Motown’s Biggest Pop Hits: All #1 on Billboard’s Charts

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1I Heard It Through the Grapevine
Produzent(in):
Norman Whitfield
Bass [1962 Fender Precision Bass]:
James Jamerson (von 1967-02-03 bis 1967-04-10)
Conga und Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (von 1967-02-03 bis 1967-04-10)
Gitarre [1964 Gibson Firebird III]:
Eddie Willis (von 1967-02-03 bis 1967-04-10)
Gitarre [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (von 1967-02-03 bis 1967-04-10)
Hammond-Orgel [B-3]:
Earl Van Dyke (von 1967-02-03 bis 1967-04-10)
Instrumente:
The Funk Brothers (von 1967-02-03 bis 1967-04-10)
Schlagzeug:
Uriel Jones (von 1967-02-03 bis 1967-04-10)
Tom Tom:
Richard "Pistol" Allen (von 1967-02-03 bis 1967-04-10)
Waldhorn:
Don Ozga (von 1967-02-03 bis 1967-04-10) und Edwin Jones (von 1967-02-03 bis 1967-04-10)
Wurlitzer Electric Piano:
Johnny Griffith (von 1967-02-03 bis 1967-04-10)
Hintergrundgesang:
The Andantes (von 1967-02-03 bis 1967-04-10), Marlene Barrow (von 1967-02-03 bis 1967-04-10), Louvain Demps (von 1967-02-03 bis 1967-04-10) und Jackie Hicks (von 1967-02-03 bis 1967-04-10)
Sologesang:
Marvin Gaye (von 1967-02-03 bis 1967-04-10)
Orchester:
Detroit Symphony Orchestra (von 1967-02-03 bis 1967-04-10)
Saiteninstrumente arranger:
Paul Riser (von 1967-02-03 bis 1967-04-10)
Orchestrator(in):
Paul Riser (von 1967-02-03 bis 1967-04-10)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1968)
aufgenommen bei und mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1967-02-03 bis 1967-04-10)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 80), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 119) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 307)
cover recording of:
I Heard It Through the Grapevine (von 1967-02-03 bis 1967-04-10)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye3.73:18
2I’ll Be There
Produzent(in):
Nickolas Ashford, Hal Davis und Valerie Simpson
arranger:
Bob West (US session bassist, producer & songwriter)
recording of:
I’ll Be There (in 1970-06)
Verfasser(in):
Bob West (US session bassist, producer & songwriter), Hal Davis, Berry Gordy und Willie Hutch
publisher:
EMI April Music Inc., EMI Songs Australia, Jobete Music Co., Inc. und Stone Diamond Music Corporation
Teil von:
MJ: The Musical
The Jackson 54.353:58
3Upside Down
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
vocals:
Diana Ross
conductor:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
remixer:
Russ Terrana
arranger:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1980) und Motown Records (not for label use; use “Motown” instead) (in 1980)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 89)
recording of:
Upside Down
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC und Tommy Jymi Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross3.754:07
4Baby Love
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (am 1964-08-13)
Bass:
James Jamerson (am 1964-08-13)
foot stomps [footstomps]:
Michael Valvano (am 1964-08-13)
Gitarre:
Eddie Willis (am 1964-08-13)
Instrumente:
The Funk Brothers (am 1964-08-13)
Klavier:
Earl Van Dyke (am 1964-08-13)
Schlagzeug:
Richard "Pistol" Allen (am 1964-08-13)
Tenorsaxophon:
Henry Cosby (am 1964-08-13)
Vibraphon:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-08-13)
Hintergrundgesang:
Florence Ballard (am 1964-08-13) und Mary Wilson (am 1964-08-13)
Sologesang:
Diana Ross (am 1964-08-13)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1964-08-13)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 324) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 499)
recording of:
Baby Love (am 1964-08-13)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. und Stone Agate Music Division
The Supremes4.352:38
5Ain’t No Mountain High Enough
Produzent(in):
Nickolas Ashford, Henry Cosby und Valerie Simpson
arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 6)
cover recording of:
Ain’t No Mountain High Enough
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
sub-publisher:
EMI Songs Australia Pty. Ltd. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Diana Ross4.153:30
6War
Interpret(in):
Edwin Starr
cover recording of:
War (am 1970-05-15)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
Jobete Music (UK) Ltd. und Jobete Music Co., Inc.
