The Essential Movies

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▶CD
3▼CD
Nr.TitelKünstlerBewertungLänge
1Lust for Life
Techniker(in):
Eduard Meyer und Colin Thurston
Produzent(in):
Bewlay Bros.
Bassgitarre:
Tony Sales (von 1977-06-04 bis 1977-06-18)
Gitarre:
Carlos Alomar (von 1977-06-04 bis 1977-06-18) und Ricky Gardiner (von 1977-06-04 bis 1977-06-18)
Klavier:
David Bowie (English singer‐songwriter) (von 1977-06-04 bis 1977-06-18)
Schlagzeug, shakers und Tamburin:
Hunt Sales (von 1977-06-04 bis 1977-06-18)
Hintergrundgesang:
Hunt Sales (von 1977-06-04 bis 1977-06-18) und Tony Sales (von 1977-06-04 bis 1977-06-18)
Sologesang:
Iggy Pop (von 1977-06-04 bis 1977-06-18)
phonographisches Urheberrecht (℗) von:
Thousand Mile, Inc. (in 1977, in 1990) und Virgin Records America (used for copyrights) (in 1977)
aufgenommen bei:
Hansa Studio III in Berlin, Deutschland (von 1977-06-04 bis 1977-06-18)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 67), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 147) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 325)
recording of:
Lust for Life (von 1977-06-04 bis 1977-06-18)
Texter:
Iggy Pop
Komponist(in):
David Bowie (English singer‐songwriter) und Iggy Pop
publisher:
Bewlay Bros. Music, EMI Music (do not use as release label! this is a music publisher), Fleur Music Ltd. (publisher), Tintoretto Music, Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Bug Music (music publishing) (in 1988) und James Osterberg Music (in 1988)
Iggy Pop4.455:08
2Extreme Ways
Techniker(in) und Mix:
Moby (electronic musician Richard Melville Hall)
Instrumente und vocals:
Moby (electronic musician Richard Melville Hall)
recording of:
Extreme Ways (von 2000 bis 2002)
Texter und Komponist(in):
Moby (electronic musician Richard Melville Hall)
publisher:
Little Idiot Music, Songs of Kobalt Music Publishing und Warner Tamerlane (publisher; do NOT use as release label)
Moby43:59
3Clubbed to Death
recording of:
Clubbed to Death
Komponist(in):
Rob Dougan
Rob D4:02
4Can’t Get Blue Monday Out of My Head
drum machine-Programmierung:
Rob Davis (songwriter/producer was in Mud)
Programmierung:
Stuart Crichton
Produzent(in):
Rob Davis (songwriter/producer was in Mud) und Cathy Dennis
zusätzliche(r) Produzent(in):
Stuart Crichton
Mix:
Stuart Crichton und Tim Orford
E-Gitarre und Keyboard:
Rob Davis (songwriter/producer was in Mud)
Sologesang:
Kylie Minogue
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2002)
gemixt für:
Z Management
produced for:
19 Productions und Z Management
Mashup von:
Blue Monday (original 12″ version) von New Order (UK synth pop band)
recording of:
Can’t Get Blue Monday Out of My Head
Texter:
Cathy Dennis
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
Komponist(in):
Robert Davis (songwriter/producer was in Mud)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner/Chappell Music Ltd. (1996–2019)
basiert auf:
Blue Monday
basiert auf:
Can’t Get You Out of My Head
Kylie Minogue54:01
5Superfreak
recording engineer und Mix:
Tom "Super" Flye
assistierende(r) Techniker(in):
Rick "Port Hole" Sanchez
Techniker(in):
Bobby Brooks (US producer/engineer/remixer), Rick "Port Hole" Sanchez und Tom "Super" Flye
leitende(r) Produzent(in):
Alonzo Miller (Singer-songwriter, producer)
Produzent(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
andere Instrumente [flexatone] und Vibraslap:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
Bass:
Oscar Alston
Gitarre:
Tom McDermott (guitarist)
Händeklatschen und Perkussion:
Oscar Alston, Rick James (US vocalist, multi‐instrumentalist, composer & producer) und Tom McDermott (guitarist)
Hybrid-Piano und Synthesizer [Crumar]:
Levi Ruffin, Jr.
