Road to Ellingtonia

~ Release by Bill Le Sage Directing Directions in Jazz Unit (see all versions of this release, 1 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1It Don't Mean a Thing (If It Ain't Got That Swing)
recorded in:
London (Greater London), England, United Kingdom (on 1965-05-03)
bass:
Spike Heatley (on 1965-05-03)
drums (drum set):
Tony Carr (on 1965-05-03)
reeds [baritone saxophone, bass clarinet]:
Ronnie Ross (on 1965-05-03)
reeds [clarinet, alto saxophone]:
Bob Burns (Canadian alto/tenor saxophonist/clarinetist, based in Britain post-war) (on 1965-05-03)
woodwind [flute, alto saxophone]:
Johnny Scott (saxophonist) (on 1965-05-03)
conductor:
Bill Le Sage (on 1965-05-03)
arranger:
Bill Le Sage
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1965-05-03)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
3:25
A2Progressive Gavotte
recorded in:
London (Greater London), England, United Kingdom (on 1965-05-03)
bass:
Spike Heatley (on 1965-05-03)
drums (drum set):
Tony Carr (on 1965-05-03)
reeds [baritone saxophone, bass clarinet]:
Ronnie Ross (on 1965-05-03)
reeds [clarinet, alto saxophone]:
Bob Burns (Canadian alto/tenor saxophonist/clarinetist, based in Britain post-war) (on 1965-05-03)
woodwind [flute, alto saxophone]:
Johnny Scott (saxophonist) (on 1965-05-03)
conductor:
Bill Le Sage (on 1965-05-03)
arranger:
Bill Le Sage
5:15
A3Hiawatha
recorded in:
London (Greater London), England, United Kingdom (on 1965-05-03)
bass:
Spike Heatley (on 1965-05-03)
drums (drum set):
Tony Carr (on 1965-05-03)
reeds [baritone saxophone, bass clarinet]:
Ronnie Ross (on 1965-05-03)
reeds [clarinet, alto saxophone]:
Bob Burns (Canadian alto/tenor saxophonist/clarinetist, based in Britain post-war) (on 1965-05-03)
woodwind [flute, alto saxophone]:
Johnny Scott (saxophonist) (on 1965-05-03)
conductor:
Bill Le Sage (on 1965-05-03)
arranger:
Bill Le Sage
4:02
A4Prelude to a Kiss
recorded in:
London (Greater London), England, United Kingdom (on 1965-05-03)
bass:
Spike Heatley (on 1965-05-03)
drums (drum set):
Tony Carr (on 1965-05-03)
reeds [baritone saxophone, bass clarinet]:
Ronnie Ross (on 1965-05-03)
reeds [clarinet, alto saxophone]:
Bob Burns (Canadian alto/tenor saxophonist/clarinetist, based in Britain post-war) (on 1965-05-03)
woodwind [flute, alto saxophone]:
Johnny Scott (saxophonist) (on 1965-05-03)
conductor:
Bill Le Sage (on 1965-05-03)
arranger:
Bill Le Sage
cover recording of:
Prelude to a Kiss (on 1965-05-03)
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
3:27
A5C Jam Blues
recorded in:
London (Greater London), England, United Kingdom (on 1965-05-03)
bass:
Spike Heatley (on 1965-05-03)
drums (drum set):
Tony Carr (on 1965-05-03)
reeds [baritone saxophone, bass clarinet]:
Ronnie Ross (on 1965-05-03)
reeds [clarinet, alto saxophone]:
Bob Burns (Canadian alto/tenor saxophonist/clarinetist, based in Britain post-war) (on 1965-05-03)
woodwind [flute, alto saxophone]:
Johnny Scott (saxophonist) (on 1965-05-03)
conductor:
Bill Le Sage (on 1965-05-03)
arranger:
Bill Le Sage
cover recording of:
“C” Jam Blues (on 1965-05-03)
composer:
Barney Bigard and Duke Ellington (US composer, pianist & jazz bandleader) (in 1942)
5:02