Edwin Starr4.23:25
7Fingertips (Part II)
Produzent(in):
Berry Gordy
Bass:
James Jamerson (am 1962-06-01) und Larry Moses (bass player) (am 1962-06-01)
Bongos, Mundharmonika und Sologesang:
Stevie Wonder (am 1962-06-01)
Schlagzeug:
Marvin Gaye (am 1962-06-01)
arranger:
Clarence Paul
aufgenommen bei:
Regal Theater in Chicago, Illinois, Vereinigte Staaten (am 1962-06-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 13)
live teilweise recording of:
Fingertips (am 1962-06-01)
Verfasser(in):
Henry Cosby und Clarence Paul
publisher:
Jobete Music Co., Inc. und Stone Agate Music
Stevie Wonder53:13
8Let’s Get It On
Produzent(in):
Marvin Gaye und Ed Townsend
Perkussion:
Emil Richards
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label), Motown Record Corp. (company credits only; do NOT use as release label) (in 1973) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
Remix von:
Let’s Get It On (album version) von Marvin Gaye
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 46)
recording of:
Let’s Get It On
Verfasser(in):
Marvin Gaye und Ed Townsend
publisher:
Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd und Stone Diamond Music Corporation
Marvin Gaye3.54:02
9Three Times a Lady
Produzent(in):
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
Sologesang:
Lionel Richie
arranger:
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1978), Motown Record Corporation (company credits only; do NOT use as release label) (in 1978, in 1979) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 10)
recording of:
Three Times a Lady
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Libren Music
Commodores3.653:38
10Love Child
Produzent(in):
The Clan (Motown composers/producers group)
Hintergrundgesang:
The Andantes
arranger:
Paul Riser
recording of:
Love Child (Diana Ross & the Supremes song)
Verfasser(in):
Deke Richards (American songwriter and record producer), Pam Sawyer (British‐born American lyricist and songwriter), R. Dean Taylor (Canadian singer, songwriter and record producer) und Frank Wilson (Motown singer/songwriter)
publisher:
Jobete Music Co., Inc. und Stone Agate Music Division
Diana Ross & The Supremes3.52:58
11I Can’t Get Next to You
Produzent(in):
Norman Whitfield
Instrumente:
The Funk Brothers (von 1969-06-23 bis 1969-07-03)
Sologesang:
Dennis Edwards (US soul & R’n’B singer) (von 1969-06-23 bis 1969-07-03), Eddie Kendricks (von 1969-06-23 bis 1969-07-03) und Paul Williams (member of The Temptations) (von 1969-06-23 bis 1969-07-03)
vocals:
Melvin Franklin (von 1969-06-23 bis 1969-07-03) und Otis Williams (US baritone singer, member of The Temptations & The Distants) (von 1969-06-23 bis 1969-07-03)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1969)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1969-06-23 bis 1969-07-03)
recording of:
I Can’t Get Next to You (von 1969-06-23 bis 1969-07-03)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd. und Stone Agate Music
The Temptations2.52:54
12I Can’t Help Myself (Sugar Pie, Honey Bunch)
recording engineer:
Russ Terrana
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (in 1965)
Bass [1962 Fender Precision Bass]:
James Jamerson
Gitarre [1964 Gibson Firebird III]:
Eddie Willis (in 1965)
Gitarre [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (in 1965)
Gitarre [Gibson L-5]:
Robert White (US funk/soul guitarist) (in 1965)
Instrumente:
The Funk Brothers (in 1965)
Klavier:
Earl Van Dyke (in 1965)
Saiteninstrumente:
Detroit Symphony Orchestra (in 1965)
Schlagzeug:
Richard "Pistol" Allen (in 1965)
Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (in 1965)
Vibraphon:
Jack Brokensha (in 1965)
Hintergrundgesang:
The Andantes (in 1965), Marlene Barrow (in 1965), Renaldo Benson (in 1965), Louvain Demps (in 1965), Abdul “Duke” Fakir (in 1965), Jackie Hicks (in 1965) und Lawrence Payton (in 1965)
Sologesang:
Levi Stubbs (in 1965)
aufgenommen bei und mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 30), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 148), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 415) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 483)
recording of:
I Can’t Help Myself (Sugar Pie, Honey Bunch) (in 1965)
Texter:
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division
Four Tops3.62:43
13The Tears of a Clown
Gitarre:
Marvin Tarplin (am 1966-09-26)
Instrumente:
The Funk Brothers (am 1966-09-26)
Hintergrundgesang:
Warren “Pete” Moore (am 1966-09-26), Claudette Robinson (am 1966-09-26), Bobby Rogers (am 1966-09-26) und Ronald White (soul singer, founding member of The Miracles) (am 1966-09-26)
Sologesang:
Smokey Robinson (am 1966-09-26)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1967) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1970)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1966-09-26)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 190) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 313)
recording of:
The Tears of a Clown (am 1966-09-26)
Texter:
Smokey Robinson
Komponist(in):
Henry Cosby, Smokey Robinson und Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Ltd und Jobette Music (UK) Ltd.