Schlagzeug:
Lanise Hughes
Tenorsaxophon:
Daniel LeMelle
Hintergrundgesang:
Dennis Edwards (US soul & R’n’B singer), Melvin Franklin, Taborah Johnson, Glenn Leonard, Richard Street und Otis Williams (US baritone singer, member of The Temptations & The Distants)
Horn arranger:
Daniel LeMelle und Rick James (US vocalist, multi‐instrumentalist, composer & producer)
arranger:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
aufgenommen bei:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten (Hintergrundgesang) und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 71), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 153) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 477)
recording of:
Super Freak
Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator)
Texter und Komponist(in):
Alonzo Miller (Singer-songwriter, producer) und Rick James (US vocalist, multi‐instrumentalist, composer & producer)
publisher:
Jobete Music Co., Inc. und Stone Diamond Music Corporation
Rick James4.153:24
6I Wanna Be Your Dog
Produzent(in):
John Cale (The Velvet Underground founder)
Bassgitarre:
Dave Alexander (bassist for The Stooges)
E-Gitarre:
Ron Asheton
Schlagzeug:
Scott Asheton
Sologesang:
Iggy Stooge
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 37), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 314) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 438)
recording of:
I Wanna Be Your Dog
Verfasser(in):
Dave Alexander (bassist for The Stooges), Ron Asheton, Scott Asheton und Iggy Pop
publisher:
Productions et Éditions Cinématographiques Françaises, Stooge Staffel Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Iggy and The Stooges3.63:09
7Just Dropped In (to See What Condition My Condition Is In)
Produzent(in):
Mike Post
Sologesang:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
arranger:
Mike Post
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1998)
recording of:
Just Dropped In (to See What Condition My Condition Was In)
Texter, Verfasser(in) und Komponist(in):
Mickey Newbury (American songwriter)
publisher:
Acuff-Rose Publications, Inc. (BMI)
cover recording of:
Just Dropped In (to See What Condition My Condition Was In)
Texter, Verfasser(in) und Komponist(in):
Mickey Newbury (American songwriter)
publisher:
Acuff-Rose Publications, Inc. (BMI)
Kenny Rogers & The First Edition3.753:21
8Don’t You Just Know It
recording of:
Don’t You Just Know It
Verfasser(in):
Huey “Piano” Smith und Johnny Vincent
Huey “Piano” Smith2:34
9Mirror in the Bathroom
Produzent(in):
Bob Sargeant
Bass:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
Gitarre:
Andy Cox (of The Beat) und Dave Wakeling
Saxophon:
Papa Saxa
Schlagzeug:
Everett Morton
vocals:
Ranking Roger und Dave Wakeling
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 282)
recording of:
Mirror in the Bathroom
Verfasser(in):
Andy Cox (of The Beat), Everett Morton, Roger Charlery, David Steele (UK musician, member of The Beat and Fine Young Cannibals) und Dave Wakeling
publisher:
Arista Records Ltd. (not for release label use!), Beat Brothers Ltd. und Zomba Enterprises, Inc.
The Beat4.753:08
10Give the Po’ Man a Break
recording of:
Give the Po’ Man a Break
Texter und Komponist(in):
Norman Cook
publisher:
EMI Music (do not use as release label! this is a music publisher), Polygram Music und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Fatboy Slim5:15
11There Is a Light That Never Goes Out
Techniker(in):
Stephen Street (famous producer, songwriter)
Produzent(in):
Johnny Marr und Morrissey (English singer‐songwriter)
Bassgitarre:
Andy Rourke
Gitarre:
Johnny Marr
Schlagzeug:
Mike Joyce (UK drummer)
Sologesang:
Morrissey (English singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Rough Trade Records Ltd. und Warner Music UK Ltd. (not for release label use!) (in 2017)
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 4), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 86), Indie 88: Top 500 Indie Rock Songs (Nummer: 159) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 226)
recording of:
There Is a Light That Never Goes Out (in 1985)
Texter:
Morrissey (English singer‐songwriter)
Komponist(in):
Johnny Marr
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Smiths4.44:04
12Love Will Tear Us Apart
Produzent(in):
Joy Division und Martin Hannett
Bass:
Peter Hook
Gitarre:
Bernard Albrecht
Schlagzeug:
Stephen Morris (New Order)
vocals:
Bernard Albrecht und Ian Curtis
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1988)
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (Nummer: 5), Q50 – December 2005 (Nummer: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 14), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 179)
recording of:
Love Will Tear Us Apart