B1Midriff
recorded in:
London (Greater London), England, United Kingdom (on 1965-05-03)
bass:
Spike Heatley (on 1965-05-03)
drums (drum set):
Tony Carr (on 1965-05-03)
reeds [baritone saxophone, bass clarinet]:
Ronnie Ross (on 1965-05-03)
reeds [clarinet, alto saxophone]:
Bob Burns (Canadian alto/tenor saxophonist/clarinetist, based in Britain post-war) (on 1965-05-03)
woodwind [flute, alto saxophone]:
Johnny Scott (saxophonist) (on 1965-05-03)
conductor:
Bill Le Sage (on 1965-05-03)
arranger:
Bill Le Sage
cover recording of:
Midriff (on 1965-05-03)
composer:
Billy Strayhorn and Gerald Valentine (trombone, aka Jerry Valentine)
4:42
B2U.M.M.G.
recorded in:
London (Greater London), England, United Kingdom (on 1965-05-03)
bass:
Spike Heatley (on 1965-05-03)
drums (drum set):
Tony Carr (on 1965-05-03)
reeds [baritone saxophone, bass clarinet]:
Ronnie Ross (on 1965-05-03)
reeds [clarinet, alto saxophone]:
Bob Burns (Canadian alto/tenor saxophonist/clarinetist, based in Britain post-war) (on 1965-05-03)
woodwind [flute, alto saxophone]:
Johnny Scott (saxophonist) (on 1965-05-03)
conductor:
Bill Le Sage (on 1965-05-03)
arranger:
Bill Le Sage
cover recording of:
Upper Manhattan Medical Group (on 1965-05-03)
composer:
Billy Strayhorn
part of:
The Real Book (compilation of jazz standards, volume I)
3:41
B3Come Sunday
recorded in:
London (Greater London), England, United Kingdom (on 1965-05-03)
bass:
Spike Heatley (on 1965-05-03)
drums (drum set):
Tony Carr (on 1965-05-03)
reeds [baritone saxophone, bass clarinet]:
Ronnie Ross (on 1965-05-03)
reeds [clarinet, alto saxophone]:
Bob Burns (Canadian alto/tenor saxophonist/clarinetist, based in Britain post-war) (on 1965-05-03)
woodwind [flute, alto saxophone]:
Johnny Scott (saxophonist) (on 1965-05-03)
conductor:
Bill Le Sage (on 1965-05-03)
arranger:
Bill Le Sage
cover recording of:
Come Sunday (1958 revision with lyrics) (on 1965-05-03)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
3:20
B4You Better Know It
recorded in:
London (Greater London), England, United Kingdom (on 1965-05-03)
bass:
Spike Heatley (on 1965-05-03)
drums (drum set):
Tony Carr (on 1965-05-03)
reeds [baritone saxophone, bass clarinet]:
Ronnie Ross (on 1965-05-03)
reeds [clarinet, alto saxophone]:
Bob Burns (Canadian alto/tenor saxophonist/clarinetist, based in Britain post-war) (on 1965-05-03)
woodwind [flute, alto saxophone]:
Johnny Scott (saxophonist) (on 1965-05-03)
conductor:
Bill Le Sage (on 1965-05-03)
arranger:
Bill Le Sage
4:12
B5Lay By
recorded in:
London (Greater London), England, United Kingdom (on 1965-05-03)
bass:
Spike Heatley (on 1965-05-03)
drums (drum set):
Tony Carr (on 1965-05-03)
reeds [baritone saxophone, bass clarinet]:
Ronnie Ross (on 1965-05-03)
reeds [clarinet, alto saxophone]:
Bob Burns (Canadian alto/tenor saxophonist/clarinetist, based in Britain post-war) (on 1965-05-03)
woodwind [flute, alto saxophone]:
Johnny Scott (saxophonist) (on 1965-05-03)
conductor:
Bill Le Sage (on 1965-05-03)
arranger:
Bill Le Sage
cover recording of:
Lay-By (on 1965-05-03)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
3:50

Credits

Release

liner notes:Peter Clayton
piano and vibraphone:Bill Le Sage (on 1965-05-03)