Smokey Robinson & The Miracles3.93:01
14Keep On Truckin’ (Part 1)
Produzent(in):
Leonard Caston (son of Leonard Caston) und Frank Wilson (Motown singer/songwriter)
arranger:
James Carmichael und Jerry Long (Motown songwriter Jerry Long, Sr.)
recording of:
Keep On Truckin’
Verfasser(in):
Lenny Caston (son of Leonard Caston), Anita Porée und Frank Wilson (Motown singer/songwriter)
publisher:
Jobete Music (UK) Ltd. und Stone Diamond Music Corporation
Eddie Kendricks3:36
15Where Did Our Love Go
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (am 1964-04-08)
Bass:
James Jamerson (am 1964-04-08)
foot stomps [footstomps]:
Michael Valvano (am 1964-04-08)
Gitarre:
Robert White (US funk/soul guitarist) (am 1964-04-08) und Eddie Willis (am 1964-04-08)
Instrumente:
The Funk Brothers (am 1964-04-08)
Klavier:
Earl Van Dyke (am 1964-04-08)
Schlagzeug:
Richard "Pistol" Allen (am 1964-04-08)
Vibraphon:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-04-08)
Hintergrundgesang:
Florence Ballard (am 1964-04-08) und Mary Wilson (am 1964-04-08)
Sologesang:
Diana Ross (am 1964-04-08)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1964-04-08)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 29) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 472)
recording of:
Where Did Our Love Go (am 1964-04-08)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. und Jobete Music Co., Inc.
The Supremes52:34
16ABC
Produzent(in):
The Corporation (Motown songwriters)
E-Bass:
Wilton Felder (in 1970-01) und Bob West (US session bassist, producer & songwriter) (in 1970-01)
Gitarre:
Don Peake (in 1970-01), Louis Shelton (in 1970-01) und David T. Walker (in 1970-01)
Keyboard:
Freddie Perren (in 1970-01)
Schlagzeug:
Gene Pello (in 1970-01)
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Marlon Jackson (in 1970-01) und Tito Jackson (in 1970-01)
Hintergrundgesang und Sologesang:
Michael Jackson (“King of Pop”) (in 1970-01)
Sologesang:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1970-01) und Tito Jackson (in 1970-01)
arranger:
The Corporation (Motown songwriters)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1970)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1970-01)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 174)
recording of:
ABC (in 1970-01)
Verfasser(in):
Berry Gordy, Fonce Mizell, Freddie Perren und Deke Richards (American songwriter and record producer)
Komponist(in):
Erik Huber (audio engineer, producer, composer)
publisher:
Jobete Music Co., Inc.
sub-publisher:
ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Teil von:
MJ: The Musical
The Jackson 54.12:59
17Come See About Me
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Instrumente:
The Funk Brothers (am 1964-07-13)
Hintergrundgesang:
Florence Ballard (am 1964-07-13) und Mary Wilson (am 1964-07-13)
Sologesang:
Diana Ross (am 1964-07-13)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1964-07-13)
recording of:
Come See About Me (am 1964-07-13)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Verfasser(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division
The Supremes52:45
18Just My Imagination (Running Away With Me)
Produzent(in):
Norman Whitfield
Sologesang:
Eddie Kendricks (von 1970-01-24 bis 1970-12-03)
vocals:
The Temptations (Motown soul vocal group) (von 1970-11-24 bis 1970-12-03)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1971), Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1971), Motown Record Corporation (company credits only; do NOT use as release label) (in 1971) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
aufgenommen bei:
Golden World in Detroit, Michigan, Vereinigte Staaten (von 1970-11-24 bis 1970-12-03)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 233) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 389)
recording of:
Just My Imagination (Running Away With Me) (von 1970-11-24 bis 1970-12-03)
Texter:
Barrett Strong
Komponist(in):
Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Stone Agate Music
The Temptations4.353:48

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