Starsky & Hutch

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Old Days
Techniker(in):
Jeff Guercio, Mark Guercio (Engineer) und Wayne Tarnowski
Produzent(in):
James William Guercio
Mix:
Phil Ramone (in 1974-09)
Sologesang:
Peter Cetera (in 1975)
Orchestrator(in):
Patrick Williams (composer, arranger)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975), Warner Strategic Marketing (in 1975) und Rhino Entertainment Company (not for release label use!) (in 2002)
aufgenommen bei und mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (in 1974-09)
recording of:
Old Days (in 1974-09)
Texter und Komponist(in):
James Pankow
publisher:
Big Elk Music und Make Me Smile Music
Chicago3.53:29
2Dazz
assistierende(r) Techniker(in):
Phil Benton
Techniker(in):
Johnny Duncan (producer)
Produzent(in):
Brick (US soul funk disco quintet), Johnny Duncan (producer), Jim Healy und Robert E. Lee
Saiteninstrumente:
David Arenz, Larry LeMaster (cellist), Heidi Nitchie (violist), Benjamin Picone, Patricio Salvatierra (Strings) und Willard Shull
Orchester:
Atlanta Symphony Players
Saiteninstrumente arranger:
Skip Lane
produced for:
Brickhouse Productions (music production company in the mid 1970s)
aufgenommen bei:
The Sound Pit in Atlanta, Georgia, Vereinigte Staaten, Trolley Tracks in College Park, Georgia, Vereinigte Staaten und Webb IV Recording Studio in Atlanta, Georgia, Vereinigte Staaten
recording of:
Dazz
Verfasser(in):
Reginald J. Hargis (funk guitarist, bass player and singer), Eddie Irons und Ray Ransom
publisher:
BMG Gold Songs, H&R Lastrada Music und Silver Cloud Music LLC
Teil von:
10 Things I Hate About You
Brick45:39
3Folsom Prison Blues
Produzent(in):
Sam Phillips (founder of Sun Records)
Akustikgitarre und Sologesang:
Johnny Cash (country music legend) (am 1955-07-30)
E-Gitarre:
Luther Perkins (am 1955-07-30)
Kontrabass:
Marshall Grant (am 1955-07-30)
vocals:
Johnny Cash (country music legend)
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1988)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1955-07-30)
recording of:
Folsom Prison Blues (am 1955-07-30)
Texter und Komponist(in):
Johnny Cash (country music legend)
publisher:
Aberbach (London) (publisher), Carlin Music Corporation und Hi Lo Music
basiert auf:
Crescent City Blues
Johnny Cash4.352:51
4Right Back Where We Started From
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1994)
recording of:
Right Back Where We Started From (in 1975)
Verfasser(in):
J. Vincent Edwards und Pierre Tubbs
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. und Sony/ATV Songs LLC
Maxine Nightingale4.153:15
5Use Me
Techniker(in):
Bob Hughes (engineer) und Phil Sheer
Produzent(in):
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) und Bill Withers
Akustikgitarre:
Benorce Blackmon (guitarist, producer, writer)
Clavinet und Wurlitzer Electric Piano:
Ray Jackson (trombonist, pianist and arranger)
E-Bass:
Melvin Dunlap
Perkussion und Schlagzeug:
James Gadson (American drummer)
Sologesang:
Bill Withers
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
aufgenommen bei:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Use Me
Texter und Komponist(in):
Bill Withers
publisher:
Interior Music Corp. (in 1972)
Bill Withers4.33:39
6Feel Like Makin' Love
Produzent(in):
George Drakoulias
cover recording of:
Feel Like Makin’ Love
Texter und Komponist(in):
Eugene McDaniels
publisher:
Skyforest Music Co., Inc. und 日音 Synch事業部 (NICHION, INC. Synch Division)
Dan Finnerty3:35
7Dancing Machine
Produzent(in):
Hal Davis
arranger:
Arthur Wright (guitar)
recording of:
Dancing Machine (in 1974)
Verfasser(in):
Hal Davis, Donald E. Fletcher und Dean Parks (American session guitarist)
Teil von:
MJ: The Musical
The Jackson 53.252:37
8The Weight
Techniker(in):
Don Hahn (engineer) und Tony May (engineer)
Produzent(in):
