R-E-S-P-E-C-T [A Century of Women in Music] Box Set Sampler

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Crazy Blues
Mamie Smith & Her Jazz Hounds53:26
2Single Girl, Married Girl
recorded in:
Bristol, Tennessee, Vereinigte Staaten (am 1927-08-02)
Produzent(in):
Ralph Peer (am 1927-08-02)
autoharp:
Sara Carter (of the Carter Family) (am 1927-08-02)
Gitarre:
Mother Maybelle Carter (am 1927-08-02)
vocals:
Sara Carter (of the Carter Family) (am 1927-08-02)
aufgenommen bei:
Bristol Sessions Recordings in Vereinigte Staaten (am 1927-08-02)
recording of:
Single Girl, Married Girl (am 1927-08-02)
Texter und Komponist(in):
A.P. Carter
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) und Peer International Corporation (BMI)
The Carter Family2:47
3Sound Bite
Amelia Earhart0:55
4Strange Fruit
Produzent(in):
Milt Gabler
alto saxophone und Saxophon:
Tab Smith (am 1939-04-20)
Gitarre:
Jimmy McLin (am 1939-04-20)
Klavier:
Sonny White (am 1939-04-20)
Kontrabass:
John Williams (jazz bassist) (am 1939-04-20)
Schlagzeug:
Eddie Dougherty (jazz drummer) (am 1939-04-20)
Tenorsaxophon:
Kenneth Hollon (am 1939-04-20) und Stan Payne (am 1939-04-20)
Trompete:
Frankie Newton (am 1939-04-20)
vocals:
Billie Holiday (am 1939-04-20)
aufgenommen bei:
Brunswick World Broadcasting Studio in New York, New York, Vereinigte Staaten (am 1939-04-20)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 1), CBC Music: 10 Songs That Have Changed the World, National Recording Registry (a list of sound recordings that are “culturally, historically, or aesthetically significant, and/or inform or reflect life in the United States”) (Nummer: 1939, inducted: 2002) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 21)
recording of:
Strange Fruit (am 1939-04-20)
Texter und Komponist(in):
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Bitter Fruit
Billie Holiday33:13
5Boogie Woogie Bugle Boy
Interpret(in):
Andrews Sisters
Teil von:
V Disc (by matrix number) (Nummer: VP 1431 (2))
recording of:
Boogie Woogie Bugle Boy
Verfasser(in):
Hughie Prince und Don Raye
publisher:
A4V Digital, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
The Andrews Sisters2:46
6Move Up a Little Higher
Mahalia Jackson3:00
7Cuanto le gusta
vocals:
Carmen Miranda (am 1948-01-08)
Orchester:
Xavier Cugat and His Orchestra (am 1948-01-08)
arranger und Orchestrator(in):
Leo Arnaud
recording of:
Cuanto le gusta (am 1948-01-08)
Texter:
Ray Gilbert
Komponist(in):
Gabriel Ruiz (Mexican composer)
Carmen Miranda2:07
8Sound Bite
Marilyn Monroe0:21
9Fever
Fingerschnippen:
Peggy Lee (jazz vocalist) (am 1958-05-19) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-05-19)
Kontrabass [bass]:
Joe Mondragon (am 1958-05-19)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1958-05-19)
vocals:
Peggy Lee (jazz vocalist) (am 1958-05-19)
conductor:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1958-05-19)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Fever (am 1958-05-19)
Verfasser(in):
Eddie Cooley und John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. und Trio Music Company
Teil von:
The Adjustment Bureau
Peggy Lee4.23:22
10Maybe
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 195)
recording of:
Maybe (am 1957-10-16)
Texter und Komponist(in):
Richard Barrett (US soul producer/singer)
publisher:
Tunecore Digital Music (publisher; not a release label. Use [no label]) und チューンコアジャパン株式会社 (TuneCore Japan, mostly a distributor; not a release label. Use [no label])
The Chantels52:53
11Heat Wave
recording of:
(Love Is Like a) Heat Wave
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs Musikverlag GmbH, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd, Stone Agate Music und Stone Agate Music Division
