Das Kantatenwerk, Volume 7

~ Release by Johann Sebastian Bach; Concentus Musicus Wien, Nikolaus Harnoncourt (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Kantate 26 "Ach wie flüchtig, ach wie nichtig" BWV 26: Chorale fantasia: Ach wie flüchtig, ach wie nichtig
choir vocals:
Chorus Viennensis (from 1972-06 until 1973-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": I. Choral "Ach wie flüchtig, ach wie nichtig" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Michael Franck (German hymn writer)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach52:49
2Kantate 26 "Ach wie flüchtig, ach wie nichtig" BWV 26: Aria: So schnell ein rauschend Wasser schießt
tenor vocals:
Kurt Equiluz (tenor) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": II. Aria (Tenore) "So schnell ein rauschend Wasser schießt" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach7:42
3Kantate 26 "Ach wie flüchtig, ach wie nichtig" BWV 26: Recitative: Die Freude wird zur Traurigkeit
alto vocals:
Paul Esswood (countertenor) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": III. Recitativo (Alto) "Die Freude wird zur Traurigkeit" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach0:49
4Kantate 26 "Ach wie flüchtig, ach wie nichtig" BWV 26: Aria: An irdische Schätze das Herze zu hängen
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": IV. Aria (Basso) "An irdische Schätze das Herze zu hängen" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach3:53
5Kantate 26 "Ach wie flüchtig, ach wie nichtig" BWV 26: Recitative: Die höchste Herrlichkeit und Pracht
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": V. Recitativo (Soprano) "Die höchste Herrlichkeit und Pracht" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach0:44
6Kantate 26 "Ach wie flüchtig, ach wie nichtig" BWV 26: Chorale: Ach wie flüchtig, ach wie nichtig
choir vocals:
Chorus Viennensis (from 1972-06 until 1973-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": VI. Choral "Ach wie flüchtig, ach wie nichtig" (from 1972-06 until 1973-04)
lyricist and librettist:
Michael Franck (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 11)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach0:51
7Kantate 27 "Wer weiß, wie nahe mir mein Ende?" BWV 27: Chorus and recitative: Wer weiß, wie nahe mir mein Ende? – Das weiß der liebe Gott allein
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1972-06 until 1973-04)
choir vocals:
Chorus Viennensis (from 1972-06 until 1973-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1972-06 until 1973-04)
tenor vocals:
Kurt Equiluz (tenor) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": I. Choral e Recitativi (Soprano, Alto, Tenore, Basso) "Wer weiß, wie nahe mir mein Ende?" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ämilie Juliane von Schwarzburg-Rudolstadt (in 1695)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach4:55
8Kantate 27 "Wer weiß, wie nahe mir mein Ende?" BWV 27: Recitative: Mein Leben hat kein ander Ziel
tenor vocals:
Kurt Equiluz (tenor) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": II. Recitativo (Tenore) "Mein Leben hat kein ander Ziel" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach0:47
9Kantate 27 "Wer weiß, wie nahe mir mein Ende?" BWV 27: Aria: Willkommen! will ich sagen
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": III. Aria (Alto) "Willkommen! will ich sagen" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Erdmann Neumeister
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach4:30
10Kantate 27 "Wer weiß, wie nahe mir mein Ende?" BWV 27: Recitative: Ach, wer doch schon im Himmel wär
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": IV. Recitativo (Soprano) "Ach, wer doch schon im Himmel wär!" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach0:38
11Kantate 27 "Wer weiß, wie nahe mir mein Ende?" BWV 27: Aria: Gute Nacht, du Weltgetümmel
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": V. Aria (Basso) "Gute Nacht, du Weltgetümmel!" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach3:34
12Kantate 27 "Wer weiß, wie nahe mir mein Ende?" BWV 27: Chorale: Welt, ade! ich bin dein müde
choir vocals:
Chorus Viennensis (from 1972-06 until 1973-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": VI. Choral "Welt, ade! ich bin dein müde" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Georg Albinus (in 1649)
part of:
Breitkopf 389 Choralgesänge (number: 350)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach1:06

Credits

Release

ASIN:US: B000000SAP [info]

Release group

part of:Das Kantatenwerk (number: 7) (order: 4)