The Best Seventies Album in the World… Ever!

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1CD
#TitoloArtistaValutazioneDurata
1We Will Rock You
tecnico:
Mike Stone (producer and engineer, 1960s–80s)
assistente produttore e co-produttore:
Mike Stone (producer and engineer, 1960s–80s)
produttore:
Queen (UK rock group)
battimani e calpestio di piedi [footstomps] :
John Deacon (dal 1977-08 al 1977-09), Brian May (Queen guitarist) (dal 1977-08 al 1977-09), Freddie Mercury (dal 1977-08 al 1977-09) e Roger Taylor (Queen drummer) (dal 1977-08 al 1977-09)
chitarra e chitarra elettrica :
Brian May (Queen guitarist) (dal 1977-08 al 1977-09)
voce di accompagnamento:
Brian May (Queen guitarist) (dal 1977-08 al 1977-09), Freddie Mercury (dal 1977-08 al 1977-09) e Roger Taylor (Queen drummer) (dal 1977-08 al 1977-09)
voce principale:
Freddie Mercury (dal 1977-08 al 1977-09)
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (nel 1977) e Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (nel 1977, nel 2001, nel 2011)
registrata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito (dal 1977-08 al 1977-09)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 338)
registrazione di:
We Will Rock You (dal 1977-08 al 1977-09)
paroliere e compositore:
Brian May (Queen guitarist)
editore:
Beechwood Music Corporation, EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. e Sony/ATV
compresa in:
We Will Rock You (Queen musical)
compresa in:
We Will Rock You (German version of the Queen musical)
Queen3.82:02
2Starman
tecnico audio:
Dennis MacKay (70s–present UK producer/engineer)
produttore:
David Bowie (English singer‐songwriter) e Ken Scott (UK record producer & engineer)
batteria :
Mick Woodmansey (British drummer) (il 1972-02-04)
battimani , chitarra a 12 corde e voce principale:
David Bowie (English singer‐songwriter) (il 1972-02-04)
chitarra acustica , chitarra elettrica , pianoforte e voce di accompagnamento:
Mick Ronson (British guitarist) (il 1972-02-04)
chitarra basso :
Trevor Bolder (British bassist) (il 1972-02-04)
arrangiatore:
David Bowie (English singer‐songwriter) e Mick Ronson (British guitarist)
diritti fonografici (℗) detenuti da:
RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1972), Jones Music (publishers associated with David Bowie) (nel 1990) e Mainman S.A. (not for release label use! © & ℗ rights use only) (nel 1990)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (il 1972-02-04)
mixata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Starman (il 1972-02-04)
paroliere e compositore:
David Bowie (English singer‐songwriter)
editore:
BMG Blue, BMG Rights Management (UK) Limited (not for release label use! see annotation), Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Tintoretto Music
David Bowie4.44:13
3See My Baby Jive
produttore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1972, nel 1973)
registrazione di:
See My Baby Jive
paroliere e compositore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
editore:
Belinda Music, EMI Belinda Music Australia Pty. Ltd. e Roy Wood Music Ltd.
Wizzard54:58
4Make Me Smile (Come Up and See Me)
produttore:
Steve Harley e Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 18)
registrazione di:
Make Me Smile (Come Up and See Me)
paroliere e compositore:
Steve Harley
editore:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. e Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:55
5American Pie
tecnico:
Tom Flye
banjo e chitarra acustica :
Don McLean (il 1971-05-26)
basso :
Bob Rothstein (il 1971-05-26)
batteria e percussione :
Roy Markowitz (il 1971-05-26)
chitarra elettrica :
David Spinozza (il 1971-05-26)
marimba e vibrafono :
Mike Mainieri (il 1971-05-26)
pianoforte :
Paul Griffin (American pianist, session musician) (il 1971-05-26)
pianoforte elettrico :
Ray Colcord (il 1971-05-26)
cori:
West 44th Street Rhythm and Noise Choir (il 1971-05-26)
voce:
Bob Rothstein (il 1971-05-26) e Don McLean (il 1971-05-26)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1971) e United Artists Records (for bootlegs and counterfeit) (nel 1971)
registrazione parziale di:
American Pie (il 1971-05-26)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd e Yahweh Tunes, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:06
6Band on the Run
tecnico di registrazione:
Geoff Emerick (British recording engineer) (dal 1973-09-01 al 1973-10)
assistente tecnico:
Monday (engineer) (dal 1973-09-01 al 1973-11) e Pete Swettenham (dal 1973-09-01 al 1973-11)
produttore:
Paul McCartney (The Beatles) (dal 1973-09-01 al 1973-10)
tecnico di missaggio:
Geoff Emerick (British recording engineer) (dal 1973-10 al 1973-11)
archi e corno :
Beaux Arts Orchestra (dal 1973-09-01 al 1973-10)
batteria , chitarra basso , pianoforte elettrico , sintetizzatore e voce principale:
Paul McCartney (The Beatles) (dal 1973-09-01 al 1973-10)
