Permanent Record: Al in the Box

~ Release by “Weird Al” Yankovic (see all versions of this release, 2 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleRatingLength
1Lasagna
engineer and mixer:
Tony Papa
producer:
Rick Derringer
accordion, keyboard and lead vocals:
“Weird Al” Yankovic
bass guitar:
Steve Jay (US bassist, “Weird Al” collaborator)
guitar:
Rick Derringer and Jim West (supporting musician for “Weird Al” Yankovic)
mandolin:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone and percussion:
Jon “Bermuda” Schwartz (drummer)
saxophone:
Joe Sublett (The Texacali Horns)
synthesizer:
Kim Bullard
turntable:
Ronny Jay
background vocals:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) and “Weird Al” Yankovic
arranger:
Al Yankovic
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), RCA/Jive Label Group (holding company, not a release label) (in 1988) and Volcano Entertainment III, L.L.C. (in 1988)
recorded at:
Santa Monica Sound Recorders in Santa Monica, California, United States
recording of:
Lasagna
lyricist and arranger:
Al Yankovic
composer:
[traditional] (special purpose artist)
translated parody version of:
La bamba (additional lyrics by Ritchie Valens)
3.52:49
2Good Old Days
engineer and mixer:
Tony Papa
producer:
Rick Derringer
accordion, keyboard and lead vocals:
“Weird Al” Yankovic
bass guitar:
Steve Jay (US bassist, “Weird Al” collaborator)
guitar:
Rick Derringer and Jim West (supporting musician for “Weird Al” Yankovic)
mandolin:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone and percussion:
Jon “Bermuda” Schwartz (drummer)
saxophone:
Joe Sublett (The Texacali Horns)
synthesizer:
Kim Bullard
turntable:
Ronny Jay
background vocals:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) and “Weird Al” Yankovic
arranger:
Al Yankovic
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), RCA/Jive Label Group (holding company, not a release label) (in 1988) and Volcano Entertainment III, L.L.C. (in 1988)
recorded at:
Santa Monica Sound Recorders in Santa Monica, California, United States
recording of:
Good Old Days
lyricist and composer:
Al Yankovic
publisher:
Ear Booker Music, Holy Moley Music and Sony/ATV Melody
3.253:24
3Fat
engineer and mixer:
Tony Papa
producer:
Rick Derringer
accordion, keyboard and lead vocals:
“Weird Al” Yankovic
bass guitar:
Steve Jay (US bassist, “Weird Al” collaborator)
guitar:
Rick Derringer and Jim West (supporting musician for “Weird Al” Yankovic)
mandolin:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone and percussion:
Jon “Bermuda” Schwartz (drummer)
saxophone:
Joe Sublett (The Texacali Horns)
synthesizer:
Kim Bullard
turntable:
Ronny Jay
background vocals:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) and “Weird Al” Yankovic
arranger:
Al Yankovic
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), RCA/Jive Label Group (holding company, not a release label) (in 1988) and Volcano Entertainment III, L.L.C. (in 1988)
recorded at:
Santa Monica Sound Recorders in Santa Monica, California, United States
music videos:
Fat by Weird Al Yankovic
recording of:
Fat
lyricist:
Al Yankovic
composer:
Michael Jackson (“King of Pop”)
publisher:
Mijac Music
parody version of:
Bad
3.93:40
4Melanie
engineer and mixer:
Tony Papa
producer:
Rick Derringer
accordion, keyboard and lead vocals:
“Weird Al” Yankovic
bass guitar:
Steve Jay (US bassist, “Weird Al” collaborator)
guitar:
Rick Derringer and Jim West (supporting musician for “Weird Al” Yankovic)
mandolin:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone and percussion:
Jon “Bermuda” Schwartz (drummer)
saxophone:
Joe Sublett (The Texacali Horns)
synthesizer:
Kim Bullard
turntable:
Ronny Jay
background vocals:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) and “Weird Al” Yankovic
arranger:
Al Yankovic
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), RCA/Jive Label Group (holding company, not a release label) (in 1988) and Volcano Entertainment III, L.L.C. (in 1988)
recorded at:
Santa Monica Sound Recorders in Santa Monica, California, United States
recording of:
Melanie
lyricist and composer:
Al Yankovic
publisher:
Ear Booker Music, Holy Moley Music and Sony/ATV Melody
2.654:01
5I Think I’m a Clone Now
engineer and mixer:
Tony Papa
producer:
Rick Derringer
accordion, keyboard and lead vocals:
“Weird Al” Yankovic
bass guitar:
Steve Jay (US bassist, “Weird Al” collaborator)
guitar:
Rick Derringer and Jim West (supporting musician for “Weird Al” Yankovic)
mandolin:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone and percussion:
Jon “Bermuda” Schwartz (drummer)
saxophone:
Joe Sublett (The Texacali Horns)
synthesizer:
Kim Bullard
turntable:
Ronny Jay
background vocals:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) and “Weird Al” Yankovic
arranger:
Al Yankovic
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988) and Volcano Entertainment III, L.L.C. (in 1988)
recorded at:
Santa Monica Sound Recorders in Santa Monica, California, United States
recording of:
I Think I’m a Clone Now
lyricist:
Al Yankovic
composer:
Ritchie Cordell
publisher:
Abz Music, Ear Booker Music and EMI Longitude Music
parody version of:
I Think We’re Alone Now
2.653:20
6You Make Me
engineer and mixer:
Tony Papa
producer:
Rick Derringer
accordion, keyboard and lead vocals:
“Weird Al” Yankovic
bass guitar:
Steve Jay (US bassist, “Weird Al” collaborator)
guitar:
Rick Derringer and Jim West (supporting musician for “Weird Al” Yankovic)
mandolin:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone and percussion:
Jon “Bermuda” Schwartz (drummer)
saxophone:
Joe Sublett (The Texacali Horns)
synthesizer:
Kim Bullard
turntable:
Ronny Jay
background vocals:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) and “Weird Al” Yankovic
arranger:
Al Yankovic
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988) and Volcano Entertainment III, L.L.C. (in 1988)
recorded at:
Santa Monica Sound Recorders in Santa Monica, California, United States
recording of:
You Make Me
lyricist and composer:
Al Yankovic
publisher:
Ear Booker Music and Holy Moley Music
2.53:07
7Alimony
engineer and mixer:
Tony Papa
producer:
Rick Derringer
accordion, keyboard and lead vocals:
“Weird Al” Yankovic
bass guitar:
Steve Jay (US bassist, “Weird Al” collaborator)
guitar:
Rick Derringer and Jim West (supporting musician for “Weird Al” Yankovic)
mandolin:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone and percussion:
Jon “Bermuda” Schwartz (drummer)
saxophone:
Joe Sublett (The Texacali Horns)
synthesizer:
Kim Bullard
turntable:
Ronny Jay
background vocals:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) and “Weird Al” Yankovic
arranger:
Al Yankovic
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988) and Volcano Entertainment III, L.L.C. (in 1988)
recorded at:
Santa Monica Sound Recorders in Santa Monica, California, United States
recording of:
Alimony
lyricist:
Al Yankovic
composer:
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry and Tommy James (American musician, singer, songwriter and record producer)
publisher:
Abz Music and EMI Longitude Music
parody version of:
Mony Mony
2.753:18
8UHF (single version)
producer:
Rick Derringer
bass guitar and bass vocals:
Steve Jay (US bassist, “Weird Al” collaborator)
bongos, cowbell, maracas, membranophone and tambourine:
Jon “Bermuda” Schwartz (drummer)
guitar:
Jim West (supporting musician for “Weird Al” Yankovic)
saxophone:
Donnie Sierer
synthesizer:
Kim Bullard
trumpet:
Warren Luening
background vocals:
The Waters Sisters and “Weird Al” Yankovic
lead vocals:
“Weird Al” Yankovic
phonographic copyright (℗) by:
RCA/Jive Label Group (holding company, not a release label) (in 1989)
music videos:
UHF by “Weird Al” Yankovic
recording of:
UHF
lyricist and composer:
Al Yankovic
publisher:
Ear Booker Music and Sony/ATV Melody
23:52
9Money for Nothing/Beverly Hillbillies
producer:
Rick Derringer
guitar:
Mark Knopfler
synthesizer:
Guy Fletcher (keyboardist)
arranger:
Al Yankovic
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989) and Volcano Entertainment III, L.L.C. (in 1989)
music videos:
Money for Nothing/Beverly Hillbillies by “Weird Al” Yankovic
recording of:
Money for Nothing/Beverly Hillbillies
lyricist:
Al Yankovic
composer:
Paul Henning (TV screenwriter and songwriter), Mark Knopfler and Sting (singer, songwriter & member of The Police)
parody version of:
Money for Nothing (Dire Straits song)
parody version of:
The Ballad of Jed Clampett
3.653:14
10The Biggest Ball of Twine in Minnesota
producer:
Rick Derringer
bass guitar:
Steve Jay (US bassist, “Weird Al” collaborator)
cymbal, membranophone and timpani:
Jon “Bermuda” Schwartz (drummer)
guitar:
Jim West (supporting musician for “Weird Al” Yankovic)
synthesizer:
Kim Bullard
background vocals:
The Waters Sisters and “Weird Al” Yankovic
lead vocals:
“Weird Al” Yankovic
arranger:
Al Yankovic
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), RCA/Jive Label Group (holding company, not a release label) (in 1989) and Volcano Entertainment III, L.L.C. (in 1989)
recording of:
The Biggest Ball of Twine in Minnesota
lyricist and composer:
Al Yankovic
publisher:
Ear Booker Music and Sony/ATV Melody
4.356:50
11Spam
producer:
Rick Derringer
arranger:
Al Yankovic
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989) and Volcano Entertainment III, L.L.C. (in 1989)
recording of:
Spam
lyricist:
Al Yankovic
composer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
parody version of:
Stand
3.353:03
12Generic Blues
producer:
Rick Derringer
arranger:
Al Yankovic
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989) and Volcano Entertainment III, L.L.C. (in 1989)
recording of:
Generic Blues
lyricist and composer:
Al Yankovic
publisher:
Ear Booker Music and Sony/ATV Melody
4.54:35
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