Il barbiere di Siviglia

~ Release by Rossini; Tito Gobbi, Maria Callas, Luigi Alva, Nicola Zaccaria, Fritz Ollendorff, Philharmonia Orchestra and Chorus & Alceo Galliera (see all versions of this release, 7 available)

Tracklist

1▶CD: Act 1 beginning
2▼CD: Act 1 conclusion · Act 2
#TitleArtistRatingLength
1Il barbiere di Siviglia: Act I, Scene II. “Finora in questa camera” (Berta, Count Almaviva)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (mezzo-soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°8b. “Finora in questa camera” (Berta, Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini0:31
2Il barbiere di Siviglia: Act I, Scene II. “Ehi, di casa, buona gente” (Count Almaviva, Bartolo)
producer:
Walter Legge (British classical producer)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (operatic bass) (from 1957-02-07 until 1957-02-14)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (mezzo-soprano) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°9a. Finale I “Ehi di casa… buona gente” (Conte, Bartolo, Rosina, Berta, Basilio) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini8:30
3Il barbiere di Siviglia: Act I, Scene II. “Che cosa accadde” (Figaro, Bartolo, Count Almaviva, Rosina, Berta, Basilio, Chorus)
recorded in:
London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge (British classical producer)
baritone vocals [Figaro]:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (operatic bass) (from 1957-02-07 until 1957-02-14)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1957-02-07 until 1957-02-14)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (mezzo-soprano) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
chorus master:
Roberto Benaglio (conductor) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°9b. Finale I “Che cosa accadde, signori miei” (Conte, Bartolo, Rosina, Berta, Basilio, Figaro, Coro, Uffiziale) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini3:39
4Il barbiere di Siviglia: Act I, Scene II. “Fredda ed immobile” (Rosina, Count Almaviva, Bartolo, Figaro, Basilio, Berta)
producer:
Walter Legge (British classical producer)
baritone vocals [Figaro]:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (operatic bass) (from 1957-02-07 until 1957-02-14)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (mezzo-soprano) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°9d. “Fredda ed immobile” (Rosina, Conte, Bartolo, Figaro, Basilio, Berta) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini3:02
5Il barbiere di Siviglia: Act I, Scene II. “Ma signor…ma un dottor” (Bartolo, Berta, Basilio, Rosina, Count Almaviva, Figaro, Chorus)
producer:
Walter Legge (British classical producer)
baritone vocals [Figaro]:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (operatic bass) (from 1957-02-07 until 1957-02-14)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1957-02-07 until 1957-02-14)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (mezzo-soprano) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
chorus master:
Roberto Benaglio (conductor) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°9e. Finale I “Ma signor… ma un dottor” … “Mi par d'essere con la testa” (Bartolo, Coro, Rosina, Basilio, Berta, Conte, Figaro) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:43
6Il barbiere di Siviglia: Act II. “Ma vedi il mio destino!” (Bartolo)
producer:
Walter Legge (British classical producer)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Ma vedi il mio destino!” (Bartolo) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:46
7Il barbiere di Siviglia: Act II. “Pace e gioia sia con voi” (Count Almaviva, Bartolo)
producer:
Walter Legge (British classical producer)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 10. Duetto: “Pace e gioia sia con voi” (Conte, Bartolo) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:27
8Il barbiere di Siviglia: Act II. “Insomma, mio signore” (Bartolo, Count Almaviva)
producer:
Walter Legge (British classical producer)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Insomma, mio signore” (Bartolo, Conte, Rosina) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:19
9Il barbiere di Siviglia: Act II. “Venite, signorina” (Bartolo, Rosina, Count Almaviva)
producer:
Walter Legge (British classical producer)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. “Venite, signorina” (Bartolo, Rosina, Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:43
10Il barbiere di Siviglia: Act II. “Contro un chor che accende amore” (Rosina, Count Almaviva)
recorded in:
London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge (British classical producer)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 11. Aria “Contro un cor” (Rosina, Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini5:55
11Il barbiere di Siviglia: Act II. “Bella voce! Bravissima!” (Count Almaviva, Rosina, Bartolo)
producer:
Walter Legge (British classical producer)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Bella voce! Bravissima!” (Conte, Rosina, Bartolo) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:35
