Passion / Suite / Toccata / Magnificat / Brandenburg / Goldberg / Concerto / Fugue / Invention / Partita

~ Release by Bach; John Williams, Gustav Leonhardt, Tafelmusik (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1The Passion of Our Lord According to St Matthew, BWV 244: no. 1 "Kommt, ihr Tochter, helft mir klagen" ("Come, ye daughters" - Double Chorus)
choir vocals:
Gächinger Kantorei Stuttgart (from 1978-03 until 1978-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1978-03 until 1978-04)
conductor:
Helmuth Rilling (conductor) (from 1978-03 until 1978-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1978-03 until 1978-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (from 1978-03 until 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach8:01
2The Passion of Our Lord According to St Matthew, BWV 244: no. 47 "Erbame dich" ("Have pity, Lord, on me" - Aria Alto)
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano) (from 1978-03 until 1978-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1978-03 until 1978-04)
conductor:
Helmuth Rilling (conductor) (from 1978-03 until 1978-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1978-03 until 1978-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 1978-03 until 1978-04)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:06
3The Passion of Our Lord According to St Matthew, BWV 244: no. 63 "O Haupt voll Blut und Wunden" ("O Thou, with hate surrounded" - Chorale)
choir vocals:
Gächinger Kantorei Stuttgart (from 1978-03 until 1978-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1978-03 until 1978-04)
conductor:
Helmuth Rilling (conductor) (from 1978-03 until 1978-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1978-03 until 1978-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (from 1978-03 until 1978-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:30
4The Passion of Our Lord According to St Matthew, BWV 244: no. 75 "Mache dich mein Herze rein" ("Make thee clean, my heart, from sin" - Aria: Bass)
bass vocals:
Philippe Huttenlocher (baritone) (from 1978-03 until 1978-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1978-03 until 1978-04)
conductor:
Helmuth Rilling (conductor) (from 1978-03 until 1978-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1978-03 until 1978-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (from 1978-03 until 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:47
5The Passion of Our Lord According to St Matthew, BWV 244: no. 78 "Wir setzen uns mit Tranen nieder" ("In deepest grief, here sit we weeping" - Double Chorus)
choir vocals:
Gächinger Kantorei Stuttgart (from 1978-03 until 1978-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1978-03 until 1978-04)
conductor:
Helmuth Rilling (conductor) (from 1978-03 until 1978-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1978-03 until 1978-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (from 1978-03 until 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:41
6Goldberg Variations, BWV 988: Aria
piano:
Charles Rosen (pianist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (from 1967-06-01 until 1967-06-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach3:56
7Suite No. 1 in G major for Unaccompanied Cello, BWV 1007: Prelude
recording engineer:
Günter Appenheimer (producer/engineer)
producer:
Wolf Erichson (engineer/producer)
cello:
Anner Bylsma (cellist) (from 1979-04-23 until 1979-04-26)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1979)
recorded at:
Eching Kirche in Eching, Landshut, Bayern (Bavaria), Germany (from 1979-04-23 until 1979-04-26)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (from 1979-04-23 until 1979-04-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:10
8Suite No. 1 in G major for Unaccompanied Cello, BWV 1007: Allemande
recording engineer:
Günter Appenheimer (producer/engineer)
producer:
Wolf Erichson (engineer/producer)
cello:
Anner Bylsma (cellist) (from 1979-04-23 until 1979-04-26)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1979)
recorded at:
Eching Kirche in Eching, Landshut, Bayern (Bavaria), Germany (from 1979-04-23 until 1979-04-26)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: II. Allemande (Cello Suite No. 1 in G major, BWV 1007: II. Allemande) (from 1979-04-23 until 1979-04-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach4:24
9Suite No. 1 in G major for Unaccompanied Cello, BWV 1007: Courante
recording engineer:
Günter Appenheimer (producer/engineer)
producer:
Wolf Erichson (engineer/producer)
cello:
Anner Bylsma (cellist) (from 1979-04-23 until 1979-04-26)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1979)
recorded at:
Eching Kirche in Eching, Landshut, Bayern (Bavaria), Germany (from 1979-04-23 until 1979-04-26)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: III. Courante (Cello Suite No. 1 in G major, BWV 1007: III. Courante) (from 1979-04-23 until 1979-04-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:52
10Suite No. 1 in G major for Unaccompanied Cello, BWV 1007: Sarabande
recording engineer:
Günter Appenheimer (producer/engineer)
producer:
Wolf Erichson (engineer/producer)
cello:
Anner Bylsma (cellist) (from 1979-04-23 until 1979-04-26)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1979)
recorded at:
Eching Kirche in Eching, Landshut, Bayern (Bavaria), Germany (from 1979-04-23 until 1979-04-26)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: IV. Sarabande (Cello Suite No. 1 in G major, BWV 1007: IV. Sarabande) (from 1979-04-23 until 1979-04-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:12
11Suite No. 1 in G major for Unaccompanied Cello, BWV 1007: Menuett I & II
recording engineer:
Günter Appenheimer (producer/engineer)
producer:
Wolf Erichson (engineer/producer)
cello:
Anner Bylsma (cellist) (from 1979-04-23 until 1979-04-26)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1979)
recorded at:
Eching Kirche in Eching, Landshut, Bayern (Bavaria), Germany (from 1979-04-23 until 1979-04-26)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: V. Menuet I & II (Cello Suite No. 1 in G major, BWV 1007: V. Menuet I & II) (from 1979-04-23 until 1979-04-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach3:29
12Suite No. 1 in G major for Unaccompanied Cello, BWV 1007: Gigue
recording engineer:
Günter Appenheimer (producer/engineer)
producer:
Wolf Erichson (engineer/producer)
cello:
Anner Bylsma (cellist) (from 1979-04-23 until 1979-04-26)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1979)
recorded at:
Eching Kirche in Eching, Landshut, Bayern (Bavaria), Germany (from 1979-04-23 until 1979-04-26)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: VI. Gigue (Cello Suite No. 1 in G major, BWV 1007: VI. Gigue) (from 1979-04-23 until 1979-04-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach1:44
13Concerto for Harpsichord no. 3 in D major, BWV 1054: I. [...]
harpsichord:
Igor Kipnis
strings:
The London Strings
orchestra:
The London Strings
conductor:
Neville Marriner (conductor)
recording of:
Concerto for Keyboard and Orchestra no. 3 in D major, BWV 1054: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for Keyboard and Orchestra no. 3 in D major, BWV 1054
Johann Sebastian Bach8:19
14Concerto for Harpsichord no. 3 in D major, BWV 1054: II. Adagio e piano sempre
harpsichord:
Igor Kipnis
strings:
The London Strings
orchestra:
The London Strings
conductor:
Neville Marriner (conductor)
recording of:
Concerto for Keyboard and Orchestra no. 3 in D major, BWV 1054: II. Adagio e piano sempre
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for Keyboard and Orchestra no. 3 in D major, BWV 1054
Johann Sebastian Bach6:32
15Concerto for Harpsichord no. 3 in D major, BWV 1054: III. Allegro
harpsichord:
Igor Kipnis
strings:
The London Strings
orchestra:
The London Strings
conductor:
Neville Marriner (conductor)
recording of:
Concerto for Keyboard and Orchestra no. 3 in D major, BWV 1054: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for Keyboard and Orchestra no. 3 in D major, BWV 1054
Johann Sebastian Bach3:02
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ASIN:UK: B00008OD9J [info]