| # | Title | Rating | Length |
|---|
| 1 | Cantata, BWV 4 "Christ lag in Todesbanden": I. Sinfonia- orchestra:
- Concentus Musicus Wien (from 1970-12 until 1971-04)
- conductor:
- Nikolaus Harnoncourt (on 1970-12-01, from 1970-12 until 1971-04)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (on 1970-12-01, from 1970-12 until 1971-04)
- recording of:
- Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia (on 1970-12-01)
- composed in:
- Mühlhausen, Thüringen , Germany (from 1707 until 1708)
- revised in:
- Leipzig, Sachsen , Germany (from 1724 until 1725)
- composer:
- Johann Sebastian Bach (in 1707)
- part of:
- Kantate, BWV 4 „Christ lag in Todesbanden“
- recording of:
- Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“
- composed in:
- Mühlhausen, Thüringen , Germany (from 1707 until 1708)
- revised in:
- Leipzig, Sachsen , Germany (from 1724 until 1725)
- composer:
- Johann Sebastian Bach (in 1707)
- librettist:
- Martin Luther (in 1524)
- part of:
- Kantate, BWV 4 „Christ lag in Todesbanden“
| | 1:06 |
| 2 | Cantata, BWV 4 "Christ lag in Todesbanden": II. Verso I "Christ lag in Todes Banden"- choir vocals:
- Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
- orchestra:
- Concentus Musicus Wien (from 1970-12 until 1971-04)
- conductor:
- Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
- chorus master:
- Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
- recording of:
- Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“ (from 1970-12-01 until 1971-04)
- composed in:
- Mühlhausen, Thüringen , Germany (from 1707 until 1708)
- revised in:
- Leipzig, Sachsen , Germany (from 1724 until 1725)
- composer:
- Johann Sebastian Bach (in 1707)
- librettist:
- Martin Luther (in 1524)
- part of:
- Kantate, BWV 4 „Christ lag in Todesbanden“
| | 4:18 |
| 3 | Cantata, BWV 4 "Christ lag in Todesbanden": III.Verso II "Den Tod niemand zwingen kunnt"- alto vocals:
- Paul Esswood (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
- orchestra:
- Concentus Musicus Wien (from 1970-12 until 1971-04)
- conductor:
- Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
- recording of:
- Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“ (from 1970-12-01 until 1971-04)
- composed in:
- Mühlhausen, Thüringen , Germany (from 1707 until 1708)
- revised in:
- Leipzig, Sachsen , Germany (from 1724 until 1725)
- composer:
- Johann Sebastian Bach (in 1707)
- librettist:
- Martin Luther (in 1524)
- part of:
- Kantate, BWV 4 „Christ lag in Todesbanden“
| | 3:41 |
| 4 | Cantata, BWV 4 "Christ lag in Todesbanden": IV. Verso III "Jesus Christus, Gottes Sohn"- tenor vocals:
- Kurt Equiluz (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
- orchestra:
- Concentus Musicus Wien (from 1970-12 until 1971-04)
- conductor:
- Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
- recording of:
- Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“ (from 1970-12-01 until 1971-04)
- composed in:
- Mühlhausen, Thüringen , Germany (from 1707 until 1708)
- revised in:
- Leipzig, Sachsen , Germany (from 1724 until 1725)
- composer:
- Johann Sebastian Bach (in 1707)
- librettist:
- Martin Luther (in 1524)
- part of:
- Kantate, BWV 4 „Christ lag in Todesbanden“
| | 2:18 |
| 5 | Cantata, BWV 4 "Christ lag in Todesbanden": V. Verso IV "Es war ein wunderlicher Krieg"- choir vocals:
- Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
- orchestra:
- Concentus Musicus Wien (from 1970-12 until 1971-04)
- conductor:
- Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
- chorus master:
- Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
- recording of:
- Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“ (from 1970-12-01 until 1971-04)
- composed in:
- Mühlhausen, Thüringen , Germany (from 1707 until 1708)
- revised in:
- Leipzig, Sachsen , Germany (from 1724 until 1725)
- composer:
- Johann Sebastian Bach (in 1707)
- librettist:
- Martin Luther (in 1524)
- part of:
- Kantate, BWV 4 „Christ lag in Todesbanden“
| | 2:28 |