chitarra acustica e chitarra elettrica :
Denny Laine (dal 1973-09-01 al 1973-10) e Paul McCartney (The Beatles) (dal 1973-09-01 al 1973-10)
moog :
Linda McCartney (dal 1973-09-01 al 1973-10)
voce di accompagnamento:
Denny Laine (dal 1973-09-01 al 1973-10), Linda McCartney (dal 1973-09-01 al 1973-10) e Paul McCartney (The Beatles) (dal 1973-09-01 al 1973-10)
orchestratore:
Tony Visconti
diritti fonografici (℗) detenuti da:
MPL Communications Inc/Ltd (Paul McCartney‐related, NYC‐based company)
registrata in aggiunta presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (nel 1973-10)
mixata presso:
Kingsway Studios in Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (dal 1973-10 al 1973-11)
registrazione di:
Band on the Run (dal 1973-09-01 al 1973-10)
autore:
Linda McCartney e Paul McCartney (The Beatles)
editore:
ATV Music Corp. e McCartney Music, Inc.
Paul McCartney & Wings45:10
7You Wear It Well
registrazione di:
You Wear It Well
autore:
Martin Quittenton (guitarist for Steamhammer) e Rod Stewart
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), G.H. Music Ltd, Three Bridges Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Windswept Pacific Music Ltd. (publishing company)
Rod Stewart4:04
8Baker Street
basso :
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (nel 1977)
batteria :
Henry Spinetti (nel 1977)
chitarra [lead guitar] :
Hugh Burns (nel 1977)
chitarra [rhythm guitar] :
Nigel Jenkins (nel 1977)
percussione :
Glen LeFleur (nel 1977)
sassofono :
Raphael Ravenscroft (nel 1977)
tastiera :
Tommy Eyre (nel 1977)
voce principale:
Gerry Rafferty (nel 1977)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978, nel 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1978) e United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1978)
registrata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito (nel 1977)
edit di:
Baker Street di Gerry Rafferty
registrazione di:
Baker Street (nel 1977)
paroliere e compositore:
Gerry Rafferty
editore:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) e Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:06
9Mr. Blue Sky
tecnico:
Mack (German rock producer/engineer Reinhold Mack)
produttore:
Jeff Lynne
basso :
Kelly Groucutt (nel 1977)
batteria, altri strumenti [fire extinguisher] e percussione :
Bev Bevan (English rock drummer) (nel 1977)
chitarra , sintetizzatore e voce principale:
Jeff Lynne (nel 1977)
tastiera :
Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1977)
voce di accompagnamento:
Bev Bevan (English rock drummer) (nel 1977) e Kelly Groucutt (nel 1977)
direttore d'orchestra:
Louis Clark (nel 1977)
arrangiatore:
Louis Clark, Jeff Lynne e Richard Tandy (keyboardist for Electric Light Orchestra)
diritti fonografici (℗) detenuti da:
Epic Records (J-pop label, established 1978; use ONLY for releases by Japanese domestic artists after 2001!) (nel 1977), Jet Records (nel 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977, nel 2005), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977) e United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1977)
registrata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (nel 1977)
mixata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 17) e Q50 – December 2005 (numero: 33)
registrazione di:
Mr. Blue Sky (nel 1977)
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. e Polygon Publishing Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
parte di:
Concerto for a Rainy Day
Electric Light Orchestra4.555:01
10You’re So Vain
tecnico di registrazione:
Robin Geoffrey Cable (dal 1972-09 al 1972-10)
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
basso :
Klaus Voorman (dal 1972-09 al 1972-10)
batteria :
Jim Gordon (US drummer with Derek and the Dominos) (dal 1972-09 al 1972-10)
chitarra :
Jimmy Ryan (American guitarist and singer/songwriter) (dal 1972-09 al 1972-10)
percussione :
Richard Perry (producer) (dal 1972-09 al 1972-10)
pianoforte e voce principale:
Carly Simon (dal 1972-09 al 1972-10)
voce di accompagnamento:
Mick Jagger (The Rolling Stones) (dal 1972-09 al 1972-10)
voce di accompagnamento aggiuntiva:
Carly Simon (dal 1972-09 al 1972-10) e Doris Troy (dal 1972-09 al 1972-10)
arrangiatore archi :
Carly Simon
orchestratore:
Paul Buckmaster
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984) e Rhino Entertainment Company (not for release label use!) (nel 2015)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (dal 1972-09 al 1972-10)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 140) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 495)
registrazione di:
You’re So Vain (dal 1972-09 al 1972-10)
paroliere e compositore:
Carly Simon
editore:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) e Universal Music Publishing Group
Carly Simon4.554:17
11Heart of Glass