Texter:
Ian Curtis
Komponist(in):
Ian Curtis, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:27
13Crazy
Techniker(in):
Ben H. Allen
Produzent(in):
Danger Mouse (Brian Burton)
Mix:
Ben H. Allen und Danger Mouse (Brian Burton)
zusätzliche(r) Mix:
Kennie Takahashi
Musikvideos:
Crazy von Gnarls Barkley
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 28), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 307), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 355) und Indie 88: Top 500 Indie Rock Songs (Nummer: 357)
recording of:
Crazy (Gnarls Barkley song)
Texter:
Thomas DeCarlo Callaway
Verfasser(in):
Gian Franco Reverberi und Gian Piero Reverberi
Komponist(in):
Brian Burton
Gnarls Barkley4.13:01
14Tweedle Dee
recorded in:
New York, New York, Vereinigte Staaten (am 1954-10-20)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
andere Instrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Schlagzeug und Schlagzeug [drums]:
Connie Kay (am 1954-10-20)
Tenorsaxophon:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1954-10-20)
Hintergrundgesang:
The Gliders (UK rock trio) (am 1954-10-20)
Sologesang:
LaVern Baker (US rhythm & blues singer) (am 1954-10-20)
vocals:
LaVern Baker (US rhythm & blues singer) (am 1954-10-20)
recording of:
Tweedlee Dee (am 1954-10-20)
Texter und Komponist(in):
Winfield Scott (in 1954)
publisher:
Hill & Range Songs, Inc. (publisher) und Unichappell Music
cover recording of:
Tweedlee Dee (am 1954-10-20)
Texter und Komponist(in):
Winfield Scott (in 1954)
publisher:
Hill & Range Songs, Inc. (publisher) und Unichappell Music
LaVern Baker3:07
15Comin’ Home Baby
recording of:
Comin’ Home Baby (later version with lyrics)
Texter:
Bob Dorough
Komponist(in):
Ben Tucker
Revision von:
Comin’ Home Baby (original instrumental)
Mel Tormé2:43
16Soul Finger
recording of:
Soul Finger
Verfasser(in):
Ronnie Caldwell, Ben Cauley, Carl Cunningham (drummer for The Bar‐Kays), James Alexander (US soul bassist, singer and songwriter), Phalon Jones und Jimmy King (US guitarist for The Bar‐Kays)
The Bar‐Kays2:21
17I Can’t Wait
Mix:
Peter Slaghuis
Bass:
Gary Fountaine (Oregon-based bassist) und Nate Phillips (jazz bassist)
Gitarre [guitars]:
John Smith (Nu Shooz)
Keyboard [keyboards]:
Jeff Lorber, Ron Regan (keyboardist, saxophonist), Steve Reid (guitarist, The Associates) und John Smith (Nu Shooz)
Perkussion und Sologesang [vocals]:
Valerie Day (singer, musician, songwriter, producer)
Saxophon [sax]:
Ron Regan (keyboardist, saxophonist)
Schlagzeug:
Marty Higgins
Trompete:
Lewis Livermore (trumpet player)
Hintergrundgesang [backing vocals]:
Shannon Day und Lori Lamphear
zusätzlich arranger:
Jeff Lorber
Musikvideos:
I Can't Wait von Nu Shooz
recording of:
I Can’t Wait
Texter und Komponist(in):
John Smith (Nu Shooz)
publisher:
Poolside Music
Nu Shooz3.755:27
18Since Yesterday
Techniker(in):
David Motion und Trig
Produzent(in):
David Motion
Gitarre:
Jill Bryson und Rose McDowall
Hintergrundgesang und Sologesang:
Rose McDowall
vocals:
Jill Bryson
arranger:
David Motion
phonographisches Urheberrecht (℗) von:
A Korova Recording und WEA Records Ltd. (holding company based in the UK)
recording of:
Since Yesterday
Verfasser(in):
Jill Bryson und Rose McDowall
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und Zoo Music Publishing
Version von:
Dance
Strawberry Switchblade4.652:54
19Just Like Honey
recording of:
Just Like Honey
Verfasser(in):
Jim Reid (Jesus and Mary Chain) und William Reid (guitarist, The Jesus and Mary Chain)
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
basiert auf:
Intro (Just Like Honey)
The Jesus and Mary Chain3:02
20Right Round
Gast vocals:
Kesha (American singer fka Ke$ha)
Teil von:
Billboard Year-End Hot 100 singles of 2009 (Nummer: 6)
recording of:
Right Round
Verfasser(in):
Allan Grigg, Justin Franks (Justin Franks), Philip Lawrence (urban songwriter/producer, of The Smeezingtons), Lukasz Gottwald, Bruno Mars (US singer), Michael Percy, Peter Burns, Stephen Coy, Timothy Lever und Tramar Dillard (American rapper)
zusätzliche(r) Verfasser(in):
Aaron Bay‐Schuck (A&R, writing, directing, production credits)
publisher:
Artist Publishing Group West, Burning Music Ltd., J Franks Publishing, Kasz Money Publishing (ASCAP affiliated), Kojaktrax, Mars Force Music, Music Famamanem LP, Northside Independent Music Publishing LLC, Prescription Songs, Sony/ATV Tunes LLC (ASCAP), WB Music Corp. (1929–2019) und Westbury Music Ltd.
basiert auf:
You Spin Me Round (Like a Record)
Flo Rida4.13:25
21Sound of Violence
recording of:
The Sound of Violence
Verfasser(in):
Hubert Blanc-Francard, Philippe Cerboneschi und Steve Edwards (English house-music singer)
Dennis De Laat7:41

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