Martha Reeves and the Vandellas2:46
12You Don' Own Me
Produzent(in):
Quincy Jones
arranger:
Claus Ogerman
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 28)
recording of:
You Don’t Own Me (in 1963)
Verfasser(in):
John Madara (in 1963) und David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors) (in 1963)
publisher:
Merjoda Music Inc. und Unichappell Music, Inc. (in 1963)
Lesley Gore3.852:33
13Love Child
Produzent(in):
The Clan (Motown composers/producers group)
Hintergrundgesang:
The Andantes
arranger:
Paul Riser
recording of:
Love Child (Diana Ross & the Supremes song)
Verfasser(in):
Deke Richards (American songwriter and record producer), Pam Sawyer (British‐born American lyricist and songwriter), R. Dean Taylor (Canadian singer, songwriter and record producer) und Frank Wilson (Motown singer/songwriter)
publisher:
Jobete Music Co., Inc. und Stone Agate Music Division
The Supremes3.53:03
14Stoned Soul Picnic
recording of:
Stoned Soul Picnic
Texter und Komponist(in):
Laura Nyro
publisher:
EMI Blackwood Music Inc., Tuna Fish Music und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Laura Nyro43:49
15Move Over
Techniker(in):
Phil Macy (50s-70s engineer)
Produzent(in):
Paul A. Rothchild
Bassgitarre:
Brad Campbell (bassist, member of Full Tilt Boogie)
Gast-Bongos, Gast-Bongos und Conga und Gast-Conga:
Bobbye Hall
Gast-Tamburin:
Sandra Crouch
Gitarre:
John Till (rock guitarist)
Klavier:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin)
Orgel:
Ken Pearson
Schlagzeug:
Clark Pierson
Hintergrundgesang:
Phil Badella, Richard Bell (Canadian keyboardist for The Band/Janis Joplin), Brad Campbell (bassist, member of Full Tilt Boogie), John Cooke, Janis Joplin, Vince Mitchell, Ken Pearson, Clark Pierson und John Till (rock guitarist)
Sologesang:
Janis Joplin (am 1970-09-25)
Interpret(in):
Full Tilt Boogie (am 1970-09-25)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1970-09-25)
recording of:
Move Over (am 1970-09-25)
Texter und Komponist(in):
Janis Joplin
publisher:
Budde (aka Budde Music)
Janis Joplin3.33:42
16Sound Bite
Billie Jean King0:16
17Diamonds & Rust
recording engineer und Mix:
Rick Ruggieri
assistierende(r) Techniker(in):
Ellis Sorkin
Produzent(in):
Joan Baez (US folk singer) und David Kershenbaum
Akustikgitarre, Synthesizer und Sologesang:
Joan Baez (US folk singer) (von 1975-01-21 bis 1975-01-24)
Bass:
Wilton Felder (von 1975-01-21 bis 1975-01-24)
Cembalo:
David Paich (von 1975-01-21 bis 1975-01-24)
E-Gitarre:
Larry Carlton (von 1975-01-21 bis 1975-01-24) und Dean Parks (American session guitarist) (von 1975-01-21 bis 1975-01-24)
Hybrid-Piano:
Joe Sample (von 1975-01-21 bis 1975-01-24)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (von 1975-01-21 bis 1975-01-24)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1975)
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1975-01-21 bis 1975-01-24)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 55)
recording of:
Diamonds & Rust (in 1975)
Texter und Komponist(in):
Joan Baez (US folk singer)
gewidmet:
Bob Dylan
publisher:
Carlin Music Corporation und Chandos Music Company
Joan Baez4.354:44
18The Pill
Produzent(in):
Owen Bradley
Akustikgitarre:
Ray Edenton (am 1972-12-12)
E-Bass [6-string electric bass guitar]:
Harold Bradley (am 1972-12-12)
E-Gitarre:
Thomas Grady Martin (country/rockabilly guitarist) (am 1972-12-12)
Klavier:
Jerry Smith (Nashville keyboardist, songwriter, publisher & producer) (am 1972-12-12)
Kontrabass [bass]:
Bob Moore (U.S. bassist and bandleader) (am 1972-12-12)
Schlagzeug [drums]:
Murrey Harman, Jr. (Session drummer and songwriter) (am 1972-12-12)
Steel-Gitarre:
Harald Rugg (am 1972-12-12)
vocals:
The Jordanaires (southern gospel group) (am 1972-12-12) und Loretta Lynn (am 1972-12-12)
aufgenommen bei:
Bradley’s Barn in Mt. Juliet, Tennessee, Vereinigte Staaten (am 1972-12-12)
recording of:
The Pill (am 1972-12-12)
Verfasser(in):
Lorene Allen, T.D. Bayless, Loretta Lynn und Don McHan
Loretta Lynn4.52:38
19Crazy on You
recording of:
Crazy on You
Verfasser(in):
Roger Fisher (US rock guitarist), Ann Wilson (lead singer of Heart) und Nancy Wilson (guitarist/singer of “Heart”)
publisher:
How About Music, Sony/ATV Tunes LLC (ASCAP) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Heart44:16
20Sound Bite
Deborah Harry0:26
21X Offender
recording engineer:
Rob Freeman (engineer) (von 1976-08 bis 1976-09)
assistierende(r) Techniker(in):
Don Hünerberg
Techniker(in):
Rob Freeman (engineer) und Craig Leon (musician, arranger, composer and producer)
Produzent(in):
Richard Gottehrer (American songwriter and music executive) und Craig Leon (musician, arranger, composer and producer)
Bassgitarre:
Chris Stein (von 1976-08 bis 1976-09)
Farfisa-Orgel, Flügel, Klavier und Synthesizer [roland]:
Jimmy Destri (von 1976-08 bis 1976-09)
Gitarre:
Gary Valentine (von 1976-08 bis 1976-09)
Schlagzeug:
Clem Burke (von 1976-08 bis 1976-09)
Sologesang:
Deborah Harry (von 1976-08 bis 1976-09)
remixer:
Craig Leon (musician, arranger, composer and producer)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1976), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten (von 1976-08 bis 1976-09)
recording of:
X Offender (von 1976-08 bis 1976-09)
Verfasser(in):
Gary Lachman und Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), EMI Music (do not use as release label! this is a music publisher), Jiru Music, Inc. und Norfolk Square Music
Blondie43:12
22She Works Hard for the Money
Bearbeitung von:
She Works Hard for the Money (album version) von Donna Summer (soul/disco diva)
recording of:
She Works Hard for the Money (in 1983)
Verfasser(in):
Michael Omartian und Donna Summer (soul/disco diva)
publisher:
Warner Chappell, See This House Music (vom 1983 bis heute) und Sweet Summer Night Music (vom 1983 bis heute)
Donna Summer54:12
23Sound Bite
Donna Summer2:55
24Ladies First
Produzent(in):
DJ Mark the 45 King (aka DJ Mark)
Gast vocals und zusätzliche(r) Interpret(in):
Monie Love (English rapper, actress & radio personality)
Interpret(in):
Monie Love (English rapper, actress & radio personality)
phonographisches Urheberrecht (℗) von:
Tommy Boy Music, Inc. (in 1989)
recording of:
Ladies First
Verfasser(in):
Anthony Peaks (US rapper Anthony Peaks), Mark Howard James (aka DJ Mark), Queen Latifah, Shane Harbin Faber und Simone Johnson (English rapper, actress & radio personality)
Queen Latifah23:55
25Possession
recording engineer:
Roman Klun
Produzent(in):
Pierre Marchand
Bass:
Brian Minato
drum machine und Keyboard:
Pierre Marchand
Gitarre:
Bill Dillon und Sarah McLachlan
Hammond-Orgel:
David Kershaw
Schlagzeug:
Lou Shefano und Ashwin Sood
vocals:
Sarah McLachlan
aufgenommen bei:
Highland Studios in Inverness, Highland, Scotland, Vereinigtes Königreich und Wild Sky Studio in Morin‐Heights, Québec (Quebec), Kanada
mixed at:
Wild Sky Studio in Morin‐Heights, Québec (Quebec), Kanada
Musikvideos:
Possession von Sarah McLachlan
recording of:
Possession
Texter und Komponist(in):
Sarah McLachlan
publisher:
Sony Songs Inc. und Tyde Music
Sarah McLachlan4.64:39
26Where Have All the Cowboys Gone
vocals:
Paula Cole
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1996)
recording of:
Where Have All the Cowboys Gone?
Texter und Komponist(in):
Paula Cole
publisher:
Ensign Music Publishing und Hingface Music
Paula Cole34:26

Nennungen