Atlantic Rhythm and Blues 1947-1974, Volume 7: 1969-1974

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1The Ghetto
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1969-09-11)
Produzent(in):
King Curtis (saxophonist) und Donny Hathaway
alto saxophone:
Cliff Davis (saxophonist) und Don Myrick
baritone saxophone:
Willie Henderson
Gitarre:
Phil Upchurch
Hybrid-Piano und Klavier:
Donny Hathaway
Perkussion:
Ric Powell
Posaune:
John Avant und Morris Ellis
Schlagzeug:
Morris Jennings
Tenorsaxophon:
Johnny Board und Lenard S. Druss
Trompete:
Oscar Brashear, John Howell (trumpet), Bobby Lewis (trumpet/flugelhorn player), Gary Slavo und Cyril Touff
Tuba:
Aaron Dodd
Waldhorn:
John Lounsberry, Ethel Merker und Paul A. Teryett
vocals und conductor:
Donny Hathaway
arranger:
Donny Hathaway
recording of:
The Ghetto (Donny Hathaway) (am 1969-09-11)
Verfasser(in):
Donny Hathaway und Leroy Hutson
publisher:
Don‐Pow und Peer International (BMI; Peer Int'l or Peer-International)
sub-publisher:
Peermusic (UK) Ltd.
Donny Hathaway6:55
2Turn Back the Hands of Time
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1970-01-23)
Produzent(in):
Carl Davis (record producer)
vocals:
Tyrone Davis (“Wonder Boy”) (am 1970-01-23)
conductor:
Tom Washington (American pianist, producer, and songwriter) (am 1970-01-23)
arranger:
Tom Washington (American pianist, producer, and songwriter)
recording of:
Turn Back the Hands of Time (am 1970-01-23)
Verfasser(in):
Jack Daniels (soul/blues/funk producer and songwriter) und Bonnie Thompson (songwriter)
Tyrone Davis42:40
3Compared to What
Produzent(in):
Joel Dorn und Nesuhi Ertegun
Klavier:
Les McCann (am 1969-06-21)
Kontrabass [bass]:
Leroy Vinnegar (am 1969-06-21)
Schlagzeug [drums]:
Donald Dean (US jazz drummer) (am 1969-06-21)
Tenorsaxophon:
Eddie Harris (saxophone, piano, vocals) (am 1969-06-21)
Trompete:
Benny Bailey (am 1969-06-21)
vocals:
Les McCann (am 1969-06-21)
aufgenommen bei:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Kanton Waadt), Schweiz (am 1969-06-21)
live cover recording of:
Compared to What (am 1969-06-21)
Texter und Komponist(in):
Gene McDaniels
publisher:
Lonport
Les McCann & Eddie Harris8:43
4Don't Play That Song (You Lied)
recording engineer:
Ron Albert und Chuck Kirkpatrick
Techniker(in):
Ron Albert, Chuck Kirkpatrick und Lewis Hahn
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Tommy McClure (am 1970-03-10)
Gitarre:
Charlie Freeman (am 1970-03-10)
Keyboard:
Jim Dickinson (am 1970-03-10)
Klavier:
Aretha Franklin (am 1970-03-10)
Schlagzeug:
Sammy Creason (am 1970-03-10)
Hintergrundgesang:
Margaret Branch (am 1970-03-10), Brenda Bryant (am 1970-03-10) und Almeda Lattimore (am 1970-03-10)
vocals:
Aretha Franklin (am 1970-03-10)
Horn arranger:
Tom Dowd
Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1970-03-10)
cover recording of:
Don’t Play That Song (You Lied) (am 1970-03-10)
Verfasser(in):
Ahmet Ertegun (US songwriter/producer) und Betty Nelson
publisher:
Carlin Music Corporation und Unichappell Music, Inc.