12Il barbiere di Siviglia: Act II. “Quando mi sei vicina” (Bartolo)
producer:
Walter Legge (British classical producer)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 12. Arietta “Quando mi sei vicina” (Bartolo) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:57
13Il barbiere di Siviglia: Act II. “Bravo, signor barbiere” (Bartolo, Figaro, Rosina, Count Almaviva)
producer:
Walter Legge (British classical producer)
baritone vocals [Figaro]:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Bravo signor Barbiere” (Bartolo, Figaro, Rosina, Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:42
14Il barbiere di Siviglia: Act II. “Don Basilio!…Cosa veggo!” (Rosina, Count Almaviva, Figaro, Bartolo, Basilio)
producer:
Walter Legge (British classical producer)
baritone vocals [Figaro]:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (operatic bass) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
partial recording of:
Il barbiere di Siviglia: Atto II, No. 13. Quintetto “Don Basilio! … Cosa veggo” (Rosina, Conte, Bartolo, Figaro, Basilio) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
recording of:
Il barbiere di Siviglia: Atto II, No. 13. Quintetto “Don Basilio! … Cosa veggo” (Rosina, Conte, Bartolo, Figaro, Basilio) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini4:01
15Il barbiere di Siviglia: Act II. “Buona sera, mio signore” (Rosina, Count Almaviva, Figaro, Bartolo, Basilio)
producer:
Walter Legge (British classical producer)
baritone vocals [Figaro]:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
bass vocals:
Nicola Zaccaria (operatic bass) (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. “Buona sera, mio signore” (Rosina, Conte, Figaro, Bartolo, Basilio) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini5:16
16Il barbiere di Siviglia: Act II. “Che vecchio sospettoso!” (Berta)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (mezzo-soprano) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. “Che vecchio sospettoso!” (Berta) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:29
17Il barbiere di Siviglia: Act II. “Il vecchiotto cerca moglie” (Berta)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (mezzo-soprano) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 14. Aria “Il vecchiotto cerca moglie” (Berta) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini3:20
18Il barbiere di Siviglia: Act II. Thunderstorm
recorded in:
London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 15. Temporale (Thunderstorm) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:49
19Il barbiere di Siviglia: Act II. “Alfine eccoci qua” (Figaro, Count Almaviva, Rosina)
producer:
Walter Legge (British classical producer)
baritone vocals [Figaro]:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Alfine eccoci qua” (Figaro, Conte, Rosina) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini1:02
20Il barbiere di Siviglia: Act II. “Ah, qual colpo inaspettato!” (Figaro, Count Almaviva, Rosina)
producer:
Walter Legge (British classical producer)
baritone vocals [Figaro]:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 16. Terzetto “Ah, qual colpo inaspettato” (Rosina, Conte, Figaro) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini5:46
21Il barbiere di Siviglia: Act II. “Ah, disgraziati noi!” (Figaro, Count Almaviva, Rosina, Basilio, Bartolo, Official)
producer:
Walter Legge (British classical producer)
baritone vocals [Figaro]:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (operatic bass) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 16. Recitativo: “Ah, disgraziati noi! come si fa?” (Figaro, Conte, Rosina, Basilio, Bartolo, Ufficiale) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini1:31
22Il barbiere di Siviglia: Act II. “Insomma io ho tutti i torti” (Bartolo, Figaro, Basilio, Count Almaviva, Rosina)
producer:
Walter Legge (British classical producer)
baritone vocals [Figaro]:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (operatic bass) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Insomma io ho tutti i torti!” (Bartolo, Figaro, Basilio, Conte, Rosina) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:44
23Il barbiere di Siviglia: Act II. “Di sì felice innesto” (Figaro, Berta, Bartolo, Basilio, Rosina, Count Almaviva, Chorus)
producer:
Walter Legge (British classical producer)
baritone vocals [Figaro]:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (operatic bass) (from 1957-02-07 until 1957-02-14)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1957-02-07 until 1957-02-14)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (mezzo-soprano) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
chorus master:
Roberto Benaglio (conductor) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 19. Finaletto II “Di sì felice innesto” (Rosina, Berta, Conte, Figaro, Bartolo, Basilio, Coro) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:08