assistente tecnico:
Grey Russell
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke
chitarra :
Frank Infante e Chris Stein
chitarra basso :
Nigel Harrison
tastiera :
Jimmy Destri
voce:
Deborah Harry
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978) e Chrysalis Records, Inc. (not for release label use!) (nel 1979)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1978-06 al 1978-07)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 2), Indie 88: Top 500 Indie Rock Songs (numero: 138), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 138) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 255)
registrazione di:
Heart of Glass
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation e Rare Blue Music Inc (nel 1978)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
versione di:
Once I Had a Love
Blondie4.33:54
12Let’s Stick Together
assistente tecnico:
Nigel Walker (UK producer/engineer/guitarist) e Jon Walls
tecnico:
Steve Nye (producer, engineer and pianist) e John Punter
produttore:
Bryan Ferry e Chris Thomas (UK record producer / remixer)
armonica (a bocca) e tastiera :
Bryan Ferry (dal 1973 al 1976)
basso :
John Wetton (dal 1973 al 1976)
batteria :
Paul Thompson (Roxy Music drummer) (dal 1973 al 1976)
chitarra :
Chris Spedding (dal 1973 al 1976)
percussione :
Morris Pert (dal 1973 al 1976)
sassofono soprano :
Mel Collins (dal 1973 al 1976)
sassofono tenore :
Chris Mercer (British saxophonist) (dal 1973 al 1976)
sintetizzatore e violino :
Eddie Jobson (dal 1973 al 1976)
tromba :
Martin Drover (dal 1973 al 1976)
cori:
Vicki Brown (English pop, rock & contemporary classical singer) (dal 1973 al 1976), Doreen Chanter (dal 1973 al 1976), Helen Chappelle (dal 1973 al 1976), Jackie Sullivan (vocals & songwriter) (dal 1973 al 1976), Martha Walker (Vocalist) (dal 1973 al 1976) e Paddie McHugh (UK vocalist, in Kokomo, The Voice Squad, Arrival) (dal 1973 al 1976)
voce:
Bryan Ferry (dal 1973 al 1976)
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1976), Virgin EG Records Ltd. (nel 1976) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1976, nel 1999)
registrata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito e Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (dal 1973 al 1976)
registrazione cover di:
Let’s Stick Together (dal 1973 al 1976)
paroliere e compositore:
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
editore:
ABZ Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. e SBK/U Catalog (nel 1969)
Bryan Ferry3.352:57
13School’s Out
tecnico:
Roy Cicala e Shelly Yakus
produttore:
Bob Ezrin
basso elettrico :
Dennis Dunaway (original bass player for Alice Cooper)
batteria :
Neil Smith (former Alice Cooper drummer)
chitarra e voce di accompagnamento:
Reggie Vincent
chitarra elettrica :
Michael Bruce (of Alice Cooper) e Glen Buxton (American guitarist)
tastiera :
Michael Bruce (of Alice Cooper) e Bob Ezrin
voce principale:
Alice Cooper (the singer, active as a solo artist 1975–present)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972, nel 1974) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1972)
è stato produttore per:
Alive Enterprises Incorporated e Nimbus 9 Productions
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 293) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 319)
registrazione di:
School’s Out
autore:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975–present), Dennis Dunaway (original bass player for Alice Cooper) e Neal Smith (former Alice Cooper drummer)
editore:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.253:27
14Since You Been Gone
tecnico di registrazione:
Leigh Mantle (nel 1979-04) e Dr. Michael Palmer (engineer) (nel 1979-04)
tecnico:
Gary Edwards (producer, engineer)
produttore:
Roger Glover
batteria :
Cozy Powell (nel 1979-04)
chitarra :
Ritchie Blackmore (nel 1979-04)
chitarra basso :
Roger Glover (nel 1979-04)
tastiera :
Don Airey (nel 1979-04)
voce principale:
Graham Bonnet (British rock vocalist) (nel 1979-04)
diritti fonografici (℗) detenuti da:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1979), Polydor Records Inc. (nel 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1979) e Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (nel 1979)
registrata presso:
Château de Pelly in Desingy, Haute-Savoie, Auvergne-Rhône-Alpes (Alvernia-Rodano-Alpi), Francia (nel 1979-04) e Maison Rouge Mobile Studio (nel 1979-04)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 82)
registrazione cover di:
Since You Been Gone (nel 1979-04)
paroliere e compositore:
Russ Ballard
editore:
BMG Gold Songs, BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Complete Music Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), Island Music (Island Music Ltd.), Island Music Ltd., Russell Ballard Ltd, Union Square Music Songs Ltd. e Virgin Music (Publishers) Ltd.