Aretha Franklin43:00
5Groove Me
recorded in:
Jackson, Mississippi, Vereinigte Staaten (am 1970-05-04)
Produzent(in):
Wardell Quezergue und Elijah Walker
vocals:
King Floyd (am 1970-05-04)
arranger:
Wardell Quezergue
recording of:
Groove Me (am 1970-05-04)
Texter und Komponist(in):
King Floyd
publisher:
Malaco Music Co. (publisher) (in 1991)
King Floyd53:04
6Patches
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1970-08-03)
Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
baritone saxophone:
Ronald Eades (American saxophonist) (am 1970-08-03)
Bassgitarre [bass]:
Jerry Masters (US bassist & engineer, in The Hombres) (am 1970-08-03) und Bob Wray (American Bassist) (am 1970-08-03)
Gitarre:
Albert Lowe (American guitarist, bassist, and songwriter) (am 1970-08-03), Clarence Carter (am 1970-08-03) und Travis Wammack (American guitarist & singer-songwriter) (am 1970-08-03)
Keyboard:
Clayton Ivey (American producer, pianist, keyboardist and composer) (am 1970-08-03)
Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1970-08-03)
Schlagzeug [drums]:
Cornell McFaden (Drummer and percussionist) (am 1970-08-03) und Fred Prouty (Memphis-based session drummer) (am 1970-08-03)
Tenorsaxophon:
Harvey Thompson (saxophonist) (am 1970-08-03) und Aaron Varnell (am 1970-08-03)
Trompete:
Harrison Calloway (American trumpeter, songwriter, producer and arranger.) (am 1970-08-03) und Jack Peck (Studio session trumpet player) (am 1970-08-03)
Hintergrundgesang:
vocal group ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1970-08-03)
vocals:
Clarence Carter (am 1970-08-03)
cover recording of:
Patches (am 1970-08-03)
Verfasser(in):
Ronald Dunbar (Songwriter, A&R director and record producer) und Norman Johnson (US soul singer, R&B songwriter & producer)
Clarence Carter3:12
7Funky Nassau (Part 1)
The Beginning of the End3:14
8Thin Line Between Love and Hate
recorded in:
New York, New York, Vereinigte Staaten (am 1971-01-27)
Produzent(in):
Richard Poindexter und Robert Poindexter
Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1971-01-27)
vocals:
The Persuaders (R&B vocal group) (am 1971-01-27)
conductor:
Arif Mardin (am 1971-01-27)
arranger:
Arif Mardin
recording of:
Thin Line Between Love and Hate (am 1971-01-27)
Verfasser(in):
Jackie Members, Richard Poindexter und Robert Poindexter
publisher:
Warner Bros. Music (publisher; do NOT use as release label)
The Persuaders3:26
9Rock Steady
recording engineer:
Ron Albert (am 1971-02-16)
Techniker(in):
Howard Albert, Ron Albert und Chuck Kirkpatrick
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Chuck Rainey (American bassist) (am 1971-02-16)
Gitarre:
Cornell Dupree (am 1971-02-16)
Klavier und Sologesang:
Aretha Franklin (am 1971-02-16)
Orgel:
Donny Hathaway (am 1971-02-16)
Perkussion:
Mac Rebennack (New Orleans blues pianist, singer and songwriter) (am 1971-02-16) und Robert Popwell (am 1971-02-16)
Schlagzeug:
Bernard “Pretty” Purdie (am 1971-02-16)
Tenorsaxophon:
Andrew Love (am 1971-02-16)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1971-02-16)
Hintergrundgesang:
Margaret Branch (am 1971-02-16), Ann S. Clark (am 1971-02-16), Carolyn Franklin (am 1971-02-16), Erma Franklin (am 1971-02-16) und Pat Smith (soul vocalist) (am 1971-02-16)
Horn arranger:
Tom Dowd
Saiteninstrumente und Holzblasinstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971, in 1972) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1971-02-16)
recording of:
Rock Steady (am 1971-02-16)
Texter und Komponist(in):
Aretha Franklin (von 1970 bis 1971)
publisher:
Carlin Music Corporation, Pundit Music, Inc und Springtime Music, Inc.