| 6 | Cantata, BWV 4 "Christ lag in Todesbanden": VI. Verso V "Hier ist das rechte Osterlamm"- bass vocals:
- Max van Egmond (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04-01)
- orchestra:
- Concentus Musicus Wien (from 1970-12 until 1971-04)
- conductor:
- Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04-01)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04-01)
- recording of:
- Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ (from 1970-12-01 until 1971-04-01)
- composed in:
- Mühlhausen, Thüringen , Germany (from 1707 until 1708)
- revised in:
- Leipzig, Sachsen , Germany (from 1724 until 1725)
- composer:
- Johann Sebastian Bach (in 1707)
- librettist:
- Martin Luther (in 1524)
- part of:
- Kantate, BWV 4 „Christ lag in Todesbanden“
| | 3:00 |
| 7 | Cantata, BWV 4 "Christ lag in Todesbanden": VII. Verso VI "So feiern wir das hohe Fest"- tenor vocals:
- Kurt Equiluz (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
- orchestra:
- Concentus Musicus Wien (from 1970-12 until 1971-04)
- conductor:
- Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
- recording of:
- Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“ (from 1970-12-01 until 1971-04)
- composed in:
- Mühlhausen, Thüringen , Germany (from 1707 until 1708)
- revised in:
- Leipzig, Sachsen , Germany (from 1724 until 1725)
- composer:
- Johann Sebastian Bach (in 1707)
- librettist:
- Martin Luther (in 1524)
- part of:
- Kantate, BWV 4 „Christ lag in Todesbanden“
| | 2:08 |
| 8 | Cantata, BWV 4 "Christ lag in Todesbanden": VIII. Verso VII "Wir essen und leben wohl"- choir vocals:
- Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
- orchestra:
- Concentus Musicus Wien (from 1970-12 until 1971-04)
- conductor:
- Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
- chorus master:
- Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
- recording of:
- Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“ (from 1970-12-01 until 1971-04)
- composed in:
- Mühlhausen, Thüringen , Germany (from 1707 until 1708)
- revised in:
- Leipzig, Sachsen , Germany (from 1724 until 1725)
- composer:
- Johann Sebastian Bach (in 1707)
- librettist:
- Martin Luther (in 1524)
- part of:
- Breitkopf 389 Choralgesänge (number: 41)
- part of:
- Kantate, BWV 4 „Christ lag in Todesbanden“
| | 1:19 |
| 9 | Cantata, BWV 5 "Wo soll ich fliehen hin": I. (Coro) "Wo soll ich fliehen hin" | | 3:53 |
| 10 | Cantata, BWV 5 "Wo soll ich fliehen hin": II. Recitativo "Der Sünden Wust hat mich nicht nur befleckt" | | 1:03 |
| 11 | Cantata, BWV 5 "Wo soll ich fliehen hin": III. Aria "Ergieße dich reichlich" | | 6:37 |
| 12 | Cantata, BWV 5 "Wo soll ich fliehen hin": IV. Recitativo "Mein treuer Heiland tröstet mich" | | 1:47 |
| 13 | Cantata, BWV 5 "Wo soll ich fliehen hin": V. Aria "Verstumme, Höllenheer"- bass vocals:
- Max van Egmond (in 1971-01)
- orchestra:
- Concentus Musicus Wien (in 1971-01)
- conductor:
- Nikolaus Harnoncourt (in 1971-01)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1971-01)
- recording of:
- Kantate, BWV 5 "Wo soll ich fliehen hin": V. Aria (Basso) "Verstumme, Höllenheer, Du machst mich nicht verzagt!" (in 1971-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1724-10-15)
- composed in:
- Leipzig, Sachsen , Germany (in 1724)
- composer:
- Johann Sebastian Bach (in 1724)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 5 "Wo soll ich fliehen hin"
| | 7:49 |
| 14 | Cantata, BWV 5 "Wo soll ich fliehen hin": VI. Recitativo "Ich bin ja nur das kleinste Teil der Welt" | | 0:48 |
| 15 | Cantata, BWV 5 "Wo soll ich fliehen hin": VII. Chorale "Führ auch mein Herz und Sinn" | | 0:58 |
| 16 | Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": I. (Coro) "Bleib bei uns, denn es will Abend werden"- choir vocals:
- Chorus Viennensis (in 1971-01) and Wiener Sängerknaben (in 1971-01)
- orchestra:
- Concentus Musicus Wien (in 1971-01)
- conductor:
- Nikolaus Harnoncourt (in 1971-01)
- chorus master:
- Hans Gillesberger (in 1971-01)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1971-01)
- recording of:
- Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": I. Coro "Bleib bei uns, denn es will Abend werden" (in 1971-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1725-04-02)
- composed in:
- Leipzig, Sachsen , Germany (in 1725)
- composer:
- Johann Sebastian Bach (in 1725)
- part of:
- Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
| | 5:33 |
| 17 | Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria "Hochgelobter Gottessohn"- alto vocals:
- Paul Esswood (in 1971-01)
- orchestra:
- Concentus Musicus Wien (in 1971-01)
- conductor:
- Nikolaus Harnoncourt (in 1971-01)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1971-01)
- recording of:
- Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (in 1971-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1725-04-02)
- composed in:
- Leipzig, Sachsen , Germany (in 1725)
- composer:
- Johann Sebastian Bach (in 1725)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
| | 3:45 |
| 18 | Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Chorale "Ach bleib bei uns, Herr Jesu Christ"- orchestra:
- Concentus Musicus Wien (in 1971-01)
- conductor:
- Nikolaus Harnoncourt (in 1971-01)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1971-01)
- recording of:
- Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ" (in 1971-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1725-04-02)
- composed in:
- Leipzig, Sachsen , Germany (in 1725)
- composer:
- Johann Sebastian Bach (in 1725)
- librettist:
- Nikolaus Herman (in 1572) and Nikolaus Selnecker (in 1572)
- part of:
- Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
| | 4:04 |
| 19 | Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": IV. Recitativo "Es hat die Dunkelheit an vielen Orten"- bass vocals:
- Max van Egmond (in 1971-01)
- orchestra:
- Concentus Musicus Wien (in 1971-01)
- conductor:
- Nikolaus Harnoncourt (in 1971-01)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1971-01)
- recording of:
- Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": IV. Recitativo (Basso) "Es hat die Dunkelheit" (in 1971-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1725-04-02)
- composed in:
- Leipzig, Sachsen , Germany (in 1725)
- composer:
- Johann Sebastian Bach (in 1725)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
| | 0:40 |
| 20 | Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": V. Aria "Jesu, laß uns auf dich sehen"- tenor vocals:
- Kurt Equiluz (in 1971-01)
- orchestra:
- Concentus Musicus Wien (in 1971-01)
- conductor:
- Nikolaus Harnoncourt (in 1971-01)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1971-01)
- recording of:
- Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": V. Aria (Tenore) "Jesu, lass uns auf dich sehen" (in 1971-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1725-04-02)
- composed in:
- Leipzig, Sachsen , Germany (in 1725)
- composer:
- Johann Sebastian Bach (in 1725)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
| | 4:07 |
| 21 | Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": VI. Chorale "Beweis dein Macht, Herr Jesu Christ"- choir vocals:
- Chorus Viennensis (in 1971-01) and Wiener Sängerknaben (in 1971-01)
- orchestra:
- Concentus Musicus Wien (in 1971-01)
- conductor:
- Nikolaus Harnoncourt (in 1971-01)
- chorus master:
- Hans Gillesberger (in 1971-01)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1971-01)
- recording of:
- Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": VI. Choral "Beweis dein Macht, Herr Jesu Christ" (in 1971-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1725-04-02)
- composed in:
- Leipzig, Sachsen , Germany (in 1725)
- composer:
- Johann Sebastian Bach (in 1725)
- librettist:
- Martin Luther (in 1542)
- part of:
- Breitkopf 389 Choralgesänge (number: 79)
- part of:
- Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
| | 0:43 |
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