The Band (Canadian-American rock band) und John Simon (US producer, arranger, composer, songwriter and musician)
Akustikgitarre:
Robbie Robertson (am 1968-01-12)
Bassgitarre:
Rick Danko (am 1968-01-12)
Klavier:
Garth Hudson (am 1968-01-12)
Schlagzeug:
Levon Helm (am 1968-01-12)
Hintergrundgesang:
Rick Danko (am 1968-01-12), Levon Helm (am 1968-01-12) und Richard Manuel (am 1968-01-12)
Sologesang:
Rick Danko (am 1968-01-12) und Levon Helm (am 1968-01-12)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968, in 2005)
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (am 1968-01-12)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 41), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 58), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 80) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
The Weight (am 1968-01-12)
Texter und Komponist(in):
Robbie Robertson
publisher:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Band4.154:34
9That's the Way I Like It
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1976) und T.K. Records (Miami‐based disco label) (in 1975)
Bearbeitung von:
That’s the Way (I Like It) von KC and the Sunshine Band (US funk, R&B & disco band)
recording of:
That’s the Way (I Like It)
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) und Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.43:06
10Don't Give Up on Us
Produzent(in):
George Drakoulias
cover recording of:
Don’t Give Up on Us
Texter und Komponist(in):
Tony Macaulay
publisher:
Macaulay Music Ltd., PolyGram Music Publishing Ltd. und Universal Music Publishing International Ltd.
Owen Wilson1:09
11I Want'a Do Something Freaky to You
recording of:
I Want’a Do Something Freaky to You
Texter und Komponist(in):
Leon Haywood (funk and soul singer, songwriter, record producer)
publisher:
Jim-Edd Music
Leon Haywood45:54
12Love Will Keep Us Together
Produzent(in):
George Drakoulias
cover recording of:
Love Will Keep Us Together
Texter:
Howard Greenfield
Komponist(in):
Neil Sedaka
publisher:
Don Kirshner Music Inc., Kirshner-Warner Bros Music Ltd. und Neil Sedaka Music (BMI-affiliated)
Brigette Romanek3:51
13I'm a Ramblin' Man
recording engineer:
Al Pachucki (am 1974-02-08)
Produzent(in):
Waylon Jennings (US country musician) und Ray Pennington
Bass:
Joe Allen (US country songwriter & bassist) (am 1974-02-08) und Leon Rhodes (am 1974-02-08)
Gitarre:
Waylon Jennings (US country musician) (am 1974-02-08), Dave Kirby (US country singer/songwriter) (am 1974-02-08) und Bobby Thompson (guitar & banjo player) (am 1974-02-08)
Klavier:
Bunky Keels (am 1974-02-08)
Schlagzeug:
D.J. Fontana (am 1974-02-08) und Larry Londin (am 1974-02-08)
Hintergrundgesang:
Lea Jane Berinati (am 1974-02-08), Ronald B. Drake (am 1974-02-08), Sharon Vaughn (am 1974-02-08) und Ernest West (am 1974-02-08)
Sologesang:
Waylon Jennings (US country musician) (am 1974-02-08)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1974) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1974)
aufgenommen bei:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1974-02-08)
cover recording of:
I’m a Rambling Man (am 1974-02-08)
Texter und Komponist(in):
Ray Pennington
publisher:
Tree Publishing Co., Inc.
Waylon Jennings42:46
14Afternoon Delight
vocals:
Jon Carroll (of Starland Vocal Band, on vocals, keyboard, guitar), Margot Chapman (singer with Starland Vocal Band), Bill Danoff und Taffy Nivert
phonographisches Urheberrecht (℗) von:
Cherry Lane Music Publishing Company Inc. (in 1976)
recording of:
Afternoon Delight
Texter und Komponist(in):
Bill Danoff
publisher:
Cherry Lane Music Publishing Company Inc. und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Starland Vocal Band3.53:13
15Two Dragons
recording of:
Two Dragons
Komponist(in):
Theodore Shapiro (American score composer)
Theodore Shapiro42:45