Aretha Franklin3.753:12
10You've Got a Friend
recording engineer:
Lew Hahn
zusätzlich recording engineer:
Gene Paul
Produzent(in):
Joel Dorn und Arif Mardin
Mix:
Jimmy Douglass (engineer) und Arif Mardin
E-Bass [electric bass]:
Chuck Rainey (American bassist) (von 1971-03 bis 1971-10)
flute:
Joe Gentle (von 1971-03 bis 1971-10)
Gitarre:
David Spinozza (von 1971-03 bis 1971-10)
Hybrid-Piano:
Donny Hathaway (von 1971-03 bis 1971-10)
Perkussion:
Ralph MacDonald (von 1971-03 bis 1971-10)
Schlagzeug:
Billy Cobham (von 1971-03 bis 1971-10)
vocals:
Roberta Flack (singer and pianist) (von 1971-03 bis 1971-10) und Donny Hathaway (von 1971-03 bis 1971-10)
Saiteninstrumente arranger:
Arif Mardin
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1971-03 bis 1971-10) und Regent Sound Studios in New York, New York, Vereinigte Staaten (von 1971-03 bis 1971-10)
cover recording of:
You’ve Got a Friend (von 1971-03 bis 1971-10)
Texter und Komponist(in):
Carole King
publisher:
Colgems-EMI Music Inc. und Screen Gems–EMI Music Ltd.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Roberta Flack & Donny Hathaway3:26
11Clean Up Woman
Techniker(in):
Willie Clarke
Produzent(in):
Willie Clarke und Clarence Reid
Horn arranger und Saiteninstrumente arranger:
Mike Lewis (US composer, arranger and producer)
instruments arranger:
Little Beaver
recording of:
Clean Up Woman
Verfasser(in):
Willie Clarke und Clarence Reid
publisher:
EMI Longitude Music
Betty Wright52:48
12Could It Be I'm Falling in Love
recording engineer:
Joe Tarsia (engineer)
Produzent(in):
Thom Bell (keyboards, songwriter, producer)
Bass:
Ron Baker (record producer, bassist, arranger and songwriter) (in 1973)
Klavier:
Thom Bell (keyboards, songwriter, producer) (in 1973)
Perkussion [vibraphone, marimba]:
Vince Montana (in 1973)
Schlagzeug:
Earl Young (in 1973)
Baritongesang:
Henry Fambrough (A member of the R&B quintet The Spinners) (in 1973)
Bass-Gesang:
Pervis Jackson (The bass singer for The Spinners) (in 1973)
Hintergrundgesang:
Yvette Benson (in 1973), Carla Benton (in 1973) und Barbara Ingram (in 1973)
Tenor-Gesang:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) und Philippé Wynne (A lead vocalist of The Spinners) (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 221)
recording of:
Could It Be I’m Falling in Love (in 1973)
Verfasser(in):
Melvin Steals und Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners4.54:11
13Killing Me Softly With His Song
Produzent(in):
Joel Dorn
Klavier:
Roberta Flack (singer and pianist)
vocals:
Roberta Flack (singer and pianist)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 273) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 361)
cover recording of:
Killing Me Softly With His Song
Texter:
Norman Gimbel
Komponist(in):
Charles Fox (film/TV composer, also Latin pianist)
publisher:
Platz Music Publishng, Rodali Music, Sony/ATV Songs LLC und Fox-Gimbel Productions Inc. (in 1972)
Roberta Flack3.554:48
14Where Is the Love?