Rainbow43:15
15Rockin’ All Over the World
assistente tecnico:
Kevin Whyte
tecnico:
John Eden (producer), Barry Hammond e Simon Sullivan
produttore:
Status Quo (UK boogie rock band) e Pip Williams (producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1977), Mercury Records Ltd. (London) (for copyrights use only) (nel 1977), Mercury Records Ltd. (UK) (nel 1977), Phonogram Ltd. (not for release label use!) (nel 1977), Phonogram Ltd. (London) (company name, NOT a label!) (nel 1977, nel 1988) e Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1992)
registrata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito (il 1992-08-30), Studio Bohus in Kungälv Municipality (Kungälv municipality), Västra Götaland (Västra Götaland county), Svezia (il 1992-08-30) e Sutton Park in Birmingham, West Midlands, England, Regno Unito (il 1992-08-30)
mixata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito
video musicali:
Rockin All Over the World di Status Quo (UK boogie rock band)
registrazione cover di:
Rockin’ All Over the World (il 1992-08-30)
paroliere e compositore:
John Fogerty
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greasy King Music, Hornall Brothers Music (limited company), Intersong (publisher), Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB (Sweden), Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Wenaha Music, Wenaha Music Company e Intersong Ltd. (publisher) (nel 1977)
Status Quo43:27
16Cum on Feel the Noize
produttore:
Bryan “Chas” Chandler
parte di:
Q50 – December 2005 (numero: 34)
registrazione di:
Cum On Feel the Noize
autore:
Noddy Holder e Jim Lea
editore:
Barn Publishing (Slade) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Chappell e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-editore:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Slade4.154:28
17Nutbush City Limits
produttore:
Ike Turner
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1973), United Artists (nel 1973) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrazione di:
Nutbush City Limits
paroliere e compositore:
Tina Turner
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music e Valley Spring Music Corp.
Ike & Tina Turner3.752:50
18Spirit in the Sky
produttore:
Erik Jacobsen
diritti fonografici (℗) detenuti da:
Reprise Records (nel 1969), Seven Arts Records, Inc. (not a label) (nel 1969), Transtone Productions (nel 1970) e Craft Recordings (US jazz label; reissue division of Concord) (nel 2023)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 5), Billboard Year-End Hot 100 singles of 1970 (numero: 22) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 333)
registrazione di:
Spirit in the Sky (nel 1969)
paroliere e compositore:
Norman Greenbaum
editore:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) e Westminster Music Ltd.
Norman Greenbaum4.053:56
19Ride a White Swan
registrazione di:
Ride a White Swan
paroliere e compositore:
Marc Bolan
editore:
Westminster Music Ltd.
T. Rex2:12
20Rock ’n’ Roll PT.2.
Gary Glitter3:01
21One Step Beyond
produttore:
Clive Langer & Alan Winstanley
batteria e percussione :
Daniel Woodgate
chitarra :
Chris Foreman (UK musician, aka “Chrissy Boy”)
chitarra basso :
Mark Bedford
sassofono baritono e sassofono tenore :
Lee “Kix” Thompson (Madness)
tastiera :
Mike Barson
voce:
Suggs e Lee “Kix” Thompson (Madness)
voce di accompagnamento:
Chas Smash
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1979)
registrazione cover di:
One Step Beyond…
paroliere e compositore:
Cecil Bustamente Campbell
editore:
Melodisc Music Ltd.
Madness4.52:17
2CD