Komponist(in):
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery und Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. und Marillion Music
Marillion4.353:34
23Mary’s Prayer
Produzent(in):
Dave Bascombe
Interpret(in):
Danny Wilson (Scottish pop group) (in 1987)
produced at:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, Vereinigtes Königreich und Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
recording of:
Mary’s Prayer (in 1987)
Texter und Komponist(in):
Gary Clark (Scottish singer/producer; ex‐Danny Wilson, ex‐Transister, ex‐King L)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (, in 1988)
Danny Wilson33:49
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