recording engineer:
Jimmy Douglass (engineer)
Produzent(in):
Joel Dorn und Arif Mardin
Mix:
Jimmy Douglass (engineer) und Arif Mardin
E-Bass [electric bass]:
Chuck Rainey (American bassist) (von 1971-03 bis 1971-10)
Gitarre:
Eric Gale (von 1971-03 bis 1971-10)
Hybrid-Piano und Klavier:
Donny Hathaway (von 1971-03 bis 1971-10)
Perkussion:
Ralph MacDonald (von 1971-03 bis 1971-10)
Schlagzeug:
Bernard Purdie (von 1971-03 bis 1971-10)
Vibraphon [vibes]:
Jack Jennings (von 1971-03 bis 1971-10)
vocals:
Roberta Flack (singer and pianist) (von 1971-03 bis 1971-10) und Donny Hathaway (von 1971-03 bis 1971-10)
Interpret(in):
Donny Hathaway (von 1971-03 bis 1971-10)
Holzblasinstrumente [woodwinds] arranger und Saiteninstrumente arranger:
Arif Mardin
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1971-03 bis 1971-10)
recording of:
Where Is the Love (von 1971-03 bis 1971-10)
Verfasser(in):
Ralph MacDonald und William Salter (songwriter, bassist, producer)
publisher:
Antisia Music Inc. und BMG Ruby Songs
Roberta Flack & Donny Hathaway2:44
15I'll Be Around
recording engineer:
Joe Tarsia (engineer)
Produzent(in):
Thom Bell (keyboards, songwriter, producer)
Bass:
Ron Baker (record producer, bassist, arranger and songwriter) (in 1973)
Klavier:
Thom Bell (keyboards, songwriter, producer) (in 1973)
Perkussion [vibraphone, marimba]:
Vince Montana (in 1973)
Schlagzeug:
Earl Young (in 1973)
Baritongesang:
Henry Fambrough (A member of the R&B quintet The Spinners) (in 1973)
Bass-Gesang:
Pervis Jackson (The bass singer for The Spinners) (in 1973)
Hintergrundgesang:
Yvette Benson (in 1973), Carla Benton (in 1973) und Barbara Ingram (in 1973)
Tenor-Gesang:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) und Philippé Wynne (A lead vocalist of The Spinners) (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
DJ Minnesotah, MASATO (KANDYTOWN) und Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten
recording of:
I’ll Be Around (in 1973)
Komponist(in):
Thom Bell (keyboards, songwriter, producer) und Phil Hurtt
publisher:
Mighty Three Music Ld. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners53:11
16Feel Like Makin' Love
recorded in:
New York, New York, Vereinigte Staaten (am 1973-06-13)
Produzent(in):
Eugene McDaniels und Roberta Flack (singer and pianist)
vocals:
Roberta Flack (singer and pianist) (am 1973-06-13)
arranger:
Roberta Flack (singer and pianist) und L. Leon Pendarvis
recording of:
Feel Like Makin’ Love (am 1973-06-13)
Texter und Komponist(in):
Eugene McDaniels
publisher:
Skyforest Music Co., Inc. und 日音 Synch事業部 (NICHION, INC. Synch Division)
Roberta Flack2:58
17Mighty Love
recorded in:
Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973-12)
Produzent(in):
Thom Bell (keyboards, songwriter, producer)
vocals:
The Spinners (The Detroit Spinners, US R&B/soul group, aka The Detroit Spinners) (in 1973-12)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973-12)
arranger:
Thom Bell (keyboards, songwriter, producer) (in 1973-12)
recording of:
Mighty Love (in 1973-12)
Verfasser(in):
Bruce Hawes, Joseph Jefferson (70s soul/funk) und Charles Simmons (70s soul/funk)
publisher:
Mijac Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Spinners4:59
18Love Won't Let Me Wait
recorded in:
Philadelphia, Pennsylvania, Vereinigte Staaten (in 1974)
Produzent(in):
Bobby Eli
Bassgitarre [bass]:
Ronnie Baker (in 1974)
Blechblasinstrumente [horns] und Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1974)
Gitarre:
Bobby Eli (in 1974)
Keyboard:
Ron Kersey (in 1974)
Schlagzeug [drums]:
Earl Young (in 1974)
Vibraphon [vibes]:
Vince Montana (in 1974)
vocals:
Major Harris (in 1974)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Don Renaldo
arranger:
Bobby Eli
recording of:
Love Won’t Let Me Wait (in 1974)
Verfasser(in):
Vinnie Barrett und Bobby Eli
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Mighty Three Music, Prestige Music Co. (US, affiliated with BMI), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Winot Music
Major Harris5:31